Strait of Hormuz No Place for 'Joking'
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Tehran in Hook
Tehran in hook Tehrani “underground” musicians “keeping it real” Tiina Valjanen University of Helsinki Faculty of Social Sciences Social and Cultural Anthropology Master's thesis May 2021 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildingsprogram – Degree Programme Faculty of Social Sciences Master's Programme in Contemporary Societies (COS) Tekijä – Författare – Author Tiina Valjanen Työn nimi – Arbetets titel – Title Tehran in hook: Tehrani “underground” musicians “keeping it real” Oppiaine/Opintosuunta – Läroämne/Studieinriktning – Subject/Study track Social and Cultural Anthropology Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä – Sidoantal – Number of pages Master's thesis May 2021 107 Tiivistelmä – Referat – Abstract This thesis is an ethnographic study about rap, rock, and metal scenes in today’s Tehran. The study takes off from hip-hop scholars Pennycook’s and Mitchell’s proposition of hip-hop as “dusty foot philosophy” which is rooted at local dusty ground while articulating philosophies of global significance. This study aims to examine what kind of spaces are these dusty streets in Tehran and how does Tehran’s urban landscape inform music making and music aesthetics. This study focuses on how notions of belonging, space, and place have been expressed by rappers and rockers both in their music making and their embodied use of urban spaces. Followingly it will observe how urban realities, urban space, and geographical segregation are perceived, challenged, and reclaimed through their craft. The study asks how underground musicians are debating questions of authenticity that have risen along music’s localization, and how musicians strive for artistic legitimacy which would verify their street credibility both within their local music scenes and wider society, as well as within global music community. -
University of Florida Thesis Or Dissertation Formatting
VOICES OF A REBELLIOUS GENERATION: CULTURAL AND POLITICAL RESISTANCE IN IRAN’S UNDERGROUND ROCK MUSIC By SHABNAM GOLI A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF MUSIC UNIVERSITY OF FLORIDA 2014 © 2014 Shabnam Goli I dedicate this thesis to my soul mate, Alireza Pourreza, for his unconditional love and support. I owe this achievement to you. ACKNOWLEDGMENTS Completion of this thesis would not have been possible without the help and support of many people. I thank my committee chair, Dr. Larry Crook, for his continuous guidance and encouragement during these three years. I thank you for believing in me and giving me the possibility for growing intellectually and musically. I am very thankful to my committee member, Dr. Welson Tremura, who devoted numerous hours of endless assistance to my research. I thank you for mentoring me and dedicating your kind help and patience to my work. I also thank my professors at the University of Florida, Dr. Silvio dos Santos, Dr. Jennifer Smith, and Dr. Jennifer Thomas, who taught me how to think and how to prosper in my academic life. Furthermore, I express my sincere gratitude to all the informants who agreed to participate in several hours of online and telephone interviews despite all their difficulties, and generously shared their priceless knowledge and experience with me. I thank Alireza Pourreza, Aldoush Alpanian, Davood Ajir, Ali Baghfar, Maryam Asadi, Mana Neyestani, Arash Sobhani, ElectroqutE band members, Shahyar Kabiri, Hooman Ajdari, Arya Karnafi, Ebrahim Nabavi, and Babak Chaman Ara for all their assistance and support. -
The State of the Arts in the Middle East: Volume V
Viewpoints The State of the Arts in the Middle East: Volume V The Middle East Institute Washington, DC July 2010 This edition of MEI Viewpoints features essays that shed light on the relationship between artistic production and changing societal conditions and norms. Clayton Keir discusses “rap” music in Iran – its integration of Western and Persian cultural influences, politics, and popularity. Brigid Maher reflects on the making of Veiled Voices, her award-winning documentary film that profiles three female Muslim religious leaders from Egypt, Lebanon, and Syria. .JEEMF&BTU*OTUJUVUF7JFXQPJOUTtXXXNFJFEV Middle East Institute !e mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. -
Dissertation Complete
UC Irvine UC Irvine Electronic Theses and Dissertations Title The State of Resistance: National Identity Formation in Modern Iran Permalink https://escholarship.org/uc/item/83x412wv Author Rad, Assal Publication Date 2018 License https://creativecommons.org/licenses/by/4.0/ 4.0 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE The State of Resistance: National Identity Formation in Modern Iran DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Assal Rad Dissertation Committee: Professor Touraj Daryaee, Co-Chair Professor Mark LeVine, Co-Chair Professor Roxanne Varzi 2018 © 2018 Assal Rad TABLE OF CONTENTS Page LIST OF FIGURES iv NOTE ON TRANSLITERATION v ACKNOWLEDGMENTS vi CURRICULUM VITAE viii ABSTRACT OF THE DISSERTATION ix CHAPTER 1: Introduction 1 I. Introduction 1 II. Framework 4 III. Background 10 IV. What’s Been Said 13 V. What’s To Come 26 VI. Conclusion 37 CHAPTER 2: The Foreign Shah and the Failure of Pahlavi Nationalism 39 I. Introduction 39 II. Background: Foreign Power and Iranian Decline 40 III.I. The Shah’s Nationalism: Revolution, Independence and Persian Dominion 47 III.II. The Shah’s Naiveté: Disconnect and Foreignness 57 III.III. 1971: The Party of the Century and the Apex of IGnorance 64 IV.I. The Opposition: ResistinG Imperialism 67 IV.II. Khomeini’s LeGacy: A Revolution and Modern Iran 75 V. Conclusion 79 CHAPTER 3: The Islamic Republic and Its Culture of Resistance 82 I. Introduction 82 II. 1979: The Islamic Republic’s Permanent Revolution and Iranian Independence 89 III.I. -
Music on the Move Revised Pages Revised Pages
Revised Pages Music on the Move Revised Pages Revised Pages Music on the Move Danielle Fosler-lussier University of Michigan Press Ann Arbor Revised Pages Copyright © 2020 by Danielle Fosler-Lussier Some rights reserved Tis work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License. Note to users: A Creative Commons license is only valid when it is applied by the person or entity that holds rights to the licensed work. Works may contain components (e.g., photographs, illustrations, or quotations) to which the rightsholder in the work cannot apply the license. It is ultimately your responsibility to independently evaluate the copyright status of any work or component part of a work you use, in light of your intended use. To view a copy of this license, visit http://creativecommons.org/ licenses/by-nc/4.0/ Published in the United States of America by the University of Michigan Press Manufactured in the United States of America Printed on acid-free paper First published June 2020 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Names: Fosler-Lussier, Danielle, 1969– author. Title: Music on the move / Danielle Fosler-Lussier. Description: Ann Arbor : University of Michigan Press, 2020. | Includes bibliographical references and index. | Identifers: lccn 2020011847 (print) | lccn 2020011848 (ebook) | isbn 9780472074501 (hardcover) | isbn 9780472054503 (paperback) | isbn 9780472126781 (ebook) | isbn 9780472901289 (ebook other) Subjects: -
Persian Popular Music Scenes in California
MUSIC, MIGRATION, AND POLITICS OF BELONGING: PERSIAN POPULAR MUSIC SCENES IN CALIFORNIA By SHABNAM GOLI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2019 © 2019 Shabnam Goli To my soulmate, Alireza, whose endless love made this possible, and to our Liam who showed us a whole new face of love ACKNOWLEDGMENTS Completing this PhD would not be possible without the kind help of many individuals who dedicated their valuable time and support to the development of this research. I would like to thank the informants who participated in this study and/or helped me establish myself as a researcher and gain the trust of members of the Iranian community, particularly the musicians. I extend my greatest thanks to Andy Madadian, Shari Rezaee, Nazy Kaviani, Mohsen Namjoo, Shadi and Ardalan from Eendo band, Ardalan Sarfaraz, and Guita Banan. I am eternally grateful to the University of Florida School of Music and College of the Arts faculty and staff, in particular School Director, Kevin Orr who saw merit in my work and offered financial support for my graduate studies and academic travels over the past nearly eight years. I am also exteremly thankful to Laura Robertson, Leslie Odom, and Angela Williams whose gracious assistance made working remotely from California during the past three years possible. I would also like to thank University of Florida Office of Research for awarding me the doctoral research travel grant that provided me financial assitance in the final stages of the field research. -
The State of the Arts in the Middle East, Volume V
Viewpoints The State of the Arts in the Middle East: Volume V The Middle East Institute Washington, DC July 2010 This edition of MEI Viewpoints features essays that shed light on the relationship between artistic production and changing societal conditions and norms. Clayton Keir discusses “rap” music in Iran – its integration of Western and Persian cultural influences, politics, and popularity. Brigid Maher reflects on the making of Veiled Voices, her award-winning documentary film that profiles three female Muslim religious leaders from Egypt, Lebanon, and Syria. Middle East Institute Viewpoints • www.mei.edu Middle East Institute The mission of the Middle East Institute is to promote knowledge of the Middle East in Amer- ica and strengthen understanding of the United States by the people and governments of the region. For more than 60 years, MEI has dealt with the momentous events in the Middle East — from the birth of the state of Israel to the invasion of Iraq. Today, MEI is a foremost authority on contemporary Middle East issues. It pro- vides a vital forum for honest and open debate that attracts politicians, scholars, government officials, and policy experts from the US, Asia, Europe, and the Middle East. MEI enjoys wide access to political and business leaders in countries throughout the region. Along with information exchanges, facilities for research, objective analysis, and thoughtful commentary, MEI’s programs and publications help counter simplistic notions about the Middle East and America. We are at the forefront of private sector public diplomacy. Viewpoints are another MEI service to audiences interested in learning more about the complexities of issues affecting the Middle East and US relations with the region. -
Life As Politics
Life as Politics. How Ordinary People Change the Middle East Bayat, A. Citation Bayat, A. (2010). Life as Politics. How Ordinary People Change the Middle East. Amsterdam: Amsterdam University Press. Retrieved from https://hdl.handle.net/1887/15229 Version: Not Applicable (or Unknown) License: Leiden University Non-exclusive license Downloaded from: https://hdl.handle.net/1887/15229 Note: To cite this publication please use the final published version (if applicable). Life as Politics Bayat.indd 1 24-12-2009 13:59:53 isim series on contemporary muslim societies The ISIM Series on Contemporary Muslim Societies is a joint initiative of Amsterdam University Press (AUP) and the International Institute for the Study of Islam in the Modern World (ISIM). The Series seeks to present innovative scholarship on Islam and Muslim societies in different parts of the globe. ISIM was established in 1998 by the University of Amsterdam, Leiden University, Radboud University Nijmegen, and Utrecht University. The institute conducts and promotes interdisciplinary research on social, political, cultural, and intellectual trends and movements in contemporary Muslim societies and communities. Editors Annelies Moors, ISIM / University of Amsterdam Mathijs Pelkmans, ISIM / University College Utrecht Abdulkader Tayob, University of Cape Town Editorial Board Nadje al-Ali, University of Exeter Kamran Asdar Ali, University of Texas at Austin John Bowen, Washington University in St. Louis Léon Buskens, Leiden University Shamil Jeppie, University of Cape Town Deniz Kandiyoti, SOAS, University of London Muhammad Khalid Masud, Council of Islamic Ideology, Pakistan Werner Schiffauer, Europa-Universität Viadriana Frankfurt (Oder) Seteney Shami, Social Science Research Council Previously published Lynn Welchman, Women and Muslim Family Laws in Arab States. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Nooshin, L. (2011). Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices. In: Toynbee, J. and Dueck, B. (Eds.), Migrating Music. (pp. 92-111). Routledge. ISBN 0415594480 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/4769/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Hip-hop Tehran: Migrating Styles, Musical Meanings, Marginalised Voices Laudan Nooshin City University, London, UK Introduction A great deal of ethnomusicological writing in recent years has explored the impact of global processes on the creation and consumption of music in specific locales. Whether expressed in terms of cultural ‘deterriorialisation’, the emergence of transnational networks and flows, or migrancy (both physical and virtual), it is clear that previously accepted ideas about the intimate connection between music and place – in the sense of specific kinds of music ‘belonging’ to particular places and peoples – have become disrupted.