Alex Loznak '19 Is Suing the U.S. Government for the Right to a Safer Planet
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download Download
Pennsylvania History a journal of mid-atlantic studies PHvolume 79, number 2 · spring 2012 Articles “What Must Poor People Do?”: Economic Protest and Plebeian Culture in Philadelphia, 1682–1754 Daniel Johnson 117 James Wilson—His Scottish Background: Corrections and Additions Martin Clagett 154 The Public Interest of the Private City: The Pennsylvania Railroad, Urban Space, and Philadelphia’s Economic Elite, 1846–1877 Andrew Heath 177 Engaging the Trope of Redemptive Suffering: Inmate Voices in the Antebellum Prison Debates Jennifer Graber 209 review essAys The “Mighty Macs”: Women’s Basketball in Chester County Karen Guenther 234 Henry Ossawa Tanner: Modern Spirit Exhibition, Pennsylvania Academy of Fine Arts, Philadelphia Alexia I. Hudson 238 This content downloaded from 128.118.152.206 on Wed, 14 Mar 2018 15:38:31 UTC All use subject to http://about.jstor.org/terms PAH 79.2_FM.indd 1 18/04/12 1:01 AM book reviews John Fea. Was America Founded as a Christian Nation? A Historical Introduction Reviewed by Robert Shaffer 249 Beverly C. Tomek. Colonization and Its Discontents: Emancipation, Emigration, and Antislavery in Antebellum Pennsylvania Reviewed by Nicholas Wood 252 contributors 255 This content downloaded from 128.118.152.206 on Wed, 14 Mar 2018 15:38:31 UTC All use subject to http://about.jstor.org/terms PAH 79.2_FM.indd 2 18/04/12 1:01 AM submission information Pennsylvania History publishes documents previously unpublished and of interest to scholars of the Middle Atlantic region. The Journal also reviews books, exhibits, and other media dealing primarily with Pennsylvania history or that shed significant light on the state’s past. -
20 Years of Innovative Admissions After the Last Curtain Call
THE OWL THE ALUMNI MAGAZINE OF COLUMBIA UNIVERSITY SCHOOL OF GENERAL STUDIES After the Last Curtain Call: Dancers In Transition Forecasting Success: Remembering 20 Years of Innovative Dean Emeritus Admissions Peter J. Awn 2019-2020 TABLE OF CONTENTS THE OWL LETTER FROM THE DEAN THE ALUMNI MAGAZINE OF COLUMBIA UNIVERSITY SCHOOL OF GENERAL STUDIES Lisa Rosen-Metsch ’90 Dean Curtis Rodgers Vice Dean Jill Galas Hickey Associate Dean for Development and Alumni Relations Aviva Zablocki Director of Alumni Relations 18 14 12 Editor Dear GS Alumni and Friends, Allison Scola IN THIS ISSUE Communications, Special Projects As I reflect upon the heartbreak and challenges we have faced her network in the fashion industry to produce and donate PPE to frontline medical workers, to name just two of our alumni who Feature Story 14 The Transitional Dance since the last printing of The Owl, I am struck by my feelings of Since childhood, most professional dancers sacrificed, showed Contributors pride in how our amazing and resilient GS community has risen have made significant contributions. discipline, and gave themselves over dreams that required laser to meet these moments. When I step back, our school motto, Adrienne Anifant Lux Meanwhile, the accomplishments of members of our community focus on their goals. But what happens when their dream careers —the light shines in the darkness—is taking on Eileen Barroso in Tenebris Lucet extend across industries and causes. Poet Louise Glück, who are closer to the end than the beginning? new meaning. From the tragic loss of our beloved Dean Emeritus Nancy J. Brandwein attended GS in the 1960s, recently was awarded the Nobel Prize Peter J. -
Baird, Alison 2019
IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE INFAMOUS RED VELVET ROPE CULTURE AT STUDIO 54 A Senior Thesis submitted to the Faculty of the College of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Bachelor of Arts in American Studies By Alison P. Baird Washington, D.C. April 15, 2019 IF YOU’RE ON THE OUTSIDE, YOU’RE IN: THE NOTORIOUS RED VELVET ROPE CULTURE AT STUDIO 54 Alison P. Baird Thesis Adviser: Ellen Gorman, Ph.D. ABSTRACT Studio 54, the infamous New York City discotheque open from 1977 to 1980, was a notorious site in New York City for not only being one of the most sought-after venues in nightlife, but also for its ruthless red velvet rope culture. Disco was a defining artifact in American culture in the 1970s and greatly reflected the social and political atmosphere across the country. With the culmination of various political upheavals such as the Vietnam War and the Watergate Scandal, many Americans simply wanted to party, use drugs, and openly explore their sexuality. Studio 54 was, arguably, the most influential and well-known of the many discos— admired and loathed by those within and on the outside of the disco scene. Many outsiders and eager spectators observed the club as exclusionary and dictator-like. This thesis deconstructs the red velvet rope culture and analyzes the innate behavior and qualities of the clubbers with the aim to understand how these people contributed to the tremendous popularity of Studio 54. Gossip columns, newspapers, tabloids and archived footage offers compelling insight to the way of the disco-door as well as the qualities and behaviors that club goers possessed as such to gain admission. -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
Wuorinen Printable Program
The University at Buffalo Department of Music and The Robert & Carol Morris Center for 21st Century Music present Celebrating Charles Wuorinen at 80 featuring Ensemble SIGNAL Brad Lubman, conductor Tuesday, April 24, 2018 7:30pm Lippes Concert Hall in Slee Hall PROGRAM Charles Wuorinen (b. 1938) iRidule Jacqueline Leclair, oboe soloist Spin 5 Olivia De Prato, violin soloist Intermission Megalith Eric Huebner, piano soloist PERSONNEL Ensemble Signal Brad Lubman, Music Director Paul Coleman, Sound Director Olivia De Prato, Violin Lauren Radnofsky, Cello Ken Thomson, Clarinet, Bass Clarinet Adrián Sandí, Clarinet, Bass Clarinet David Friend, Piano 1 Oliver Hagen, Piano 2 Karl Larson, Piano 3 Georgia Mills, Piano 4 Matt Evans, Vibraphone, Piano Carson Moody, Marimba 1 Bill Solomon, Marimba 2 Amy Garapic, Marimba 3 Brad Lubman, Marimba Sarah Brailey, Voice 1 Mellissa Hughes, Voice 2 Kirsten Sollek, Voice 4 Charles Wuorinen In 1970 Wuorinen became the youngest composer at that time to win the Pulitzer Prize (for the electronic work Time's Encomium). The Pulitzer and the MacArthur Fellowship are just two among many awards, fellowships and other honors to have come his way. Wuorinen has written more than 260 compositions to date. His most recent works include Sudden Changes for Michael Tilson Thomas and the San Francisco Symphony, Exsultet (Praeconium Paschale) for Francisco Núñez and the Young People's Chorus of New York, a String Trio for the Goeyvaerts String Trio, and a duo for viola and percussion, Xenolith, for Lois Martin and Michael Truesdell. The premiere of of his opera on Annie Proulx's Brokeback Mountain was was a major cultural event worldwide. -
Emuseum of Modernart, 11 West 53 Street, Newyork, N, Y
..~ Museum of Modern Art No.4; 53 Street, NewYork, N.Y. 10019 Circle 5·8900 Cable, Modernart FOR RELEASE: Tuesday, May 11, 1965 PRESS PREVIEW: Monday,Mey 10, 1965 11 a.m, - 4 p.m. ICANCOLLAGES,anexhibition from The Museumof Modern Art's special program of traveling exhibitions, will interrupt its current tour end be shCMnat the Museum from May11 through July 25. Twice as manyexhibitions are circulated in the United States and Canada by the Museum'SDapartment of Circulating Exhibitions as are shown yearly at the Museum in NewYork. Last year the exhibitions "lere seen in 139 com- MoMAExh_0766_MasterChecklist munities. The same department, in charge of the Kuseum's foreign program of Circu- lating Exhibitions sponsored by the International Council of the Museum, has prepared 75 exhibitions secu in 65 countries. I The<lOrksin the collage sbow, dating from 1950 to the present, deal with a I i The term I mediumwhich has grown in importance only during the last fifty years. "collage," from the French for pasting or paper-hanging, has been broad ly interpreted I as a technique of cutting and pasting various materials which are aometimes combined with drawing, watercoloor or oil. The exhibition includes the work of someof the foremost makers of collage in I li I this country __ Robert Motherwell, Esteban Vicente, Conred Marca-Rel and Joseph Cornell _ as well as other artists who have broadened the medium. Kynaston McShine, whodirected the exhibition, writes, "[Collage] has been a means of creative liberation, leading us to recogGize not only the beauty of ephemera but also that of texture and spatial effects different from those of painting and sculpture. -
Blade Runner
Blade Runner TEMA: Progresso e Intelligenza artificiale Titolo originale: Blade Runner Nazione: Usa Anno: 1982 Genere: Fantascienza/Azione Durata: 124' Regia: Ridley Scott Cast: Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos, M. Emmet Walsh, Daryl Hannah, William Sanderson, Brion James Produzione: Micahel Deeley, Micahel Deeley, Hampton Fancher, Brian Kelly, Jerry Perenchio, Ivor Powell, Ridley Scott, Bud Yorkin Distribuzione: The Space Extra, Warner Bros. Pictures Italia Uscita prevista: 1982 (cinema) Venezia 2007 (versione restaurata) 30 Novembre 2007 (versione restaurata) (cinema) 06 Maggio 2015 (The Final Cut) (cinema) Trama: In un futuro tecnologico, caratterizzato dalla decadenza urbana e sociale, Deckard è all’inseguimento di pericolosi replicanti in fuga, ed è attratto da una donna misteriosa che potrebbe far vacillare le sue certezze. American History X TEMA: Questione Razziale Film di genere drammatico del 1998, diretto da Tony Kaye, con Edward Furlong e Elliott Gould. Durata 120 minuti. Distribuito da MEDUSA FILM (1999). GENERE: Drammatico ANNO: 1998 REGIA: Tony Kaye ATTORI: Edward Furlong, Elliott Gould, Edward Norton, Jennifer Lien, Avery Brooks, Fairuza Balk, Beverly D'Angelo, Stacy Keach PAESE: USA DURATA: 120 Min DISTRIBUZIONE: MEDUSA FILM (1999) TRAMA AMERICAN HISTORY X: In un tema in classe il giovane Danny tratta argomenti ispirati al 'Mein Kampf' e il preside Sweeney, per punirlo, lo obbliga a preparare una relazione sul fratello maggiore Derek. Quest'ultimo proprio quel giorno é uscito dal carcere dopo aver scontato alcuni anni per l'uccisione di due ragazzi neri che gli stavano rubando l'automobile. Quando si svolgevano quei fatti, Derek aveva il ruolo di leader di un gruppo giovanile paranazista che si riconosceva in Cameron, ideologo della violenza razzista contro ogni forma di diversità. -
Mike Cockrill Solo Exhibitions 2019
MIKE COCKRILL SOLO EXHIBITIONS 2019 “Drawn from Life: Paintings 2004 – 2019”) Mike Cockrill selected recent works, Mosaic Art Space, L.I.C., New York 2017 Mike Cockrill: In Retrospect, Cross Contemporary Art, Saugerties, NY 2013 The Existential Man, Kent Fine Art, New York 2011 The Awakening, Kent Fine Art, New York 2009 Sentiment and Seduction, Kent Gallery, New York 2008 Butterfly Girls, Kent Gallery, New York 2007 The Broken Pitcher & Other Stories, Kent Gallery, New York 2006 Over the Garden Wall, 31 Grand Gallery, Brooklyn, NY 2004 Then Again, 31 Grand Gallery, Brooklyn, NY 2003 Marella Arte Contemporanea, Milan, Italy 2002 Kim Foster Gallery, New York 1999 Make Me Laugh, Kim Foster Gallery, New York Baby Doll Clown Killers in LA, Robert Berman Gallery, Santa Monica, CA 1997 Baby Doll Clown Killers, Yearsley Spring Gallery, Philadelphia, PA Baby Doll Clown Killers, Kim Foster Gallery, New York 1994 Go Figure, Kim Foster Gallery, New York Discontents and Debutantes Illinois State University Galleries, Normal, IL 1992 Young, Alive and Beautiful, Webster Hall, New York Bra Women/Green Monkeys, Elston Fine Arts, New York 1990 Little Girls U-Can Live With, Downing Street Gallery, New York 1986 Family Life: The Post War Years, Semaphore Gallery, New York 1985 Semaphore Gallery, New York GROUP EXHIBITIONS 2019 Among Friends, Clemente Sot Velez Cultural Center, New York 2017 Between A Wail and a Clang, Contemporary Drawing and Painting, Donna Beam Gallery, UNLV, Las Vegas, NV. The Times, Flag Art Foundation, New York Hand’s Off My Cuntry, -
2013 Brian Lynch Full Press Kit(Bio-Discog
GRAMMY© AWARD WINNING TRUMPETER Brian Lynch “You can lose yourself in the pure energy of his playing, but at any moment you can switch your attention to the logic and craftsmanship of his music and find multiple rewards.” NEIL TESSER, Jazziz “Lynch demonstrates that a dedicated, knowledgeable jazzman can play a diversity of styles with telling authenticity, and make the renditions extremely appealing to both musician and neophyte...Lynch is simply first- rate.” ZAN STEWART, Downbeat “When you’re as dynamic and flexible a trumpeter as Lynch, everyone wants you.” THE NEW YORKER “ … a knife-blade articulation on his horn… his command of rhythm, sharpened by a long apprenticeship with Mr. Palmieri, lent impressive authority to his playing…” NATE CHINEN, The New York Times “Ranks in the top ten of current trumpeters.” SCOTT YANOW, Cadence Magazine “Brilliant… two steps ahead of the ordinary ear.” REUTERS NEWS TRUMPETER COMPOSER ARRANGER EDUCATOR BANDLEADER: Spheres Of Influence Unsung Heroes Project The Brian Lynch Quartet Brian Lynch "This is a new millennium, and a lot of music has gone down," Brian Lynch said several years ago. "I think that to be a jazz musician now means drawing on a wider variety of things than 30 or 40 years ago. Not to play a little bit of this or a little bit of that, but to blend everything together into something that has integrity and sounds good. Not to sound like a pastiche or shifting styles; but like someone with a lot of range and understanding." Trumpeter and Grammy© Award Winner Brian Lynch brings to his music an unparalleled depth and breadth of experience. -
Completeandleft
MEN WOMEN 1. BA Bryan Adams=Canadian rock singer- Brenda Asnicar=actress, singer, model=423,028=7 songwriter=153,646=15 Bea Arthur=actress, singer, comedian=21,158=184 Ben Adams=English singer, songwriter and record Brett Anderson=English, Singer=12,648=252 producer=16,628=165 Beverly Aadland=Actress=26,900=156 Burgess Abernethy=Australian, Actor=14,765=183 Beverly Adams=Actress, author=10,564=288 Ben Affleck=American Actor=166,331=13 Brooke Adams=Actress=48,747=96 Bill Anderson=Scottish sportsman=23,681=118 Birce Akalay=Turkish, Actress=11,088=273 Brian Austin+Green=Actor=92,942=27 Bea Alonzo=Filipino, Actress=40,943=114 COMPLETEandLEFT Barbara Alyn+Woods=American actress=9,984=297 BA,Beatrice Arthur Barbara Anderson=American, Actress=12,184=256 BA,Ben Affleck Brittany Andrews=American pornographic BA,Benedict Arnold actress=19,914=190 BA,Benny Andersson Black Angelica=Romanian, Pornstar=26,304=161 BA,Bibi Andersson Bia Anthony=Brazilian=29,126=150 BA,Billie Joe Armstrong Bess Armstrong=American, Actress=10,818=284 BA,Brooks Atkinson Breanne Ashley=American, Model=10,862=282 BA,Bryan Adams Brittany Ashton+Holmes=American actress=71,996=63 BA,Bud Abbott ………. BA,Buzz Aldrin Boyce Avenue Blaqk Audio Brother Ali Bud ,Abbott ,Actor ,Half of Abbott and Costello Bob ,Abernethy ,Journalist ,Former NBC News correspondent Bella ,Abzug ,Politician ,Feminist and former Congresswoman Bruce ,Ackerman ,Scholar ,We the People Babe ,Adams ,Baseball ,Pitcher, Pittsburgh Pirates Brock ,Adams ,Politician ,US Senator from Washington, 1987-93 Brooke ,Adams -
A Finding Aid to the Anne Ryan Papers, Circa 1905-1970, in the Archives of American Art
A Finding Aid to the Anne Ryan papers, circa 1905-1970, in the Archives of American Art Rihoko Ueno 2018/01/25 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Biographical Material, circa 1920-circa 1970............................................ 4 Series 2: Correspondence, circa 1922-1968............................................................ 5 Series 3: Diaries and Journals, 1924-1942.............................................................. 7 Series 4: Writings, circa 1923-circa 1954............................................................... -
From Classics to Lloyd Martin by JOHN GOODRICH on May 8, 2012 • 4:42 Pm
Colors That Speak: From Classics to Lloyd Martin by JOHN GOODRICH on May 8, 2012 • 4:42 pm Michael Rosenfeld Gallery’s busy and exuberant installation of works on paper (…On Paper) reflects the sheer diversity of American art in the 1940s through ’70s. The three dozen drawings, collages, mixed media works and paintings on paper cover a lot of ground— everything from Gaston Lachaise’s breezy line drawing of a nude to Nancy Grossman’s tightly wound drawing of a leather-bound head. But the bulk of the show presents an intriguing mix of mid-century trends, from abstract expressionism to geometric abstraction to figurative images ranging from the surreal to the socially conscious. Celebrated artists such as de Kooning, Krasner, Baziotes and Stamos ably represent the New York School, but Anne Ryan’s abstraction—a remarkably atmospheric collage of off-white bits of paper and fabric—seems most comfortable with the usually smaller scale of works on paper; its meditative, deliberated design seems closer in spirit to the spry geometric abstractions by Burgoyne Diller and Charmion von Weigand. Among several surrealism-tinged pieces, Pavel Tchelitchew’s watercolor of an artery-enclosed head eerily combines the sensual and the psychedelic. It could hardly differ more from Morris Graves’ serene paean to nature, a painting in tempera of a stylized falcon, on view in the gallery’s office. Other figurative works include brightly colored collages by Romare Bearden and Benny Andrews that pointedly address racial issues. But the most biting commentary of all comes from Robert Colescott’s loopy, mock-cheerful sketch of aprancing, top-hatted pair: a leggy blonde closely tailed by a limber black youth.