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A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION .............................................................................................. -
Hallmark Collection
Hallmark Collection 20000 Leagues Under The Sea In 1867, Professor Aronnax (Richard Crenna), renowned marine biologist, is summoned by the Navy to identify the mysterious sea creature that disabled the steamship Scotia in die North Atlantic. He agrees to undertake an expedition. His daughter, Sophie (Julie Cox), also a brilliant marine biologist, disguised as a man, comes as her father's assistant. On ship, she becomes smitten with harpoonist Ned Land (Paul Gross). At night, the shimmering green sea beast is spotted. When Ned tries to spear it, the monster rams their ship. Aronnax, Sophie and Ned are thrown overboard. Floundering, they cling to a huge hull which rises from the deeps. The "sea beast" is a sleek futuristic submarine, commanded by Captain Nemo. He invites them aboard, but warns if they enter the Nautilus, they will not be free to leave. The submarine is a marvel of technology, with electricity harnessed for use on board. Nemo provides his guests diving suits equipped with oxygen for exploration of die dazzling undersea world. Aronnax learns Nemo was destined to be the king to lead his people into the modern scientific world, but was forced from his land by enemies. Now, he is hoping to halt shipping between the United States and Europe as a way of regaining his throne. Ned makes several escape attempts, but Sophie and her father find the opportunities for scientific study too great to leave. Sophie rejects Nemo's marriage proposal calling him selfish. He shows his generosity, revealing gold bars he will drop near his former country for pearl divers to find and use to help the unfortunate. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Absolute Power
FINAL-1 Sat, Oct 12, 2019 5:37:02 PM tvupdateYour Weekly Guide to TV Entertainment For the week of October 20 - 26, 2019 Absolute power Jason Clarke and Helen Mirren in “Catherine the Great” INSIDE •Sports highlights Page 2 •TV Word Search Page 2 •Family Favorites Page 4 •Hollywood Q&A Page14 Dame Helen Mirren (“Collateral Beauty,” 2016) explores the public and private tale of Catherine the Great’s rulership as she reached the end of her life in the four-part period drama “Catherine the Great,” premiering Monday, Oct. 21, on HBO. The series tells her glorious, politically victorious story, while also outlining the controversy and eroticism that challenged her luxurious, golden court. To advertise here WANTED MOTORCYCLES, SNOWMOBILES, OR ATVS GOLD/DIAMONDS please call ✦ 40 years in business; A+ rating with the BBB. ✦ For the record, there is only one authentic CASH FOR GOLD, Bay 4 (978) 946-2375 Group Page Shell PARTS & ACCESSORIES We Need: SALESMotorsports & SERVICE 5 x 3” Gold • Silver • Coins • Diamonds MASS. MOTORCYCLEWANTED1 x 3” We are the ORIGINAL and only AUTHENTIC SELLBUYTRADEINSPECTIONS CASH FOR GOLD on the Methuen line, above Enterprise Rent-A-Car at 527 So. Broadway, Rte. 28, Salem, NH • 603-898-2580 1615 SHAWSHEEN ST., TEWKSBURY, MA Open 7 Days A Week ~ www.cashforgoldinc.com 978-851-3777 WWW.BAY4MS.COM FINAL-1 Sat, Oct 12, 2019 5:37:03 PM COMCAST ADELPHIA 2 Sports Highlights Kingston CHANNEL Atkinson NESN Sunday 6:00 p.m. NESN Bruins Classics NHL Hockey NCAA Massachusetts - 9:00 p.m. SHOW Boxing Erickson Salem Londonderry 6:30 a.m. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer
secrets 2nd edition secrets the best-selling book on how to think funny, write funny, act funny, and get paid for it Mel Helitzer with Mark Shatz WRITER'S DIGEST BOOKS Cincinnati, Ohio www. writersdigest.com COMEDY WRITING SECRETS, Copyright 2005 © by Melvin Helitzer. Printed and bound in the United States of America. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems without permission in writing from the publisher, except by a reviewer, who may quote passages in a review. Published by Writer's Digest Books, an imprint of F+W Publications, Inc., 4700 East Galbraith Road, Cincinnati, Ohio 45236, (800) 289-0963. Second edition. Other fine Writer's Digest Books are available at your local bookstore or direct from the publisher. 09 08 07 06 05 5 4 3 2 1 Distributed in Canada by Fraser Direct, 100 Armstrong Avenue, Georgetown, ON, Canada L7G 5S4, Tel: (905) 877-4411. Distributed in the U.K. and Europe by David & Charles, Brunei House, Newton Abbot, Devon, TQ12 4PU, England, Tel: (+44) 1626 323200, Fax: (+44) 1626 323319, E-mail: [email protected]. Distributed in Australia by Capricorn Link, P.O. Box 704, S. Windsor NSW, 2756 Australia, Tel: (02) 4577-3555. Library of Congress Cataloging-in-Publication Data Helitzer, Melvin. Comedy writing secrets: the best-selling book on how to think funny, write funny, act funny, and get paid for it / by Mel Helitzer with Mark Shatz. p. cm. Includes index. ISBN 1-58297-357-1 (pbk.: alk. -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
SAG/AFTRA - 5’4” - 120 Lbs - Eyes: Brown - Hair: Auburn
J U DY T E N UT A www.judytenuta.com - SAG/AFTRA - 5’4” - 120 lbs - Eyes: Brown - Hair: Auburn FILMS Material Girls – Margo- Martha Coolidge , Director Going Down in Lala Land- Zenia- Casper Andreas, Director Desperation Boulevard – Lead----Judy Tenuta Executive producer Hanging in Hedo – Mrs Weinberg- Sister Mary- Sister Mary Butch Camp—Samantha- Billingsgate Productions Plump Fiction- Rhonda Love Bites- Sgt. Farfolli Flirting with Anthony –Motel Owner-Sally White Hot- Singer- Robby Benson, Director TELEVISION Ned’s Delassified School Survival Guide –Mrs. Holler General Hospital- Bunny The Brothers Garcia – Judge Beaucamp The Weird Al Show – Madame Judy STAND-UP SPECIALS, COMEDY CDs & BOOKS Women of the Night (HBO with Ellen DeGeneres, Rita Ruder, & Paula Poundstone), Worship Me Pigs (Showtime), One Night Stand: Judy Tenuta (HBO), Judy Tenuta: Un- Butt Plugged Tex-Ass! (DVD), Buy This, Pigs (Grammy Nomination - Elektra Records), Attention Butt Pirates & Lesbetarians (Grammy Nomination), Buy This Again, Pigs (Amazon.com), A Space Goddessy (Laugh.com), The Power of Judyism (Book from Harper –Collins) VARIETY – Celebrity Panelist Comics Unleashed, TV Land’s Top 10 (Regular), Hollywood Squares, Late Night with David Letterman, Larry King Live, The View, Howard Stern Show, Girls Night Out (Co- Host), Politically Incorrect with Bill Maher, Street Smarts, Match Game, Celebrity Homes, Star Dates, E! 101 Most Starlicious Makeovers, Harley Davidson 90th Birthday, The Gossip Show on E! (Host), Battle of the Sexes (Co-Host), Behind the Music, Evening At The Improv, The Joan Rivers Show ANIMATION Chowder- Duckman (Recurring) Dr. Katz Space Ghost (Recurring) Johnny Bravo Empanada Edna Animated Self Speech & Theater - University of Illinois-Chicago, Second City - Improv Technique, Margie Haber Acting Coach Voice - Chicago Conservatory of Music * 2 Time Grammy Nominee – Best Comedy Album Award * First Stand-Up to Win “Best Female Comedian” American Comedy Awards * Diet Dr. -
Movie Suggestions for 55 and Older: #4 (141) After the Ball
Movie Suggestions for 55 and older: #4 (141) After The Ball - Comedy - Female fashion designer who has strikes against her because father sells knockoffs, gives up and tries to work her way up in the family business with legitimate designes of her own. Lots of obstacles from stepmother’s daughters. {The} Alamo - Western - John Wayne, Richard Widmark, Laurence Harvey, Richard Boone, Frankie Avalon, Patrick Wayne, Linda Cristal, Joan O’Brien, Chill Wills, Ken Curtis, Carlos Arru , Jester Hairston, Joseph Calleia. 185 men stood against 7,000 at the Alamo. It was filmed close to the site of the actual battle. Alive - Adventure - Ethan Hawke, Vincent Spano, James Newton Howard, et al. Based on a true story. Rugby players live through a plane crash in the Andes Mountains. When they realize the rescue isn’t coming, they figure ways to stay alive. Overcoming huge odds against their survival, this is about courage in the face of desolation, other disasters, and the limits of human courage and endurance. Rated “R”. {The} American Friend - Suspense - Dennis Hopper, Bruno Ganz, Lisa Kreuzer, Gerard Blain, Nicholas Ray, Samuel Fuller, Peter Lilienthal, Daniel Schmid, Jean Eustache, Sandy Whitelaw, Lou Castel. An American sociopath art dealer (forged paintings) sells in Germany. He meets an idealistic art restorer who is dying. The two work together so the German man’s family can get funds. This is considered a worldwide cult film. Amongst White Clouds - 294.3 AMO - Buddhist, Hermit Masters of China’s Zhongnan Mountains. Winner of many awards. “An unforgettable journey into the hidden tradition of China’s Buddhist hermit monks. -
The Profitable Purity of Robert Redford: Authenticity, Auteur Capital, and the Sundance Film Festival
The Profitable Purity of Robert Redford: Authenticity, Auteur Capital, and the Sundance Film Festival Matthew King A Thesis in The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Film Studies) at Concordia University Montréal, Quebec, Canada March 2018 Ó Matthew King, 2018 ii CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Matthew King Entitled: The Profitable Purity of Robert Redford: Authenticity, Auteur Capital, and the Sundance Film Festival and submitted in partial fulfillment of the requirements for the degree of Master of Arts (Film Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Chair Marc Steinberg Examiner Masha Salazkina Examiner Liz Czach Supervisor Kay Dickinson Approved by Chair of Department or Graduate Program Director Dean of Faculty Date: iii ABSTRACT The Profitable Purity of Robert Redford: Authenticity, Auteur Capital, and the Sundance Film Festival Matthew King This thesis, through the relationship between actor-director Robert Redford and the Sundance Film Festival, examines the dynamic between filmmakers and film festivals, and the effect the former can have on the latter’s public perception. Scholarship on the ties between festivals and filmmakers has been limited, often using Pierre Bourdieu’s concepts of field, capital, and habitus to focus on the festival’s ability to imbue a director with legitimacy and capital. While this study also uses Bourdieu’s theories as a foundation for understanding film festivals, it ultimately filters these concepts through a lens of star and auteur studies to look at the relationship the other way around: that is, how an auteur-star like Redford might affect a festival like Sundance, both economically and culturally. -
The Acting/Music Theatre Option
School of Drama Purnell Center for the Arts Carnegie Mellon University Pittsburgh PA 15213 412.268.2392 phone [email protected] www.drama.cmu.edu DRAMA THE ACTING/MUSIC THEATRE OPTION . We prepare you for immediate entry into the acting profession. Our 4-year conservatory training systematically introduces and reinforces your skills, leading you to mastery. CURRICULUM Year 1: Discovery An introduction to basic skills Year 2: Transformation Skills are solidified and deepened by delving into more sophisticated, verbally complex scripts Year 3: Interpretation Expansion of technique by working in many different and more challenging and demanding styles. This is the year you begin performing in CMU productions Year 4: Performing You are prepared for your transition into a professional and will attend performances in New York and Los Angeles Fourteen experienced theatre artists comprise our faculty in teaching acting, music theatre, voice, dance, and movement. All have worked in professional theatre and are committed to your individual growth as an emerging professional. In addition, distinguished visiting artists from stage, film, and television will train and work with you. Other special aspects of our program: • Opportunities to study abroad • Student-initiated projects • The International Artists Residency Program featuring innovative companies from around the world. For further information, please visit www.drama.cmu.edu or contact Barbara MacKenzie-Wood, Acting/Music Theatre Option Coordinator, at [email protected] or call 412-268-5750. School of Drama Purnell Center for the Arts Carnegie Mellon University Pittsburgh PA 15213 412.268.2392 phone [email protected] www.drama.cmu.edu DRAMA ALUMNI . -
American Standup Comedy by Women and the Discourse of Cultural Negotiation in American Life
Review of Women’s Studies 21 (1): 74-89 AMERICAN STANDUP COMEDY BY WOMEN AND THE DISCOURSE OF CULTURAL NEGOTIATION IN AMERICAN LIFE Maria Rhodora G. Ancheta Abstract This paper tracks the development of stand-up comedy in American popular culture, and examines the potency of female humor in the textualized routines of Ellen Degeneres and Judy Tenuta, two American female stand-up comics. The paper posits that in Degeneres and in Tenuta, we see two examples of late 20th century contemporary humor by women in the United States, and in examining the forms this humor takes, stand-up comedy, in this case, and the strategies it uses, moments of identification and connection are isolated, permitting the American female comic to create liberative spaces to reveal potent and latent values in current American society. It is ironic that in a country like the Philippines that prides itself on its possession of a sense of humor, very little study has been done of the functions that this humor is used for, or at the very least, the forms that this humor takes. I shall address this point with more detail later in my paper, but I begin here by stating that this paper is an exploration of stand-up comedy by female comics in the United States, an examination spurred by the adoption and adaptation of this popular cultural form in many Philippine clubs, vide the mushrooming of “comedy bars,” of stand-up comedy routine competitions a la “Last Man Standing,” sponsored by both local media or by university and college organizations, mostly on an amateur level.