Persian Literature

Total Page:16

File Type:pdf, Size:1020Kb

Persian Literature This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com HARVARD UNIVERSITY. LIBRARY OF THE Semitic Department, SEVER HALL. TRANSFERRED TO HARVARD COLLEGE LIBRARY A. .V>vFAC SIMILE OF A PORTION OF THE TITLE PAGE OF AN ILLUMINATED. SIMILJIMie "SHAH NAM AH "(SEE PREFACE) \. PERSIAN LITERATURE ANCIENT AND MODERN BY ELIZABETH A. REED MEMBER OF THE PHILOSOPHICAL SOCIETY OF GREAT BRITAIN MEMBER OF THE INTERNATIONAL CONGRESS OF ORIENTALISTS AOTHOR OF HINDU LITERATURE, ETC. ^CHICAGO S. C. GRIGGS AND COMPANY 1893 3502 &. 3 m^ " ' « n»> (UNIVfcRSlYY I LIBRARY I COPYRIGHT. 1893. BY S. C. GRIGGS AND COMPANY. O)t ILakreiBe prrss R. R. DONNELLEY * SONS CO., CHICAGO TABLE OF CONTENTS. PERSIAN LITERATURE, ANCIENT AND MODERN. DIVISION I. — EARLY TABLETS AND MYTHOLOGY. CHAPTER I. HISTORIC OUTLINE. ORIGIN OF PERSIAN LITERATURE — ACCAD AND SUMER — LITERATURE OF NINEVEH — BABY LON — IRAN OR PERSIA — PHYSICAL FEA TURES — PERSIAN ART — MANUSCRIPTS — . EARLY LITERATURE — THE ARABIAN CON QUEST — LITERATURE OF MODERN PERSIA — PERSIAN ROMANCE 1 CHAPTER II. THE CUNEIFORM INSCRIPTIONS. EARLY LITERATURE — HISTORIC TABLETS — THE INSCRIPTIONS OF NEBUCHADNEZZAR — THE FALL OF BABYLON —CYRUS, THE ACH^ME- NIAN — BEHISTUN INSCRIPTIONS — DARIUS AT PERSEPOLIS — INSCRIPTIONS OF XERXES — iii IV TABLE OF CONTENTS. ARTAXERXES — A LATER PERSIAN TABLET — RESUME 30 CHAPTEE III. THE POETRY AND MYTHOLOGY OP THE TABLETS. PRIMITIVE MYTHOLOGY — ANU — SEVEN EVIL SPIRITS — ACCADIAN POEM — ASSUR — HEA — NIN-CI-GAL — SIN, THE MOON GOD — HEA- BANI — NERGAL — MEHODACH — NEBO — NINIP — CHEMOSH — INCANTATIONS TO FIRE AND WATER — IM — BAAL — TAMMUZ — ISHTAR — ISH- TAR OF ARBELA — ISHTAR OF ERECH — LEGEND OF ISHTAR AND IZDUBAR — ISHTAR, QUEEN OF LOVE AND BEAUTY — THE DESCENT OF ISHTAR 53 THE COMMON PERSIAN SOURCE CHAPTER MYTHOLOGY. OF MYTHOLOGY IV. — MYTHICAL MOUNTAINS — RIVERS — MYTHICAL BIRDS — AHURA MAZDA — ATAR — THE STORM GOD — YIMA — THE CHINVAT BRIDGE — MITHRA — RESUME 86 DIVISION II. — PERIOD OF THE ZEND-AVESTA. CHAPTER V. THE ZEND-AVESTA. DERIVATION AND LANGUAGE — DIVISIONS — AGE OF THE ZEND-AVESTA — MANUSCRIPTS — ZAR- TABLE OF CONTENTS. V ATHUSTRA — THE EABLY PARSIS— THE MOD ERN PARSlS 109 CHAPTER VI. THE TEACHINGS OP THE ZEND-AVESTA. THE GATHAS — THE WAIL OF THE KINE — THE LAST GATHA — THE MARRIAGE SONG — THE YASNA — COMMENTARY ON THE FORMULAS — THE YASNA HAPTANG-HAITI — THE SRAOSHA YAST — THE YASNA CONCLUDING . 127 CHAPTER VII. TEACHINGS OP THE ZEND-AVESTA, CONCLUDED. THE VENDIDAD — FARGARD II — THE VARA OF YIMA — THE LAWS OF PURIFICATION — DIS POSITION OF THE DEAD — PUNISHMENTS — THE PLACE OF REWARD — THE VISPARAD — TEACHING OF THE MODERN PARSlS . 146 DIVISION III. — THE TIME OF THE MOHAMMEDAN CONQUEST AND THE KORAN. CHAPTER VIII. THE KORAN. THE SUCCESSOR OF THE ZEND-AVESTA — AUTHOR OF THE KORAN — FIRST REVELATIONS — THE HIGRAH — CONTINUED WARFARE — DEATH OP MOHAMMED — RECENSION OF THE TEXT — TEACHING OF THE KORAN — BEATEN — VI TABLE OF CONTENTS. HELL — PREDESTINATION — POLYGAMY — LIT ERARY STYLE OF THE KORAN . 165 DIVISION IV. — THE PERIOD SUCCEEDING THE MOHAMMEDAN CONQUEST. CHAPTER IX. THE ANWAR-I-SUHALI. HISTORY OF THE WORK — PREFACE — THE BEES AND THEIR HABITS — THE TWO PIGEONS — THE BLIND HAN AND HIS WHIP — AMICABLE INSTRUCTION — THE PIGEONS AND THE RAT — THE ANTELOPE AND THE CROW — THE ELEPHANT AND THE JACKAL — GEMS FROM THE HITOPADESA 189 CHAPTER X. PERSIAN POETRY. SEVEN ERAS — THE FIRST PERIOD — (THE HOMER OF IRAN — THE SHAH NAMAH— HISTORY OF THE PERSIAN EPIC — FIHDUSl — INVECTIVE — MUTESHIM — THE SHAH'S REPENTANCE -r- DEATH OF FIRDUSI — THE POEM . 214 CHAPTER XL STORY OF THE SHAH NAMAH. SAM SUWAR — THE SlMURGH's NEST — THE FATHER'S DREAM — RUDABEH — THE MAR RIAGE — RUSTEM — THE TURANIAN INVASION — THE WHITE DEMON .... 228 TABLE OF CONTEXTS. vii CHAPTEE XII. THE HEFT-KHAN, OR SEVEN LABORS OP RUSTEM. A LION SLAIN BY RAKUSH — ESCAPE FROM THE DESERT — THE DRAGON SLAIN — THE EN CHANTRESS — CAPTURE OF AULAD — VICTORY OVER DEMONS — SEVENTH LABOR, THE WHITE DEMON SLAIN — THE MARRIAGE OF RUSTEM — SOHRAB 252 CHAPTER XIII. ISPENDIYAR. THE HEFT-KHAN OF ISFENDIYAH — THE BRAZEN FORTRESS — THE CONFLICT WITH RUSTEM — THE FALL OF THE WARRIORS . 272 CHAPTER XIV. SECOND PERIOD. ANWARI — NIZAMl — LAILI AND MAJNUN — A FRIEND — THE WEDDING — DELIVERANCE — THE MEETING IN THE DESERT — DEATH OF THE LOVERS — VISION OF ZYD . 284 CHAPTER XV. THIRD PERIOD. J, WORKS OF SA'DI— THE BUSTAN— THE PEARL — KINDNESS TO THE UNWORTHY — SILENCE, THE SAFETY OF IGNORANCE — DARIUS AND HIS HORSE-KEEPER — STORIES FROM THE Vlii TABLE OF CONTENTS. GULISTAN—OF PROSPERITY THE — WISE BORES WRESTLER .... — DANGERS 309 CHAPTEK XYI. LATER PERIODS. THE FOURTH PERIOD — LITERARY KINGS — HAFIZ PIR-I-SEBZ — SHIRAZ — THE FEAST OF SPRING — MY BIRD — FIFTH PERIOD — JAMI — THE WORKS OF JAMI — RECEPTION — THE SIXTH PERIOD — THE SEVENTH PERIOD . 321 CHAPTER XVII. MEHER AND MUSHTERI. PERSIAN ROMANCE — THE TWO COMRADES — THE SEPARATION — THE QUEEN — THE DEPARTURE — THE ANNOUNCEMENT .... 338 CHAPTER XVIII. MEHER AND MUSHTERI— CONTINUED. THE REbCUE EXILES — — THE THE CAPTURE DESERT — A SHIPWRECK . —. THE . 351 CHAPTER XIX. MEHER AND MUSHTERI— CONTINUED. THE FUGITIVES — ROYAL INTERVIEWS — THE CONFLICT — A GARDEN SCENE — AFTERWARDS — THE DECISION ...... 365 TABLE OF CONTENTS. ix CHAPTER XX. MEHER AND MUSHTBRI— CONTINUED. THE CAPTIVES — ARREST AND TRIAL — ROYAL FAVOR — THE SENTENCE .... 383 CHAPTER XXL MEHER AND MUSHTERI— CONCLUDED. THE WEDDING — A COUNCIL — ROYAL CAVAL CADE — THE MESSENGER — RECEPTION . 392 CHAPTER XXII. CONCLUSION. SUMMARY — PRIESTLY RULE — RUSSIAN OPPRES SION . 403 PREFACE. is a growing interest in the literatures of the Orient, but the difficulties in this field of investigation have been so great that few students have taken time to recover the gems from the worth less matter surrounding them. The author of the pres ent volume, however, has chosen to devote years of persistent effort to the work of collecting and con densing the historic facts pertaining to this subject, and giving them to the public, together with the finest thoughts to be found upon the pages of these early manuscripts. No labor has been spared to attain accuracy of statement, no difficulties have been ignored in these years of research, and the results, so far as completed, are now before the reader in two volumes : the one re cently published on Hindu Literature, and the present work on Persian Literature. Although this book was partially written long be fore the publication of its predecessor, still it might never have been completed, but for the kindly recep tion which a generous public gave to the preceding volume. Cordial thanks are due to the American press, which not only gave to "Hindu Literature" hundreds xl Xll PREFACE. of favorable notices, but in many instances devoted whole columns to able reviews of the work. It is also a rare pleasure to acknowledge the cour tesies of the British press, and especially the great kindness of leading European scholars, who have sent words of warm approval and congratulation to the author. In the present volume the subject has been sim plified as far as possible, by arranging the work in four chronological divisions ; the epoch of Persian poetry being again divided into seven distinct periods, corresponding to the times of the leading poets, who have been called "The Persian Pleiades." Not only does their literature present seven leading poets, but this number appears to have a peculiar charm for the Persian literati, and hence we find in this field of Eastern fable, the "Seven Evil Spirits" of Anu, the " Seven Labors of Rustem," the " Seven Great Feats of Isfendiyar," "The Seven Fair Faces" of Nizami, the " Seven Thrones " of Jami, and va rious other combinations of the same number. In this as well as previous works, the author wishes to acknowledge the great value of the Chicago Public Library, where a wealth of Oriental lore is ever at the service of the student ; here are valuable works which bear on the history and literature of the Sanskrit, Hebrew, Chaldaic, Persian, Arabic and other Asiatic tongues, besides many volumes in the modern languages. Among the literati of Europe the author is in PREFACE. X111 debted to such men as Prof. A. H. Sayce, Sir M. Monier-Williams, W. St. Chad Boscawen, Prof. F. Max Miiller, Dr. Haug, Dr. L. II. Mills, and Ernest A. Budge ; also Profs. Darmesteter, Eastwick, Atkinson, Davie and Owsley, the credits being given where the quotations are made. Grateful acknowledgement is especially made to Prof. A. H. Sayce, of the Oxford University ; to Sir M. Monier-Williams, and to Mr. Theo. G. Pinches, of the British Museum, each of these distinguished schol ars having examined portions of the manuscript and affixed their valuable notes thereunto. Cordial thanks are also due to Dr. R. Host, of the India Office in London, who laid before the artist all the illuminated Persian manuscripts in that vast col lection of Eastern lore, and to the honorable Council of the india Office, who placed these rare literary treasures at the author's service without the customary precaution of taking a bond therefor. The frontis piece is a section of the illuminated title-page of a Persian manuscript of priceless value. This is a copy of the Shah Namah, which is a large folio, the pages being beautifully written in four columns. Each page is illuminated with delicate paintings, which are a triumph of art. This old manuscript, which is now invaluable, was purchased for the India House Collec tion at the celebrated Hastings sale about twenty-five years since. Our illustration gives only a portion of the page, and thus the full size of the figure has been XIV PREFACE. preserved, which is far better than to mar the beauty of the work by reducing it. The author is also desirous of expressing thanks to S.
Recommended publications
  • ZOROASTRIANISM Chapter Outline and Unit Summaries I. Introduction
    CHAPTER TEN: ZOROASTRIANISM Chapter Outline and Unit Summaries I. Introduction A. Zoroastrianism: One of the World’s Oldest Living Religions B. Possesses Only 250,000 Adherents, Most Living in India C. Zoroastrianism Important because of Influence of Zoroastrianism on Christianity, Islam, Middle Eastern History, and Western Philosophy II. Pre-Zoroastrian Persian Religion A. The Gathas: Hymns of Early Zoroastrianism Provide Clues to Pre- Zoroastrian Persian Religion 1. The Gathas Considered the words of Zoroaster, and are Foundation for all Later Zoroastrian Scriptures 2. The Gathas Disparage Earlier Persian Religions B. The Aryans (Noble Ones): Nomadic Inhabitants of Ancient Persia 1. The Gathas Indicate Aryans Nature Worshippers Venerating Series of Deities (also mentioned in Hindu Vedic literature) a. The Daevas: Gods of Sun, Moon, Earth, Fire, Water b. Higher Gods, Intar the God of War, Asha the God of Truth and Justice, Uruwana a Sky God c. Most Popular God: Mithra, Giver and Benefactor of Cattle, God of Light, Loyalty, Obedience d. Mithra Survives in Zoroastrianism as Judge on Judgment Day 2. Aryans Worship a Supreme High God: Ahura Mazda (The Wise Lord) 3. Aryan Prophets / Reformers: Saoshyants 97 III. The Life of Zoroaster A. Scant Sources of Information about Zoroaster 1. The Gathas Provide Some Clues 2. Greek and Roman Writers (Plato, Pliny, Plutarch) Comment B. Zoroaster (born between 1400 and 1000 B.C.E.) 1. Original Name (Zarathustra Spitama) Indicates Birth into Warrior Clan Connected to Royal Family of Ancient Persia 2. Zoroaster Becomes Priest in His Religion; the Only Founder of a World Religion to be Trained as a Priest 3.
    [Show full text]
  • A Sequel to Essentials of Zoroastrianism
    A Sequel To Essentials of Zoroastrianism (1951) Late Dr. Framroze Sorabji Chiniwala B.A., L.M.&S. 2002 Late Dr. F. S. Chiniwala published in 1941 his book in English entitled 'Essentials of Zoroastrianism' for the Parsi public. He followed this up with the manuscript of a sequel, in or about 1950-51, and appended to the said manuscript a note reproduced below: vus ƒ‹†ƒ A.D. eka Nik;yks vaOksÔ ys[kuks vk chîs Hkkx Ns. vk vk[kq …‡‹ ikukuq y[kk.k vaOksÔ Hkkx rjhds Nkiok ekVs y[kk;yq grq ts vkeus vke jgsyq Ns. igsyk ƒŠ ikuk ts Mkdrjuk [kqnuk gkFkuks y[ksy Ns ts Vkbi uFkh rs vaOksÔ Vkbi ys[k ƒ†… ikuk yxhuks Ns rsek eqdsy Ns. Since writing the manuscript a half-century has elapsed and 'rationalism' and 'reform' has taken its toll of the Zoroastrian community and their belief in the 'Message' of Lord Zarathustra. In such circumstances the publication of the book, if it rekindles faith even in a few, the purpose will be fulfilled. Zarthusti Ilme Khshnoom Felavnari Committee 6th August, 2002. FOREWORD This small book containing some main features of the Mazdyasni Zarthosti Daen will be of use to a novice. It will furnish some knowledge about the religion. Special care is taken to present to view the main spiritual aspect of the religion. The mere materialistic view point does not help much, as that view is common in all religions; hence no special mark of demarcation can be drawn by it. It is the spiritual aspect only which gives a vivid picture as it ought to be.
    [Show full text]
  • Sensible Solutions for Surviving Transformation in Zoroastrianism by Adhering to the Basic Precepts of the Prophet by Dr
    Sensible Solutions For Surviving Transformation in Zoroastrianism by Adhering to the Basic Precepts of the Prophet By Dr. Kersey H. Antia Summary t is an understatement to say Zoroastrianism is undergoing transformation as it seems to be at that stage, and fast accelerating to the stage of Idisintegration and even disappearance. It has changed so much in the last one hundred years as to cause alarm for its very existence in near future. What the Arab did not accomplish, modernity has, by bringing us close to self- destruction. This is not the first time Zoroastrians in diaspora have faced threats to their existence but certainly this is the last time they will face such threat unless they find a genuine solution to this crisis. And adhering to Zarathushtrianism and eternal precepts of Asho Zarathushtra rather than Zoroastrianism, which represents all that was composed and preached under the name of Zarathushtra through millennia, and may or may not be in the consonance with the prophet’s teachings. The Iranian Zoroastrians provide us an excellent example in this respect. To say that Zoroastrianism is undergoing transformation is tantamount to ignoring the deathly crisis it is facing today. Zoroastrianism is long past the process of transformation, and is facing the danger and disintegration and disappearance before long. However, the sadder truth is Zoroastrianism is in such a state of affairs because it has not realized the wisdom of transforming itself, and adjusting to the need of the changing times that have taken a toll on all religions in the world. Had we taken care of this in the past, the future will not look so gloomy and helpless today.
    [Show full text]
  • Summer/June 2014
    AMORDAD – SHEHREVER- MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA TABESTAN 1383 AY 3752 Z VOL. 28, No 2 SUMMER/JUNE 2014 ● SUMMER/JUNE 2014 Tir–Amordad–ShehreverJOUR 1383 AY (Fasli) • Behman–Spendarmad 1383 AY Fravardin 1384 (Shenshai) •N Spendarmad 1383 AY Fravardin–ArdibeheshtAL 1384 AY (Kadimi) Zoroastrians of Central Asia PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Copyright ©2014 Federation of Zoroastrian Associations of North America • • With 'Best Compfiments from rrhe Incorporated fJTustees of the Zoroastrian Charity :Funds of :J{ongl(pnffi Canton & Macao • • PUBLICATION OF THE FEDERATION OF ZOROASTRIAN ASSOCIATIONS OF NORTH AMERICA Vol 28 No 2 June / Summer 2014, Tabestan 1383 AY 3752 Z 92 Zoroastrianism and 90 The Death of Iranian Religions in Yazdegerd III at Merv Ancient Armenia 15 Was Central Asia the Ancient Home of 74 Letters from Sogdian the Aryan Nation & Zoroastrians at the Zoroastrian Religion ? Eastern Crosssroads 02 Editorials 42 Some Reflections on Furniture Of Sogdians And Zoroastrianism in Sogdiana Other Central Asians In 11 FEZANA AGM 2014 - Seattle and Bactria China 13 Zoroastrians of Central 49 Understanding Central 78 Kazakhstan Interfaith Asia Genesis of This Issue Asian Zoroastrianism Activities: Zoroastrian Through Sogdian Art Forms 22 Evidence from Archeology Participation and Art 55 Iranian Themes in the 80 Balkh: The Holy Land Afrasyab Paintings in the 31 Parthian Zoroastrians at Hall of Ambassadors 87 Is There A Zoroastrian Nisa Revival In Present Day 61 The Zoroastrain Bone Tajikistan? 34 "Zoroastrian Traces" In Boxes of Chorasmia and Two Ancient Sites In Sogdiana 98 Treasures of the Silk Road Bactria And Sogdiana: Takhti Sangin And Sarazm 66 Zoroastrian Funerary 102 Personal Profile Beliefs And Practices As Shown On The Tomb 104 Books and Arts Editor in Chief: Dolly Dastoor, editor(@)fezana.org AMORDAD SHEHREVER MEHER 1383 AY (SHENSHAI) FEZANA JOURNAL FEZANA Technical Assistant: Coomi Gazdar TABESTAN 1383 AY 3752 Z VOL.
    [Show full text]
  • Weekly Zoroastrian Scripture Extract # 343: Oh Zarathushtra! Prayer Is
    Weekly Zoroastrian Scripture Extract # 343: Oh Zarathushtra! Prayer is good for the people of the world - Sarosh Yasht Haadokht - Karda 1 - Verses 1 - 3 Hello all Tele Class friends: Sarosh (Sraosha) Yasht Haadokht and Sarosh Yasht Vadi Sarosh Yazata is a very important Zarathushtri Angel associated with mankind and is usually referred to as his/her conscience. He safeguards him/her against demons especially during nights. He accompanies the soul of a person after death for three days and nights and accompany it on the fourth dawn to Chinvat Bridge for his/her judgement together with Mithra and Rashne Yazatas. Sarosh Yazata has two Yashts (Yasht 11 and 11a and Yasna 57) dedicated to him – Sarosh Yasht Haadokht and Sarosh Yasht Vadi (longer). Sarosh Yasht Haadokht can be recited anytime but not in Rapithwan Geh; whereas, Sarosh Yasht Vadi is recited in Aiwisruthrem Geh. Zarathushtra mentions Sarosh in his Gathas many times together with Ameshaa Spentaas. “In the Gathas, Sraosha's primary function is to propagate conscience and the beauty of life, secondly the religion of Ahura Mazda to humanity, as Sraosha himself learned it from Ahura Mazda. Directly evident in the Gathas is the description as the strongest, the sturdiest, the most active, the swiftest, and the most awe-inspiring of youths and as the figure that the poor look to for support.” (https://en.wikipedia.org/wiki/Sraosha) Yasht Baa Maaeni Preface about Yashts – Dr. Ervad Rooyintan Peshotan Peer Our own celebrated, much revered Avesta/Pahlavi Scholar, Ervad Kavasji Edulji Kanga (fondly referred to as Kangaji) translated word-by-word the whole extant Avesta literature in Gujarati, a monumental work to date.
    [Show full text]
  • Life Science Journal 2012;9(1S) Http
    Life Science Journal 2012;9(1s) http://www.lifesciencesite.com Iranian Zurvanism, Origin of Worshipping Evil ELIKA BAGHAIE PHD candidate at the Tajikistan Academy of science Abstract: In this article it is attempted to study the philosophy of the emergence of evil forces in the history of human life from the perspective of the East ancient texts, particularly those of ancient Iran and middle Persian language and then Zurvan, its emergence and status beyond a creator and as a neutral element and an evil force, and its logical concept is studied. “Above is not bright. Below is not dark. It’s invisible, and it can’t be called by any name. [ELIKA BAGHAIE. Iranian Zurvanism, Origin of Worshipping Evil. Life Sci J 2012;9(1s):21-26] (ISSN:1097-8135). http://www.lifesciencesite.com. 5 Keywords: creation, evil, duality, Zurvan, man, God 1. Introduction Etymology of Zruuan, which is generally In a narration by Plutarch it is stated that defined as “time” in Avestan language is indefinite in Theopompus has remarked in the first half of 4th available documents and references. On the other century B.C. that “A group of people believe in two hand , it could be said that this term is linked to gods who are like to masons, one of them is creator Avestan zauruuan- which means “ancient time , old of good and the other one is creator of evil and age” ,and zaurura- which means “ancient and worn- useless things. And a group of people call the good out” which are derived from primitive Indo-European force as God and the other one as the Evil.
    [Show full text]
  • Kültür Evreni
    Kültür Evreni-Unıverse Culture-Мир Культуры / Yıl-Year-Год 2016 / Sayı-Number-Число 29 KÜLTÜR EVRENİ UNIVERSE CULTURE - МИР КУЛЬТУРЫ Yaz/Summer/Лето 2016 ▪ Yıl / Year / Год 8 ▪ Sayı / Number / Число 29 ÜÇ AYDA BİR YAYIMLANAN ULUSLARARASI HAKEMLİ DERGİ [halk bilimi-dil bilimi-müzik-edebiyat-Türklük bilimi-mitoloji] QUARTERLY INTERNATIONAL PEER-REVIEWED JOURNAL [folklore-linguistics- music-literature-Turcology -mythology] РЕФЕРИРУЕМЫЙ ЕЖЕКВАРТАЛЬНЫЙ ЖУРНАЛ [фольклора- языковедения-музыки-литературы- тюркологии- мифологии] ISSN: 1308-6197 Sahibi / Owner / Xозяин Hayrettin İVGİN Kültür Ajans Tanıtım ve Organizasyon Ltd. Şti. - Konur Sokak 66/7 Bakanlıklar-ANKARA Tel: 0090.312 4259353 – [email protected] Sorumlu Yazı İşleri Md./ Associate Editor Editörler Kurulu/ Editorial Board Ответственный секретарь Руководитель работы Erhan İVGİN Hayrettin İVGİN Prof. Dr. Erdoğan ALTINKAYNAK Genel Koordinatör / Director / Директор Redaktör/Redacteur/Редакция Erhan İVGİN Osman BAŞ – Ayşe İKİZ Yayın Kurulu / Editorial Board / Редколлегия Prof. Dr. Tuncer GÜLENSOY ▪ Dr. Yaşar KALAFAT ▪ Prof. Dr. Mehman MUSAOĞLU Prof. Dr. Taciser ONUK ▪ Prof. Dr. İsmail PARLATIR ▪ Prof. Dr. Saim SAKAOĞLU Nail TAN ▪ Prof. Dr. Fikret TÜRKMEN Yazışma Adresi / Correspondance Adres / Адрес издательства Kültür Ajans Ltd. Şti. Konur Sokak No: 66/7 Bakanlıklar/ANKARA-TÜRKİYE Tel.: 0090.312 425 93 53 (PBX) - Fax: 0090.312 419 44 43 E-mail: [email protected] www.kulturevreni.com Fiyatı / Price / Стоимость подписки Abone Bedeli / Subscip- Стоимость tion Price 20 TL (Yurt içi / Domestic) 80 TL (Yurt içi / Domestic) 20 $ / 15 Euro (Yurt dışı / Abroad) 80 $ / 60 Euro (Yurt dışı / Abroad) Baskı Tarihi/ Press Date 25 Kasım 2016 Baskı / Pres / Типография Atalay Matbaası Kapak Resmi: Özbek Modern Minyatür Sanatçısı Şahmahmud Muhammedcanov’un 1983 yılında yaptığı Ferhat ile Şirin minyatür çalışması.
    [Show full text]
  • The Sacred Books and Early Literature of the East, Volume VI
    THE SACRED BOOKS AND EARLY LITERATURE OF THE EAST WITH HISTORICAL SURVEYS OF THE CHIEF WRITINGS OF EACH NATION Translations, Bibliographies, etc., by the following Leading Orientalists: IN AMERICA: MORRIS JASTROW, LL.D., Professor of Semitic Languages, University of Penn- sylvania; JAMES H. BREASTED, LL.D., Professor of Egyptology, University of Chicago; CHARLES C. TORREY, D.D., Professor of Semitic Languages, Yale University; A. V. W. JACKSON, LL.D., Professor of Indo-Iranian, Columbia Uni- versity; CHARLES R. LANMAN, LL.D., Professor of Sanskrit. Harvard University; REV. CHARLES F. AIKEN, S.T.D., Dean of the Faculty of Theology, Catholic University; FRIEDRICH HIRTH, LL.D., Professor of Chinese, Columbia Uni- versity; REV. WILLIAM E. GRIFFIS, D.D., former Professor at the Imperial University, Tokio. IN EUROPE: E. A. W. BUDGE, F.S.A., Director of Egyptology in the British Museum; SIR GASTON MASPERO, D.C.L., Member of the Royal Institute of France; REV. A. H. SAYCE, LL.D., Professor of Comparative Philology, Oxford University; W. FLINDERS-PETRIE, LL.D., Professor of Egyptology, University College, London; STEPHEN LANGDON, Ph.D., Professor of Assyriology, Oxford University; SIR ERNEST SATOW, LL.D., G.C.M.G. British Minister to Japan; H. OLDENBERG, LL.D., Professor of Sanskrit, Kiel University; T. W. RHYS-DAVIDS, LL.D., Librarian of the Royal Asiatic Society; ARMINIUS VAMBÉRY, LL.D., Professor of Oriental Languages, University of Budapest. IN ASIA: SIR M. COOMARA SWAMY, Legislative Council of Ceylon; ROMESH CHUNDER DUTT, C.I.E., Author of the History of Civilization in Ancient India; DARAB D. P. SANJANA, Educational Society of Bombay; VISCOUNT KENCHO SUYE- MATSU LL.M., Japanese Minister of the Interior; SHEIK FAIZ-ULLAH-BHAI, Head Master of the Schools of Anjuman-i-Islam; RALPH T.
    [Show full text]
  • King of the Birds
    KING OF THE BIRDS Print of a peacock. Catherine Hettler. SPRING 2020 50 KRISTEN HICKEY KING OF THE BIRDS: MAKING SYMBOL, SUBJECT, AND SCIENCE IN THE SKIES OF HINDUSTAN When the Mughals founded an empire in Hindustan, they sought to legitimize their budding dynasty through diverse sources of power. In the texts and art produced by emperors and their courts during the sixteenth and seventeenth centuries, these performances of power constantly featured birds. Birds, enfleshed and imagined, were used as motifs that positioned the Mughals as the cultural descendants of a long Islamic tradition of storytelling and spirituality. Wild and captive birds became an extension of the imperial court as emperors strove to model the legendary rule of King Solomon, who was renowned for his just power over all creatures. During this age of scientist-kings, avians also became catalysts for experimentation and the production of knowledge. This intricate relationship between birds and power reveals a Mughal conception of empire, defined by fluid boundaries between the human and animal kingdoms. Kristen Hickey Written for Ruling Hindustan (HIST 494) Dr. Lisa Balabanlilar In the Hindustani empire of the Mughals, birds were companions, partners in the hunt, playthings, and sources of great entertainment. They were fascinating airborne creatures, worthy of great scientific attention. The subject of unimaginable hours of artistic labor, they appeared in countless folios, with their feathers adorning the jeweled turbans of only the most powerful emperors.1 The presence of birds illuminated and defined the seat of the Mughal emperor as a ruler in an ancient tradition of powerful kingships.
    [Show full text]
  • Alchemy in Eastern Literature
    Khazar Journal of Humanities and Social Sciences Volume 23 № 1 2020, 22-47 © Khazar University Press 2020 DOI: 10.5782/2223-2621.2020.23.1.22 Alchemy in Eastern Literature Hamlet Isakhanli Khazar University, Baku, Azerbaijan [email protected] Abstract Alchemy, developing in Ancient Egypt and its environs, was formed during the Islamic age as the branch of science and technology. The transmutation of base metals into noble metals and attempts to achieve immortality or rejuvenation by elixir or philosopher`s stone have been expansively reflected in Eastern literature and folklore. This research discusses the endeavors of great rulers of the ancient East, alchemists of the pre-Islamic and, especially, Islamic periods, and prominent writers of the Islamic Golden Age and contemporary period who wrote various treatises devoted or related to alchemy and alchemists. Discussions here include the great Sumerian epic “Gilgamesh” and the legend of Alexander the Great’s attempt to gain immortality, as well as the story of alchemist Mary of Copt. The last two are related in a poem by Nizami, prominent representative of the twelfth century Azerbaijani literary school that wrote in Persian. Distinct images of alchemy were rendered in his poems, moreover, he created multi-faceted alchemical metaphors to describe transformations within humanity. Khagani Shirvani, Nizami’s contemporary, and nineteenth century Azerbaijani thinker Mirza Akhundov, also addressed the topic of alchemy, as well as religious mysticism in Islam and alchemy. Alchemical episodes in the works of great figures of Eastern Sufi literature like Al-Ghazali, Suhrawardy, Ibn Arabi and Rumi have been scrutinized. Keywords: alchemy, metal transmutation, immortality, Sufi literature, Azerbaijani literary school, religious mysticism.
    [Show full text]
  • Reception of Mythological Image of the Bird at Bunin Cycle «The Bird's Shadow»
    Utopía y Praxis Latinoamericana ISSN: 1315-5216 ISSN: 2477-9555 [email protected] Universidad del Zulia Venezuela Reception of Mythological Image of the Bird at Bunin Cycle «The Bird's Shadow» MAHBOBZADH, Sara; NASRUTDINOVA, Liliya Harisovna; YAHYAPOUR, Marzieh Reception of Mythological Image of the Bird at Bunin Cycle «The Bird's Shadow» Utopía y Praxis Latinoamericana, vol. 25, no. Esp.7, 2020 Universidad del Zulia, Venezuela Available in: https://www.redalyc.org/articulo.oa?id=27964362049 DOI: https://doi.org/10.5281/zenodo.4009776 This work is licensed under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International. PDF generated from XML JATS4R by Redalyc Project academic non-profit, developed under the open access initiative Sara MAHBOBZADH, et al. Reception of Mythological Image of the Bird at Bunin Cycle «The Bird's Sh... Artículos Reception of Mythological Image of the Bird at Bunin Cycle «e Bird's Shadow» Recepción de la imagen mitológica del pájaro en el ciclo Bunin «La sombra del pájaro» Sara MAHBOBZADH DOI: https://doi.org/10.5281/zenodo.4009776 Kazan Federal University, Rusia Redalyc: https://www.redalyc.org/articulo.oa? [email protected] id=27964362049 http://orcid.org/0000-0003-1428-1870 Liliya Harisovna NASRUTDINOVA Kazan Federal University., Rusia [email protected] http://orcid.org/0000-0002-5406-7636 Marzieh YAHYAPOUR University of Tehran., Irán [email protected] http://orcid.org/0000-0001-8195-6909 Received: 03 August 2020 Accepted: 07 September 2020 Abstract: e article notes that the writer's interest in the East in tune with the typical art of the silver age trends about the Indo-European origins of russian culture, which is associated with reflections on the essence of its intermediate (between East and West).
    [Show full text]
  • The Effect of National and International Culture on Logo Design of Iran's Graphic
    Anadolu Journal of Educational Sciences International, Art Education Special Issue, November 2015 The Effect of National and International Culture on Logo Design of Iran’s Graphic Art Maryam Monirifar Hacettepe University, Turkey [email protected] Abstract Art is an intellectual accumulation, which is unique to the society where it exists, and it is shaped by that land’s culture. In the other words, art is not an element, which can be taken from other cultures directly and applied to a society. On the other hand, communication instruments play a significant role in transferring the cultural and artistic heritage, which are the basis of a country. Furthermore, graphic design is a language which conveys a message, it is an identification of the cultures and it is unique to the countries. However there are several factors that influence the graphic design of a country such as historiy of the country, believes, political structures and cultures. This study aims to focus particularly on Iran’s ancient and rich culture, Its principles of graphic arts, and development of it in this cultural at different periods such as when the culture was under the influence of religion In addition, the social and cultural factors which affect the graphic design were studied with theiradvantages and disadvantages. In conclusion, the historical process of Iranian graphic art throughout history was studied by taking the development of Iranian graphic art into consideration with respect to socio-cultural perspective. Keywords: İran, Graphic art, Cultural, History. 282 Anadolu Journal of Educational Sciences International, Art Education Special Issue, November 2015 Introduction Human beings started graphic arts from the moment they decided to convey a visual message of a certain concepts.
    [Show full text]