About Marvin Gaye
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
Marvin Gaye As Vocal Composer 63 Andrew Flory
Sounding Out Pop Analytical Essays in Popular Music Edited by Mark Spicer and John Covach The University of Michigan Press • Ann Arbor Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4321 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Sounding out pop : analytical essays in popular music / edited by Mark Spicer and John Covach. p. cm. — (Tracking pop) Includes index. ISBN 978-0-472-11505-1 (cloth : alk. paper) — ISBN 978-0-472-03400-0 (pbk. : alk. paper) 1. Popular music—History and criticism. 2. Popular music— Analysis, appreciation. I. Spicer, Mark Stuart. II. Covach, John Rudolph. ML3470.S635 2010 781.64—dc22 2009050341 Contents Preface vii Acknowledgments xi 1 Leiber and Stoller, the Coasters, and the “Dramatic AABA” Form 1 john covach 2 “Only the Lonely” Roy Orbison’s Sweet West Texas Style 18 albin zak 3 Ego and Alter Ego Artistic Interaction between Bob Dylan and Roger McGuinn 42 james grier 4 Marvin Gaye as Vocal Composer 63 andrew flory 5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis 99 kevin holm-hudson 6 “Reggatta de Blanc” Analyzing -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
Sexual Intimacy After Assault Or Abuse
SEXUAL INTIMACY AFTER SEXUAL ASSAULT OR SEXUAL ABUSE Many who have sexual trauma find that their sexual attitudes and reactions are impacted after a sexual assault or sexual abuse. While these effects are not permanent, they can be very frustrating as they can decrease the enjoyment of one’s sexual life and intimacy with others for some time. Fortunately, even if one does not actively work on sexual impact, as the sexual assault or abuse trauma is reduced, the sexual symptoms will diminish. Experiencing sexual symptoms after sexual assault or abuse is not only very common, but it is also understandable; “Sexual abuse is not only a betrayal of human trust and affection, but it is, by definition an attack on a person’s sexuality”. Some people may react to sexual trauma by avoiding sexual activity and isolating their sexual selves, perhaps fearing losing control of their body or feeling vulnerable to someone else. Others may react by having more sexual activity than they had before this experience; possibly because they may feel that sex is less important to them now or that it is a way for them to regain a sense of power. No matter what your reaction after a sexual assault or sexual abuse, it is important to remember that it is part of your healing; helping you process what happened to you and regain a sense of normalcy. Common sexual symptoms. The sexual effects that a survivor may experience after sexual abuse or sexual assault may be present immediately after the experience(s), or they may appear long afterwards. -
Jazz Quartess Songlist Pop, Motown & Blues
JAZZ QUARTESS SONGLIST POP, MOTOWN & BLUES One Hundred Years A Thousand Years Overjoyed Ain't No Mountain High Enough Runaround Ain’t That Peculiar Same Old Song Ain’t Too Proud To Beg Sexual Healing B.B. King Medley Signed, Sealed, Delivered Boogie On Reggae Woman Soul Man Build Me Up Buttercup Stop In The Name Of Love Chasing Cars Stormy Monday Clocks Summer In The City Could It Be I’m Fallin’ In Love? Superstition Cruisin’ Sweet Home Chicago Dancing In The Streets Tears Of A Clown Everlasting Love (This Will Be) Time After Time Get Ready Saturday in the Park Gimme One Reason Signed, Sealed, Delivered Green Onions The Scientist Groovin' Up On The Roof Heard It Through The Grapevine Under The Boardwalk Hey, Bartender The Way You Do The Things You Do Hold On, I'm Coming Viva La Vida How Sweet It Is Waste Hungry Like the Wolf What's Going On? Count on Me When Love Comes To Town Dancing in the Moonlight Workin’ My Way Back To You Every Breath You Take You’re All I Need . Every Little Thing She Does Is Magic You’ve Got a Friend Everything Fire and Rain CONTEMPORARY BALLADS Get Lucky A Simple Song Hey, Soul Sister After All How Sweet It Is All I Do Human Nature All My Life I Believe All In Love Is Fair I Can’t Help It All The Man I Need I Can't Help Myself Always & Forever I Feel Good Amazed I Was Made To Love Her And I Love Her I Saw Her Standing There Baby, Come To Me I Wish Back To One If I Ain’t Got You Beautiful In My Eyes If You Really Love Me Beauty And The Beast I’ll Be Around Because You Love Me I’ll Take You There Betcha By Golly -
A Prayer for Sexual Healing Healing for Your Sexuality Is Available
A Prayer for Sexual Healing Healing for your sexuality is available; this is a very hopeful truth! But you must realize that your sexuality is deep and core to your nature as a human being. Therefore, sexual brokenness can be one of the deepest types of brokenness a person might experience. You must take your healing and restoration seriously. This guided prayer will help immensely. You may find you need to pray through it a few times in order to experience a lasting freedom. A bit of explanation on the reasons for the prayer: first, when we misuse our sexuality through sin, we give Satan an open door to oppress us in our sexuality. A man who uses pornography will find himself in a very deep struggle with lust; a woman who was sexually promiscuous before marriage may find herself wresting with sexual temptation years afterward. So it is important to bring our sexuality under the lordship (and therefore protection) of the Lord Jesus Christ and seek his cleansing of our sexual sins. Second, sexual brokenness—whether through abuse of our sexuality by our own actions or by the actions of others—can create sexual difficulties and also opens the door for the enemy to oppress us. Quite often forgiveness is needed—both the confidence that we are forgiven by the Lord and the choice we make to forgive others. This will prove immensely freeing. Let us begin by bringing our lives and sexuality under the lordship of Jesus Christ: Lord Jesus Christ, I confess here and now that you are my Creator (John 1:3) and therefore the creator of my sexuality. -
Robert Glasper's In
’s ION T T R ESSION ER CLASS S T RO Wynton Marsalis Wayne Wallace Kirk Garrison TRANSCRIP MAS P Brass School » Orbert Davis’ Mission David Hazeltine BLINDFOLD TES » » T GLASPE R JAZZ WAKE-UP CALL JAZZ WAKE-UP ROBE SLAP £3.50 £3.50 U.K. T.COM A Wes Montgomery Christian McBride Wadada Leo Smith Wadada Montgomery Wes Christian McBride DOWNBE APRIL 2012 DOWNBEAT ROBERT GLASPER // WES MONTGOMERY // WADADA LEO SmITH // OrbERT DAVIS // BRASS SCHOOL APRIL 2012 APRIL 2012 VOLume 79 – NumbeR 4 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
A Tribute to the Great Nat King Cole [Expanded Edition]
Carleton College Carleton Digital Commons Marvin Gaye Annotated Track Lists Motown Research Commons 2019-09-04 A Tribute to the Great Nat King Cole [Expanded Edition] Andrew Flory Carleton College, [email protected] Follow this and additional works at: https://digitalcommons.carleton.edu/ marvin_gaye_annotated_track_lists Part of the Musicology Commons Recommended Citation Flory, Andrew. Liner notes for A Tribute to the Great Nat King Cole [Expanded Edition], Marvin Gaye. Recorded 1965. Motown Records, 2019. https://digitalcommons.carleton.edu/ marvin_gaye_annotated_track_lists/1, Carleton Digital Commons. This Annotated Track List is brought to you for free and open access by the Motown Research Commons at Carleton Digital Commons. It has been accepted for inclusion in Marvin Gaye Annotated Track Lists by an authorized administrator of Carleton Digital Commons. For more information, please contact [email protected]. Marvin Gaye, A Tribute to the Great Nat King Cole [Expanded Edition] Motown/Universal Music (2019) Original Mono Master 1. Nature Boy 2:48 (Eden Ahbez) Track cut in California, March 1965 Three vocal tracks recorded at Hitsville, March 13, 1965 2. Ramblin' Rose 2:50 (Joe Sherman, Noel Sherman) Track cut in California, March 1965 Two vocal tracks recorded at Hitsville, March 21, 1965 3. Too Young 3:46 (Sylvia Dee, Sidney Lippman) Track cut in California, March 1965 Three vocal tracks recorded at Hitsville, March 12 and 20, 1965 4. Pretend 2:45 (Cliff Parman, Frank Lavere, Lew Douglas) Track cut in California, March 1965 Three vocal tracks cut at Hitsville, March 12, 1965 5. Straighten Up and Fly Right 2:21 (Nat King Cole, Irving Mills) Track cut in California, March 1965 Three vocal tracks cut at Hitsville, March 12, 1965 6. -
Soul/ Rap/ Funk/ R & B/ Disco
SOUL/ RAP/ FUNK/ R & B/ DISCO Beautiful- Christina Aguilera Night Fever- The Bee Gees Poison- Bel Biv DeVoe If I Could- Regina Belle Crazy In Love- Beyonce I Gotta Feeling- Black Eyed Peas No Diggity- Blackstreet Get Up (I Feel Like Being A) Sex Machine- James Brown I Will Survive- Cake/ Gloria Gaynor Word Up- Cameo Strokin’- Clarence Carter I Got A Woman- Ray Charles What I’d Say- Ray Charles I Like To Move, Move It- Sacha Baron Cohen Brickhouse- The Commodores Nightshift- The Commodores Hooch- Everything Dancing In The Street- Martha & The Vandellas How Sweet It Is (To Be Loved By You)- Marvin Gaye Let’s Get It On- Marvin Gaye Mercy Mercy Me (The Ecology)-Marvin Gaye Sexual Healing- Marvin Gaye What’s Going On- Marvin Gaye Crazy- Gnarls Barkley Let’s Stay Together- Al Green Feel So Close- Calvin Harris Shout- The Isley Brothers This Old Heart Of Mine- The Isley Brothers Billie Jean- Michael Jackson Don’t Stop (Till You Get Enough)- Michael Jackson Human Nature- Michael Jackson The Way You Make Me Feel- Michael Jackson Super Freak- Rick James Boogie Shoes- KC & The Sunshine Band Get Down Tonight- KC & The Sunshine Band Stand By Me- Ben E. King All Of Me- John Legend Stay With You- John Legend Good Golly Miss Molly- Little Richard SOUL/ RAP/ FUNK/ R & B/ DISCO Moves Like Jagger- Maroon 5 Sugar- Maroon 5 24K Magic- Bruno Mars Just The Way You Are- Bruno Mars Locked Out Of Heaven- Bruno Mars Uptown Funk- Bruno Mars & Mark Ronson Hey Ya!- Outkast In The Midnight Hour- Wilson Pickett Mustang Sally- Wilson Pickett That’s How Strong My Love -
Velocity Current Rotation
VELOCITY - CURRENT ROTATION CONTEMPORARY DANCE 24K Magic – Bruno Mars That's What I Like – Bruno Mars This is What You Came For – Calvin Harris ft. Rihanna Ain’t It Fun - Paramore All About That Bass – Meghan Trainor Timber – Ke$ha/Pitbull All of Me – John Legend Treasure – Bruno Mars Applause – Lady Gaga Uptown Funk – Mark Ronson ft. Bruno Mars Blurred Lines – Robin Thicke/Pharrell We Found Love – Rihanna Born This Way – Lady Gaga What Lovers Do – Maroon 5 Bang Bang – Jessie J, Ariana Grande, Nicki Minaj Wild One – Sia/FloRida Break Free – Ariana Grande Cake By The Ocean – DNCE ROCK AND HIGH ENERGY (‘60s-Current) Call Me Maybe – Carly Rae Jepson American Girl – Tom Petty Can't Feel My Face – The Weeknd Any Way You Want It – Journey Can’t Stop The Feeling – Justin Timberlake Are You Gonna Be My Girl – Jet Cheap Thrills – Sia Beautiful Day – U2 Cheerleader – OMI Blister in the Sun – Violent Femmes Closer – Chainsmokers Brown Eyed Girl – Van Morrison Counting Stars – One Republic Build Me Up Buttercup – The Foundations Crazy In Love – Beyoncé Chelsea Dagger – The Fratellis Despacito – Luis Fonsi ft. Justin Bieber Dancing In the Dark – Bruce Springsteen Domino – Jessie J Don’t Stop Believing – Journey Dynamite – Taio Cruz Everlong – Foo Fighters Ex’s and Oh’s – Elle King Gimme Some Lovin’ – Spencer Davis Group Feel It Still – Portugal. The Man Hit Me With Your Best Shot – Pat Benatar Feel So Close – Calvin Harris Honky Tonk Woman – The Rolling Stones Finesse – Bruno Mars I Love Rock and Roll – Joan Jett Fireball – Pitbull I Saw Her Standing There – The Beatles Firework – Katy Perry Jessie’s Girl – Rick Springfield Forget You – Cee Lo Green Livin’ On A Prayer – Bon Jovi Give Me Everything – Pitbull/Ne-Yo Mr. -
Motown the Musical
EDUCATIONAL GUIDE C1 Kevin MccolluM Doug Morris anD Berry gorDy Present Book by Music and Lyrics from Berry gorDy The legenDary MoTown caTalog BaseD upon The BooK To Be loveD: Music By arrangeMenT wiTh The Music, The Magic, The MeMories sony/aTv Music puBlishing of MKoevinTown B yM Bcerrycollu gorDyM Doug Morris anD Berry gorDy MoTown® is a regisTereD TraPresentDeMarK of uMg recorDings, inc. Starring BranDon vicTor Dixon valisia leKae charl Brown Bryan Terrell clarK Book by Music and Lyrics from TiMoThy J. alex Michael arnolD nicholas chrisTopher reBecca e. covingTon ariana DeBose anDrea Dora presTBonerry w. Dugger g iiior Dwyil Kie ferguson iii TheDionne legen figgins DaryMarva M hicoKsT ownTiffany c JaaneneTalog howarD sasha huTchings lauren liM JacKson Jawan M. JacKson Morgan JaMes John Jellison BaseD upon The BooK To Be loveD: Music By arrangeMenT wiTh crysTal Joy Darius KaleB grasan KingsBerry JaMie laverDiere rayMonD luKe, Jr. Marielys Molina The Music, The Magic, The MeMories sony/aTv Music puBlishing syDney MorTon Maurice Murphy Jarran Muse Jesse nager MilTon craig nealy n’Kenge DoMinic nolfi of MoTown By Berry gorDy saycon sengBloh ryan shaw JaMal sTory eric laJuan suMMers ephraiM M. syKes ® JMuliusoTown Tho isM asa regisiii TereDanielD Tra DJ.eM waraTTK sof uMDgonal recorD wDeingsBBer, i, ncJr.. Scenic Design Costume Design LighStarringting Design Sound Design Projection Design DaviD Korins esosa BranDnonaTasha vic TKoraTz Dixon peTer hylensKi Daniel BroDie Casting Hair & Wig Design valisia leKae Associate Director Assistant Choreographer Telsey + coMpany charlcharles Brown g. lapoinTe scheleBryan willia TerrellMs clarK Brian h. BrooKs BeThany Knox,T icsaMoThy J. alex Michael arnolD nicholas chrisTopher reBecca e.