1 CARS PRODUCTION INFORMATION After Taking

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1 CARS PRODUCTION INFORMATION After Taking CARS PRODUCTION INFORMATION After taking moviegoers magically into the realm of toys, bugs, monsters, fish, and superheroes, the masterful storytellers and technical wizards at Pixar Animation Studios (“The Incredibles,” “Finding Nemo,” “Monsters, Inc.”) and Academy Award®-winning director John Lasseter (“Toy Story,” “Toy Story 2,” “A Bug’s Life”), hit the road with a fast-paced comedy adventure set inside the world of cars. A Pixar Animation Studios film presented by Walt Disney Pictures, “CARS” is a high octane delight for moviegoers of all ages, fueled with plenty of humor, action, heartfelt drama, and amazing new technical feats. Adding to the fun is a driving score and new songs by Oscar®-winner Randy Newman, along with original musical performances by such top talents as Sheryl Crow, James Taylor, Brad Paisley, Rascal Flatts, and John Mayer. The film coincides with the celebration of Pixar’s 20th anniversary, and the company’s recent acquisition by Disney. Lightning McQueen (voiced by Owen Wilson), a hotshot rookie race car driven to succeed, discovers that life is about the journey, not the finish line, when he finds himself unexpectedly detoured in the sleepy Route 66 town of Radiator Springs. En route across the country to the big Piston Cup Championship in California to compete against two seasoned pros, McQueen gets to know the town’s offbeat characters – including Doc Hudson (a 1951 Hudson Hornet with a mysterious past, voiced by screen legend Paul Newman), Sally Carrera (a snazzy 2002 Porsche voiced by Bonnie Hunt), and Mater (a rusty but trusty tow truck voiced by Larry the Cable Guy) – who help him realize that there are more important things than trophies, fame, and sponsorship. The all-star vocal cast also includes free-wheeling performances by Tony Shalhoub, Michael Keaton, Cheech Marin, George Carlin, Katherine Helmond, and perennial Pixar “good luck charm,” John Ratzenberger. Michael Wallis, author of the critically acclaimed book, Route 66: The Mother Road, and the authority on that legendary American artery that connected north to south, and east to west, is heard in the film as the voice of the Sheriff of Radiator Springs. Delivering more fun and authenticity to the cast for “CARS” are vocal performances from some of the all-time greatest names from the racing world, including the legendary Richard Petty, plus “drive-on” roles by Mario Andretti, Dale Earnhardt, Jr., Darrell Waltrip (who holds the record for five wins at the NASCAR Coca Cola 600), and Michael Schumacher, the ace German Formula 1 racing legend, who is widely considered to be the best Grand Prix racing driver of all-time. Veteran Olympic and sports commentator Bob Costas lends his seasoned voice to the character of Bob Cutlass, the colorful host at the film’s racing events. Tom and Ray Magliozzi (aka Click and Clack, the Tappet Brothers), hosts of the popular NPR program, “Car Talk” (first broadcast in Boston in 1977 and picked up nationally ten years later), weigh in as the not-so- coveted sponsors Rusty and Dusty Rust-eze. 1 Commenting on the characters themselves, Bonnie Hunt (the voice of Sally) says, “When they write these movies at Pixar, they start with the heart of the character first. And once the heart is there, it doesn’t matter what’s on the outside. Even a car becomes a character and a personality. The heart and soul is what turns a steel car into a character and a person. It’s not only the script that makes these films special. John Lasseter and the artists at Pixar provide the imagination that is the gold mine of their storytelling process. Their imaginations go to the fantasies of the heart, and of life, and of our values. Anything that you can possibly visualize in your mind, they bring to life.” The driving force behind “CARS” is John Lasseter, who returns to directing for the first time since “Toy Story 2” in 1999. During the past seven years, in addition to guiding “CARS” through the production process, Lasseter has executive produced and overseen all of Pixar’s creative endeavors (“Monsters, Inc.,” “Finding Nemo,” and “The Incredibles”), and supervised the building of a new state-of-the-art Studio in Emeryville, California. This latest film tapped into Lasseter’s personal love of cars and racing, as well as a variety of issues that were near and dear to him. “CARS” was co-directed by Joe Ranft, who also served as story supervisor for the film, and voiced several incidental characters. One of the most gifted and respected story artists in modern day animation, and the congenial voice behind such favorite Pixar characters as Heimlich the ravenous caterpillar (“A Bug’s Life”), Wheezy the penguin (“Toy Story 2”), and Jacques the shrimp (“Finding Nemo”), Ranft passed away in August, 2005. He had collaborated with Lasseter on all three of his previous directing efforts, and had been a key creative force at Pixar for over a decade. Serving as the film’s producer was Darla K. Anderson, a Pixar veteran whose previous producing credits include “A Bug’s Life” and “Monsters, Inc.” Combining her technical expertise with her tremendous respect and knowledge of the creative process, Anderson guided all aspects of the production and helped support Lasseter’s vision from the start. The film’s associate producer was Tom Porter, a technical pioneer in the world of computer animation who has been part of the Pixar inner circle since its inception. Eben Ostby, another original member of the Pixar team, was the supervising technical director. The original story for “CARS” was conceived by John Lasseter, Joe Ranft, and Jorgen Klubien. The screenplay for the film was written by Dan Fogelman, Lasseter, Ranft, Kiel Murray and Phil Lorin, and Klubien. Central to the plot and themes of “CARS” is the iconic Route 66, along which much of the story takes place. Lasseter and his team headed out on the historic highway on several occasions to research and observe the importance and impact of this cultural phenomenon. Route 66 expert Wallis, who has been exploring the “Mother Road” for over 60 years and who served as guide/pathfinder for the research trips, explains, “Route 66 is a mirror held up to the nation. It reflects what’s going on in the nation at any given time. For most people, this highway is the most famous in the world, and it represents the great American road trip. It’s a chance to drive from Chicago, (the city of big shoulders) through the heartland, and the 2 Southwest, past ribbons of neon, across the great Mojave, to the Pacific shore at Santa Monica. Route 66 is the road the Dust Bowlers took. During World War II, it was used as a military road by the G.I.s. It’s the road of Bobby Troup and Elvis. It’s the road our fathers, mothers, and grandparents traveled. Everybody at some point in their life in this country, whether they know it or not, has touched that road. It really does have iconic status. It gives motorists an experience that they’re not going to get in the great coastal cities. They have to go out in the middle of that juicy pie and taste it; not just nibble the crust…and really indeed life begins at the off ramp,” concludes Wallis, who co-authored the book, The Art of Cars with his wife, Suzanne Fitzgerald Wallis. “CARS” represents one of Pixar’s most challenging and ambitious efforts to date. The Studio has successfully and convincingly brought moviegoers into the world of toys, bugs, monsters, fish, and superheroes, but creating a believable and true world inhabited solely by cars was a whole other matter. Lasseter’s mandate to have the car characters look as real as possible posed some daunting new challenges for Pixar’s technical team. Having a film where the characters are metallic and heavily contoured meant coming up with resourceful ways to accurately show reflections. “CARS” is the first Pixar film to use “ray tracing,” a technique which allows the car stars to credibly reflect their environments. The addition of reflections in practically every shot of the film added tremendous render time to the project. The average time to render a single frame of film for “CARS” was 17 hours. Even with a sophisticated network of 3000 computers, and state-of-the-art lightning fast processors that operate up to four times faster than they did on “The Incredibles,” it still took many days to render a single second of finished film. Lasseter also insisted on “truth to materials,” and instructed the animation team not to stretch or squash the cars in ways that would be inconsistent with their heavy metal frames. The animators did a lot of “road testing” to get the characters to behave in a believable and entertaining way, and found ways to add subtle bends and gestures that were true to their construction. The animators also discovered how to use the tires almost as hands to help them with their performance. THE CAR STARS/VOICE TALENTS: LIGHTNING MCQUEEN – Poised to become the youngest car ever to win the Piston Cup Championship, this hotshot rookie race car has just two things on his mind – winning and the perks that come with it. But when he gets detoured in the forgotten town of Radiator Springs and has to shift for himself, he gets a crash course on what matters most in life. Owen Wilson (“Bottle Rocket,” “Shanghai Noon,” “Meet the Fockers,” “Wedding Crashers”) is up to speed as the voice of this cocky race car who learns that life is about the journey, not the destination.
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