A Historical Study of Political System Reform in the Tang and Song Dynasties
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I. Guides to the State of the Field Song Research Tools
I. Guides to the State of the Field Page 1 of 125 Song Research Tools home | about | faq I. Guides to the State of the Field The late Etienne Balazs began formulating plans for an international, collaborative study of the Sung period as early as 1949 and formally initiated the "Sung Project" in 1954. The Project was responsible for some of the most valuable reference tools in this guide. Its history is related in: Ref (W) DS751.S86 1978x Yves Hervouet, "Introduction," (W) DS751.S86 1978x A Sung Bibliography Loc: Z3102 .S77 Hong Kong: The Chinese University Press, 1978, pp. vii-xiv. I.A. SOCIETIES, NEWSLETTERS, AND JOURNALS Societies Japan: Sōdaishi kenkyūkai 宋代史研究会 (Society for Song Studies): http://home.hiroshima-u.ac.jp/songdai/songdaishi-yanjiuhui.htm This site contains announcements for and reports on the annual meetings of the society, links to related sites, a bibliography of Japanese scholarship on Song studies (1982-2002) and a directory of Japanese scholars working in the field. Sōdaishi danwakai 宋代史談話會 (Society for the Study of Song History in Japan) http://www2u.biglobe.ne.jp/~songsong/songdai/danwakai.html Established in 1997 as a forum and reading group for young scholars of Song history active in Kyoto-Osaka-Kobe region. Includes meeting information, list of readings, and an announcement board. Sōdai shibun kenkyūkai 宋代詩文研究會 (Society for the Study of Song Literature) http://www9.big.or.jp/~co-ume/song/ http://www9.big.or.jp/~co-ume/song/danwakai.htm Includes announcements and a mailing list. Registration is required to get access to the full site. -
Official Colours of Chinese Regimes: a Panchronic Philological Study with Historical Accounts of China
TRAMES, 2012, 16(66/61), 3, 237–285 OFFICIAL COLOURS OF CHINESE REGIMES: A PANCHRONIC PHILOLOGICAL STUDY WITH HISTORICAL ACCOUNTS OF CHINA Jingyi Gao Institute of the Estonian Language, University of Tartu, and Tallinn University Abstract. The paper reports a panchronic philological study on the official colours of Chinese regimes. The historical accounts of the Chinese regimes are introduced. The official colours are summarised with philological references of archaic texts. Remarkably, it has been suggested that the official colours of the most ancient regimes should be the three primitive colours: (1) white-yellow, (2) black-grue yellow, and (3) red-yellow, instead of the simple colours. There were inconsistent historical records on the official colours of the most ancient regimes because the composite colour categories had been split. It has solved the historical problem with the linguistic theory of composite colour categories. Besides, it is concluded how the official colours were determined: At first, the official colour might be naturally determined according to the substance of the ruling population. There might be three groups of people in the Far East. (1) The developed hunter gatherers with livestock preferred the white-yellow colour of milk. (2) The farmers preferred the red-yellow colour of sun and fire. (3) The herders preferred the black-grue-yellow colour of water bodies. Later, after the Han-Chinese consolidation, the official colour could be politically determined according to the main property of the five elements in Sino-metaphysics. The red colour has been predominate in China for many reasons. Keywords: colour symbolism, official colours, national colours, five elements, philology, Chinese history, Chinese language, etymology, basic colour terms DOI: 10.3176/tr.2012.3.03 1. -
A Geographic History of Song-Dynasty Chan Buddhism: the Decline of the Yunmen Lineage
decline of the yunmen lineage Asia Major (2019) 3d ser. Vol. 32.1: 113-60 jason protass A Geographic History of Song-Dynasty Chan Buddhism: The Decline of the Yunmen Lineage abstract: For a century during China’s Northern Song era, the Yunmen Chan lineage, one of several such regional networks, rose to dominance in the east and north and then abruptly disappeared. Whereas others suggested the decline was caused by a doctri- nal problem, this essay argues that the geopolitics of the Song–Jin wars were the pri- mary cause. The argument builds upon a dataset of Chan abbots gleaned from Flame Records. A chronological series of maps shows that Chan lineages were regionally based. Moreover, Song-era writers knew of regional differences among Chan lin- eages and suggested that regionalism was part of Chan identity: this corroborates my assertion. The essay turns to local gazetteers and early-Southern Song texts that re- cord the impacts of the Song–Jin wars on monasteries in regions associated with the Yunmen lineage. Finally, I consider reasons why the few Yunmen monks who sur- vived into the Southern Song did not reconstitute their lineage, and discuss a small group of Yunmen monks who endured in north China under Jin and Yuan control. keywords: Chan, Buddhism, geographic history, mapping, spatial data n 1101, the recently installed emperor Huizong 徽宗 (r. 1100–1126) I authored a preface for a new collection of Chan 禪 religious biogra- phies, Record of the Continuation of the Flame of the Jianzhong Jingguo Era (Jianzhong Jingguo xudeng lu 建中靖國續燈錄, hereafter Continuation of the Flame).1 The emperor praised the old “five [Chan] lineages, each ex- celling in a family style 五宗各擅家風,” a semimythical system promul- gated by the Chan tradition itself to assert a shared identity among the ramifying branches of master-disciple relationships. -
A Shift in Song Tribute Policy and the Emergence of the Terms "Koryŏ Merchants" and "Japanese Merchants"
A Shift in Song Tribute Policy and the Emergence of the Terms "Koryŏ Merchants" and "Japanese Merchants" Eunmi GO Sungkyun Journal of East Asian Studies, Volume 18, Number 1, April 2018, pp. 85-103 (Article) Published by Duke University Press For additional information about this article https://muse.jhu.edu/article/694921 [ Access provided at 25 Sep 2021 21:40 GMT with no institutional affiliation ] Sungkyun Journal of East Asian Studies Vol.18 No.1 © 2018 Academy of East Asian Studies. 85-103 DOI: 10.21866/esjeas.2018.18.1.004 A Shift in Song Tribute Policy and the Emergence of the Terms “Koryo˘ Merchants” and “Japanese Merchants” Eunmi GO Academy of East Asian Studies, Sungkyunkwan University ABSTRACT This paper examines the fact that the Song government, at least until 1141, only allowed vessels based in China to engage in foreign trade, while opening its ports only to foreign ships that were tribute vessels. This was a result of the Song’s efforts to maintain the Sinocentric tribute system despite its diminishing power and international influence. However, worsening fiscal circumstances during the Southern Song period led the Song court to turn toward an anti-tribute policy due to the financial burden caused by the tribute system. By abandoning tribute practices, the Song came to permit trade with foreign ships as well. Reflecting this shift in the Song’s policies, “Koryo˘ merchants” and “Japanese merchants” appeared in maritime trade throughout the East China Sea, which had been dominated by Song merchants. These appellations are believed to be closely associated with the maritime route, rather than the ethnic origin of the merchants referred to. -
Painting Aesthetics and Educational Enlightenment of Ren Renfa in Yuan Dynasty Xiaoli Wu Art College of Xi’An University, 710065
Advances in Social Science, Education and Humanities Research, volume 132 7th International Conference on Social Science and Education Research (SSER 2017) Painting Aesthetics and Educational Enlightenment of Ren Renfa in Yuan Dynasty Xiaoli Wu Art college of xi’an university, 710065 Keyword: Character Creation; Realistic Analysis; Independent Creation Abstract. Ren Renfa lives in Yuan Dynasty which two dynasties changed, but he wins the later admiration through the water conservancy projects and paintings that surpassed the era. In the balance between reality and ideal, he finds the painting as a media to hit reality and does not avoid social contradictions. His painting style is profound and elegant. Ren Renfa is a water official and his painting perspective and methods are different from other painters, so he is not known to everyone. In the teaching and creating class, we draw on the creative form and the painting style of Ren Renfa in Yuan Dynasty to find a new way of learning for the students' graduation creative course. The Balance between Reality and Ideal - the Seventies of 13th Century that is the Chaos of Times and the Anxiety of Life He was born in a period which has collision of the two nationalities full with big changes and intersection. Mongolia that rapid developed on grassland conquered the Asia-Europe continent. And then Kublai prepared for the strategic layout of the Southern Song Dynasty that period is very turbulent, which was the period Ren Renfa born in. According to historical evidence, he had painted "Xi Chun Tian Ma" and "Wo Wa Tian Ma" for the Song Renzong and he was 20 years old. -
The Development of Shamanism and Its Social Functions in the Song Dynasty (960-1279): Taking Folktales in Record of the Listener
Seton Hall University eRepository @ Seton Hall Seton Hall University Dissertations and Theses Seton Hall University Dissertations and Theses (ETDs) Summer 7-9-2019 The evelopmeD nt of Shamanism and Its Social Functions in the Song Dynasty (960-1279): Taking Folktales in Record of the Listener as Major Examples Xiang Wei [email protected] Follow this and additional works at: https://scholarship.shu.edu/dissertations Part of the Chinese Studies Commons Recommended Citation Wei, Xiang, "The eD velopment of Shamanism and Its Social Functions in the Song Dynasty (960-1279): Taking Folktales in Record of the Listener as Major Examples" (2019). Seton Hall University Dissertations and Theses (ETDs). 2681. https://scholarship.shu.edu/dissertations/2681 THE DEVELOPMENT OF SHAMANISM AND ITS SOCIAL FUNCTIONS IN THE SONG DYNASTY (960-1279): TAKING FOLKTALES IN RECORD OF THE LISTENER AS MAJOR EXAMPLES BY XIANG WEI A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF ASIAN STUDIES AT SETON HALL UNIVERSITY SOUTH ORANGE, NEW JERSEY 2019 © Xiang Wei 2019 ACKNOWLEDGEMENT First of all, I would like to express my gratitude to all those who helped me during the writing of this thesis. I gratefully acknowledge the help of my supervisor, Dr. Rice, who has offered me valuable suggestions in the academic studies. In the preparation of this thesis, he has spent much time reading through each draft and provided me with inspiring advice. Without his patient instruction, insightful criticism, and expert guidance, the completion of this thesis would not have been possible. -
Different Impact Patterns of Norman and Mongol Conquests on English and Chinese
International Journal of Humanities and Social Science Vol. 8 • No. 6 • June 2018 doi:10.30845/ijhss.v8n6p14 Different Impact Patterns of Norman and Mongol Conquests on English and Chinese Dr. Tiping Su Center for Australian Studies Xi’an International Studies University PRC MA. Bin Zhang School of English Studies Xi’an International Studies University PRC Abstract Norman Conquest and Mongol conquest are two monumental events in the history of England and China respectively. The impacts of these two events on English and Chinese languages are far-reaching and merit thorough study. This paper will first review the linguistic changes of English after Norman Conquest in three aspects: lexical, orthographic and grammatical. Then the focus will be shifted to how the Chinese language change by analyzing authentic texts collected before, during and after the Mongol conquest. Based on the comparison of the two events and their consequences on languages, tentative patterns of language assimilation in the ambiance of alien conquests will be generated. Keywords: Norman Conquest, Mongol Conquest, English, Chinese, patterns 1. Introduction English is spoken by over 400 million people as their first language and 430 million as their second language all over the world in the early 2000s (Crystal, 2003, p. 67).It is the second largest mother tongue and mostly used second language. English deserves the title of a bona fide international language. Meanwhile, another language of equal importance but with more speakers is Chinese, which possesses over 1.4 billion native speakers all around the world. As the first and second largest mother tongues in the world, both Chinese and English go through similar developmental patterns from their infancy to maturity. -
Qian Zhongshu: a Grandmaster in a Fortress Besieged
QIAN ZHONGSHU: A GRANDMASTER IN A FORTRESS BESIEGED Ji JIN Department of Chinese Literature, Soochow University 199 Renai Road, SIP, China [email protected] Qian Zhongshu was one of the greatest contemporary scholars, novelists and men of letters, and he also was one of the great literary comparativists of the world because of his burning wit and formidable erudition. Qian is distinguished among other writers and scholars for his broad understanding of both the Chinese classics and Western literary traditions. This essay discusses Qian Zhongshu’s role as a grandmaster who interconnects Chinese and Western cultures. The first part introduces Qian’s creative writing before the 1940’s. The second part presents Qian’s formidable interpretation of Chinese classical literary and artistic traditions in On the Arts of Poetry and Limited Views and the grand pattern of Qian’s works. The third part discusses the influence of Qian’s principle of “harmony without uniformity” in Sino-Western intercultural dialogue. All in all, Qian Zhongshu established the great example of comparative culture study of the East and the West. Key words: Qian Zhongshu, literary interpretation, intercultural dialogue Qian Zhongshu 钱锺书 (1910 – 1998), styling himself Mocun 字默存, Hao Huaiju 号槐聚, once adopted the pseudonym of Zhongshu Jun 中书君. During his decades-long literary career, Qian contributed a corpus of insightful scholarly works and creative works of literature. The vicissitudes of his life experience do not work against the stretching of his cultural life. On the contrary, he always advanced with sharp vision, and created a profound and unique discursive space with his oeuvre. -
CHINESE CERAMICS and TRADE in 14 CENTURY SOUTHEAST ASIA——A CASE STUDY of SINGAPORE XIN GUANGCAN (BA History, Pekingu;MA Arch
CHINESE CERAMICS AND TRADE IN 14TH CENTURY SOUTHEAST ASIA——A CASE STUDY OF SINGAPORE XIN GUANGCAN (BA History, PekingU;MA Archaeology, PekingU) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF SOUTHEAST ASIAN STUDIES NATIONAL UNIVERSITY OF SINGAPORE 2015 Acknowledgements Upon accomplishing the entire work of this thesis, it is time for me to acknowledge many people who have helped me. First, I will like to express my utmost gratitude to my supervisor Dr.John N. Miksic from the Department of Southeast Asian Studies, National University of Singapore. He has dedicated a lot of precious time to supervising me, from choosing the thesis topic, organizing the fieldwork plans, to giving much valued comments and advice on the immature thesis drafts. I am the most indebted to him. The committee member Dr. Patric Daly from the Asian Research Institute and Dr. Yang Bin from the History Department, who gave me useful suggestions during the qualifying examination. I also would like to thank the following people who have given me a lot of support during my fieldwork and final stage of writing. For the fieldtrip in Zhejiang Province, with the help of Mr. Shen Yueming, the director of Zhejiang Relics and Archaeology Institute, I was able to be involved in a meaningful excavation of a Song to Yuan Dynasty ceramic kiln site in Longquan County. During the excavation, the deputy team leader Mr. Xu Jun and the local researcher Mr. Zhou Guanggui gave a lot of suggestions on the identification of Longquan celadon. Moreover, Ms. Wu Qiuhua, Mr. Yang Guanfu, and Mr. -
A History of Reading in Late Imperial China, 1000-1800
A HISTORY OF READING IN LATE IMPERIAL CHINA, 1000-1800 DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Li Yu, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Galal Walker, advisor Professor Mark Bender Professor Cynthia J. Brokaw ______________________________ Professor Patricia A. Sieber Advisor East Asian Languages and Literatures ABSTRACT This dissertation is a historical ethnographic study on the act of reading in late imperial China. Focusing on the practice and representation of reading, I present a mosaic of how reading was conceptualized, perceived, conducted, and transmitted from the tenth to the eighteenth centuries. My central argument is that reading, or dushu, was an indispensable component in the tapestry of cultural life and occupied a unique position in the landscape of social history in late imperial China. Reading is not merely a psychological act of individuals, but also a set of complicated social practices determined and conditioned by social conventions. The dissertation consists of six chapters. Chapter 1 discusses motivation, scope, methodology, and sources of the study. I introduce a dozen different Chinese terms related to the act of reading. Chapter 2 examines theories and practices of how children were taught to read. Focusing on four main pedagogical procedures, namely memorization, vocalization, punctuation, and explication, I argue that the loud chanting of texts and the constant anxiety of reciting were two of the most prominent themes that ran through both the descriptive and prescriptive discourses on the history of reading in late imperial ii China. -
The Comparative Study on the Cavalry of the Liao Dynasty and the Song Dynasty Cheng XING 1,*
Advances in Social Science, Education and Humanities Research, volume 559 Proceedings of the 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021) The Comparative Study on the Cavalry of the Liao Dynasty and the Song Dynasty Cheng XING 1,* 1 Northeastern University, Shenzhen, Guangdong Province 518038, China *Corresponding author. Email: [email protected] ABSTRACT The war between the Liao Dynasty and the Song Dynasty symbolized a peak of the history of the Chinese heavy cavalry. At this time, because of the development of the foundry technique, both the weapons and the armors of the cavalry were of better quality than any other Chinese dynasties before. In order to get the advantage in the arms race, both Liao and Song devoted lots of resources to the army, especially to the construction of cavalry. The commanders tried every kind of new equipment on their cavalry. We can even say that the Chinese cavalry had the best equipment in the world in the 10th century. However, because of misleading propaganda, some incorrect stereotypes have taken root. Firstly, a large number of people don’t know whether heavy cavalry exists in the Song Dynasty, resulting the stereotype that the Song Dynasty lacks horses. Moreover, most people thought that the cavalry of the Song Dynasty was weak while the Khitan (The governing nationality of the Liao Dynasty, originated in the northeastern part of China. The name Khitan first appeared in Wei Shu [1]) cavalry was fighting, since they are misled by the view that Song was poor in the military. However, these points of view did not jibe with the facts. -
Economic Factors Led to the Fall of Jin Dynasty : Focus on the Economic Effects After Relocation of Capital to Kaifeng
Lingnan University Digital Commons @ Lingnan University Theses & Dissertations Department of History 10-3-2013 Economic factors led to the fall of Jin dynasty : focus on the economic effects after relocation of capital to Kaifeng Ming Hong WONG Follow this and additional works at: https://commons.ln.edu.hk/his_etd Part of the History Commons Recommended Citation Wong, M. H. (2013). Economic factors led to the fall of Jin dynasty: Focus on the economic effects after relocation of capital to Kaifeng (Master's thesis, Lingnan University, Hong Kong). Retrieved from http://dx.doi.org/10.14793/his_etd.4 This Thesis is brought to you for free and open access by the Department of History at Digital Commons @ Lingnan University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. ECONOMIC FACTORS LED TO THE FALL OF JIN DYNASTY: FOCUS ON THE ECONOMIC EFFECTS AFTER RELOCATION OF CAPITAL TO KAIFENG WONG MING HONG MPHIL LINGNAN UNIVERSITY 2013 ECONOMIC FACTORS LED TO THE FALL OF JIN DYNASTY: FOCUS ON THE ECONOMIC EFFECTS AFTER RELOCATION OF CAPITAL TO KAIFENG by WONG Ming Hong A thesis submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in History LINGNAN UNIVERSITY 2013 ABSTRACT Economic Factors Led To The Fall Of Jin Dynasty: Focus On The Economic Effects After Relocation Of Capital To Kaifeng by WONG Ming Hong Master of Philosophy This thesis traces ramifications of the relocation of the Imperial Capital during the Jin dynasty.