Soccer

Euro 2000 City Beautification

Eclairage l’ de Internationale Revue Review Lighting International 001 Luminotecnia de Internacional Revista Rundschau Licht Internationale

ILR 001: CITY BEAUTIFICATION - EURO 2000 SOCCER

Photo: Philips Lighting,Pierre Crouzet Grenoble, France Outdoor museum of light a.cover1-4 BC.txt 30-10-2000 13:46 Pagina B Pagina 13:46 30-10-2000 BC.txt a.cover1-4 c.contents a-b-1 30-10-2000 13:40 Pagina a

Philips Lighting BU Luminaires c.contents a-b-1 30-10-2000 13:41 Pagina b

International Lighting Review ISSN 0020-7853 Internationale Licht Rundschau ISSN 0165-9863 Contents 001 Revue Internationale de l’Eclairage ISSN 0035-3388 International Lighting Review Revista Internacional de Luminotecnia ISSN 0167-7608

51th year / issue 001

Founded in 1949, International Lighting Review is devoted to all aspects of lighting. Published three times a year, it reports extensively on developments and trends in lighting, on actual problems encountered in lighting design and technology, and on outstanding projects from all over the world. ILR is richly illustrated with colour photographs and drawings covering more than 50 pages.

Published by Philips Lighting, Luminaire Group Produced by LiDAC, Lighting Design and Application Centre, Eindhoven, the http://www.lightingreview.com Netherlands.

Editorial office 2 Forum Address: P.O.Box 721, 5600 AS Eindhoven, the Netherlands. Telephone: administration 31 40 275 5779; News from the world of lighting ediitors: 31 40 275 52 52 / 31 40 275 74 85. 4 Editor’s notes Telefax: 31 40 275 78 00. E-mail: [email protected] Internet: http://www.lightingreview.com Bank: Postbank Amsterdam. VAT Reg.no. NL005476604B46. City Beautification/Euro 2000 Soccer Chief Editor and Art Director: JF Caminada. Editors: Derek Parker and Marcel Janse. Photography: Rien Valk. Artwork: Jo van Hemert. Layout: Marie-Louise Mannaerts. Client services: Franka Heesterbeek. Translation: Philips Translation Services. Projects City Beautification in the New Millennium Pre-publishing by Neroc, Eindhoven. 6 Capital Bridges Printed by Roto Smeets Services, Eindhoven. Subscriptions / Back Numbers: see at the end of the magazine. What better way for a city to herald the new millennium than to light

Correspondents its bridges and bring a new perspective to the night-time riverside scene Argentina: Guillermo Spini, Casilla de Correo 3479, Buenos Aires. Australia: Lynden Kirkness, 34 Waterloo Rd, North Ryde, N.S.W. 2113. België/Belgique: H Leclercq, 2 The Seine by night Paris France Stationstraat 80, 1070 Bruxelles. Brasil: Isac Roizenblatt, Caixa Postal 8681, Sao Ð Paulo. Canada: Jorge M Pereira, 9 Invergordon Ave., Toronto, Ontario M1S 2Y9. Chile: Across the Liffey Ð Dublin Ireland Brian Callagy Carlos Seisdedos M, Casilla 2687, Santiago. Colombia: Luis Enrique Martinez S, p.6 Pierre Arnaud p.6 Benoit Lalloz p.8 Duilio Passariello Out of the Blue Belfast Northern Ireland Paul Watson Apartado Aereo 4282, Bogotá. Costa Rica: C Katsava, Apartado Postal 3214, San Jose. Ð Denmark: H J Jacobsen, Sydhavnsgade 23 , DK-1780 Copenhagen. Deutschland: C H A bridge to the past Ð Stockholm Sweden Lars HŠgglund Zieseniß, Lerchenweg 14a, 21244-Buchholz. Ecuador: Carlos Valencia, Casilla 343, Quito. España: Fernando Vila, Martinez Villergas 2, Madrid 28027. Finland: Petri Pekola, P.O. Box 4, 04601 Mäntsäla. France: M Coupez, 9, rue Pierre Rigaud, 94200 18 Outdoor museum of light France Vincent Laganier Ivry-sur-Seine. Greece: Ion Economopoulos, 7, Artemidos Str., 15125 Paradissos Amaroussion-Athens. Hong Kong: J Chu, G.P.O. Box 2108, Hong Kong. India: V K A riverside art gallery of projected images in the centre of Grenoble Divadkar, 29 Alipore Estate, 8/6/1 Alipore Road, Calcutta 700027. Indonesia: S Marino, Purwakarta – Jawa Barat. Ireland: N J Moran, Newstead, Clonskeagh, Dublin 14. p.8 Brian Callagy p.8 Michel Moloney p.12 Paul Watson p.12 Sean Curran 20 A fairy-tale of light Monaco Vincent Laganier Italia: Mariangela Speroni, Via G Casati 23, 20052 Monza. Japan: Dr K Narisada, 2-6- 12 Asahi, Kuzuha Hirakata, Osaka 573. Kiyoshi Sugimoto, 2-13-37 Kohnan, Minato-ku, Monte CarloÕs famous Casino Square is bathed in the soft light from more Tokyo 108. Kenya: Umakant Harish Pandit, P.O.Box 17756, Nairobi. Korea: Y C Hwang, C.P.O. Box 3680, Seoul. Malaysia: K.C. Wong, P.O. Box 12163, 50768 Kuala Lumpur. than a thousand hidden floodlights México: Javier Romer, Norte 45, No. 669, 02300 Mexico DF. Nederland: M Jacobs, Tooroplaan 6, 5591 AL Heeze. New Zealand: Chris Huff, P.O. Box 1041, Mt Albert, 24 Mystic Lighting Peru Tomas Sandoval Auckland 1. Norge: Torgeir Sogge, Ropernveien 4, 1335 Snaroya. Österreich: Walter Stefanik, Triesterstrasse 64, A-1100 Wien. Pakistan: M K Shabazker, P.O. Box 7101, An ambitious city beautification project has made it possible to increase Karachi-3. Paraguay: M Haber, Casilla de Correo 605, Asuncion. Perú: V Huiman, p.16 Lars Liwendahl p.16 Stefan Sjölund Apartado 1543, Lima 18. Philippines: Anastacio R Martirez, P.O.Box 911 MCC, Makati, trade, tourism and safety well into the night-time hours Metro Manila. Poland: Marek Lasinski, Ul. Kossaka 150, 64-920 Pila. Portugal: Vitor Vajao, Philips Iluminaçao, Lda. Apartado 1331, 1000 Lisboa. Romania: Florin Pop, str. C. Daicoviciu 15, RO-3400 Cluj-Napoca. Schweiz/Suisse: Job Daams, Allmendstrasse Euro 2000 Soccer 140, Postfach, 8027 Zürich. Singapore: K Seshadri, P.O. Box 340, Toa Payoh Central 32 Football Without Frontiers Post Office, Singapore 9131. Sverige: Leif Berggren, Estlandsgatan 140, S-122 37 Enskede. Taiwan: Claudia Luo, P.O. Box 22978, Taipei. Thailand: N Panlop, P.O. Box Soccer stadiums in Belgium and in The Netherlands are being made ready 961, 10500 Bangkok. Turkey: Dr Haldun Demirdes, Talatpasa Cad. no. 5, 80640 for the first big sporting event of the new millennium Ð Euro 2000 Gültepe/Istanbul. United Kingdom: David Greaves, 420-430 London Road, Croydon p.18, 20 Vincent Laganier p.18 Philippe Mouillon p.18 Jean-Paul Giraud p.20 Alain Guilhot CR9 3QR. Uruguay: Luis Jubin, Canelones 1367-305, Montevideo. USA: Mark Roush, Philips Square, 200, Franklin Square Drive, CN 6800 Somerset, NJ 08873. Venezuela: 44 Stadium perspectives J J Quagliano, Apartado Aéreo 1167, Caracas 1010-A. Zimbabwe: Derek Warner, P.O. Box 994, Harare. Everyone from the architect to the soccer supporter and tv camerman has an opinion regarding the modern-day soccer stadium Copyright Normally speaking, articles published in International Lighting Review may be reprinted, either completely or in part, with prior written authorisation from the publisher. However, in those cases where the artwork concerned is not the property of ILR, it is not in our p.24 Tomas Sandoval p.32 Jac Slegers p.32 Bart Mertens p.32 Volmer Rosi power to grant permission to reproduce this.

The views expressed in this journal by third parties are not necessarily those held by the publisher. The editor reserves the right to edit and abridge articles for Design publication. 46 ArenaVision – New Generation The unique ArenaVision floodlighting system launched by Philips has led to a new, even further improved floodlighting system

New concepts 28 Exploring the future of urban lighting A report on the recent City People Light conference and exhibition held in Paris

50 Index Quick-reference index, listing the 8 latest issues of ILR

b Front cover: New generation ArenaVision (see p. 46), d.forum 2-3 30-10-2000 09:23 Pagina 2

FORUM FORUM

Speicherstadt Hamburg Light + Building Fair 2000 Fortress laboratory The entire docks area bathed in light A spotlight on three interesting lighting Security lighting can be attractive as well as functional products Hamburg Art Ensemble Hamburg Art Hamburg Art Ensemble Hamburg Art Among the many interesting lighting When in Bangkok, the king resides at the Royal Palace, known locally as the Chitlada Villa. flush with the ground close to the wall at the corners of the buildings and in between the products on show at this year’s Light + The palace is set in an area of slightly over one square kilometre behind a moat cornered window openings. Building 2000 (the new international fair by fountains. At the King's initiative and with his support, substantial portions of the The low roof is lit by small, round-beam floodlights. Each of these Decoflood units houses for light and electrical technology, air grounds have been turned into a green oasis in an intensely built-up Bangkok. Here are a single 35 W metal halide lamp. The upper parts of the façade at each end of the building conditioning, and building services), the living laboratories that work. Livestock is bred, grains are hybridised, and milk de- and the roof-mounted flag poles above are lit by compact QVF435 floodlights specially following were particularly worthy of note. hydration practised on a model basis. And even techniques are studied for keeping bees modified to accept the MHW-TD 70 W metal halide lamp. to yield income for rural Thais. The bridge is lighted from the near bank of the moat by a cluster of small narrow and Decorative Adante The whole palace is contained within a 3400-m-long security fence, which contains 25 wide-beam Decoflood units fitted with the 70 W CDM-T lamp. Adante is the name of a new range of forts for security guards. The approach to the main entrance is guarded by a bridge. The The security fence with its manned forts is lighted in very much the same way as the indoor accent and decorative lighting fence was formerly lighted by column-mounted decorative CFL luminaires. This was main entrance, that is to say by unobtrusive ground-recessed and, in the case of the forts, This is what the docks and warehouse area will products providing everything that is principally security lighting, and did little to enhance the aesthetics of the architecture. wall-mounted units. These provide adequate lighting for security purposes (70 lux), whilst look like if the major event gets the go-ahead. The required to emphasise and enhance any The new lighting was designed with three main aims in mind: to increase the prestige of ensuring that the fence will be seen attractively reflected in the dark waters of the moat. illumination is provided by transparent tubing. architectural design, making it perfect for a the palace without drawing attention to the light sources themselves, to increase palace Lighting design: Mr Chalermpong Darongsuwan, Philips Lighting, Thailand security, and to be as energy effective as possible. Installation: Metropolitan Electricity Authority of Thailand The docks and warehouse area (‘die The English Tower lamps. The system allows the lamp’s light The buildings flanking the main entrance are lighted by a combination of ground- Speicherstadt’) of Hamburg as a theatre A city beautification project in Buenos output to be regulated between 35 and recessed and wall-mounted uplighters to provide a vertical illuminance of 100 lux. stage bathed in colourful light – this could Aires 100 per cent with from 50 to 100 per cent The lower part of the facades is lit by thirty narrow-beam Pompei units, each housing a become a reality this year.The Hamburg- system performance. The system also single 70 W (CDM-T) metal halide lamp. These rotationally-symmetrical units are buried based author and literary adviser Michael ‘Torre de los Ingleses’ (The English Tower) offers continuous dimming and easy Philips Lighting Thailand Batz, head of the ‘Hamburg Art Ensembles’ is a 58-m-high monument given by the integration with tele-control or tele- Pompeï recessed floodlights that specialises in ‘event theatre’ and British Community living in Argentina in management systems. organiser of the ‘Hamburger Jedermann’, 1910 to celebrate the 100th anniversary of Manufacturer: Philips Lighting ø 275 ø 358 has drawn up a plan for an extravagant the May Revolution of 1810. The original illumination project that could be realised designers used to call it ‘Torre Reloj’ (The LED Rail

for a millennium show with the help of Clock Tower) because of the big clock it The LED Rail comprises a string of high- 490 sponsorship. On a smaller scale, the show has at its top. Below the clock there is a brightness red-coloured LEDs (light ø 248 had its premiere from 10 to 26 September balcony offering a view of part of the city emitting diodes) mounted on a patented of last year. It was a combination of and the Rio de la Plata. flexible rail system that allows for easy Housing: Die-cast aluminium theatre, music, the docks and lighting. In 1998 the Government of Buenos Aires installation in standard channel letter Beam widths: Narrow, medium and wide The central part of the show consisted of undertook a City Beautification Plan, which housings. The LEDs are so spaced as to Lamps: SDW/T 50 W/100 W, CDM/T 35W and the narration of ‘Mozart America’ by Batz, a included this Tower. Several monuments brightly and evenly illuminate the channel 70 W, MHN/T 70 W, and QL 55 W

story about the Mozart librettist Lorenzo da Philips Lighting Argentina letters. Decoflood 606 Ponte during his stay in Hamburg before variety of professional surroundings. Unlike with neon, there is no glass tubing

1801. The story was read by actors in Shown here are the Wall and Pendent to bend, so the LED Rail is easier to install. 313

costumes and masks to 50 theatre-goers versions of the luminaire intended for use And since it operates on 24 volts as 260 273 at a time, on launches that passed through in entrance areas, sales areas, offices and opposed to the much higher voltages of Ø 162 103 the city, with in the background music by public buildings. Designed to house a neon, it is also much safer to install, and

Mozart. And the backdrop was the docks variety of lamp types including fluorescent LumiLeds area. For this purpose, thirteen bridges and and Mastercolour CDM-TD, the luminaire Ø 228 209 three main buildings in the area have been is of aluminium with a mat-glass cover. 296 123 182 illuminated using 2200 metres of Manufacturer: Philips Lighting 40 transparent tubing. Housing: Die-cast aluminium The show could possibly form part of DynaVision controller Beam: Narrow, medium and wide Hamburg’s contribution to the Expo 2000, The DynaVision controller is a light Lamps: CDM-T (35-150 W), SDW-T (35-100 and could provide an opportunity to brush regulating system for high-pressure W), MHN-T (70-150 W),halogen (75-150 W), up the image of the docks area as the sodium lamps (viz. SON) for use primarily and the PAR 56 lamp. entrance to the future harbour city. for road and industrial lighting The security fence seen QVF 435 Lighting equipment: Philips Lighting and buildings have been lighted employing applications. The controller uses a building owners have the comfort of reflected in the dark waters of Philips Lighting Thailand Germany HNF 003/HPI-T 1000 W,ArenaVision/HID conventional electronic ballast with a knowing that their signs won’t be causing the moat. 1800 W and Decoflood with MHN-TD 150 separate controller for 250/400 W SON fires. Lastly, the LED Rail saves energy – W and 250 W.The GLS and blended-light up to 80 per cent over the same size neon- lamps formerly employed to light the four powered channel letters. inner sides of the clock have been Manufacturer: LumiLeds Lighting (a joint- Housing: High-pressure die-cast aluminium replaced by TLD lamps. venture of Philips Lighting and Agilent Beam: Wide The new lighting can be enjoyed from the Technologies) Lamps: Double-ended halogen 300/500 W. In different international hotels surrounding this case, modified to accept MHW-TD 70 W. the square. The main entrance of the Royal Lighting equipment: Philips Lighting For the product catalogue, see: www.lighting.philips.com Argentina Palace in Bangkok.

2 ilr 001 forum ilr 001 forum 3 e.ednotes 4-5 30-10-2000 09:35 Pagina 4 Jean-Marc Charles EditorÕs notes

Millennium highlights The start of the new millennium was celebrated in many different ways all over the world. While there were those who were quite content to quietly catch the very first rays of the sun as it rose above the horizon in their particular time zone, others preferred to see the sky spectacularly illuminated by laser beams or fireworks. But not all celebrations in which light plays such a prominent role are of such a transitory nature. Many city authorities have taken the opportunity to mark the event by staging special year-long light spectacles, such as the giant illuminated Ferris wheel in the heart of Paris pictured on these pages. Others commissioned artists to have their works projected in public places for all to see. And then there are the numerous city authorities who have taken the opportunity to implement new, imaginative city beautification projects aimed at making their towns safer and more attractive for those living there and more appealing to visitors. JF Caminada

A new, though temporary, Paris No. of lighting circuits: 130 monument by Serge Dumont No. of lamps: 50 000 (110 V 10 W) and Marcel Campion. Floodlights: 24 x ArenaVision The giant 60-m diameter Installed power: 500 kW Ferris wheel provides a Special feature: Dynamic switching magnificent panorama from the Holographic effects: Cyril Vachez Place de la Concorde, the Lighting equipment: Philips Lighting largest and most beautiful spot Cabling & installation: Amusement Lights in Paris. Control Systems, The Netherlands

4 ilr 001 ilr 001 5 f.bridgesparis 6-7 30-10-2000 09:40 Pagina 6

1 The central bridges of Paris 3 Viaduc d’Austerltz. The A selection of river bridges, both ancient and modern, in four are strongly lighted on every lighting is dynamic: warm European capitals that are playing their part in welcoming in the surface and detail. colours during the rising and setting of the sun, while in new millennium Pont Neuf 2 Pont Neuf. The linear lighting between these times the bridge is integrated in the details of the is seen in cool blues and greys. architecture using innovative compact fluorescent lamps. Viaduc dÕAusterlitz What better way for a city to Capital Bridges herald the new millennium than Bridges in Paris, Dublin, Belfast, and Stockholm to light its bridges and bring a new perspective to the night-time riverside scene Vincent Laganier Vincent Laganier

iver bridges are amongst manÕs oldest are now being floodlighted for all to see and and early 19th centuries. And in Belfast, in architectural endeavours. And the fact admire from a distance. Northern Ireland, where the city government R that many ancient bridges are still in In this article we draw attention to a number of intends to promote investment and tourism and daily use in cities all over the world is a sure sign capital bridges lighted to celebrate the start of to bring about economic regeneration, a number of the affection with which they are held. But the new millennium. Paris has put the spotlight of new bridges across the river Lagan have been whether old or new, it is only in recent years that on numerous bridges along the Seine, including illuminated. And last but not least, there is the such bridges have received the attention of the famous 16th century Pont Neuf, now the beautiful city of Stockholm, with its ancient lighting designers in their campaigns to most famous bridge in the city. In Dublin, in the Norrbro, or North Bridge, dating back to the implement city beautification projects. Once Republic of Ireland, no fewer than eleven 11th century. Its illumination marks the start of a simply lighted roadways, with perhaps a few vehicular and two pedestrian bridges have been lighting master plan covering the decorative ornate lanterns to emphasise their charm, many lighted, eight of them dating from the late 18th lighting of the whole of central Stockholm.

2 3

Jean-Marc Charles The Seine by night - Paris

The bridges of Paris have been lighted according Pont Neuf Austerlitz viaduct to their history, architecture and location in the The lighting of this the most famous bridge The lighting of this railway viaduct is dynamic city complements the modern image of the Eiffel in two ways. First, warm colours enhance the Tower, the whiteness of the former contrasting natural effects seen during the rising and setting In recent years the cityÕs many illuminated with the golden glow of the tower. One of the of the sun, while in between the bridge is seen in bridges along the Seine have formed an ever- main characteristics is the linear lighting cool blues and greys. Lamps having the more important part of the night-time scene. The integrated in the details of the architecture using appropriate colour rendering properties have completion of the programme of various innovative compact fluorescent lamps. been employed: high-pressure sodium, metal lighting installations celebrated the start of the Thus, each machicolation under the balustrades halide, mastercolour and fluorescent. new millennium. is lit with the asymmetrical beams from Nantes In standby mode, fluorescent luminaires Rennes 4000 K integrated in the bridge structure ÔIlluminating the bridges underline the balustrades, while the vertical tie The Lighting beams are lit by CDM 4200 K Decoflood 606. For of Paris has finally linked about twenty minutes at sunset and sunrise, the The Seine bridge-lighting master-plan has taken upper arches are lit by SON Comfort 2200 K account of several important principles: the two halves of this, Tempo 2 units, while the underside of the deck is Stone bridges Ð The materials and structural the City of LightÕ lit by SDW-T 2500 K Tempo 2 units fitted with details are accentuated by the lighting. Iron louvres. Secondly, to radiate movement, passing bridges Ð The structures have received accent (Pierre Arnaud) trains are lit by rotationally symmetrical beams lighting in cool colours to create an open from Decoflood 606 floodlights. ❑ atmosphere. Historic bridges Ð The lighting and Roussillon fluorescent luminaires of 2700 K. reveals the historical and cultural aspects. A shield in the colour of the stones hides the Pont Neuf Lighting design: Pierre Arnaud, ECA, Jean- Central bridges Ð These short and important luminaires from view and cuts out glare. The Fran•ois Arnaud, CitŽlum Lighting equipment: links between prestigious sides of the river are balustrades are lit by a continuous line of small Philips Lighting, Mazda, and Agabekov strongly lighted on every surface and detail. xenon lamps, their colour matching that of the Viaduc dÕAusterlitz Commissioner: RATP (RŽgie Bridges outside the centre Ð These are longer and stonework. The arches are lit from their Autonome des Transports Parisiens), project leader J C form a liaison between less dense environments. keystones by Rennes HF graduated fluorescent Berardo Lighting design: Benoit Lalloz, DurguŽ The lighting of the balustrades is much softer luminaires of 3000 K. Laigret, ACT Espace, Paris Lighting equipment: 1 and the lower parts are not lighted at all. Philips Lighting and Mazda

6 ilr 001 ilr 001 city beautification/new millennium projects 7 g.bridgesdublin 8-11 30-10-2000 12:24 Pagina 8

Philips Ireland, Barry Mason Barry Philips Ireland, Mason Barry Philips Ireland, 4 Heuston Bridge, 1828. The 6 Grattan Bridge, 1874, bridge, designed by George between Capel and Parliament Papworth, is of iron construction Streets. supported by two granite piers. 7 Rory O’More Bridge, 5 Sherwin Bridge. previously known as Queen Victoria Bridge, 1859. Philips Ireland, Barry Mason Barry Philips Ireland,

4 5 67

Brian Callagy Across the Liffey – Dublin

The cityÕs lighted bridges are a reminder of its The objective was to create a permanent addition ancient heritage and a statement of its to the night-time aspect in contrast with other confidence in the future millennium projects designed to be dramatic or theatrical in nature and of temporary duration. Dublin, capital of the Republic of Ireland, is The design was to be such as to preserve the Ireland's administrative, commercial, and trading hub, as well as its main centre of ÔI dreamed of the Liffey education and culture. Situated in eastern- central Ireland, on the coast facing the Irish Sea, being transformed from a this city of more than one million inhabitants is split north to south by the River Liffey on its way ribbon of darkness to the estuary. into an axis of lightÕ There are eleven vehicular and two pedestrian bridges in the central area catering for north- (Brian Callagy) south traffic, eight of them dating from the late 18th and early 19th centuries. These bridges and structural form in every case and maintain the the very structures themselves encapsulate the texture of weathered stone masonry under cityÕs history, whose origins date back to Viking illuminated conditions. It was also required to settlements in the ninth century. preserve the individuality of the bridges, but at the same time introduce a common theme The Lighting throughout. No glare was to be permitted on any vehicular The night-time scene west of Grattan bridge, traffic axis, and there was to be a minimum of only 700 m west of the city centre, beyond which intrusive discomfort for pedestrians. Luminaire stand six bridges, was dark and uninviting, a dimensions were to be of such a scale that no visual obtrusiveness was created by day, a ÔI felt like a painter, and demanding requirement considering that the average bridge span was no more than 40 the bridges were metres. The installation was to be practical and capable to become my canvasÕ of completion within a thirty week period from (Duilio Passariello) its commencement on site. Energy consumption was to be minimised without compromising the black trough dividing the city north from south. design. Future ease of maintenance was There existed an overwhelming need to soften essential, and no permanent obstructions or this night landscape on the very axis where hazards were to be created for river-craft traffic. much recent development had occurred Ð the

Philips Ireland, Barry Mason Barry Philips Ireland, river and its bridges. The design work commenced in the early It was against this background that Dublin autumn of 1998 and evolved to its final state Corporation Engineers met to consider a joint through a series of tests involving trial design brief for the floodlighting of all the city- illuminations for each type of bridge structure, centre bridges. steel, cast iron, limestone and Portland stone.

ilr 001 city beautification/new millennium projects 9 g.bridgesdublin 8-11 30-10-2000 12:25 Pagina 10

Loopline OÕConnell Sean Heuston Frank Sherwin Grattan Father Matthew Butt Talbot

Wellington Rory OÕMore Mellowes (HaÕpenny) OÕDonovan Rossa

The final design features a dark-green illuminate the balustrades. This kept the number fluorescent illumination beneath the arches, a of luminaires needed to a minimum, the golden sunlight wash for the balustrades, and compact design of these luminaires ensures that metal halide low-power projectors for the bridge glare is minimised and that there is little faces and abutments. Utilising this theme physical obtrusiveness by day. When the installation had been completed and ÔThe challenge to create the formal switch-on had taken place on New YearÕs Eve 1999, it became clear that there was something different now a new and subtle presence in the city, delineating by night the flow of the river from required all the work to be west to east. The achievement for the city of done from the water... Dublin has been the resurrection of structures of charm and beauty during the hours of night a new experience for all when all other visual distractions have been subdued by darkness. Ironically, it is the involvedÕ moment of switch off that is the more dramatic, presently at midnight, when an ephemeral sense (Michael Moloney) of loss prevails. ❑

throughout did not create undue uniformity, because the bridges when illuminated asserted even more powerfully their individual Lighting design: Brian J Callagy, C. Eng. M.I.E.I. characteristics. Divisional Engineer, Electricity and Public Lighting A number of special projectors based on the Division, Dublin Corporation in collaboration with Decoflood design, with its precise optical Duilio Passariello, Philips Lighting, Miribel France system, together with the use of 700 m of linear Lighting co-ordination: Michael Moloney, Philips Philips Ireland, Barry Mason Barry Philips Ireland, light-emitting diode strips were employed to Lighting Ireland

8 Philips Ireland, Barry Mason Barry Philips Ireland, 9 10 11 Philips Ireland, Barry Mason Barry Philips Ireland,

8 O'Connell Bridge, 1798. 10 Mellowes Bridge, 1768. This Widened in 1882, it is now as is the oldest standing bridge wide as it is long. spanning the Liffey. The bridge replaced an earlier structure 9 Wellington Bridge, 1816. named Bridewell Bridge built in Nicknamed Ha'penny Bridge 1683. from the toll, one old half penny, Philips Ireland, Barry Mason Barry Philips Ireland, paid to cross the river. 11 O'Donovan Rossa Bridge, 1816. The bridge features keystone heads in the manner of the Custom House on each of its three arches.

10 ilr 001 ilr 001 11 h.bridgesbelfast 12-15 30-10-2000 10:06 Pagina 12 Philips Ireland,Ashley Morrison Philips Ireland,Ashley Morrison Philips Ireland,Ashley Morrison Philips Ireland,Ashley

Govenors

Kings QueenÕs Lanyon Place Ormeau Footbridge Queen Elisabeth Railway Footbridge

Albert

12 13 14 15 Philips Ireland,Ashley Morrison Philips Ireland,Ashley Paul Watson Out of the Blue – Belfast

It was decided that as the previous floodlighting For the new Lanyon Place Railway Bridge we of BelfastÕs river bridges was totally blue, we used special, protected fluorescent luminaires should keep the blue theme running up the river (TCW596) with integral louvres mounted continuously to illuminate the walkway. When Belfast, capital of Northern Ireland, was founded used with colour 965 lamps, these luminaires in 1177 and has been a city since 1888. It lies on give a perfect line of cool blue light across the the river Lagan at the head of Belfast Lough, river while remaining glare free to any some 80 km from the riverÕs source in the pedestrians. They are complemented by Mourne Mountains. Decoflood 605 luminaires with 70 W CDM-T The development of the river by the Laganside lamps and blue filters, which are mounted to the Corporation has seen major investments in the sides of the piers and give lines of blue light that area, such as the Waterfront Hall, a 2200-seat sparkle on the ripples in the river. Small conference centre, the Belfast Hilton Hotel, and tungsten halogen floodlights (QVF 415) have the BT Tower, headquarters for 1200 staff, all been positioned under the bridge to illuminate looking out over the river Lagan. the piers and make the whole bridge float. The new Lanyon Place Footbridge, a walkway The Lighting ÔThe perception of the

The Laganside Corporation also constructed the Lagan is of a mirror new Lagan Weir at Donegall Quay. This, and a new rail and road link over the Lagan, was reflecting a colourful vision 16 already illuminated with blue metal halide of its bridgesÕ lamps. It was therefore decided that as the previous floodlighting was totally blue, we (Duilio Passariello) should keep the blue theme running up the river, but not for all bridges to appear the same. We from the train station to the development, that is were able to come up with a scheme for eight suspended six metres above the road below has bridges, six of which are completed or near to been totally illuminated with Focus fibre optics. completion, with the others to follow later on The nine-metre-high fins that guard the entrance this year. to the footbridge have been covered in copper

12–14 The new Lanyon Place 15, 16 Queen’s Bridge. This Railway Footbridge. Fluorescent traditional road bridge is luminaires fitted with colour 965 illuminated by Decoflood units lamps give a perfect line of cool fitted with CDM-T lamps and blue light across the river. yellow filters to enhance the stonework. Blue metal halide lamps produce a blue glow to the underside of the arches.

12 ilr 001 city beautification/new millennium projects ilr 001 city beautification/new millennium projects 13 h.bridgesbelfast 12-15 30-10-2000 10:07 Pagina 14

Philips Ireland,Ashley Morrison Philips Ireland,Ashley Morrison Philips Ireland,Ashley Morrison Philips Ireland,Ashley Morrison Philips Ireland,Ashley Morrison Philips Ireland,Ashley Morrison Philips Ireland,Ashley 17–19 The new Lanyon Place 20, 21 Ormeau Bridge. The Footbridge is totally illuminated lighting is the same as for the with Focus fibre optics. Queen’s Bridge.

18 Philips Ireland,Ashley Morrison Philips Ireland,Ashley

19

20 21 and have a grazing light produced by projectors and metal, viz. the QueenÕs and the Ormeau. (VCN 810) mounted to the fins. These use a mixture of CDM-T lamps with The footbridge itself has been illuminated from yellow filters to enhance the stonework, with light points recessed into the deck (VFG 540CL) either CDM-T with blue filters or blue metal halide lamps employed to produce a blue glow ÔAll of us felt the challenge to the underside of the arches, which exaggerates the reflection of the moonlight in the to do something special river and give the bridges some depth. The with the lightingÕ schemes have again produced a talking point for Architect: Paul Shirley-Smith, Camlin Lonsdale Belfast at night, just as it was back in 1994 when Landscape Architects, Welshpool Wales (Paul Watson) the Lagan Weir was first illuminated. ❏ Lighting design: Duilio Passariello, Philips Lighting, Miribel France, and Paul Watson, Philips Lighting and shining up onto the metal sides of the Ireland, in partnership with Sean Curran, KMM walkway. Waring Consulting Engineers, Belfast N. Ireland Decoflood units also illuminate the other more Consultants: Mike Clarke, Kirk McClure and Morton, 17 traditional road bridges constructed from stone Belfast N. Ireland

14 ilr 001 ilr 001 city beautification/new millennium projects 15 i.bridgesstockholm 16-17 30-10-2000 10:11 Pagina 16 hlp wdn Nino Monastra Philips Sweden, Product survey – a selection HELGEANDSHOLMEN Statue

City Luminaire/lamp

Norrbro Paris Rennes Fluorescent Nantes Fluorescent

RIDDAR HOLMEN GAMLA STAN 105

12û-120û 70 12û-120û 153 236

Tempo 2 SON Comfort Decoflood 606 CDM-T 101.5 313

197.5 75.5 35 260 273

Ø 162 103 201.5 hlp wdn Nino Monastra Philips Sweden, 350 Ø 228 209 296 123 182 234.25 26.5 23.5 40

Dublin Decoflood 605 Metal halide Rennes Fluorescent

220

172 190

Ø 120 87 137

30 30 Ø 160 130

190 87 142 152

30

Belfast TCW 596 Fluorescent Decoflood 605 CDM-T 22 23 + colour filters

Lars HŠgglund 220

172 190

A bridge to the past – Stockholm 152 Ø 120 87

188 Ø 160 The importance of StockholmÕs medieval city The Lighting Decofloods are employed to illuminate the centre has been emphasised by lighting the statue in front of the House of Parliament. Two 190 87 142 152 bridge that provides access to it The Norrbro is not the largest bridge in luminaires are used, one from the front right and 30 Stockholm, but it is certainly the most important, one from the left rear to give the right Stockholm, situated on about twenty islands and especially from an historical point of view. Its shadowing and volume to the statue. QVF 415 Halogen Focus fibre optics

the adjacent mainland, is a beautiful city with illumination was therefore undertaken with One of the aims with the newly-installed QVF 416 25 many waterways and open spaces. The Norrbro, great sensitivity to ensure that it would lighting, which was carried out in close 187 130 or North Bridge, leads from the north part of the harmonise perfectly with the surroundings. collaboration with the Street and Estate 16 75 town to a small island named Test illuminations were done on site to get the Administration, has been to introduce a sense of

148 VCN 810 projector terminations Helgeandsholmen, whose history goes back to continuity between the centre of the city in the 275 ∅ ∅ the 11th century. This is where the House of ÔThe lighting introduces north and the Old Town, with its Royal Palace, in 9 90 22 Only the arches of the

Parliament is located, and it is the historical the south. Also, the project is the start of a 57.5 ∅ 9 68 ∅ 9 37 centre of the Kingdom of Sweden. The bridge a sense of continuity lighting master plan covering the decorative Norrbro have been lighted. The 25 source chosen is the SDW-T ■ 103 continues south on the other side of the island to between the city centre lighting of the whole of central Stockholm. White SON lamp of 50 W, VFG 540CL light-point the Old Town, where the Royal Palace (1754) is housed in compact, all-weather terminations situated. The bridge was built during the reign and the Old TownÕ SNF100 floodlights. of King Gustav III, 1786-1806, and was the first Stockholm SNF100 SDW-T Decoflood 606 SDW-T 23 Norrbro with its three place in Sweden with pavements and a speed (Stefan Sjšlund) 313 arches. On the left the 355 255 limit (for horses) Ð nothing faster than a trot was 260 273 government building and on the 316 201 79 aloud. very best result. Only the arches (three on the right the ministry for foreign Ø 162 103 affairs. Nino Monastra Philips Sweden, In front of the government building, close to the north side and one on the south) have been 244 water, is a famous statue named SolfŒngaren lighted. The source chosen is the SDW-T White Client: Street and Real Estate Administration 130 ∅ ∅ 24 MVF 606 Decoflood units 9 x 22 9 x 22 40 Ø 228 (The Sun Catcher), by Carl Milles, to the memory SON lamp of 50 W. The lamps are housed in Lighting design: Lars Liwendahl, Philips Lighting, 83 ∅ 13 75 with SDW-T White SON lamps of 209 182 of the writer Esias TegnŽr. The statue illustrates compact, all-weather floodlights (SNF100) Outdoor, Sweden, and Stefan Sjšlund, Street and Real 50 W illuminate the statue in 296 123 TegnŽrÕs poem ÔSong to the SunÕ. chosen for their simple and easy maintenance. Estate Administration front of the government 40 The same sources housed in MVF 606 Installation: Birka Service building. 24

16 ilr 001 city beautification/new millennium projects ilr 001 city beautification/new millennium projects 17 j.grenoble 18-19 31-10-2000 07:04 Pagina 18

Philippe Mouillon hlp ihig Pierre Crouzet Philips Lighting, Vincent Laganier

Grenoble, with a wealth of experience in high technology, opens up to the world 1, 2 The Berge 2000 project is renoble, near the convergence of the to be found along the bank of Drac and Is•re rivers in a mountainous the river where this flows G region of south-east France, is the through the centre of the town. capital of the French Alps. But the mayor saw 3 Installation of the fibre-optics this famous city as Òa jewel case without a projectors. pearlÓ. Gaz ElectricitŽ Grenoble, the local operator in charge of the public lighting, therefore developed an ambitious project that marries gigantic scales and frailty, poetry and technological innovations. The Berge 2000, created by Laboratoire Sculpture-Urbaine, is to be found along the bank

of the river where this flows through the centre Martin Stahl of the town. The idea of plastic artist Philippe Mouillon, instigator of the project, was to make use of the 600-m-long retaining wall of the quay built in 1850 to narrate something from the domain of fresco and to create order. Fragile, impalpable images made up of shadows and lights are cast on the wall above the footpath, where they seem to drift along the river, like a huge frieze framing the town. E rnbe lucy in de Sky GEG – Grenoble,

1 2 3 The Lighting gobos in stage lighting. Commissioner: Jean-Paul Giraud, Gaz ElectricitŽ de Outdoor museum of light The discharge lamp used in the projector has a Grenoble (GEG) Berge 2000, France The twenty-seven images, each with a diameter correlated colour temperature of 8500 K. The Exhibition designer: Philippe Mouillon, Laboratoire of 3.5 m, are spaced 25 m apart along the wall, colour is extremely stable during lamp life and Sculpture-Urbaine just above head height. Each image is produced creates a pleasant contrast against the street Technical support: Eric Bertot, HervŽ Humez, Louis by a fibre optics lighting system mounted on the lighting of 2000 K. Montagne, RŽmis Noirot, Fabienne Petitgas, Philips At nightfall, the embankment of wall above. The system comprises a waterproof The first sixteen artists, from Egypt, USA, Brazil Lighting the Is•re river becomes an urban 100 W Focus generator (total installed load and Japan, inspired by the cultures of their 3.78 kW), and a length of fibre optics cable countries, will be exhibiting their work until Author: Vincent Laganier is working as Lighting sculpture of shadows and lights supported on a 2.5-m-long bracket, with the October 2000, which can be viewed at weekends Designer with LiDAC Outdoor, Philips Lighting, waterproof (IP 54) projector termination at its and on public holidays between nightfall and France end aimed at the wall. 00.30. Other works will follow in their place The optical system is designed to obtain a sharp during the time of the Olympic Games of image on the wall in spite of the anamorphic Sydney 2000. Then works from other artists will distortion caused by the angle of projection of 35 take their place for a further six months. And so degrees to the perpendicular. This has been done a unique heritage of contemporary works will be by calculating the distortion using a computer, built up through the coming years. ■ then engraving the corrected image on the glass slide used in the projector, like pattern filters or

18 ilr 001 city beautification/new millennium projects ilr 001 city beautification/new millennium projects 19 k.monaco 20-23 30-10-2000 12:41 Pagina 20

Casino Cafe Hotel 2 The casino. 3 Hôtel de Paris. Vincent Laganier Floodlights ■ Condor C2 150 W metal halide Floodlights ■ Condor C2 150 W metal halide ● Condor C3 400 W metal halide (Blue) ● Cordes 50 W low voltage halogen ▲ Prenso 70 W metal halide ● HRM 70 W wide-beam metal halide 4000 K ▲ Prenso 100 W White SON ■ HRM 70 W rectangular wide-beam metal halide 3000 K Monte CarloÕs legendary Casino Square attracts ▲ Calao 2 100 W White SON ▲ HRM 100 W round narrow-beam White SON 2500 K ▲ Calao 2 150 W metal halide ■ HRM 150 W rectangular wide-beam metal halide 3000 K ● Cordes 50 W low voltage halogen ● HRM 150 W round wide-beam metal halide 3000 K the international players ▲ HRM 70 W wide-beam metal halide 4000 K Fluorescent tube –– Rennes 36 W ■ HRM 150 W narrow-beam metal halide 3000 K Power track –– Agabekov ▲ HRM 150 W narrow-beam metal halide 4000 K ▲ HRM 150 W medium-beam metal halide 4000 K Fluorescent tube –– Rennes 58 W –– High-voltage tube high discharge tube (neon) A fairy-tale of light Power track –– Agabekov Casino Square, Monte Carlo, Monaco

Cherubs, mouldings, cornices and balconies, all are lighted to reveal the artistry of the architecture

amous throughout the world for its two pinnacles designed by Charles Garnier, many artistic and sporting events, the architect of the OpŽra de Paris. F vitality of Monte Carlo developed The H™tel de Paris was built in 1864 on the during the belle Žpoque. Dominating the bay of model of the Grand Hotel in Paris. Opposite the Monaco is the famous Casino, a gaming house hotel, on the other side of the square, is the CafŽ established by the SocietŽ des Bains de Mer de Paris, with magnificent windows again by (SBM) in 1863. Under the enlightened Garnier. Renovated throughout, the new CafŽ de management of the billionaire Fran•ois Blanc, it Paris was inaugurated on 21 July 1988. The made Monaco a synonym of fortune, gaming, entrance hall, the drugstore and the huge bistro- holidays and travel. Today it is the main style terrace pleasantly complement the rest of building in the square, having been increased in the building, permitting the CafŽ de Paris to size and then embellished and rebuilt. In 1878 it retain its place in the first rank of Monegasque gained a neo-classical frontage surmounted by tourist facilities. 2 3

1 Philips Lighting, Pierre Crouzet

20 ilr 001 ilr 001 21 k.monaco 20-23 30-10-2000 12:44 Pagina 22 hlp ihig Pierre Crouzet Philips Lighting, Pierre Crouzet Philips Lighting, Pierre Crouzet Philips Lighting, The Lighting fibre pedestals have been introduced, identical in appearance to the existing ones of stone, to The SBM had been planning to illuminate the hide from view the floodlights lighting the Casino Square for some time. The approach of fa•ade. the new millennium accelerated things, and in The power cables for the lighting of the hotel 1998 the lighting contract was put out to tender. have also been cleverly hidden. Some are fed On the strength of his international references through false rain-water pipes, while others are and computer-generated visualisations of the masked behind glass-fibre cornices running end result, the lighting designer Alain Guilhot between the windows. was engaged to carry out the work. Another major challenge was the completion A major task was that of ensuring that the date. In two months of work, more than 1000 numerous luminaires employed in the various floodlights and twenty-five kilometres of cabling lighting installations remained as unobtrusive as had to be installed. This called for both skilled possible. This work was carried out in technicians and careful planning, a team of fifty collaboration with the technical-services workers using ten mobile platforms dealing department of the SBM. Besides the traditional efficiently with any contingency. solutions adopted to this end, like the use of The lighting was switched on at midnight on small floodlights, many embedded in the December 31, 1999. And the effect is certainly no ground, a number of original solutions were less spectacular than that predicted in the developed. For example, at the side entry, which computer simulation. The whole of the frontage is reserved for the Monaco royals, two glass- of the Casino is lit by floodlights hidden in 6 8 hlp ihig Pierre Crouzet Philips Lighting, regularly-spaced diffusing pits one metre away from the fa•ade. The symmetrical composition of the building is emphasised by the extra brightness of the lighting on the central part. This is provided by ground-recessed Pompe• floodlights equipped with the CDM-T metal halide lamp of 3000 K and having a symmetrical, narrow-beam light distribution. The windows on the first storey of the Casino are picked out by twin floodlights fitted with the SDW-T White SON lamp of 2500 K located at the inside ends of each balcony, while the windows on the second storey are underlined by small dichroic halogen lamps.

The third-storey columns of the H™tel de Paris are also underlined by small dichroic halogen lamps. Each span is surmounted by a pinnacle, which is accentuated by narrow-beam floodlights of 3000 K while the piers of the 4 hlp ihig Pierre Crouzet Philips Lighting, fa•ade are lit by wide-beam units of 2500 K. 1 Casino Square, Monte Carlo. 4, 6 Hôtel de Paris, built in On the left the Café de Paris, in 1864 on the model of the Grand The copper-clad and glazed-tile roof of the the centre the Casino, and on Hotel in Paris. Casino and the zinc-clad roof of the H™tel de the right the Hôtel de Paris. Paris are both illuminated by a line of 5 Renovated throughout, the fluorescents, which serve to give some depth to new Café de Paris was the buildings. In both cases, the lighting reveals inaugurated on 21 July 1988. the details of the architecture and adds an 7, 8 The famous Casino, a otherwise missing dimension when darkness gaming house established by falls. ■ the Societé des Bains de Mer (SBM) in 1863.

Building owner: SocietŽ des Bains de Mer (SBM) Lighting design: Alain Guilhot, Architecture Lumi•re Conseil Project management: Patrick Rainaut, Michel Borgio, Work and Technical Service Management of the SBM; Thierry Guilhot, Architecture Lumi•re Conseil Installation: SEE, Square Electrique, Spie Trindel Lighting equipment: Philips Lighting

Author: Vincent Laganier is working as Lighting Designer with LiDAC Outdoor, Philips Lighting, 5 7 France

22 ilr 001 city beautification/new millennium projects ilr 001 city beautification/new millennium projects 23 l.cusco2 24-27 30-10-2000 12:49 Pagina 24 Philips Lighting Peru

Tomas Sandoval The ancient city of Cusco high in the Southern Peruvian Andes has the potential to become one of the most popular tourist spots in the world

An ambitious city beautification Mystic Lighting project, the first of this size carried Cusco city and fortress, Peru out in South America, has made it possible to increase trade, tourism and safety, as well as prolonging the activity of the city into the night-time hours

1 2 3 Philips Lighting Peru he city of Cusco, in the Southern Philips Lighting Peru Peruvian Andes, was once the political T centre of the Inca Empire and is one of the most extensively visited cities in South America. The city still retains its traditional paved streets associated with the Inca culture, combined with Spanish colonial architecture with its large churches and balconies, which were built on the foundations of Inca structures.

The Lighting

Lighting has played an important part in highlighting the architecture of CuscoÕs buildings and in creating a safe and pleasant night-time environment. In order for the lighting to be effective, it was necessary to co-ordinate the luminous intensity of the floodlighting in the various parts of the square and the adjacent 4 streets so that the three different environments Ð arcades and facades, park, and the cathedral and Levels of lighting church Ð could be integrated without clashing 250 Lux 250 Lux with one another, 60 Lux 15 Lux 15 Lux Arcades and facades The arcades and facades are enriched by colonial Facades Roadway Central park Roadway Facades balconies and a series of arches, which provide access to the inner corridors of the arcades. 5 These corridors are lit by Tempo 2 floodlights, fitted with SDW-T 100 W white sodium lamps, positioned five metres apart, leaving the silhouette of the arches and columns of the arcades framed by the outer semi-darkness. For the outer facades, asymmetrical floodlights 1, 2 The centre of Cusco. The 3, 4 Corridors and facades. The fitted with SON-T Plus 150 W lamps are park lighting is largely by former are lit by Tempo 2 employed. The colonial balconies that surround decorative street lamps in a floodlights (SWD-T 100 W), the square benefit from the lighting of the colonial style (SON-T Plus while the outer facades are lit by facades. 150 W). The Cathedral and the asymmetrical units (SON-T Plus Compañía church are 150 W). highlighted with very intense The central park light, with low-pressure sodium 5 Lighting scheme of the This consists of eight gardens separated by luminaires for the inner lighting various parts of the square and

Philips Lighting Peru paths, with a lighted fountain in the centre. of the bell towers. the adjacent streets.

ilr 001 city beautification/new millennium projects 25 l.cusco2 24-27 30-10-2000 12:54 Pagina 26 Philips Lighting Peru

6

6 The 15th century fortress of 9, 10 Detail showing siting and Philips Lighting Peru Saqsaywaman in the hills above aiming of the Pompei Cusco. The town can be seen in luminaires. the background to the left. 11, 12 The smaller stones in 7, 8 The large stones in the first the second level are illuminated of the three levels are by Tempo 2 floodlights (SDW-T illuminated by ground-recessed 100 W). The lighting level here Pompei luminaires is 120 lux. (MasterColour CDM-T 70 W, 3000 K). The average illuminance is 170 lux.

7 8 Philips Lighting Peru The lighting design included the installation of perfectly that no mortar was needed. Originally The Lighting fitted with the 400 W SON-T Plus lamp are used, decorative street lamps in a colonial style. The a temple for worshipping the Sun God, it was spaced about 15 m apart. The level of street lamps, each containing a single SON-T built in about 50 years by some 20 000 people As a result of recent archaeological discoveries illuminance at this level was not important, but Plus 150 W lamp, are mounted on ornamental working at the same time. When the Spaniards on the perimeter of the site, the body responsible it was attempted to create a dramatic posts, on which are engraved some features arrived, the temple was fully finished and in use. for its care and supervision expressed particular environment, contrasting with that obtained on specific to the Inca culture, such as the puma and What we see today are just the foundations of concern for the size and ease of installation of the the first and second levels. The same Tempo 3 the Cantu flower. The lighting levels were the Inca temple that was destroyed over a period luminaires. Another requirement related to the floodlights are used to light the sloping ground calculated so that they did not clash with the of about four centuries. type of floodlights to be used. These had to be surrounding the fortress, so as to form a

lighting of the central fountain. such as to reveal the characteristic texture of the continuous volume of lighting. This lighting is 800 stones. very discreet, creating an environment that is Cathedral and Compa–ia church The first of the three levels of stones are up to both mystical and dramatic. ■ The Cathedral and the Compa–’a church are two metres high, and are arranged to form walls noted for their exquisite colonial architecture, of up to five metres high. They are illuminated Commissioner: City council of Cusco 9 10 large bell towers, and finely-textured carvings by ground-recessed Pompei luminaires fitted Lighting design: Tomas Sandoval, Philips

on their facades. with MasterColour CDM-T 70 W lamps of Lighting, Peru Philips Lighting Peru The most significant elements and the details of 3000 K installed 2.5 m apart, 1 m away from the Special thanks to: Instituto Nacional de Cultura (INC) the architecture have been emphasised by wall. The average illuminance obtained is 170 Electro Sur Este, Energy distributor of Cusco, and the highlighting them with very intense light, lux, which decreases regularly upwards. Major of City of Cusco punctuated lightly by shadows to define the The second level consists of smaller stones, some Nomination: Cusco has been nominated by UNESCO profiles and silhouettes. Narrow-beam 1 m high, forming a 3.5-m-high wall. The as a part of the worldÕs Cultural Heritage luminaires emphasise the architectural volume. lighting level here of 120 lux is provided by asymmetrical Tempo 2 floodlights, again Fortress of Saqsaywaman embedded in the ground and spaced 3.5 m apart. The 15th century fortress of Saqsaywaman in the The lamp used is the SDW-T 100 W. hills above Cusco was one of the most incredible The third level consists of stones of a smaller size buildings made by mankind. It was constructed than on the two previous levels, forming a wall of enormous stones, some weighing over 140 approximately 2.5 m high. metric tons, that were shaped and fitted so For this level, Tempo 3 symmetrical luminaires 11 12

26 ilr 001 city beautification/new millennium projects ilr 001 city beautification/new millennium projects 27 m.cplparis 28-31 30-10-2000 13:04 Pagina 28

New Concepts Exploring the future of urban lighting City People Light conference and exhibition in Paris

ver the last few years, Philips has been engaged in a process to His subject was ÔExploring the future of urban lightingÕ. Marzano: ÔThe explore how lighting could develop and improve the quality of challenge for us was to find ways of helping cities by looking into the O city life in the future, the objective being to stretch the cultural, emotional and aesthetic significance people attach to the outdoor- intellectual and creative boundaries towards more innovative and relevant lighting stage. In the first step, we carried out an exploration of socio- solutions. One of the first steps in this direction was taken in 1998 when cultural trends in the industrialised society in the West. We also conducted Philips published the findings of a study entitled City People Light (see interviews with city planners in a number of capitals in the world that are ILR 982). The aim of the present City People Light conference and dealing with the subject. exhibition, which was held in the MusŽe du Petit Palais in Paris in October ÔIn the most recent phase of our research we explored ways in which the of last year, was twofold: firstly, to further stimulate discussion and to inherent quality of light itself can be exploited in the outdoor environment. explore ways in which lighting can help to improve the quality of city life There are many inherent qualities, some are especially familiar to us from today, tomorrow, and further into the future, and secondly to put on show indoors, such as the warmth of the flickering light of an open fire, or a some of the abstract lighting concepts and City Beautification products romantic candle-light dinner. These are settings we like at moments that that have been developed so far. are emotionally and socially important. Suppose we move such emotions For three days, leading architects, city planners and lighting designers out into the streets, with a fireplace, for instance, or an attractive lamp or a from Europe visited the exhibition and participated in the conference and candle light, will this trigger the same emotional responses that are workshops . The conference was opened by Bart van der Cammen, triggered in an indoor environment? An important question that arises is director of Philips Outdoor Lighting Europe. Among the speakers he do people react as strongly or perhaps more strongly to the psychological introduced were Robert Wilson (international scenographer, New York), effect of lighting outdoors as they do in the home? who talked about how to integrate lighting in architectural design and ÔOn the basis of what we learned so far, we then developed a number of how to use the integrative power of lighting to give cities their own lighting concepts that in principle might be the sort of thing we could see identities, Ole Bouman (editor of Archis Magazine, The Netherlands), who in our streets in the coming decades. The first result of this work has begun explored the realm of digital lighting and on-line architecture, and Ilan to find its way to actual production, and in the exhibition you will see a Pivko (architect, Jerusalem), on how to use lighting to highlight antique or number of our latest luminaires. They reflect some of our thinking about modern architecture. the options for urban lighting, about directions that urban lighting might Of particular relevance to the City Beautification products on display in take.Õ ■ the exhibition was the talk given by Stefano Marzano of Philips Design.

1 2 3

city

1 The expectant audience. people 2, 3 The speakers. From left to right: Bart van der Cammen, Stefano Marzano, Ole Bouman, Ilan Pivko, and Robert Wilson.

light 4 Musée du Petit Palais, Paris.

5 The illuminated object shown here functions as a landmark. 45

28 ilr 001 city beautification/new concepts ilr 001 29 m.cplparis 28-31 30-10-2000 13:06 Pagina 30

6 The striking illuminated entrance to the 10 These seats demonstrate how integrated light exhibition. could add a new dimension to urban furniture.

7 As a symbol of living-room cosiness, the iconic 11 Based on existing Philips streetlights, these fireplace uses light to create a point around which modified City Beautification products demonstrate people can gather and mingle in the urban setting. the virtually limitless possibilities for tailoring lighting solutions to the needs and wishes of the 8, 9 The Multipole provides light outputs at four client. levels: top, high, close, and foot. Luminaire Concept: JF Caminada and R Hendriks, LiDAC, Design: JF Caminada and Dido van Klinken,Philips Design

6 7

8

9 10 11

30 ilr 001 city beautification/new concepts ilr 001 31 n.euro2000 32-43 30-10-2000 13:08 Pagina 32

Soccer stadiums in Belgium and in The Netherlands are being made ready for the first big sporting event of the new millennium Ð Euro 2000

The venues chosen for Euro 2000 are being lighted to provide full visual satisfaction for spectators and television viewers alike

t precisely 8:45 p.m. on the evening of A June 10, the refereeÕs whistle will blow in the King Baudouin soccer stadium in Brussels to signal the start of Euro 2000, the first big sporting event of the new millennium. A total of sixteen national teams will be participating in Euro 2000. Both host countries, Belgium and The Netherlands, qualify automatically. They, together with the other fourteen participants, will be hoping to make it to the final, which will be held in the Feyenoord

Stadium in Rotterdam on July 2, twenty-two Football without frontiers days later. Euro 2000, the theme for which is ÔFootball without frontiersÕ, is a sporting event with enormous international charisma. And, remarkably, it is the first time in history that two countries have organised such a prestigious competition together. The third largest event in the world, Euro 2000 is preceded only by the Football World Championships and the Olympic Games.

Eight world-class stadiums The championships are expected to attract 1.2 million ÔliveÕ spectators, with a further 7 billion Lighting requirements UEFA/FIFA fans watching the matches on television in more Qualifying criteria ¥ minimum of two-thirds of the seats must be Lighting atmosphere in a stadium to viewers watching at Parameter Description Value than 200 countries throughout the world. General under cover The lighting in all the stadiums, a selection of home. Ev Vertical illuminance in direction 1400 lux All the thirty-one matches will be played in eight To qualify for the Euro 2000 stadium title, the ¥ exclusive space for commercial purposes for which are looked at here (the Amsterdam ArenA The lighting requirements for Euro 2000 are laid of main TV camera host cities, four in Belgium and four in The stadiums had to meet the following general sponsors and suppliers stadium and the Feyenoord Stadium in down by UEFA (Union of European Football Ev2 Vertical illuminance in direction 1000 lux of secondary TV cameras Netherlands. Five of the eight world-class requirements: ¥ parking space Rotterdam, both in The Netherlands, were Associations), which are in line with those U1v Vertical illuminance Uniformity: Emin/Emax 0.4 ■ stadiums involved will each be able to seat ¥ space for extensive media facilities featured in ILR 971), must be such as to ensure drawn up by FIFA. U2v Vertical illuminance Uniformity: Emin/Eav 0.6 30 000 spectators, and the other three will each ¥ have a security certificate issued by the proper ¥ unrestrictedly available, so free from high-quality colour images, not only of the U1h Horizontal illuminance Uniformity: Emin/Emax 0.6 U2h Horizontal illuminance Uniformity: Emin/Eav 0.7 have seating accommodation for 50 000. Sixteen authorities commercial obligations. overall action, but also close-ups of the players GR Glare Rating < 50

cameras in each stadium will ensure the best ¥ a minimum capacity of 30 000 seats and spectators. Close-up images are an Ra General colour rendering index > 80 possible TV pictures. ¥ numbered seats important means of conveying the emotions and Tk Correlated colour temperature > 5000

32 ilr 001 Euro 2000 soccer/projects ilr 001 Euro 2000 soccer/projects 33 n.euro2000 32-43 30-10-2000 13:10 Pagina 34 Buissin /Reporters

2

Brussels, Belgium King Baudouin Stadium It is in this, the largest stadium in Belgium, that the Opening Ceremony will take place

The original stadium was opened in 1930 to The present stadium, which like its predecessor commemorate BelgiumÕs 100 years of has facilities for both athletics and soccer, has independence Ð although only the fa•ade recently had the seating capacity increased yet designed by Jozef van Neck still remains. In 1995 again to 50 000 in preparation for Euro 2000. the stadium was re-opened after extensive Now the largest stadium in Belgium, it is very renovation work in which the seating capacity suitable for the staging of very large sporting was increased from 15 000 to 40 000. At the same and other events, and it is here that the Opening time the stadium was named after the countryÕs Ceremony will take place on June 10, followed king, King Baudouin. by the first match of the tournament. Buissin /Reporters

3 4 5

The Lighting housing the 2 kW (MHN-TD) metal halide lamp, Lighting the players some of which are fitted with louvres to Vertical illuminance is essential for viewing vertical objects, including players. The side of a player Along with the increase in seating capacity has eliminate glare. The combination, employing a that can be seen can be approximated by a vertical plane at right angles to the viewer’s line of come an update of the floodlighting. The total of 581 floodlights, provides a horizontal view. A better approximation is the curved surface of a vertical half-cylinder, and although most original symmetrical floodlighting consisting of illuminance on the pitch of 2000 lux and a experts agree that the corresponding ‘semi-cylindrical’ illuminance is therefore a better measure a combination of four-corner high-mast lighting vertical illuminance of 2000 lux in the direction 1 The 50 000-seat King than the usual vertical illuminance, there is still no detailed guidance on semi-cylindrical Baudouin Stadium in Brussels, and stand-edge lighting has been modified to of the primary TV camera in the main stand. ❏ illuminance available (see also ILR 1984/2). Belgium. To guarantee identification of players from all directions, the illuminance on four, mutually provide an asymmetrical lighting installation. perpendicular, vertical planes should be adequate. But to get good modelling of the players, the The floodlight employed in the four 54-m-high 2 Floodlight aiming pattern. The lighting on the four vertical planes should not be identical. And to obtain a good brightness lighting masts is the HNF 006. This is a installation provides a horizontal harmony between the players and their background, there should be a suitable relation between rotationally-symmetrical narrow-beam unit illuminance on the pitch of 2000 the horizontal and the vertical illuminances. Stands, spectators and advertising boards often form lux and a vertical illuminance of housing a 2 kW (HPI-T) metal halide lamp. A part of the visual background for the players, so an adequate vertical illuminance is required here 2000 lux in the direction of the too. total of 346 of these units (in place of the former primary TV camera in the main The degree to which the above criteria are fulfilled determines to a large extent how good a 468) are employed: 117 per mast on the main Architect: W J & M C van Campenhout, Brussels stand (bottom). lighting installation is appraised by all concerned. stand side and 56 per mast on the side opposite. Consultancy: Greisch, Liege and Tractebel The photographs of players taken at the different Euro 2000 stadiums and shown on these pages At the same time, the number of original stand- Development, Brussels 3 Aerial view showing the are a valuable illustration of this. distinctive lighting masts.

Damanet /Reporters mounted PowerVision (MVF 024) floodlights Lighting design: Bart Mertens, LiDAC, Philips Note: The action photos of the players in this article were taken during recent soccer matches in has been increased (from 135 to 235), with more Lighting Belgium in co-operation with consultancy 4 Cross-section of main stand. the various Euro 2000 stadiums under lighting approved by UEFA for Euro2000. At the time of than a third of these on the main stand. These are Tractebel going to press, actual Euro 2000 championships soccer photos were not available. narrow, medium and wide-beam floodlights Electrical installation: VS&E, Brussels 5 Main stand.

34 ilr 001 ilr 001 Euro 2000 soccer/projects 35 n.euro2000 32-43 30-10-2000 13:12 Pagina 36 Bernard Delentree

6

7 ANP

8910

Bruges, Belgium to improve TV picture quality. Architect: Ir Jonckheere, Bruges In order to meet UEFA requirements for Euro Consultancy: Jonckheere, Bruges and Jan Breydel Stadium 2000, the old lighting masts have been removed Ingenium NV, Bruges This former Olympic stadium, built in 1975, has been thoroughly renovated for Euro 2000 and new metal halide floodlighting installed in Lighting design: Volmer Rosi, LiDAC, Philips four angled clusters on top of the new stands Lighting Belgium in co-operation with Ingenium NV behind the goals. Each floodlight cluster Electrical installation: Verstraete, Jabbeke To the north-west of Brussels and about fifteen The Lighting contains twenty-five (narrow, medium and kilometres in from the North Sea coast is the city wide-beam) MVF 406 1.8 kW ArenaVision units. of Bruges and the Jan Breydel Stadium. This The original four-corner floodlighting made use The existing rows of 2 kW MVF 024 PowerVision former Olympic stadium, built in 1975, has been of 36-m-high lighting masts, each carrying floodlights (109 in total) on top of the east and 6, 7 Floodlight aiming patterns. 9 Aerial view of the new renovated for Euro 2000. This involved, amongst twelve 2 kW HPI-T metal halide units to provide west stands have been retained, although the The installation provides a 30 000-seat Jan Breydel horizontal illuminance on the Stadium in Bruges. other things, doubling the seating capacity to a horizontal illuminance on the field of play of roof on the main stands has been completely pitch of 1700 lux and vertical 30000, two-thirds of the seats being covered, with 360 lux. Then, in 1976, in preparation for the renewed. illuminances in the direction of 10 The existing rows of most of the new seating being located behind the UEFA Cup, the lighting was improved by the The new lighting provides a horizontal the main and secondary TV PowerVision floodlights on top goals. To safeguard security within the stadium, addition of two extra rows of stand-mounted illuminance of 1700 lux. The vertical illuminance cameras of 1800 lux and 1600 of the east and west stands there is free access at all four corners. 2 kW floodlights (61 in total) to increase the in the direction of the main and secondary TV lux, respectively. have been retained. The new stadium, opened in May of this year, horizontal illuminance to 800 lux, with a vertical cameras is 1800 lux and 1600 lux, respectively. ❏ 8 New ArenaVision floodlighting besides being a world-class soccer venue, can illuminance of 700 lux. is installed in four angled Thys/Reporters now play host to a wide variety of cultural A further update followed in 1995 in the form of clusters on top of the new festivities. an extra sixteen 2 kW stand-mounted floodlights stands behind the goals.

36 ilr 001 Euro 2000 soccer/projects ilr 001 37 n.euro2000 32-43 30-10-2000 13:14 Pagina 38 Bernard Delentree

11

12 ANP

13 14 15

Charleroi, Belgium former (86 in total), in a more or less equal mix of Architect: Paul Petit & Associes SA, Charleroi beam widths, are equipped with the MHD-TD Consultancy: Igretec Charleroi and Pirnay, Charleroi Stade Communal de Charleroi 2 kW lamp and are mounted in rows along the Lighting design: Rosi Volmer, LiDAC, Philips An old stadium that has been brought in line with present-day requirements front edges of the main stand (25 m) and the Lighting Belgium in co-operation with Igretec stand opposite (30 m). The ArenaVision Electrical installation: Baltau, Li•ge floodlights (80 in total), mostly the narrow-beam Some fifty kilometres south of Brussels is the The Lighting version, are equipped with the MHD 1800 W somewhat smaller Stade Communal de lamp. These are mounted at two levels on 39-m- Charleroi. Built in 1939 and originally named the The original floodlighting employed a total of high lighting pylons, one at each corner of the 11, 12 Floodlight aiming 14 Aerial view of the newly- Mambourg Stadium, it was renovated in 1987 sixty narrow and wide-beam 2 kW metal halide stadium. patterns. The installation renovated 30 000-seat Stade with the addition of business boxes. Five years units mounted atop four 32-m-high lighting The installation provides a horizontal provides a horizontal Communal de Charleroi stadium. later the terraces behind both goals were masts. This provided a horizontal illuminance illuminance of up to 1500 lux, with 1200 lux in illuminance on the pitch of up to 1500 lux, with 1200 lux in the replaced by seats. For Euro 2000 the capacity of on the pitch of 550 lux. In the eighties this was the direction of the main TV camera and 1060 lux direction of the main TV camera the four stands has been increased further, so increased to 800 lux, and an illuminance of 1000 in the direction of the secondary camera. ❏ and 1060 lux in the direction of that the total stadium capacity is now 30 000 lux provided toward the main TV camera by the the secondary camera. seats. The new stadium was opened on May 24 addition of 38 PowerVision floodlights (2 kW) of this year. mounted along the edge of the stand roof. 13, 15 The ArenaVision floodlights are mounted at two The new lighting installed in 1998 for Euro 2000 levels on 39-m-high lighting employs a combination of PowerVision and pylons, one at each corner of ArenaVision metal halide floodlights. The the stadium.

38 ilr 001 Euro 2000 soccer/projects ilr 001 39 n.euro2000 32-43 30-10-2000 13:17 Pagina 40 ANP

16

17 Toonvan Aken Architectuur Toonvan Aken Architectuur

18 19 20

Eindhoven, The Netherlands architectural design. Architect: Henri Wijenbergh, Toon van Aken Advances in floodlight design have also seen the Architectuur, Eindhoven Philips Stadium number of units needed reduced in number, Lighting design: Jac Slegers, Philips Lighting, The Advances in floodlight design have seen the number of units needed reduced in number despite the increased demands in terms of level Netherlands, Eindhoven and uniformity being placed on the lighting. In Project management: Arnold Severens, Philips the new lighting installation installed to meet Projecten, Eindhoven The Philips Stadium in Eindhoven is one of the The Lighting Euro 2000 requirements, 248 ArenaVision MVF Electrical installation: ERGON BV, Eindhoven most modern in The Netherlands. There has 403 floodlights with the special MHD 2 kW been a soccer stadium on the site since 1913, but Over the past ten years the stadium has metal halide lamp provide a vertical illuminance several complete rebuilds over the years have undergone many changes, and the lighting has of more than 2000 lux in the direction of the main changed the original structure beyond all been constantly updated to keep up with them. TV camera (horizontal 2700 lux). These new recognition. For instance, with the building of the new South floodlights are mounted in specially-designed 16, 17 Floodlight aiming 18, 19 Artist’s impression and The present stadium really dates from 1988, Stand a number of the mast-mounted frames along the edges of the north and south patterns. The installation scale model of the new when the main South Stand with business rooms ArenaVision floodlights were rehoused in the stands and on mounting rails under the north- provides a horizontal 30 000-seat Philips Stadium in and seats was added. A new West Stand was stand roof. And when the new north stand was east and west stands. The result is the most illuminance on the pitch of Eindhoven. completed in 1992, and the two open corners on rebuilt, all the mast-mounted floodlights on this modern stadium lighting in The Netherlands, 2700 lux and a vertical illuminance of more than 20 Philips Stadium. Work is still the north side have been closed to add further side were moved to the stand. The last of the and one that can measure up to the best in 2000 lux in the direction of the in progress to add further ❏ John Claessens business facilities and an extra 6000 seats. This four lighting masts, so long a landmark in Europe. main TV camera. business facilities and extra has brought the seating capacity up to 30 000 in Eindhoven, was removed last year and the seats, and to finalise the new time for Euro 2000. lighting has now become an integral part of the lighting for Euro 2000.

40 ilr 001 Euro 2000 soccer/projects ilr 001 41 n.euro2000 32-43 30-10-2000 13:19 Pagina 42

Arnhem, The Netherlands Gelredome The first stadium to have not only a sliding roof but also a retractable playing surface

The first foundation stone of this multi-purpose 26 600-seat stadium was laid on 1 July 1996. In 21 March 1998, the stadium was declared open for business. The Gelredome is the first to have not only a sliding roof but also a unique retractable playing surface. Natural grass does not grow well indoors, and rather than resort to artificial surfaces the designers decided to keep the pitch outside in the open air, only moving it into the arena when needed, a process that takes only two hours. The Gelredome accommodates the audience according to modern standards. No gates or canals, no police but stewards, fully heated in the winter, fully air conditioned in the summer. The stadium offers a perfect view of the field and an attractive promenade with dozens of catering outlets, shops and luxurious business accommodations. It takes only one day to transform the Gelredome into a huge and comfortable theatre, or into a hall for concerts, exhibitions, conferences, arena sports, and so forth. 22 The Lighting ANP Gerth van Roden Intended primarily to satisfy the international guidelines and recommendations pertaining to soccer, the lighting has been so designed that it can be used wholly or in part for all the other activities taking place in the stadium. Since this meant that the number of burning hours would be far greater than for soccer alone, it was decided to employ the MVF 024 PowerVision floodlight, which is fitted with the efficient, long-life MHN-TD 2 kW metal halide lamp. 23 24 25 A total of 192 of these floodlights, in wide (20), medium (124) and narrow-beam (48) versions, light the arena from all four sides and from two mounting heights (27 and 21 m). This provides even, shadow-free lighting with a vertical illuminance in the direction of the main TV camera of 1400 lux. ■

Architect: Alynia Architecten, Harlingen Consultant: Tebodin Engineers, Hengelo Lighting design: Jac Slegers, Philips Lighting, The Netherlands Electrical installation: Ergon BV, Apeldoorn

21, 22 Floodlight aiming 25 Wide, medium and narrow- patterns. The installation beam floodlights light the provides a vertical illuminance Gelredome arena from all four in the direction of the main TV sides and from two mounting camera of 1400 lux. heights.

23, 24 The 30 000-seat ANP Gelredome stadium in Arnhem with its roof closed and open.

42 ilr 001 ilr 001 43 o.interv1 44-45 30-10-2000 13:24 Pagina 44

Stadium architect Stadium manager Supporter Soccer player Sports photographer TV cameraman

Henri Wijenbergh Antoine Vanhove Vancaeneghem Jean-Claude Luc Nilis Robert Collette Eric Mengan Project architect at Toon van Aken Architectuur, Eindhoven, Manager of Jan Breydel Stadium, Chairman of the Supporters Federation Club Brugge KV, Striker for PSV in Eindhoven and nominated for the Working (for more than 30 years) for magazines Voetbal Free-lance working for international broadcasting for the rebuilding of the Philips Stadium, Eindhoven, Bruges, Belgium. affiliated with the National Supporters Federation in Belgium national soccer team. International and Sport International, The Netherlands. corporations such as Eurosport, RTL, Canal+, and TF1. The Netherlands. Belgium. Magazine Club Brugge Pics United/Bob van den Cruijsem Michael Kooren

Stadium perspectives The modern soccer stadium is designed to suit the lighting needs of various parties. So how does it measure up?

International soccer matches are nowadays TodayÕs soccer stadiums bear little relation to The Jan Breydel Stadium in Bruges has recently The Philips PSV Stadium in Eindhoven is one Apart from those selected for Euro 2000, there As far as the cameraman is concerned, the main really huge events and are broadcast world those of twenty years ago. For a start, the been modernised in preparation for Euro 2000. of the most modern in The Netherlands, and are not many stadiums in The Netherlands that difference between filming in a stadium during wide. Stadiums are getting more and more modern stadium is far better lighted. This is This included removing the four lighting masts spectators are effusive in their praise of the new satisfy the lighting requirements laid down by the day and in the evening is that in the former professional, as are the spectators and, because the lighting must satisfy the very in favour of roof-mounted floodlighting, and the lighting. But what do the players think about it? UEFA for international matches. These lighting case he usually has unpredictable sunlight and regrettably, the vandals as well. So safety and stringent demands of colour TV. Levels have provision of extra seating in place of terraces. For example, what does it feel like to play here requirements are, in the opinion of sports harsh shadows to contend with, although comfort are essential at Euro 2000, which is why risen to the 1400 lux being demanded for Euro How are these changes viewed by the public? under the new roof-lighting compared with the photographer Robert Collette, a must, for switching on the floodlighting does help to many of the chosen stadiums are being rebuilt. 2000. Antoine Vanhove: ÔAs Chairman of the Jean-Claude: ÔOf course, as far as comfort is former four-mast lighting? Luc: ÔFor me without them it is often impossible for soften the shadows. Another advantage of Henri Wijenbergh: ÔThe streams of rival Disciplinary Committee of the Royal Belgian concerned, the seating is a great improvement. personally, as a player, there is no great photographers to Ôdeliver the goodsÕ. He finds floodlighting is that it helps reveal the facial supporters must be kept apart, and comfort Football Association I am responsible for But what I miss, personally, is the atmosphere difference, but I can imagine that the goalkeeper the present situation unworthy of the game. details of the players, their eyes in particular, must be improved. Seats now replace terraces, approving the lighting of our national stadiums, found in the old ground, where 22 000 will prefer the new lighting. With the roof Robert: ÔToday, we are often obliged to shoot which is so important to the creation of often supplemented by Òsky boxesÓ.Õ and am fully aware of this. And it is all to the supporters could huddle together on the lighting he is now less likely to be dazzled when from a distance with a 600 mm lens. With good excitement and atmosphere. Eric: ÔAs a Stadiums are becoming larger and more massive good, for a brighter stadium is also a safer terraces. And then there are the new security dealing with a corner or a difficult cross.Õ lighting, you then have a depth of focus of a few cameraman, I like to have the same conditions than ever before. The Philips Stadium has new stadium. There is a totally different atmosphere arrangements taken by the police: no more The trend nowadays with stadium lighting is to centimetres. But with poor lighting you will all around the stadium, so I prefer filming at covered stands and two newly-rebuilt corners. created when the floodlighting is switched on fireworks or flags, everything is banned. And as treat a soccer match as if it were being staged in a have problems with the exposure time, and even night. It is, of course, cold and it is more difficult This Ôroofing inÕ, however, often means that the during an afternoon match with dark weather. It regards the new lighting, in my opinion the old theatre, which in effect it is. An important a well-printed photograph will appear with a because we are tired, but it is much better for pitch is starved of life-giving sun, wind and rain, is just as if the sun had risen.Õ lighting was already very good, except during function of the lighting is to help concentrate the very dark background. Many stadiums, pictures. I never find bad light. In all the large and the ground staff have to work overtime to But lighting levels apart, have there been any an afternoon game. The higher lighting levels attention of the spectators on the action taking primarily those in the football league, have old stadiums where I have been you find good keep it playable. Henri: ÔWe have opted for a other noticeable changes in the ways stadiums are then certainly more evident. Before, on a dull place before them. Luc: ÔThe artificial lighting in lighting installations dating back twenty years. lighting, even in the rain. We now have highly- ventilation system. The corners of the stands are are lighted? What about the relative merits of day, it was difficult to see the ball, even with the this stadium is perfect from goal to goal and There is thus plenty of justification for drawing sensitive cameras with very good lenses, so we provided with louvres that remain open while four corner versus line lighting? There are many floodlighting.Õ from corner to corner. There are no weak points. up a new joint plan for the whole of professional do not have technical problems. Yesterday I was the stadium is not in use. These allow the pitch stadiums where the masts are placed behind the And what about the difference between a ItÕs just as if you were playing in the full light of soccer in The Netherlands.Õ in a stadium with a very special camera, a Loop, to breathe, and the roof is transparent to allow stands to leave the four corners free for seating. daytime game and one played under day, but without disturbing shadows and glare Another important point concerns the relative for slow-motion work. This costs FF two million, the sunÕs rays to reach it. And there is also an But this means using more powerful floodlights floodlighting? Jean-Claude: ÔI am not aware of from the sun. During a daytime match in good impact of the still photograph compared with although the normal price of a camera is underground watering, drainage and feeding to achieve the same lighting levels as with line any great difference between day and night-time weather, artificial lighting is not needed, but on video coverage. Experience has shown that the between FF 5000 and FF 500 000. system to ensure that the pitch remains in top lighting, and hence higher running costs. soccer. I know that in the beginning I was very grey days the lighting is always switched on. former is three times more effective than the But what about when the cameraman is forced to condition.Õ Antoine Vanhove: ÔThe ideal, of course, would impressed by the night-time atmosphere in the This also helps create a more exciting latter. Robert: ÔIt is the still photographs that shoot more or less in the direction of the The floodlighting, too, has been brought right up be to make the floodlights completely invisible, ground, although the atmosphere in the atmosphere.Õ easily stay in the memory. So, the sponsors get floodlights? Is this more of a problem with four- to date during the rebuilding programme. The fully integrated in the stadiumÕs architecture, afternoon is also very enjoyable, in spite of the important "free" advertising. How? By means of mast lighting or with stand lighting? Eric: four lighting masts have been removed and with only the light on the field giving a clue to glare caused by the low, afternoon sun. The the advertising boards forming the background ÔSometimes, depending on the position of the extra floodlights mounted on the edge of the their presence. That would be wonderful.Õ artificial lighting in the evening is well planned, of the pictures we make, provided these are well camera, it is disturbing, although I like a stand roofs. These new ArenaVision units have with good light coverage and no glare.Õ lighted.Õ ÒstarlightÓ shot at night. I occasionally find more been so positioned as to provide a better, Robert is of the opinion that it must be possible difficulties when there are no lights behind the shadow-free light coverage, and light scatter for soccer clubs to secure a long-term low- goals, for example, and there is light on the outside the stadium has been virtually interest loan in order to update their lighting corners. Then there is too much difference; you eliminated. Henri again: ÔAs far as the players installations: ÔAll the stadiums would then have have to constantly adjust the lens opening, and and spectators are concerned, there must be as lighting up to UEFA requirements. This would that is disturbing. I prefer lights on the roof. A lot little shadow as possible, for with todayÕs high satisfy both the TV companies and the sponsors. of light, with many floodlights spread out all lighting levels needed for TV coverage, shadows over the stadium.Õ mean contrasts, and contrasts create glare. And equally important, the local residents must be happy with the lighting, too.Õ

44 ilr 001 Euro 2000 soccer/interview ilr 001 Euro 2000 soccer/interview 45 p.arenavision3 46-49 30-10-2000 13:26 Pagina 46

Design ArenaVision Ð New Generation

An innovative optical system in a new aerodynamic housing gives increased light output, uniformity and flexibility in lighting design

he unique ArenaVision floodlighting system was launched by axial orientation, at the focus of the parabolic reflector. Paul: ÔWe did this to 1, 2 The PSV Stadium in Philips in 1988. It made possible an entirely new approach to the create a rather broader, asymmetrical light distribution Ð not entirely Eindhoven before (left) and after installation of the new lighting of a whole range of outdoor sporting events. For the first conical Ð to provide better uniformity on the horizontal target area. Also, T ArenaVision floodlighting in time, here was a truly flexible floodlight system that combined colour we incorporated an internal ÒskirtÓ, or baffle, in the top of the luminaire to 1988. quality and brilliance with decreased spill light and glare and a choice of redirect back down what would otherwise be stray upward light.Õ beam widths to create a more thrilling stadium atmosphere and television Hence the first-generation ArenaVision, the MVF 406, was born. Smaller 3 Emile van Dijk experience. than any other floodlight of comparable power, it was the first to offer the 4 The New Generation lighting designer a choice of five different ArenaVision floodlight. optical systems. 5 The rather broader, New oval optics asymmetrical light distribution Further development work on the ArenaVision (horizontal ellipses) provides better uniformity on the system was prompted by the desire to broaden horizontal target area. the light distribution in the horizontal plane still further. This has been achieved by the adoption 6 Paul Entrop. of a system of so-called Ôoval opticsÕ. A precisely- engineered oval reflector shape provides a better 7 Henk Wybenga. defined light gathering capacity while 12 8 The new, very compact minimising double reflections. double-ended MHD metal halide Ever since its introduction, the ArenaVision system has been put to the test But how do oval optics serve to increase beam width? Henk Wybenga, lamp without outer bulb and in all conceivable types of sports lighting applications in stadiums, large optical designer: ÔThe oval optical system in fact consists of a number of having an electrode spacing of and small, all over the world. But lighting designers are constantly looking flat surfaces joined to form a parabola in both the horizontal and the only 25 mm. 4 for ways of improving the quality of the end result by adopting new vertical planes. By varying the size and number of these surfaces, and by 9 Ray diagram showing cut-off findings and the latest technology. Consequently, a special multi- adopting a somewhat different shape of parabola, you can alter the shape produced by the internal baffle disciplinary team was formed to develop a new, even further improved of the beam. For example, if you increase the width of the surfaces, you can or ‘skirt’. floodlighting system. We talked to some of the key persons involved in influence the outrun capacity and thus the width of the beam in the this continuing development process. horizontal direction.Õ With this flatter beam, beam overlap is easier to achieve, and providing good lighting uniformity is no longer a problem. ArenaVision is born Paul: ÔAs you can imagine, if you are trying to light, say, a horse-race track The ArenaVision floodlighting system first made its appearance in 1988 to with conventional narrow beams, getting the right beam overlap can be light the PSV soccer stadium in Eindhoven. But the idea for this very difficult. But if you can employ somewhat flatter beams, the problem revolutionary system in fact came some twelve years earlier, when Paul is greatly simplified.Õ Entrop was busy designing the lighting for the Olympic sites in Montreal. As before, the new system incorporates an inner skirt to redirect stray Paul: ÔWe were constantly striving to get the light onto the flexible target of upward light effectively back down and a choice of seven mirror reflectors the various sports areas, whilst keeping stray light outside these sites to a to optimise performance in any application. minimum. We were anxious not to create a Òvisual barrierÓ, where everything is lighted and yet nothing in particular is focused on. Like in a New Generation ArenaVision 8 theatre, the lighting has to focus on the ÒstageÓ, bringing the players closer New, tailor-made lamps to the audience and so stimulating interaction between them. Indeed, the The lamp employed during the development phase was the very compact International Olympic Committee was behind us in this, so we renewed MHD 1800 W, with magnificent colour properties. our efforts to come up with a powerful, compact light source coupled with Emile van Dijk, co-ordinator of the multi-disciplinary an improved optical system. This would enable us to put much more light development team at Miribel: ÔWhat was needed to into the beam and reduce the amount of stray light, which is the primary extend the field of application of the new key to good lighting control.Õ ArenaVision system to indoor lighting and small- The result was the very compact double-ended MHD metal halide lamp scale outdoor lighting was a 1 kW lamp. At the same without outer bulb and having an electrode spacing of only 25 mm time, a 2 kW version would be invaluable in compared to the 85 to 135 mm discharge tube of the formerly-used HPI-T providing the increased lumen output needed for lamps. The lamp is positioned transversely rather than in the conventional longer throws outdoors. This new 2 kW lamp gives 3 5 6 7 9

46 ilr 001 city beautification/design ilr 001 city beautification/design 47 p.arenavision3 46-49 30-10-2000 13:27 Pagina 48

up to 15% more light output and enables us to increase the lighting level compared to conventional floodlights. ArenaVision International Reference by 15% when using the same number of luminaires, or to maintain the Jos Stuyfzand of Philips Design: ÔWe adopted an integral approach to the same lighting level with up to 15% fewer luminaires. design in which marketing managers, engineers, lighting designers, and Country City/Province Stadium Club/Event Application ÔIn the event, four new metal halide lamps were developed, making five in also people with project experience representing the market were Austria Ramsau Olympic Stadium World Championships 1999 SKI JUMP all, with lumen involved. Later we approached the customers direct, with questions such Australia Sydney Homebush Aquatic Centre Olympics 2000 SWIMMING outputs ranging from 90 000 to 200 000 lumen Ð see box. These are the as Òwhat do you think of this?Ó and Òhow can we improve it?Ó We even Australia Sydney Sydney Superdome Olympics 2000 GYMNASTICS/BASKETBALL 1 kW and 2 kW lamps, respectively. The former has a longer discharge tube visited mast manufacturers and installers to see just what their problems Belgium Bruges Club Brugge EURO 2000 SOCCER to give the broader beams (medium and wide) needed to deal with lower were. China Shenshen Shenzhen Stadium National Championships SOCCER mounting heights, the type of the beam created being suited for line ÔWe performed a wind-tunnel test of the new design, which showed that France Marseilles Stade Vélodrome World Cup 1998 SOCCER mounting at the sides of a sports-pitch. we had achieved a reduction in the drag factor (a measure of the wind France Lyon Gerland World Cup 1998 SOCCER ÔThe two new floodlight systems, the MVF 401 and the MVF 403, offer a force on the floodlight) of between 40 and 50 per cent. This allows Germany Cologne Köln Arena Multi-use INDOOR/ARENA choice of nine different optical systems, four lamp types, and five levels of architects to use slimmer masts for better architectural integration in any Germany Leverkusen Bayer Leverkusen National Championships SOCCER/ATHLETICS light output to suit all possible uses, both indoors and out.Õ structure or stadium. It is also a shape that is more in harmony with the Hong-Kong Shatin Shatin Racecourse Weekly racing HORSE RACING new ÒorganicÓ style of stadium architecture. It is a new shape, with a sort Japan Osaka Osaka Expo’70 Stadium World Cup 2002 SOCCER New housing design of soft touch given to a high-tech product.Õ 14 Italy Rome Olympic Stadium World Cup 1990 SOCCER/ATHLETICS The greatest challenge in the development of this extended range of new Italy Turin Stadio delle Alpi World Cup 1990 SOCCER generation ArenaVision sports lighting systems was that the 2 kW lamp More functional than ÒtechnicalÓ Netherlands Amsterdam AmsterdamArenA Euro 2000 SOCCER created an extra heat-load inside the luminaire. To solve the problem of But in what other ways does the new generation ArenaVision differ from Norway Oslo Holmenkollen Lillehammer Winter Olympics 1994 SKI JUMP how this extra heat could be dissipated, a working group consisting of its predecessor? Dido: ÔOne thing, is that the floodlight is far less Oman Ibri Youth Complex at Ibri National Championships ATHLETICS thermal expert, material technologists, mechanical engineers and several ÒtechnicalÓ in appearance; there are few technical extras such as cooling Pakistan Lahore Gaddafi Stadium Cricket World Cup 1997 CRICKET partner-suppliers embarked on an extensive study. fins. We have optimised the product, with the emphasis on ease of Singapore Singapore Orchid Country Club International and national opens GOLF Emile van Dijk: ÔThe goal here has been to evacuate the heat generated by installation and maintenance. For example, we have incorporated an Spain Barcelona Nou Camp Champions League Final 1998/1999 SOCCER the lamp via the rear housing of the luminaire (to do it via the front would aiming memory. Once aimed and locked, the unit can be swung up for Spain Sierra Nevada Nevarros World Alpine Ski Championships 1995 DOWNHILL SKI South Africa Cape Town Newlands Cricket ground Day/Night series CRICKET 10 -12 Stages in the development of the new South Africa Cape Town Newlands Rugby Stadium World Cup 1995 RUGBY floodlight. Thailand Bangkok Thammasat University Stadium 13th Asian Games ATHLETICS & SOCCER UK Glasgow Hampden Park National Stadium Scotland RUGBY/SOCCER 13 Dido van Klinken and Jos USA Chicago Soldier Field World Cup 1990 SOCCER/GRID IRON Stuyfzand of Philips Design. USA Atlanta Turner Field Olympics 1996/Atlanta Braves ATHLETICS/BASEBALL 14 Computer-aided simulation of wind-tunnel test of the new ArenaVision floodlight. Technical data

10 11 12 Feature MVF 401 MVF 403

have called for a special front glass, making the luminaire too expensive). cleaning and then simply clicked back into its original position. And the Lamp MHN-TD 1 kW MHD-TD 1 kW MHD 1.8 kW MHD 2 kW/956 MHD 2 kW/856 ÔTo facilitate heat transfer from the reflector to the outside we did two double-clip lamp holders ensure more accurate beam control and a firm, things: the first was to improve the contact and contact surface between permanent focus because of the constant and reliable positioning they give Mains voltage 220-240 V 50 Hz 220-240 V 50 Hz 220-240 V 50 Hz 380-415 50 Hz 380-415 50 Hz the reflector and the rear of the housing (die-cast alumium part), and the to the lamp.Õ second was to paint the rear of the rear reflector (inside the luminaire) Optics medium medium Cat. A1–Cat. A7 Cat. A1–Cat. A7 Cat. A1–Cat. A7 black so as to promote heat radiation towards the aluminium housing. A whole new family of floodlights wide wide Before coming to these conclusions, a Òthermal modelÓ was built in a The idea was to come up with a whole new family of floodlights that computer to simulate all kinds of possible solutions. Prototypes were then would offer a total sports-lighting solution. That was not possible with the Version downlighting downlighting downlighting downlighting downlighting made to validate these solutions by means of thermal measurements in our existing ArenaVision, which was purely high-end, and only intended for uplighting uplighting uplighting lab. This revealed that there was no need to resort to drastic measures like large stadiums. increasing the size and thus volume of the luminaire.Õ The two new floodlight systems, the MVF 401 and the MVF 403, offer a Luminous flux 100 000 lm 90 000 lm 155 000 lm 180 000 lm 200 000 lm choice of nine different optical systems, four lamp types, and five levels of Dido van Klinken of Philips Design: ÔThe two primary considerations as light output to suit all possible uses, both indoors and out. The systems Colour temp. 4200 K 5600 K 5600 K 5600 K 5600 K regards the shape of the new housing were the need to draw attention to have been designed to appeal to architect, lighting designer and the redesigned optical system, and the importance of keeping wind installation engineer alike: the first will go for their aesthetic appeal, the Colour rend. Ra 80 Ra 90 Ra 90 Ra 90 Ra 85 loading to a minimum. Both these aims have been achieved by the simple second will benefit from the wide range of application possibilities offered, expedient of making the housing oval in shape. There were two primary while the third will appreciate their functional, no-nonsense technical considerations, the actual shape of the housing that would be needed to features. ■ draw attention to the redesigned optical system, the problem of how to dissipate the increased heat loading, and the importance of keeping wind loading to a minimum. Both these aims have been achieved by the simple expedient of making the housing oval in shape. Not only ArenaVision system development team: does this make the new technology POLE (Philips Outdoor Lighting Europe): Product Management - Emile van Dijk, ÒvisibleÓ, it also happens to be a luminaire development - Patrick Fl•che, Optics and technology - Jean Michel very aerodynamic shape, which Miquel, Remi Noirot, Laboratory - Olivier Girard, Design - Jos Stuyfzand, Dido van Award: ArenaVision received for its design the IF means less windage and drag Klinken, Lamp development - Thijs Loomans, Purchasing - Philippe Collange Industry Forum Design Hannover 1999 prize 13

48 ilr 001 city beautification/design ilr 001 city beautification/design 49 q.index 50 30-10-2000 13:32 Pagina 50

index 972- 993 coming events

For back issues of ILR, please use ordering card. Dynamic road marking, Papendrecht, The Netherlands ❉ 993 Hannover Messe ‘98 ❉ 981 - Mastercolour CDM-TT AMERICAS ❉ Stands for short article in our column ‘Forum’ (formerly Designers - Ecotone Ambiance USA, Los Angeles, 22-25 September 2000, AES. Las Vegas, 13- named ‘Flashes’. ▲ Stands for outdoor only. Pim van den Berg, Amstelveen, The Netherlands 991 - ArenaVision for indoor 15 October, 2000, LDI. - TL5 Circular THEMES ISSUE Exhibitions / Fairs - SON for outdoor ASIA/PACIFIC/AFRICA SPORTS 971 1 m2 of landscape, Rezé, France ❉ 972 Metronomis, city-friendly luminaires 982 CHINA: Hong Kong, 11-14 October, 2000 Hong Kong OLAC / PLAZAS & SQUARES 972 Hannover Fair ‘97: ‘TL’D SECURA,‘TL’5, Soprano 991 International Lighting Fair. Hong Kong, November 2000, CAR-PARKS 973 Mastercolour CDM ❉ 972 ACS/2 spots ❉ 991 HEIMTEXTIL ASIA ASIAFLOR, International Trade Fair for FIBRE OPTICS 974 Light Festival, Gothenburg ❉ 972 Europa 2 downlighter ❉ 991 Hometextiles, Floor Coverings, and Interior Furnishings. Hong OFFICES / SPORTS 981 Graphic fibres 974 Under a starry sky ❉ 991 Kong, 15-18 October, 2000 ,CELF2000 Shenzhen CITY/PEOPLE/LIGHT 982 - IFA fair, Berlin, Germany ❉ 991 Starry Sky Kits ❉ 991 International Exhibition Center, export oriented lighting fair . SHOPS AND STORES 991 LIGHTfair International 1999, San Francisco USA ❉ 991 Metropol, park luminaire 992 Shanghai, 13-16 September, 2000, ILE CHINA, China LANDMARKS 992 Light + Buklding Fair, Hannover, Germany * 993 Milewide project, Denmark 992 International Lighting Exhibition. INDONESIA, Jakarta, 22-25 INDUSTRY 993 HPI Plus range of lamps ❉ 993 November 2000 (26-29 September 2001 ) BUILDING & Industry TTX 400 line-lighting system 993 CONSTRUCTION INDONESIA SERIES, International Building and Art (Light art, Light performances) Cikampek Luminaire Center, Indonesia 993 TLD Reflex 993 Construction, Equipment and Materials Exhibition. SAUDI A sculptured tree of steel, roundabout Weert, Netherlands ❉ 972 Amica Wronki, Poland 993 TLD Secura 993 ARABIA, Jeddah, 01-05 October 2000, Saudi Building Graduation ‘97, the Design Academy, Eindhoven, the TVS Suzuki, India 993 Industries Exhibition. SINGAPORE, Singapore, 01-03 Netherlands ❉ 974 Melamo B.V., Helmond, The Netherlands 993 Public / Institutional buildings November, 2000, LUMINAIRE ASIA, The World Light Show in Asia. Lightforms ‘98 - Satori ❉ 981 Printing Works Goldmann, Tulln,Austria 993 Colossal Tokyo Forum, Japan ❉ 973 SOUTH AFRICA, Johannesburg INTERBUILD AFRICA, African Sculptures Exhibition, The Haque H. Hollands 982 Good lighting.... better work Sjaak Dekker 993 Justus Lipsius building, Belgium ❉ 973 International Building and Construction, Plumbing and Property Exhibition Light and Sculpture, The Haque ❉ Light and Productivity P R Boyce 993 Exhibition. TAIWAN, Taipei 20-23 September, 2000 Taiwan The city as a matrix, Graduation ‘99, the Design Academy, Peugeot’s Mulhouse factory, France 993 Shops, stores and showrooms International Furniture, Interior Decoration, Kitchen Furniture and Eindhoven, the Netherlands ❉ 992 TCG, Transport Centrale Gelderland,Veenendaal, The Virgin Megastore The Netherlands L vd Poel 971 Building Materials Fair. VIETNAM, Ho Chi Minh City, 25-28 Sculptured gateway, Spijkenisse, Netherlands ❉ 992 Netherlands 993 Lighting Application Centre in Istanbul ❉ 972 October, 2000, Lighting and Electrical Appliances Expo. Roundabout Åbenrå, Denmark 992 Archicom Building Services, Eindhoven, The Netherlands Espace Lumière, Paris, EDF ❉ 972 Roundabout, Århus, Denmark 992 interview R vd Water 993 Swarovski Kristallwelten Austria H Weingärtner 973 EUROPE Roundabout "La Coquille", Reims, France 992 The Boots Company Warehouse, England 993 Perry Sport ❉ 973 AUSTRIA: Vienna, 19-22 October 2000 (18-20/10 2001), Rio de la Plata port terminal, Argentina 993 Fibre-shop, Vught, the Netherlands 974 WOHNDESIGN, Domestic Design Exhibition. CZECH REPUBLIC, Books / publications Control Room, Refining company, New Zealand ❉ 993 Graphic fibres 974 Pilsen, 19-22 October 2000, VIA CREATIVA, Exhibition for Glass, Lighting Historic Buildings, author Derek Phillips 972 - Kurfürstenpassage, Mannheim, Germany ❉ Lighting, Ceramics, Gifts and Handicrafts. Prague, September 1997 VIA-Light Year Book (VIA-Verlag) 972 Lamps and light technology - La Rinascente Duomo, Milan, Italy ❉ 2000, HIT PRAHA, International Trade Fair for Consumer Creation of Lightscape, author Motoko Ishii Fibre-optics Lighting Systems 974 Bijenkorf store, Amstelveen, The Netherlands R bagen 991 Electronics and Domestic Appliances . FRANCE: Paris, 8-12 (Libroport Co. Ltd) 972 - Product review G Deraedt C & A stores M de kruiff 991 September, 2000, ELEC International Exhibition, Electricity, Les Couleurs de l’Europe, authors J-P and D Lenclos 973 - Application considerations L vd Poel & D vd Weele C & A Clockhouse, Manchester, U.K. Karen Owens 991 Automation, Lighting, HVAC – A world of Communications, La lumière urbaine, author R Narboni 973 Lighting controls 981 Siegert, Gentlemen’s outfitter, Regensburg, Germany Services and Maintenance. Paris, 08-12 September 2000, The Outdoor Lighting Pattern Book, authors Unified Glare Rating (UGR) W van Bommel, W Huber 991 LUMIERE PARIS, International Lighting Exhibition. GERMANY: R P Leslie and P A Rodgers 973 A de Visser, M Wouters 981 Superquinn Supermarket, Ireland L vd poel 991 Bad Salzuflen, 20-24 September 2000, M.O.W. Herbst, The 1997 Interior Design Handbook (The Interior Design Architectural fibres ❉ 991 Wellworths-SuperValu store, Ireland 991 Furniture Trade Fair. Barntrup, 20-24 September, 2000 , M.O.W. Handbook, London) 973 Decorative floodlighting R Hendriks 992 Sainsbury Supermarket, U.K. 991 Herbst, Furniture Trade Fair. Frankfurt/Main, 25-29 August, Discharge lamps and the environment (European Brødrende A & O Johansen A/S, Denmark 993 Burger King Restaurant, Amsterdam, The Netherlands 2000 (24-28 August, 2001), Tendence Internationale Frankfurter Lighting Companies Federation) 974 P rijnders 991 Messe, Tavola & Cucina, Präsent & Carat, Domus & Lumina. The Demise of the Office, authors E Veldhoen & Landscaping (Light-) Praxis Megastore, Amsterdam, The Netherlands 991 Goslar, 20-22 September, 2000, LiTG Germany – Licht 2000. B Piepers (1010 Publishers) 981 Focus on Buildings- Mercedes - Euro Tower ❉ 971 Petrol-station shops P Entrop 991 Hamburg, 13-15 September, 2000 (11-13 September, 2001) Stage Lighting Controls, author Ulf Sandström Arcos 1, Mexico ❉ 971 Volvo Car showroom J Tielens-Aarts 991 NORD ELEKTRO, Fair for Electrical and building Technology, (Focla Press) 981 Fiber Wave, Tokyo, Japan ❉ 973 Yeasu Book Center,Tokyo, Japan Motoko Ishii 991 Electronics and Building Automation. Lemgo, 20-24 September, Lighting Detectives, authors Kaoru Mende/ Reiko Kasai Do not X-Ray, Dordrecht, the Netherlands ❉ 974 Shoplighting, "Keeping pace with the times" 2000, M.O.W. Herbst, Furniture Trade Fair. Schieder, 20-24 (Shomei Tanteidan) 982 Aquatic fibres 974 S Cornelissen 991 September, 2000, M.O.W. Herbst, Furniture Trade Fair. ITALY: Lamps and Lighting, (John Wiley & Sons) 982 - Chamalière fountain France ❉ WalMart supermarkets, Brazil ❉ 991 Verona, 14-18 September, 2000 MONDOLUCE , Lighting CIE guide "Guide to the lighting of exterior working areas" 982 - Wilsonplein Ghent, Belgium ❉ New shops in Italy ❉ 991 Exhibition. POLAND, Lotz, 24-26 November, 2000 , Lighting CIE guide* Update "Guide to the lighting of exterior - Montgomeryplein fountain Brussel, Belgium ❉ Bruna Retail chain ❉ 991 Equipment, Materials, Devices and Technology Exhibition. working areas" 992 - Association Liégoise du Gaz, Liège, Belgium ❉ INNO department store, Brussels/Belgium ❉ 991 Warsaw, 06-09 November, 2000, ElektroExpo, International Light and Design, Developments in artificial light sources 992 Lively Squares H Hollands & D v.d. Weele 982 Electrical Fittings and Lighting Exhibition. PORTUGAL, Lisbon, "Faszination Licht:", author Max Keller 993 Sports buildings and installations 16-19 September, 2000, INTERHOME, Furniture and Lighting "A-Z of Lighting Terms", author Brian Fitt 993 Monuments and landmarks Skiing on television 973 Fair. Lisbon, 10-15 October, 2000 (09-14 October, 2001) Evoluon Eindhoven, The Netherlands ❉ 971 - Neveros piste Spain J A Sánchez INTERCASA, International Furniture and Lighting Exhibition. . Bridges Roman Forum, Rome, Italy ❉ 982 - Kandahar piste Italy R de Marco RUSSIA: Moscow, 12-15 October, 2000 (15-19 October, 2001) City of Bridges, Cleveland, USA ❉ 973 Riegersburg fortress, Austria 982 - The Planai downhill Austria M Schmutzler MUSIC, International Exhibition on Musical Equipment and Hohenzollern bridge, Cologne, Germany 992 Skywalk*, pedestrian walkway, Hannover, Germany 992 - Holmenkollen Norway T Sogge Lighting Technology. Moscow, 13-16 December, 2000, Akashi Kaikyo Bridge, Japan 992 Twin Tower , Berlin, Germany 992 Soccer stadiums at the French ‘98 World Cup in InterLight, International Trade Fair for Lighting and Light Tsing Ma Bridge, Hong Kong 992 Calakmul building, Mexico City, Mexico 992 Toulouse, Lyon and Marseille JF Caminada 981 Technology. Novosibirsk, 03-05 October, 2000, SIBDOMOTECH, "Die Pyramide", office building, Berlin, Germany 992 Gelredome arena, Arnhem, the Netherlands ❉ 981 International House Technology. SPAIN: Valencia, 25-30 Churches, Places of Worship UFA Multiplex-Kino, Dresden, Germany 992 Morumbi Stadium, Sao Paulo, Brazil ❉ 993 September, 2000, FIM, International Furniture Fair. Valencia, 25- Basilica San Lorenzo, Italy ❉ 972 Forte de Nossa Senhora dos Remedios, Brazil ❉ 993 30 September, 2000 FIAM, International Fair of Lighting Fixtures, Church of St Nectaire, France ❉▲ 974 Theatres, concert halls Accessories and Components. UNITED KINGDOM: London, 10- Sri Mariamman Temple, Singapore M Klaasen 974 Museums and themed buildings Theater de Harmonie, the Netherlands ❉ 973 13 September, 2000 Light and Sound Trade Show. Cathedral of Gniezno, Poland ❉ 974 Singapore Art Museum ❉ 973 Cologne Cathedral, Cologne, Germany 992 Museums 974 General - Musée de la Musique, France //www.Lighting 972 Cities / Town planning of light - Patio de la Infanta, Spain Fibre-optics lighting, schemes 974 - On the waterfront, Utrecht, the Netherlands - The Egyptian Museum Cairo, Egypt S Cornelissen Not only for your eyes 981 Planet OLAC / Plazas & Squares 972 & T Akkermans Urban Lighting, Research study 982 - Roads and streets G Giesbers Congress Hall in Villach, Austria ❉ 974 World Lighting Index 991 - Light and the city H Hollands Bibliothèque Nationale de France, Paris 974 - Plaza de España Spain F Alcón Enriquez & V Nishnik American Air Museum, Duxford, U.K. 992 3222 635 23551 - Leaping dolphins Japan K Suima Palais des Beaux-Arts, Lille, France 992 - 1st of May Square Uruguay C A Galante & F Comerci Van Gogh Museum, Amsterdam, new wing: Symbyosis ❉ 993 - Hongqiao Square China S Soon Quartier 206, Berlin ❉ 972 Offices Upstairs / Downstairs 973 Fifth floor Philips Nederland, Eindhoven, the Netherlands 981 - Lyon’s car-parks France Interpolis Head Office, Tilburg, the Netherlands 981 - Nijmegen’s hospital parking The Netherlands Twijnstra Gudde Consultancy, Amersfoort, the W J Idema et al. Netherlands R B S Tan 981 No parking, no business G Giesbers 973 WDR, Cologne, Germany 981 Vitré City Centre, France 982 Building Research Establishment, Garston, England 981 Tournai City Centre, Belgium B Josz 982 M & C Saatchi’s building, London, England N Kelso 981 Veurne City Centre, Belgium V Rosi 982 The many faces of the office M Wouters & Light Square, Eindhoven, The Netherlands W van Bommel 981 D. v.d. Weele & H Hollands 982 Office lighting M Wouters 981 Light in de City, Copenhagen, Denmark Philips Design, Eindhoven 982 S Frandsen & E Christensen 982 Jyväskylä city centre, Finland ❉ 982 Products Symposium "City/people/light", Amsterdam, Fibre Stone, Japan ❉ 974 the Netherlands 992 Metsys 981

54 ilr 001 index / coming events b.cover2-3DE-inside 30-10-2000 13:33 Pagina E

ordering ilr and product data

Please make a copy of the order-form below, complete it, and fax or mail it.

972 OLAC / PLAZAS 973 CAR-PARKS 974 FIBRE OPTICS 981 OFFICES 982 CITY/PEOPLE/ 991 SHOPS AND 992 LANDMARKS 993 INDUSTRY & SQUARES SPORTS LIGHT STORES

ILR Reader-service Subscriptions Back Numbers Are you interested in receiving further Three issues a year. Please use the An overview of the subjects dealt with in information on a product or lighting order-form below, an invoice will be sent the last eight issues of ILR can be found theme featured in ILR? If so, simply fill in to you later. Unless cancelled in writing, in our Quick-reference Index, which is the order-form below and fax it to the existing subscriptions will automatically included in each issue. Reader-Service person in your country. be renewed and invoiced accordingly. Back numbers are available, while stocks last, in all four language versions, and For 2000, the subscription rates can be purchased individually. (including postage) are: The charge (including postage) is e16 Within Europe e44 per issue. Please use the order-form Outside Europe e52 below. An invoice will be sent to you later

order-form

Reader-service persons Greece: Poland: Please complete this order-form and fax it to the appropriate Reader-Service person in your country. Isabella Terzaki,Athens, Magda Tarnowska, Pila, fax 016845728. fax 067 3513104. ❑ Reader-service Argentina: Hong Kong: Portugal: ❑ Please send me more information on the following lighting products Ariel Szajowicz, Buenos Aires, Ellen Chan, Hong Kong, Rui Santos, Lisbon, fax 015467668. fax 028610568. fax 014163222. ❑ Australia: Hungary: Russia: Please send me more information on the lighting theme mentioned in this issue Therese Tarlinton, Sydney, Laszio Fabian, Budapest, Vitaly Stepanov, Moscow, North Ryde, fax 0298054495. fax 013821851. fax 0959379357. Austria: India: Singapore: ❑ Walter Stefanik, Vienna, Meera Bankal, Calcutta, Teh Eng Chuan, Singapore, Annual Subscription fax 01601011968 . fax 0224964319. fax 02532343. Please enter my subscription at my address below

Belgium: Indonesia: Slowakia: ❑ Back numbers (while stocks last) Gerd Sterckx, Brussels, Sinta Marino, Jakarta, Zuzana Marekova, Bratislava, fax 025257694. fax 0264 351666. fax 075424213. Please send me the following back number(s)

Brazil: Ireland: Spain: Juliana Ficheli, Sao Paulo, Nicholas Moran, Dublin, Lourdes Gil, Madrid, fax 01151880662. fax 017640251. fax 0915669655. Fax or mail this form to: Canada: Italy: Sweden: Andrea McGilvray, Toronto, Mariangela Speroni, Monza, Per-Aake Alm, Stockholm, The Reader-Service person in your country fax 04167546220. fax 0392036125. fax 0859852616 Should no such person be listed for your country, please fax or post your order to: Central America: Japan: Switzerland: fax ILR/ Franka Heesterbeek **31 40 275 78 00 Alejandro Samour, Yasuko Muto,Tokyo, Jolanda Hagnauer, Zürich, post ILR/ Franka Heesterbeek P.O. Box 721, 5600 AS Eindhoven The Netherlands e-mail:@vianet.com.sv. fax 0337405163. fax 014883249. Your address Chile: Korea: Taiwan: Valeria Sáez, Santiago, S.H. Cho, Seoul, Michelle Lin, Taipei, fax 027371711. fax 027091359. fax 0221342678. NAME

China: Malaysia: Thailand: ADDRESS Tracy Li, Shanghai, K.C. Wong, Kuala Lumpur, Kitiya Vorasuntharosoth, Bangkok, fax 0255501822. fax 037574368. fax 023982081.

Colombia: Mexico: Turkey: Edgardo Cayón, Bogota, Javier Romer, Didem Sen, Istanbul, Your profession fax 016236177. fax 05 7294844. fax 02122804501.

Czech Republic: New Zealand: United Kingdom: Jacob Wittlich, Prague, Sarah Bastin, Auckland, Andy Gowen, Croydon, Please help us to know you better: fax 0233099326. fax 098497812. fax 01816892752.

Denmark: Netherlands: Uruguay: PRINCIPAL BUSINESS PRINCIPAL LIGHTING INTERESTS Hans Jorgen Jacobsen, Anneke Summerfield, Eindhoven, Carlos Galante, Montevideo, 1 Architecture/interior design A Commercial/industrial Copenhagen, fax 032960131. fax 0402786795. fax 029023616. 2 Consulting engineering B Institutional/social environment 3 Lighting design C Indoor sports Finland: Norway: USA: Petri Pekola, Mäntsäla, Line Furulund, Oslo, Megan Carroll, 4 Government/Municipality Electrical utility D Outdoor sports fax 096883230. fax 022748229. fax 732 5633 525 5 Electrical contractor E Public lighting 6 Manufacturer of lighting accessories F Floodlighting France: Peru: or materials G Theatre/television/Performing arts Hubert De La Rivière, Tomas Sandoval, Lima, Ivry-sur-Seine, fax 0149876186. fax 014449147. 7 Professional society orassociation H Other______8 Education/library Germany: Philippines: Other countries: 9 Other______Harald Dekkers, Springe, Robert Victoriano, Manila, ILR/ Franka Heesterbeek 001 fax 05041945183. fax 028166340. fax 31 40 275 78 00 Soccer

Euro 2000 City Beautification

Eclairage l’ de Internationale Revue Review Lighting International 001 Luminotecnia de Internacional Revista Rundschau Licht Internationale

ILR 001: CITY BEAUTIFICATION - EURO 2000 SOCCER

Photo: Philips Lighting,Pierre Crouzet Grenoble, France Outdoor museum of light a.cover1-4 BC.txt 30-10-2000 13:46 Pagina B Pagina 13:46 30-10-2000 BC.txt a.cover1-4