Macscouter's Book of Songs for Scouts and Scout Leaders
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2013 Brian Lynch Full Press Kit(Bio-Discog
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When you’re as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: Spheres Of Influence Unsung Heroes Project The Brian Lynch Quartet Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that has integrity and sounds good. Not to sound like a pastiche or shifting styles; but like someone with a lot of range and understanding." Trumpeter and Grammy© Award Winner Brian Lynch brings to his music an unparalleled depth and breadth of experience. -
Casey Jones E------B--8^10--8------G------7^9--7------7------D------10--7--10-----10-- Intro | C / / / | F / C / | = "Casey Jones" Riff A------E
Page 1 Page 2 After Midnight || E7 / / / | G / A / | E 7 / / / | % :|| 7 | E / / / | G / / / | A / / / | B / / / | 7 7 | E / / / | G / A / | E / / / | % | Verse 1 After midnight we're gonna let it all___ hang out. After midnight we're gonna chug-a-lug & shout. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. Verse 2 After midnight we're gonna shake your tambourine. After midnight it's gonna be peaches and cream. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. Lead = Verse Repeated Verse 1 After midnight we're gonna let it all___ hang out. (repeated) After midnight we're gonna chug-a-lug & shout. We're gonna cause talk and suspicion, Give an exhibition, Find out what it is all about! After midnight we're gonna let it all___ hang out. 7 Jam || : E / / / | G / A / :|| Page 3 Aiko-Aiko || : D / / / | % | A / / / | % :|| Chorus Hey Now (Hey Now) , Hey Now (Hey Now) Aiko-Aiko all day Jock-o-mo Fee-no ah-nah-nay, Jock-o-mo fee-nah-nay. Hey Now (Hey Now) , Hey Now (Hey Now) Aiko-Aiko all day Jock-o-mo Fee-no ah-nah-nay, Jock-o-mo fee-nah-nay. Verse 1 My spy boy to your spy boy, they were sittin' along the bayou, My spy boy to your spy boy, I'm gonna set your tail on fire. -
Words You Should Know How to Spell by Jane Mallison.Pdf
WO defammasiont priveledgei Spell it rigHt—everY tiMe! arrouse hexagonnalOver saicred r 12,000 Ceilling. Beleive. Scissers. Do you have trouble of the most DS HOW DS HOW spelling everyday words? Is your spell check on overdrive? MiSo S Well, this easy-to-use dictionary is just what you need! acheevei trajectarypelled machinry Organized with speed and convenience in mind, it gives WordS! you instant access to the correct spellings of more than 12,500 words. YOUextrac t grimey readallyi Also provided are quick tips and memory tricks, such as: SHOUlD KNOW • Help yourself get the spelling of their right by thinking of the phrase “their heirlooms.” • Most words ending in a “seed” sound are spelled “-cede” or “-ceed,” but one word ends in “-sede.” You could say the rule for spelling this word supersedes the other rules. Words t No matter what you’re working on, you can be confident You Should Know that your good writing won’t be marred by bad spelling. O S Words You Should Know How to Spell takes away the guesswork and helps you make a good impression! PELL hoW to spell David Hatcher, MA has taught communication skills for three universities and more than twenty government and private-industry clients. He has An A to Z Guide to Perfect SPellinG written and cowritten several books on writing, vocabulary, proofreading, editing, and related subjects. He lives in Winston-Salem, NC. Jane Mallison, MA teaches at Trinity School in New York City. The author bou tique swaveu g narl fabulus or coauthor of several books, she worked for many years with the writing section of the SAT test and continues to work with the AP English examination. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Sant Kirpal Singh: Guru Nanak's JAP JI
Sant Kirpal Singh: Guru Nanak's JAP JI the JAP JI The Message of Guru Nanak Literal Translation of the original Punjabi text with Introduction and Commentary by Kirpal Singh Dedicated to the Almighty God working through all Masters Who have come and Baba Sawan Singh Ji Maharaj at whose Lotus Feet the translator imbibed sweet Elixir of Holy Naam - the Word First published by Ruhani Satsang, Delhi 1959 http://www.ruhanisatsangusa.org/jj/title.htm (1 of 3) [3/6/2003 4:55:48 AM] Sant Kirpal Singh: Guru Nanak's JAP JI Fourth Edition, 1972 No copyright notes: regarding this web published version of "Jap Ji" Spanish translation TABLE OF CONTENTS Preface INTRODUCTION Introduction--What Is Jap Ji? Religion: Objective and Subjective Divine Will--How Is It Revealed? The Objective and Subjective Aspects of Naam Evidences from the Various Religions (i) Christianity (ii) Hinduism (iii) Mohammedanism Sound Differentiated (i) Misery and Pleasure Defined (ii) Advantages Accruing from Inner Communion of the Soul with Naam or Surat Shabd Yoga Simran--What it means and its uses Three Grand Divisions and their features (i) Man Is an Epitome of the Three Grand Divisions of the creation http://www.ruhanisatsangusa.org/jj/title.htm (2 of 3) [3/6/2003 4:55:48 AM] Sant Kirpal Singh: Guru Nanak's JAP JI (ii) Possibility of Communion of the Microcosm with the Macrocosm Regions (iii) Concentration of Spirit-Current Is Necessary Before It Can Rise Into Higher Spiritual Planes (iv) Uses of the Three Restrictions and their Process God-Man (i) Without a God-Man, the Mystery -
B O L L E T T I N O Grand President’S Welcome Back Branch 179! Monthly Message by Andrew Pappani It Seems Like We Were Just in Spring
December 2017 Italian Catholic Federation Anno 93 No. 11 B O L L E T T I N O Grand President’s Welcome Back Branch 179! Monthly Message by Andrew Pappani It seems like we were just in spring. We flew through summer, now we are almost out of Fall. Where did the time go? We are in the season for being thankful for what we have, thankful for our health, thankful for our family and friends. Now it’s time for giving back to the people we love, give to the homeless, the needy and the people who just need a helping hand. At the time of this writing I just attended the Los Angeles Archdiocese Bishop Day. In Most Reverend Joseph Brennan’s homily he spoke about giving, how we always give away the used items we no longer want any more or give can goods that we don’t like, but, • Newly initiated members of Br. 179 St. Dorothy. he said we should give things away that we really want and things we like give Andy Pappani initiated the 37 charter n Sunday, November 12, 2017, the away. I also attended the reopening of St. O members with help from CC Grand Italian Catholic Federation re-welcomed Dorothy, Branch 179 in Glendora, Ca. Treasurer Denise Antonowicz and CC St. Dorothy, Branch 179 back into the Father Mark Warnstedt’s homily was about Immediate Past Grand President Leonard Federation. St. Dorothy is located in forgiving others because you don’t know Zasoski, Jr. Glendora, California. what tomorrow will bring.Tell your spouse The new branch officers are: how much you love them; hug your kids; This re-opening came to be under the your parents, your friends; phone them, tell guidance and leadership of the Central President: Geoff Novall o • Andy Pappani and Br. -
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When youʼre as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: “Spheres Of Influence” “Unsung Heroes Project” The Brian Lynch Big Band Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a straight-ahead jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that sounds good. It doesn't sound like pastiche or shifting styles; it's people with a lot of knowledge." Few musicians embody this 21st century credo as profoundly as the 48-year-old trumpet master. -
Punk Lyrics and Their Cultural and Ideological Background: a Literary Analysis
Punk Lyrics and their Cultural and Ideological Background: A Literary Analysis Diplomarbeit zur Erlangung des akademischen Grades eines Magisters der Philosophie an der Karl-Franzens Universität Graz vorgelegt von Gerfried AMBROSCH am Institut für Anglistik Begutachter: A.o. Univ.-Prof. Mag. Dr. Hugo Keiper Graz, 2010 TABLE OF CONTENTS PREFACE 3 INTRODUCTION – What Is Punk? 5 1. ANARCHY IN THE UK 14 2. AMERICAN HARDCORE 26 2.1. STRAIGHT EDGE 44 2.2. THE NINETEEN-NINETIES AND EARLY TWOTHOUSANDS 46 3. THE IDEOLOGY OF PUNK 52 3.1. ANARCHY 53 3.2. THE DIY ETHIC 56 3.3. ANIMAL RIGHTS AND ECOLOGICAL CONCERNS 59 3.4. GENDER AND SEXUALITY 62 3.5. PUNKS AND SKINHEADS 65 4. ANALYSIS OF LYRICS 68 4.1. “PUNK IS DEAD” 70 4.2. “NO GODS, NO MASTERS” 75 4.3. “ARE THESE OUR LIVES?” 77 4.4. “NAME AND ADDRESS WITHHELD”/“SUPERBOWL PATRIOT XXXVI (ENTER THE MENDICANT)” 82 EPILOGUE 89 APPENDIX – Alphabetical Collection of Song Lyrics Mentioned or Cited 90 BIBLIOGRAPHY 117 2 PREFACE Being a punk musician and lyricist myself, I have been following the development of punk rock for a good 15 years now. You might say that punk has played a pivotal role in my life. Needless to say, I have also seen a great deal of media misrepresentation over the years. I completely agree with Craig O’Hara’s perception when he states in his fine introduction to American punk rock, self-explanatorily entitled The Philosophy of Punk: More than Noise, that “Punk has been characterized as a self-destructive, violence oriented fad [...] which had no real significance.” (1999: 43.) He quotes Larry Zbach of Maximum RockNRoll, one of the better known international punk fanzines1, who speaks of “repeated media distortion” which has lead to a situation wherein “more and more people adopt the appearance of Punk [but] have less and less of an idea of its content. -
1971 MA (California State University, F
Ellipsis in Japanese Discourse By Shigeko Okamoto. A.B. (Kyoto Prefectural university) 1971 M.A. (California State university, Fresno) 1976 C.Phil. (university of California) 1979 DISSERTATION Submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Linguistics in the GRADUATE DIVISION OF THE UNIVERSITY OF CALIFORNIA, BERKELEY Approve* Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Ellipsis in Japanese Discourse Copyright © 1985 by Shigeko Okamoto Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. To My Mother Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Acknowledgments I am greatly indebted to Professor Charles Fillmore, chairman of my doc toral committee, for his patient guidance and kind support. He has given me freely of his time at different stages of this dissertation and provided me with profound and insightful comments and suggestions which always made me enjoy thinking and rethinking the subject matter. It has been a privilege to have had him as my graduate adviser. My special thanks also go to Professor Wallace Chafe for his useful sugges tions which led to improvements of my dissertation as well as for his general guidance in my graduate work which brought a wider perspective to my under standing of linguistics. I would also like to express my sincere gratitude to Professor Haruo Aoki for his constant support without which this dissertation would not have been possible. He has always generously given me his precious time and has provided valuable comments and suggestions. I appreciate his wisdom, kindness, and patience. -
CSU Now Mandates Reporting Policy
INSIDE | photo | P. 2 | opinion | P. 6 | sports | P. 8 International linguistics Color-blindness is just Kansas City and San student finds ways to another form of racism Francisco both win in de-stress on campus Alex Smith deal FREE CALIFORNIA STATE UNIVERSITY, NORTHRIDGE THURSDAY, FEBRUARY 28, 2013 | VOL. 54, ISS. 82 | WWW.DAILYSUNDIAL.COM CSU now THIRD-PARTY MONEY mandates Candidates sign pledge to prevent any outsider influence from receiving contribu- reporting LUCY GUANUNA tions, which for city coun- DAILY SUNDIAL cil candidates is capped at $700 per contribution, but policy prevents independent expenses where supporters, specifically Employees must relay special interest groups, find a loophole in that maximum child abuse to officials A Los Angeles City Council contribution. candidate for the 13th District L.A. Council candidates who signed the People’s Pledge have not signed the pledge have col- early February, a vow to HANSOOK OH lectively raised more than $140,000 deny independent third party SENIOR STAFF in independent expenditures. contributions in local cam- “You can’t stop people from paigns, and has urged other spending money on your behalf; it’s candidates to do the same. an expression of free speech rights,” The People’s Pledge said Martin Saiz, political science pro- started during the 2012 fessor and department chair at CSUN. CSUN will implement a new CSU pol- Massachusetts Senate race “It’s basically done for symbolic rea- icy called the “Mandatory Reporting of Child between Democrat Elizabeth sons, to create an image of being inde- Abuse and Neglect,” which requires all CSU Warren and Republican Scott pendent. -
Kookoo | 40 Years | 1981 - 2021 Artwork by Hr Giger Photographs by Chris Stein
KOOKOO | 40 YEARS | 1981 - 2021 ARTWORK BY HR GIGER PHOTOGRAPHS BY CHRIS STEIN July 4 - October 31, 2021 Museum HR Giger is delighted to invite you to the exhibition KOOKOO | 40 YEARS In 1981, shortly after winning the Academy Award for Visual Effects for his work on “Alien” (1979), HR Giger collaborated with Debbie Harry to produce artwork for the cover of her debut solo album “KooKoo” (Chrysalis, 1981). Debbie Harry and guitarist Chris Stein spent a few weeks at HR Giger’s home and studio in Zürich in 1981 to create videos for two of the album’s singles, “Backfired,” released July 1981 and “Now I Know You Know,” released later the same year. During the course of their stay, Chris Stein documented the process through hundreds of photographs capturing the creative process behind the scenes and Debbie Harry and HR Giger in candid moments. Many of these photographs have never been presented before in public. Museum HR Giger proudly presents the original artworks by HR Giger for the album cover as well as an extensive collection of Chris Stein’s original photographs and will also be showing a recently restored 1982 behind-the- scenes documentary film “A new Face of Debbie Harry” filmed by Fredi M. Murer. The exhibition will be open to the public July 4 - October 31, 2021. Debbie Harry, HR Giger, 1981 Photo by Chris Stein. Museum HR Giger Freuen Sie zur Ausstellung einzuladen KOOKOO | 40 JAHRE Im Jahr 1981, kurz nachdem HR Giger den Academy Award für Visuelle Effekte (“Oscar”) für seine Arbeiten am Film “Alien” (1979) erhalten hatte, schlug Debbie Harry dem Schweizer Künstler eine Zusammenarbeit betreffend das Cover ihres ersten Soloalbums “KooKoo” (Chrysalis, 1981) vor. -
April 2021 • a Publication of the Recreation Centers of Sun City, Inc
ISSUE #233 • APRIL 2021 • A PUBLICATION OF THE RECREATION CENTERS OF SUN CITY, INC. Stay in the loop! Guest Policy Changes Under Consideration Get RCSC News Alert RCSC Management presented a proposal at the recent Board of Emails, sign up at: Directors meeting on March 25, 2021 that would change the current Current COVID-19 Rules & www.suncityaz.org policy regarding guests. With the Sun City Visitors Center continu- ing to be closed at this time to in-person visitors, a proposal to Regulations as of March 10, 2021 change the “no visitor” policy immediately was not recommended. Email addresses However, the proposal did recommend that escorted guests be REQUIREMENTS FOR USE OF ALL RCSC FACILITIES remain confidential allowed at some outdoor activities beginning on Saturday, May 1, • Prior to entering RCSC facilities, RCSC has implemented 2021. COVID-19 symptom screening with signage. Please read and evaluate whether you meet the criteria to enter RCSC facili- If the Board has chosen to move forward with this proposal, two ties. Anyone with potential symptoms may not enter or use more readings will be required at the Board meetings scheduled for RCSC facilities. INDEX Monday, April 12 and Thursday, April 29, 2021. • Hand sanitizer is required upon entry to RCSC facilities and All guests will be required to be escorted by an RCSC Cardholder offices. Users may utilize the sanitizer provided by RCSC. News Page 01-03 and participation would be limited to the following outdoor activi- • Face masks are always required while indoors except in show- ties: Bocce, Fishing, Horseshoes, Mini Golf, Pickleball, Softball, Tennis ers, indoor pools and indoor spas.