City Research Online City, University of London Institutional Repository Citation: Ilan, J. (2014). Commodifying compliance? UK urban music and the new mediascape. Tijdschrift over Cultuur & Criminaliteit, 4(1), pp. 67-79. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16760/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/
[email protected] Commodifying Compliance? UK Urban Music and the new Mediascape Dr Jonathan Ilan,
[email protected] This is an accepted manuscript of a paper subsequently published by Boom Juridisch in Tijdschrift over Cultuur & Criminaliteit, 2014, 4(1): 67-79. Doi: 10.5553/TCC/221195072013003003006 Copy of Record available at http://www.bjutijdschriften.nl/tijdschrift/tcc/2014/1/TCC_2211- 9507_2014_004_001_006 Deposited online 15/02/2017 1 Introduction In this paper, I build on an existing empirical case study of grime music in the UK to reflect on some of the debates around ‘resistance’ that are occurring in contemporary cultural criminology.