Welcome UPCOMING Dear Friends, On behalf of our Globe staff and artists, I welcome OPUS you to the musical . A lot has changed in March 21 - April 26, 2009 our lives and in the marketplace since 1978 when The Old Globe Arena Stage at the James S. Copley Auditorium, Working was first produced on Broadway. Museum of Art Our production is more than just another revival. ❖ ❖ ❖ It is a complete re-imagining by creator Steven Schwartz and director Gordon Greenberg. I think THE PRICE this musical is now more relevant than ever. It May 9 - June 14, 2009 speaks to us of our need for a meaningful existence The Old Globe Arena Stage at the James S. Copley Auditorium, as well as the creative expression that lives within us all. As so many Americans face San Diego Museum of Art difficulties today it is timelier than ever.

❖ ❖ ❖ As you know, the arts are facing difficulties as well. Although the Globe continues to be supported by a loyal core of donors and subscribers I must tell you that our fi- CORNELIA nances have been stressed, particularly in the area of contributions. Simply put, to May 16 - June 21, 2009 keep our level of productions to the standard you expect and maintain our educa- tion programs that reach thousands of young people, we need your help. ❖ ❖ ❖ The phrase “your support is more critical than ever” is often used, but it has never 2009Summer been truer. You can help us in two ways – tell your friends about this production SHAKESPEARE and other upcoming productions and make a gift, or an additional gift, to directly FESTIVAL support our season and our work in the schools. June 14 - September 27, 2009 Do what you can and I assure we will do everything we can to keep great theatre Lowell Davies Festival Theatre alive at the Globe and in this community for this season and for generations to TWELFTH NIGHT come. CORIOLANUS I thank you for being here and, in advance, for your additional support. CYRANO DE BERGERAC ❖ ❖ ❖

THE FIRST WIVES CLUB Executive Producer July 15 - August 16, 2009 Old Globe Theatre

❖ ❖ ❖ THE MYSTERY OF IRMA VEP Aug 1 - Sep 6, 2009 The Old Globe Arena Stage at the James S. Copley Auditorium, San Diego Museum of Art

PERFORMANCES MAGAZINE P1 Season Sponsors

The Old Globe is deeply grateful to its Season Sponsors, each of whom has made an annual donation of $50,000 or greater. These gifts are critical to maintaining the Theatre’s high quality of artistic programming and award-winning work in the community.

The Legler Benbough Foundation Deni and Jeff Jacobs John A. Berol Joan and Irwin Jacobs Mary Ann Blair The Lipinsky Family Karen and Donald Cohn Conrad Prebys and Debra Turner Peter Cooper and Norman Blachford Donald and Darlene Shiley Valerie and Harry Cooper Vice Chairwoman Pam Slater-Price and the County of San Diego Audrey S. Geisel Sheryl and Harvey White Globe Guilders Anonymous Supervisor Bill Horn and the County of San Diego

To become a Season Sponsor, please contact Director of Development Todd R. Schultz at (619) 231-1941 x2310.

P2 PERFORMANCES MAGAZINE PRESENTS

WORKINGa musical FROM THE BOOK BY Studs Terkel ADAPTED BY Stephen Schwartz and Nina Faso SONGS BY Lin-Manuel Miranda and Stephen Schwartz

SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN Beowulf Boritt Mattie Ullrich Jeff Croiter Tony Smolenski IV

PROJECTION DESIGN STAGE MANAGER CASTING Aaron Rhyne Daniel S. Rosokoff Jay Binder/Sara Schatz With additional material by Beowulf Boritt

ORCHESTRATIONS MUSICAL DIRECTOR Alex Lacamoire Mark Hartman CHOREOGRAPHER Josh Rhodes

DIRECTED BY Gordon Greenberg

WORKING is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. 421 West 54th Street, New York, NY 10019 Phone: 212-541-4684 Fax: 212-397-4684 www. MTIShows.com Old Globe Theatre, Donald and Darlene Shiley Stage March 7 - April 12, 2009

PERFORMANCES MAGAZINE P3 Cast of Characters

Man #1...... Adam Monley Man #2 ...... Nehal Joshi Man #3...... Wayne Duvall Woman #1...... Marie-France Arcilla Woman #2...... Danielle Lee Greaves Woman #3 ...... Donna Lynne Champlin

Stage Manager ...... Daniel S. Rosokoff Assistant Stage Manager...... Jennifer Leigh Wheeler

There will be no intermission

The Actors and Stage Managers employed by this production are members of the Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the . Si desea una sinopsis de esta obra en Español, favor de pedírsela al acomodador que le entregó este programa. If you would like a synopsis of this production in Spanish, please request it from an usher.

MUSICIANS Music Director/Conductor/Keyboards...... Mark Hartman Electric, Acoustic Guitars...... Mark Shapiro Electric, Acoustics Basses...... Danny Welter Drums/Percussion...... Jeff Dalrymple Orchestra Contractor ...... Lorin Getline Rehearsal Piano...... Ron Councell Rehearsal Drums...... Jeff Dalrymple Synthesizer Programming ...... Mark Hartman Music Copying Emily Grishman All musicians are represented by the American Federation of Musicians of the United States and Canada.

STUDS TERKEL (1912 - 2008) The radio personality and author Louis Terkel was best known for his oral histories of ordinary Americans. These anthologies of interviews show how people felt about key historical events and everyday struggles and dreams. Initially a Chicago radio personality, in mid-career Studs Terkel acquired a national reputation as a people's historian through a series of books that relied on taped interviews to document the experiences, memories, dreams, and fears of a wide cross-section of Americans. Louis Terkel was born on May 16, 1912, in the Bronx, New York. In 1923 his family moved to Chicago, where his mother managed a hotel for blue-collar and skilled workers. Mr. Terkel often said that the characters he en- countered and the disputations he witnessed at the Wells-Grand Hotel on the Near North Side were his real education. Though he graduated from college and law school at the University of Chicago, Terkel never practiced law. Instead, taking his nick- name from a famous literary character of the day, Studs Lonigan, he succumbed to the lure of the stage, acting in radio and community

CONTINUED NEXT PAGE

P4 PERFORMANCES MAGAZINE Production Sponsors

WORKING is supported, in part, by the following generous sponsors: MARY ANN BLAIR Mary Ann Blair has supported theatre in San Diego, including The Old Globe, for the past ten years. Through her support of the Globe’s Education and Community programs, Mary Ann has made it possible for thousands of children to experience the magic of theatre, and she often attends with them and delights in seeing their reactions to a performance. She believes that the arts are an important part of education and that theatre enriches children’s lives. Mary Ann’s childhood memories include her father listening to the Studs Terkel’s radio program. The Old Globe is very pleased to recognize Mary Ann Blair as a Production Sponsor for Working.

GLOBE GUILDERS The Globe Guilders have been an essential part of The Old Globe family for more than 50 years. Hundreds of dedicated members provide invaluable assistance to the Globe through their notable annual Fashion Show and other fundraising activities, community events, and gracious hosting of the Theatre’s Company Calls. This year’s Globe Guilders Fashion Show will be held on Tuesday, July 21 at the Sheraton San Diego Hotel and Marina. Presented by Neiman Marcus, the Fashion Show will feature designs by Naeem Khan. Proceeds from the event will support the Globe’s education programs. To become a Globe Guilder, please contact Joyce Nash, Globe Guilders Vice President of Membership, at [email protected] and for more information on the Globe Guilders Fashion Show, contact Suzie Turner at [email protected].

Studs Terkel (cont’d) theater productions and even in the exciting new medium of television. From 1949 until 1951, he had his own weekly show on NBC, Studs' Place, an innovative, improvisational situation comedy about “regular folks." In 1951, anticommunist fever was rising, and Terkel's television career was cut short when NBC discovered he had signed leftist peti- tions seeking reform on such controversial issues as rent control and segregation. With his typical stubborn conviction, Terkel refused to renounce the petitions, and his show was canceled. His next step was to approach radio station WFMT with a proposal for an hour-long interview show. The station hired him and became Terkel's home for the next 45 years, until his retirement in 1997. Terkel produced a series of books that gave voice to the experience of the “regular folks," including Working: People Talk About What They Do All Day and How They Feel About What They Do (1974). His books depict a multifaceted picture of the historical period they cover and the society that lived through it. “Oral journalism is associated with me," Terkel has said, “and I like that, and it's true. Because it's the sound of the voice that I'd like to capture." Studs Terkel passed away at 96 on October 31, 2008.

PERFORMANCES MAGAZINE P5 Board of Directors

Dear Friends, Now more than ever, the Globe needs your support and attendance, and we are pleased you've chosen to join us today. Gifts from people in the community help ensure that the quality of our productions and the level of education programs which serve more than 50,000 children and adults each year remains high. Founded in 1935, The Old Globe has grown to become the sixth largest regional theatre in the United States and a valued treasure of the San Diego community. This prominence in the theatre community – both nationally and locally – is thanks to our many friends and supporters over the years. For the fourth consecutive year Charity Navigator, America's leading non-profit evaluator, has awarded the Globe a perfect four-star rating for fiscal management, a feat accomplished by fewer than six percent of non-profits in the country. With the current difficulties in the economy, we are re-doubling our efforts to ensure that the Globe remains financially stable and artistically strong. I ask you today to join me in supporting this wonderful institution by contributing to the Annual Fund. Every donation makes a difference, and I know that if each of us does his or her own part, the Globe will continue for another 75 years, serving San Diego and the national theatre community.

Donald Cohn, Chair, Board of Directors BOARD OF DIRECTORS / OFFICERS Donald Cohn* Kathy Hattox* Anthony S. Thornley* Sandra Redman* Susan Major* Harvey P. White* Chair Immediate Vice Chair Finance Vice Chair Vice Chair Secretary Past Chair & Treasurer Nominating Development

DIRECTORS Timothy P. Haidinger Daniel L. Sullivan, Ph.D. Mrs. John H. Fox (1908–2003) Mary Beth Adderley-Wright Theodore Hoehn Julie H. Sullivan, Ph.D. Audrey Geisel Michael Allman Viviana Ibañez Debra Turner Paul Harter Elizabeth Altman Deni Jacobs Crystal Watkins Gordon Luce (1925-2006) Joseph Benoit Daphne Jameson James A. Wening Dolly Poet (1921-2007) Pamela Cesak Mitzi Yates Lizarraga Ruth Wikberg-Leonardi Deborah Szekely Peter J. Cooper Fern Murphy Brian E. Wineke Hon. Pete Wilson Stephen M. Cusato Marianne Nelson June Yoder Elaine Bennett Darwin Robin Nordhoff Carolyn Yorston-Wellcome EMERITUS DIRECTORS Bea Epsten Rafael Pastor* Deborah Young Garet B. Clark Joel E. Ewan Conrad Prebys* J. Dallas Clark (1913–2005) Pamela A. Farr Sara Rosenthal, M.D. *Executive Committee Member Sally Furay, R.S.C.J. Harold W. Fuson, Jr.* Jeri Rovsek Bernard Lipinsky (1914-2001) Victor P. Gálvez Jean Shekhter HONORARY DIRECTORS Delza Martin (1915–2005) Robert H. Gleason Nancy A. Spector Mrs. Richard C. Adams Patsy Shumway Martin Goodman Louis G. Spisto* (1912–2005) Clair Burgener (1921-2006)

Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is supported in part by grants from Vice Chairwoman Pam Slater-Price, Supervisor Bill Horn and The County of San Diego. P6 PERFORMANCES MAGAZINE Musical Numbers and Monologues

“All The Livelong Day” (by Stephen Schwartz) ...... Company Mike Dillard, ironworker ...... Man 3 Amanda McKenny, project manager...... Woman 2 In The Cubicles...... Woman 3, Man 2, Woman 1 “Delivery” (by Lin-Manuel Miranda) Freddy, food delivery...... Man 2 & Company Rex Winship, hedge fund manager...... Man 1 “Nobody Tells Me How” (by Mary Rogers & Susan Birkenhead) Rose Hoffman, school teacher...... Woman 3 Terry Mason, flight attendant...... Woman 1 “Brother Trucker” (by James Taylor) Frank Decker, trucker...... Man 1 & Company Raj, tech support & Sharon, receptionist ...... Man 2 & Woman 1 “Just A Housewife” (by Craig Carnelia) Kate Rushton, housewife...... Woman 2 Conrad Swibel, UPS delivery man...... Man 1 Roberta Victor, prostitute...... Woman 2 Candy Cottingham, fundraiser ...... Woman 3 “Millwork” (by James Taylor) Grace Clements, millworker...... Woman 1 & Company Allen, community organizer ...... Man 2 “If I Could’ve Been” (by Micki Grant)...... Company “The Mason” (by Craig Carnelia) Anthony Coelho, stone mason...... Man 2 Eddie Jaffe, publicist...... Man 3 “It’s An Art” (by Stephen Schwartz) Delores Dante, waitress...... Woman 3 & Company “Joe” (by Craig Carnelia) Joe Zutty, retiree ...... Man 3 Tom Patrick, fireman...... Man 1 “A Very Good Day” (by Lin-Manuel Miranda) Utkarsh & Theresa, caregivers...... Man 2 & Woman 1 “Cleanin’ Women” (by Micki Grant) Maggie Holmes, cleaning lady...... Woman 2 Ralph Werner, student...... Man 1 Charlie Blossom, ex-newsroom assistant...... Man2 “Fathers and Sons” (by Stephen Schwartz) Mike Dillard, ironworker...... Man 3 “Something To Point To” (by Craig Carnelia)...... Company

PERFORMANCES MAGAZINE P7 Shiley Artist-in-Residence

Leadership Gifts to The Old Globe SHILEY ARTIST-IN-RESIDENCE 2009: STEPHEN SCHWARTZ The Old Globe would like to recognize and thank the following generous individuals who Established in 2002 with a have made extraordinary gifts of $1 million or magnanimous gift from Donald and more to this organization. These major Darlene Shiley, the Shiley Artist-in- contributions have been designated for artis- Residence program furthers the Globe’s tic, endowment and facilities projects, and commitment to bringing artists of the help The Old Globe remain one of our highest caliber, drawn from a national and country’s great theatre institutions. international pool of talent, to work at the Theatre. $20,000,000 or greater Stephen Schwartz is one of Donald and Darlene Shiley Broadway’s most prolific and popular artists; his current smash hit is a $10,000,000 or greater global sensation. At one point, three of his musicals, , and The Magic STEPHEN SCHWARTZ Conrad Prebys Show, were all running on Broadway simultaneously. His film work includes collaborations with composer Alan Menken on the scores $5,000,000 or greater for the Disney animated features, Pocahontas, for which he received two Academy Sheryl and Harvey White Awards and a Grammy, and The Hunchback of Notre Dame. He also provided songs for Kathryn Hattox DreamWorks' first animated feature, , for which he won another Academy Award for the song “When You Believe". Schwartz provided music and lyrics Karen and Donald Cohn for the original television musical, Geppetto, seen on The Wonderful World of Disney and lyrics for the 2007 Disney feature film, Enchanted. $1,000,000 or greater As Shiley Artist-in-Residence, the Grammy® and Academy Award®-winning Viterbi Family Foundation composer and lyricist is recreating his seminal musical Working for this production and also appeared at the Globe this season in a special one-night engagement of Stephen Cultural and Schwartz and Friends. Historical Endowment Donald and Darlene Shiley have been dedicated supporters of The Old Globe for Estate of Dorothy S. Prough more than two decades. Their lead gift of $20 million to the Globe’s current capital and endowment campaign, Securing a San Diego Landmark, marked the largest individual The Rivkin Family contribution in the Globe’s history. Estate of Beatrice Lynds The Shileys have served as sponsors for dozens of productions and have been Audrey S. Geisel / Season Sponsors since 1995. In addition, they have helped fund many Globe projects, San Diego Foundation including the Shiley Terrace Apartments, which Dr. Seuss Fund provide much-needed local housing for Globe artists, as well as underwriting two full Mr. and Mrs. Victor H. Ottenstein scholarships in The Old Globe/ University of San Mrs. Helen Edison Diego Master of Fine Arts Program. In honor of their enduring support, the stage of the Old Globe The Stephen and Mary Birch Theatre was named the Donald and Darlene Shiley Foundation Stage. The Shiley Artist-in-Residence marks one The Kresge Foundation more way in which the Shileys support the creativity and quality of work on the Globe’s stages.

DARLENE AND DONALD SHILEY

P8 PERFORMANCES MAGAZINE Education Experiences SO YOU WANT TO BE AN ACTOR... It’s no secret that acting is a competitive career with far more appli- cants than available jobs. ’s parents famously made her take stenography classes to ensure that she’d have job skills if that acting career didn’t work out. Not everyone will have a soaring career like Merman’s but actors who are truly committed will find a way. Their passion for the art form and the talent that will not allow itself to be ignored propels them on this path. They will work in theatres large and small. They will study their craft at colleges and universities and in workshops and seminars. They will dedicate their work-lives to this art form. A career in theatre takes thoughtful preparation, networking, and just plain hard work. Actors prepare audition pieces (usually monologues and songs) that can be used for a variety of try-outs. SUMMER SHAKESPEARE INTENSIVE 2008, They keep their bodies and voices in top condition so that they can STUDENT ACTORS PERFORM SCENE FROM ROMEO Y JULIETA. take on any kind of role that is offered to them; serve as their own publicists, constantly working to get agents to see them when they the scenes, staffed by the creative people who make it all happen. A perform so that they can secure representation for future jobs; join careful look at the Staff page of this program will illuminate the actors unions that ensure adequate pay, health insurance and other point. It takes hundreds of full and part time people working to- protections. They read audition notices regularly and sometimes gether to produce the many shows presented at The Old Globe each create their own theatre pieces to be performed in a variety of year. Indeed, these artisans, technicians and executives are highly venues. They hone their craft and constantly hunt down opportuni- trained, highly skilled, and highly talented individuals whose rela- ties to perform. tively stable careers in the arts are often unknown to most people. The Old Globe’s partnership with the University of San Diego has Interestingly, many employers are looking at college graduates with built one of the finest Master of Fine Arts programs in the country. degrees in the arts with interest. These young people often have the Each year seven new students join us to receive training in classical kind of skills that serve them well in a variety of fields other than acting while also having the opportunity to perform in many of our entertainment. The idea is that creativity is a commodity and artis- productions. This two-year program offers training but, like any tic people may very well be the executives of the future. other program, it does not offer a career. That is up to the graduate Daniel Pink, author of A Whole New Mind, asserted in the 2004 actor. Harvard Business Review’s list of Breakthrough Ideas that “The Old Globe MFA student, Sloan Grenz, talks of his career planning MFA is the new MBA” insinuating that there is a shift in the way with a mature perspective: work is done today and that creative people are more adept at find- ing new solutions to getting things done. “As big as many actors dream, I think most of us (myself included) simply want to work: while we may yearn — and secretly plan — for If that is indeed true, the college graduate who decides that the the $20 million movie contract or the five year sitcom deal, simply dream of an acting career may be a bit too risky might well find a ca- being employed as an actor is enough of an immediate hurdle to keep reer using his or her creative skills in some field other than theatre. us jumping. It's true that an actor's life is the life of a gypsy. We're Any career in the Arts, whether in music, dance, visual arts or the- constantly moving. We have to go where the works takes us…The bot- tom line is that whether you're the highest paid actor in Hollywood or atre, is fraught with roadblocks; it takes a special kind of person to a non-Equity college student waiting in line at a chorus call, the hustle make a success of it. But there are those who must follow their never-stops: pounding the pavement for the next job is always part of dreams, and here at The Old Globe we’re proud to give them the our job.” opportunity to demonstrate their artistry for our audiences.

For the young person who wants to work in theatre but isn’t inter- ested in acting, there are literally hundreds of opportunities for ca- reers in theatre and film. The vast majority of these jobs are behind PERFORMANCES MAGAZINE P9 Program Notes

The Non-Fiction Musical There are many different sources for musicals: novels (The Pajama Game), plays (Oklahoma!) story collections (Guys and Dolls) even comic strips (Annie). Recently it seems as if popular films have been the main inspiration for Broadway musicals, but as often happens the exception belies the rule. Recent Tony winners have been (original story) and Spring Awakening (a 19th century play). Working is in a class almost by itself. It is based on Studs Terkel’s best selling book, Working: People Talk About What They Do All Day and How They Feel About What They Do (1974) which consists of a series of interviews with Americans across regions, social lines and racial di- vides. So a non-fiction musical. The only work comparable was the 1948 revue, Inside USA based on John Gunther’s collection of essays about post war America. Inside USA had music and lyrics by Howard Dietz and Arthur Schwartz, whose songs were in last season’s Dancing in the Dark here at the Globe. Inside USA was a traditional revue, a cavalcade of song interspersed with written sketches. It starred , Clifton Webb and Perry Como so apparently ordinary Americans weren’t part of the mix. Stylistically Working is different in that it is the work of a number of song writers and though seemingly a revue, it has a strong the- matic connection between the musical numbers. One worker’s story blends into another’s in a way to show how interconnected we all are. Working also presents working men and women in a more realistic manner than we are used to in a musical entertainment. The song writ- ers use the workers’ interviews and find the poetry and power in their words. It’s rare to find a musical entertainment that depicts real, or- dinary people in their own words as they reflect not only on their jobs which some love, some hate and some just tolerate but also their musings about the greater meaning of work and its place in our lives and in our society. As you can see from these excerpts, the song writers who have contributed to Working have skillfully raised the words of the men and women that were interviewed for his book into the poetry of the musical theater without losing the connection to the spare and revealing and honest words that were originally spoken to Studs Terkel.

From Studs Terkel’s interviews:

Maggie Holmes – Domestic Worker CLEANIN’ WOMAN by Micki Grant When people come in the room – that’s what bugs me – they I've got a daughter with a head on her shoulders, give you that look: You just a maid. It do somethin’ to me. It Pretty as a picture too! really gets into me. Lotta times I’m tellin’ (my kids) about She ain't gonna hide that face and head things, they’ll be saying, “Mom, that’s olden days.” They Behind doors, scrubbin' floors like her Mama do, don’t understand because it’s so far from what’s hap- If my legs don't give out and my back hold up, pening now. Mighty few young black women are I’m gonna make her a better day doin’ domestic work. And I’m glad. That’s why I want You'll never see her gettin' down on her knees, my kids to go to school. This one lady told me, “All Unless she's down there to pray! you people are getting’ like that.” I said, ‘I’m glad” There’s no more gettin’ on their knees.

JOE by Craig Carnelia Joe Zmuda – Retiree You wake at ten; Fold up the bed The day goes pretty fast for me now. I don’t You cook an egg; You toast some bread regret it at all that I’ve got all this time on hand. You think about the day ahead; It's like I said I’m enjoying it to the best of my ability. I don’t You take a walk; You meet a chum daydream at all. I just think of something and I You shoot the bull; You argue some forget it. That daydreaming don’t do you any You lose at gin good. I sleep late. I get up between nine and ten thirty in the morning. The first thing you do is take ahold of the coffee pot handle and you find out it’s empty, so you gotta make coffee. I just had three soft boiled eggs about an hour ago.

P10 PERFORMANCES MAGAZINE Grace Clements – Felter MILL WORKER by James Taylor We work eight straight hours, with two ten minute Millwork ain't easy breaks and one twenty-minute break for lunch. If Millwork ain't hard you want to use the washroom, you have to do Millwork most often is that in that time. By the time you leave your tank, A goddam awful boring job you go to the washroom, freshen up a bit, go into I'm waiting for a daydream the recreation room, it makes it very difficult to To take me through the morning And put me in my coffee break finish a small lunch and be back in the tank in So I can have a sandwich and remember twenty minutes. And it's me and my machine For the rest of the morning For the rest of the afternoon And the rest of my life THE MASON by Craig Carnelia Carl Murray Bates — He does his work Stone Mason His workday flies It’s pretty good day layin’ stone or brick. Not tiring. Anything Quittin' time's a big surprise you like to do isn’t tiresome. It’s hard work; stone is heavy At the And then it's one more stone same time, you get interested in what you’re doing and you usu- To get just right ally fight the clock the other way. You’re not lookin’ for quittin’. It's always one more stone Before the night You’re wondering you haven’t got enough done and it’s almost quitin’ time.

Rose Hoffman – Teacher NOBODY TELLS ME HOW In the old days, kids would sit in their seats. If I lyrics by Susan Birkenhead had to leave the room for a few minutes, I’d say, My children were always respectful “Will you please be good?” And they were. Today When the principal came, they would rise they have these multiple chairs instead of the If I had to leave for a minute or two pedestals, seats that were attached. The kids slide They always found something "constructive" to do all over the room. Anything to make life more diffi- And everyone sat in their places according to size cult. The language! I could never use some of the But kids don't know how to behave anymore! words I hear. Up to five years ago I could never spell a four letter word. These chil- Ask them to rise and they ask you: "What for?" dren know everything. It’s shocking to me because I think that anyone that uses We confiscate weapons and drugs at the door that language doesn’t know any better. They don’t have command of any language. No spitballs and comic books now But maybe I’m wrong; because brilliant people use it nowadays too I must be a They want me to teach in a classroom like that square. But nobody tells me how

FATHERS AND SONS by Stephen Schwartz I heard a lot of songs say, "Where you goin' my son?" Mike LeFevre – Ironworker Now I know they're for real, This is gonna sound square, but my kid is my Boy you never stop to think how fast the years run, imprint. He’s my freedom. This is why I work. And the things they steal. Every time I see a young guy walk by with a Now it seems I always knew, shirt and tie and dressed up real sharp, I’m Why I do the things I do lookin’ at my kid, you know? That’s it. And the things I never did, Why I worked my whole damn life, So's I could give the better life Than the one my dad could give me, I give it To my kid PERFORMANCES MAGAZINE P11 Profiles Marie-France Arcilla FILM: Pride and Glory, Leatherheads, In the Valley of Elah, Adam Monley (Woman #1) Love Liza, Evolution, O Brother, Where Art Thou?, Hard (Man #1) THE OLD GLOBE: Debut. Rain, My Fellow Americans, Suckers, Unstrung Heroes, The THE OLD GLOBE: Debut. She is thrilled to be revisit- Fan, A Better Way to Die, Apollo 13. UPCOMING: BROADWAY: Mamma Mia! ing Working, which she per- Duplicity, Edge of Darkness, 13, Star-Crossed. TV: 4 years (original cast) NATIONAL formed at the Asolo Theater as Sgt. Phil Brander on The District, Law & Order (all), TOURS: The Phantom of the in 2008. NEW YORK: K-Ville, Their Eyes Were Watching God, Threshold, Strong Opera; Big River, Deaf West. Shout! The Mod Musical, Julia Medicine, The West Wing, CSI, CSI:NY, NYPD Blue, JAG, OFF- BROADWAY: Fanny Miles/Cast Album; The Ark, Judging Amy, Diagnosis Murder, Profiler, Chicago Hope, Hill, York Theatre Company; 37Arts/Cast Album; Sidd, Nash Bridges, The X-Files, LA Law. A Gingerbread House, Play- Dodger Stages/Cast Album; wrights Horizons. RE- Once Upon and Ever After, Lincoln Center; College The Danielle Lee Greaves GIONAL: Oklahoma!, Papermill Playhouse; A Little Musical, ATA. REGIONAL: World Premiere of (Woman #2) Night Music, Northshore Music Theatre; The Baker’s Simeon's Gift with and by Dame Julie Andrews, Bay THE OLD GLOBE: Debut. Wife, Goodspeed Opera; Romeo & Bernadette, co-pro- Street Theater. Aida, North Shore Music Theater; BROADWAY: Rent, duction of Papermill Playhouse and Coconut Grove Making Tracks, San Jose Rep; Once on This Island, Lyric Hairspray (original cast), Theater. TRAINING: The University of Cincinnati Theater; Miss Saigon, Forestburgh Playhouse; Where Sunset Boulevard, Show Boat College, Conservatory of Music. Elephants Weep, Irish Theater. TV: Cashmere Mafia, Law (original cast - dir. Hal & Order: SVU, Cinema AZN, Ang TV. AMDA Grad, Prince). NEW YORK: The Stephen Schwartz ADMU Grad, Proud Manileña. Two Gentlemen of Verona, New (Adapted By) York Shakespeare Festival; Stephen Schwartz has contributed music and/or Donna Lynne Champlin Purlie, City Center Encores!. lyrics to Godspell, Pippin, , , Children (Woman #3) NATIONAL: The Lion King (Cheetah Tour); Rent of Eden and Wicked. For films, he collaborated with THE OLD GLOBE: Debut. (Angel Tour), Rent (Benny Tour). INTERNA- Alan Menken on the scores for Disney’s Pocahontas, BROADWAY:Sweeney Todd , TIONAL: Rent (Asia), Show Boat (Toronto), Hair The Hunchback of Notre Dame and the recent Disney Hollywood Arms, By Jeeves, (Europe). REGIONAL: Caroline or Change, musical Enchanted, and wrote the songs for the James Joyce’s The Dead, Centerstage Theatre; Working, Asolo Repertory DreamWorks animated feature The Prince of Egypt. Master Class at the MET. Theatre; Swinging on a Star, Riverside Theatre; He has also written the scores for two musicals for OFF BROADWAY: Dark at Nunsense, Foothills Theatre Company. TV: Rescue Me, children, Captain Louie and Geppetto & Son, con- the Top of The Stairs (OBIE Damages, Whoopi on NBC, 100 Centre Street. VOICE tributed the title song for the play and movie Butter- award), Bury The Dead, Love OVER: Grand Theft Auto: San Andreas. INDUSTRIAL: flies Are Free, and collaborated with Jerry (NYMF Best Actress), Rite Aid, Elidel. on the English texts for Bernstein's Mass. He has re- Marcy In The Galaxy, Flight of the Lawnchair Man leased two CDs of new songs, Reluctant Pilgrim and (NYMF Best Actress), Albertine, Carnegie Hall's Very Nehal Joshi Uncharted Territory, available at www.stephen- Warm For May, City Center Encores! Bloomer Girl. (Man #2) schwartz.com, and “Defying Gravity”, a book about FILM/TV:My Father's Will, The Audition, The Dark Half, THE OLD GLOBE: Debut. his professional career, was recently published by Ap- Law and Order, The , Regis and Kelly, The BROADWAY/ TOUR: Les plause Books. Mr. Schwartz is the artistic director of View. TRAINING: CMU, Oxford University Miserables, The Threepenny the ASCAP Workshops and a mem- (Advanced Scholarship: Shakespeare/Chekhov); Opera. NEW YORK: The ber of the Council of the Dramatists Guild. Awards Thanks Gordon and Cousin Cathy! Love to Andy. Secret Garden (concert). RE- include three Academy Awards, four Grammy www.donnalynnechamplin.com GIONAL: Working, Asolo Awards, a star on the Hollywood Walk of Fame, and a Rep; Mister Roberts, Kennedy tiny handful of tennis trophies. Wayne Duvall Center; Señor Descretion, Him (Man #3) self, Arena Stage; Tommy, Nina Faso THE OLD GLOBE: Debut. Dallas Theater Center; Carousel, Olney Theatre (Adapted By) NEW YORK:Of Thee I Sing, Center; Mother Teresa is Dead, City Theatre Company; Nina Faso made her directorial debut with Peter City Center Encores!; Wit, ATL ; Recent Tragic Events, Woolly Mammoth Ustinov's, The Unknown Soldier and His Wife. Follow- On The Wing. LOS Theatre.. TRAINING: Actor’s Theatre of Louisville; ing a stint with the improvisational comedy group: ANGELES: Happy Days -The Shakespeare’s Globe (London, England); James The Committee, she became one of the creators of Musical (dir. Garry Madison University (Harrisonburg, VA). Godspell and directed most major productions of the Marshall), Billy Bob and the show in America and Europe. She then took The Gospel, Homegrown, Antigone, Rocky Horror Show from Los Angeles to Broadway. Baal, Café 50’s, Till Death or She co-adapted and co-directed the musical, Working Whatever Do Us Part. Regional: Camelot, The Dinner Party, based on Studs Terkel's book, for the Goodman The- Two By Two, The Rainmaker, The Robber Bridegroom. ater in Chicago and for Broadway. She co-wrote the teleplay for Working for the PBS series American Play- P12 PERFORMANCES MAGAZINE house. She is the author and director of the children's television special, The Fable Company, and the co-pro- lic, MTC, 2nd Stage, MCC, New Group, 2007 & Satellites, Everything Bad & Beautiful, Measure For ducer and co-director of a short film called Sing For 2008 Ringling Brothers Circus. AWARDS: Obie, Pleasure, I Love You Because, Indoor/Outdoor, Almost Your Life. Among her other directing credits are the Audelco, Barrymore, 3 Drama Desk nominations. Maine, Mr. Marmalade. REGIONAL:She Loves Me, musicals Just Once and Is It Just Me, Or Is It Hot In Here? Huntington Theatre Co; August Wilson's 20th Century, which enjoyed long runs in New York and Los Ange- Mattie Ullrich Kennedy Center; The Lady In Question, The Night Sea- les, respectively. (Costume Design) son, Bay Street Theater. Tony is a Graduate of SUNY OFF BROADWAY: Fault Lines,Naked Angels; From Up New Paltz. Gordon Greenberg Here, Manhattan Theater Club; Liberty City, NY The- (Director) ater Workshop; Slug Bearers of Kayrol Island, Aaron Rhyne CREDITS INCLUDE:The Off-Broadway revival of Vineyard;Things We Want, The New Group; Election (Projection Design) Jacques Brel… (Zipper Theatre - Drama Desk, Drama Day, Second Stage; Jacques Brel Is Alive and Well and Aaron is a video artist and director specializing in League, Outer Critics Award noms), Pirates! Or Living in Paris, The Zipper; 9 Parts of Desire, MET; Peo- theatrical video and projection design. His video de- Gilbert and Sullivan Plunder’d (conceived with Nell ple Are Wrong, Vineyard Theatre; Bad Dates, Play- signs include Jerry Springer: The Opera, Carnegie Hall Benjamin - Goodspeed, Paper Mill, Huntington), wrights Horizons; John Ferguson, The Mint; Where Do and Sydney Opera House; Working, Asolo Rep; The Band Geeks (also co-writer, Goodspeed), The Baker's We Live, Vineyard; Massacre, LABrynth; The Mysteries, Civil War, Ford’s Theatre; Amiri Baraka's Dutchman, Wife (by Stephen Schwartz and Joe Stein - Paper Classic Stage Company; Joe Fearless, Roar, New Cherry Lane; The JAP Show, Actors Temple and US Mill, Goodspeed), Happy Days (by Garry Marshall Group; What the Butler Saw, The New Group; East is Tour; Topsy Turvy Mouse, Cherry Lane; Flags, 59E59; and Paul Williams - Goodspeed, Paper Mill, National East, MTC, The New Group. Mattie has also designed Monica Bill Barnes’ Suddenly Summer Somewhere, Dan- Tour), The Citizens Band (Spiegelworld), Edges (Capi- for Classic Stage Company, Epic Theater, The Cul- cepace; Cunning Little Vixen, Colorado Light Opera. tal Rep.), 1776 (Paper Mill), Barnum (Asolo), Half A ture Project and many other NYC theater companies. He is currently developing video designs for a one- Sixpence (Goodspeed), Cam Jansen (Lambs Theatre), REGIONAL: Asolo Rep, Cincinnati Playhouse in woman show with Rue McClanahan opening on Assisted Loving (Daryl Roth), O. Henry's Lovers (Good- The Park, , Huntington Theatre Broadway in the fall. He has done extensive video speed), Peter Pan (National Tour); Floyd Collins (Sig- Co., Dallas Theater Center, Delaware Theatre Co., work with Caden Manson’s Big Art Group and has nature), Breaking Up is Hard To Do (by Neil Sedaka, Madison Rep., New York Stage and Film. OPERA: toured with them through Europe and the U.S. with Harbor Entertainment), Broadway Festival (New Ams- Wolf Trap Opera, Staatstheater Wiesbaden (Ger- The House of No More and Flicker. Additionally, Mr. terdam), The Velvet Vise with Janeane Garafalo (NY many), Opera Ireland, Bard Summerscape, Opera Rhyne directs music videos, commercials, and perfor- Performance Works), Immaculate Misconception Colorado, Philadelphia Opera Theatre, Music Acad- mance projects for television. He is a proud graduate (Hampstead New End), Song of Singapore (Capital emy of the West. FILM: Year of the Fish (Sundance of Fordham University. www.aaronrhyne.com. Rep.), Jesus Christ, Superstar, Joseph…, Evita (Helen 2007), Shoplifting Chanel, and Sovereignty. Hayes), EDUCATION:Royal Academy of Dramatic Mark Hartman Art, Stanford University, NYU Film, Lincoln Center Jeff Croiter (Musical Director/Conductor) Director's Lab. (Lighting Design) THE OLD GLOBE:: The Dancer’s Life. THE OLD GLOBE:The Sisters Rosensweig. BROAD- Mark is currently the Associate Conductor of Avenue Josh Rhodes WAY: Kiki & Herb Alive on Broadway; concerts at the Q on Broadway. OTHER BROADWAY:1776, Round- (Choreographer) New Amsterdam including Chess, Hair, and On The about; Miss Saigon. OFF-BROADWAY/REGIONAL: REGIONAL: Broadway Three Generations, Kennedy 20th Century. OTHER NEW YORK: Jerry Springer The Working, Asolo Theatre; Pippin, Goodspeed, Nat’l Center; Barnum, Asolo Rep, Maltz Jupiter; Working, Opera; Rufus Wainwright’s Concert at Tour; The Fantasticks, Sullivan St. and Orbach The- Asolo Rep; Breaking Up Is Hard To Do, Ogunquit Play- Carnegie Hall (London and Paris too); Streamers; A aters; Joy (dir. Ben Rimalower), Avenue Q, Vineyard; house; Chess, Dreamgirls, North Carolina Theatre. Body of Water; The Voysey Inheritance; Things We Want; The Baker’s Wife, Goodspeed, dir. Gordon Greenberg; NEW YORK: Broadway by the Year, Town Hall; All Sin- The Accomplices; The Internationalist; Junie B. Jones; Pippin, Goodspeed, dir. Gabriel Barre, also Nat’l Tour. gin' All Dancin', Town Hall; Broadway Bares 08'. ASSO- Burleigh Grime$; Drumstruck; Jacques Brel…; I Love You IRISH REP:Take Me Along, Gaslight aka Angel Street, CIATE CHOREOGRAPHER: Follies, Encores; South Because; Almost, Maine; Lone Star Love; Dedication; After The Ball (dir. Tony Walton), Finian’s Rainbow Pacific, Carnegie Hall; The Drowsy Chaperone, Broad- Trumbo; Matt & Ben; Cam Jansen; The Eros Trilogy; Miss (also Westport), The Streets of New York, The Hostage, way, West End, National Tour. PERFORMER- Witherspoon; Privilege; The Dazzle; and Fiction. RE- The Irish… (also Nat’l Tour). YORK THEATER: The BROADWAY: Fosse, Bells Are Ringing, Sweet Smell of GIONAL: La Jolla Playhouse, Center Theatre Group, Baker’s Wife (dir. Gordon Greenberg), Bajour (dir. Success, Urban Cowboy, The Boy From Oz, Man of La McCarter Theatre, The Kennedy Center, Williams- Stuart Ross), Greenwillow (dir. Michael Montel), NEO Mancha, Chicago. EDUCATION: University of town Theatre Festival, Huntington Theatre Com- I. CONCERTS: Broadway on Broadway 2007 & 2008 Michigan. pany, , Geffen Playhouse, (in Times Square), Rags (20th Anniversary), Pippin George Street Playhouse, Trinity Rep, Berkshire The- (w/ Rosie O’Donnell, Ben Vereen), Beowulf Boritt atre Festival, Cincinnati Playhouse, Ford’s Theatre, (NYC premiere). CAST ALBUMS: After The Ball, Fin- (Scenic Design) Goodspeed Opera House, and NY Stage and Film. ian’s Rainbow, Avenue Q, NEO, Watch Your Step!, That’s Designer for Working at the Asolo Theatre and is The Ticket!, Look Ma I’m Dancin’. CABARET:Natalie pleased to do it again. BROADWAY:The 25th Annual Tony Smolenski IV Douglas, Gay Marshall, Emily Skinner, John Putnam County Spelling Bee, Lovemusik, Jay Johnson: The (Sound Design) Tartaglia, many others. Mark is the recipient of two Two and Only. OFF-BROADWAY:More than 50 BROADWAY:Cymbeline. OFF-BROADWAY: The MAC Awards and the Backstage Bistro Award for shows including The Last Five Years, Rock of Ages, Saint Adding Machine (Drama Desk Nomination,) Walmar- Music Direction. Lucy’s Eyes, Hank Williams: Lost Highway, Miss Julie, Pub- topia, Dutchman (Audelco Nomination), Mimi Le Duck, PERFORMANCES MAGAZINE P13 Profiles continued Alex Lacamoire Micki Grant Mary Rodgers (Orchestrations) (Songwriter) (Songwriter) Alex is the Music Director, Conductor, Arranger, and An extensive period of collaboration with director Mary Rodgers' credits as a composer began with the Tony-winning Orchestrator for In The Heights on Vinnette Carroll at the Urban Arts Corps Theatre re- Broadway production of in 1959 Broadway. He also won a Grammy this year for pro- sulted in nine musical productions, the most suc- and continued with , The Mad Show, Working, ducing the In The Heights cast album on Sh-K-Boom cessful of which were the Broadway musicals Don’t The Griffin and the Minor Canon, and scores for the Bil Records. In 2006 he music supervised and co-or- Bother Me I Can’t Cope, in which Grant also starred, Baird Marionettes and Theatreworks/USA. Her mu- chestrated High Fidelity, and for the year of 2005 he and Your Arms Are Too Short To Box With God. The sicals have also been celebrated in a revue, Hey, Love. served as the Music Director of Wicked on Broadway, multi-award winning …Cope garnered the Grammy She is a popular author of fiction for young people, for which he also contributed music arrangements. Award for its cast show album and five Tony nomi- most notably the 1972 novel , which was Other credits as Music Director, Arranger, and/or Or- nations, including Best Musical among others. Her made into a Disney Studios motion picture (with a chestrator: Bat Boy: The Musical, the 2001 National musical based on the life of George Washington screenplay by Rodgers), a Theatre Works/USA musi- Tour of Godspell, Stephen Schwartz's Captain Louie, Carver, Don’t Underestimate A Nut, premiered at cal (composed by Rodgers) and an ABC TV remake. and Legally Blonde. Alex is currently working on Omaha’s Theatre for Young People in 1994, and for Mary Rodgers is Chairman of the Board of the Juil- dance arrangements and additional orchestrations Jacques Brel Blues (with Andre Ernotte and Elliot liard School, on the Board of ASCAP, and on the for 9 TO 5, coming to Broadway in April 2009. Tiber) she supplied the English lyrics for twenty of Council of the Dramatists Guild. Brel’s Songs. She was composer/lyricist for J.E. Susan Birkenhead Franklin’s Prodigal Sister, contributed to four musical James Taylor (Songwriter) revues based on the oral histories of hospital work- (Songwriter) Susan Birkenhead received a Tony Nomination, a ers, contributed additional lyrics to Broadway’s Eubie James Taylor, born Mar 12, 1948 Boston, MA, USA. Grammy nomination, and a for and has written songs for educational TV’s Infinity Husband of Carly Simon (1972 - 1983). Lyricist & her lyrics for Jelly’s Last Jam. She was nominated for a Factory. She enjoys writing special material for club Composer. AWARDS AND NOMINATIONS: 1978 Drama Desk for Triumph of Love. She was one of the singers, and one of her several commercial jingles has Tony Award® Best Original Score - Working (nomi- writers nominated for a Tony Award® for Working, won her a two off-Award. Grant’s body of work has nee) PRODUCTIONS:Working Music & Lyrics and won an Outer Critics Circle award for What been celebrated in two Off-Broadway musical retro- (Original, Musical) (May 14, 1978 - Jun 4, 1978). About Luv? She wrote additional lyrics for High Society, spectives. Multi-talented, Ms. Grant has performed with a book by Arthur Kopit and a score by Cole on and off Broadway and in theatres around the Daniel S. Rosokoff Porter. She wrote lyrics for Pieces of Eight with Jule country. For the national tour of Having Our Say, she (Stage Manager) Styne and Michael Stewart, Fanny Hackabout Jones won the Award for her portrayal of THE OLD GLOBE: Dancing in the Dark. Dirty Rotten with Erica Jong and , and was one of the Sadie Delany. Some of her numerous other awards Scoundrels. BROADWAY: Dirty Rotten Scoundrels, Dr. contributors to A My Name is Alice. She wrote The include the Drama Desk, Outer Critics Circle, Seuss' How the Grinch Stole Christmas! The Musical, By Night They Raided Minsky’s with and NAACP Image and OBIE. A practicing, published Jeeves (Ayckbourn /Lloyd Webber), Swinging on a Evan Hunter, and has just finished Moonstruck, with poet, she loves her job! Star. OFF-BROADWAY:Mr. Goldwyn starring Alan and . She and Mr. King. TOURS:Dirty Rotten Scoundrels, The Full Monty, Krieger are also currently at work on two new pro- Lin-Manuel Miranda 's Copacabana, Jolson: The Musical, Joseph jects. Ms. Birkenhead is a member of the Dramatists (Songwriter) and the Amazing Techincolor Dreamcoat, NYC Guild Council, Treasurer of the Dramatists Guild Lin-Manuel Miranda is the star-composer-lyricist of ENCORES: Strike Up the Band, Babes in Arms. FILM: Fund, and a member of the Musical Theater Council Broadway's 2008 Tony Winner for Best Musical In By Jeeves . REGIONAL:Goodspeed, Long Wharf, The of the Manhattan Theater Club. The Heights. Additionally, Lin-Manuel received an Old Globe, Kennedy Center, Shakespeare Theatre, Obie Award for Outstanding Music and Lyrics for Geffen Playhouse, Pittsburgh Public and Pittsburgh Craig Carnelia the show. As an actor, Lin-Manuel received a 2007 CLO. Member Actors' Equity Association. (Songwriter) Theater World Award for Outstanding Debut Craig Carnelia, wrote the score for the Broadway mu- Performance, and the 2007 Clarence Derwent Award Jennifer Leigh Wheeler sical, Is There Life After High School? and the Off-Broad- for Most Promising Male Performance courtesy of (Assistant Stage Manager) way musical, Three Postcards, (at Playwrights Actor's Equity Foundation. Lin-Manuel also received THE OLD GLOBE: Six Degrees of Separation (ASM). Horizons). Also Off-Broadway, he has had a collec- the ASCAP Foundation's New OFF-BROADWAY: Clara’s Christmas Dreams, Theatre tion of his songs entitled Notes presented at the Horizons Award and is a National Arts Club Medal at St. Clements. REGIONAL: LA Philharmonic, Walt Manhattan Theatre Club and contributed single of Honor recipient. Lin-Manuel is a co-founder and Disney Concert Hall; JC Superstar, Urinetown, The songs to The No Frills Revue, Diamonds and A...My member of Freestyle Love Supreme, a popular hip- Musical (Critic’s Circle Award) Oklahoma!, Ragtime Name is Still Alice. Honors include a Tony nomination hop improv group that performs regularly in New (Critic’s Circle Award), My Fair Lady and Nine, for Working, a “Best Plays" citation for Three Postcards, York City. Most recently, Lin-Manuel worked with Starlight Theatre; The Who’s TOMMY, The Ricardo the 1996 Johnny Mercer Award, and the prestigious Arthur Laurents and on Spanish Montalban; Cowboy vs. Samurai (Critic’s Circle Award), Kleban Award for distinguished lyric writing. translations for the 2009 Broadway Revival of West Mo’olelo Performing Arts; and many shows with Side Story. His TV and film credits include The Electric Manhattan Children’s Theatre, NY. EDUCATION: Company, The Sopranos and The Sex and the City Movie. BFA in Theatre Stage Management from USC. Love He lives in New York. and thanks to JC, KJ, AR, LS, Jess, Mom & Dad. P14 PERFORMANCES MAGAZINE Jay Binder /Sara Schatz Spisto initiated several new programs including an Best Musical, Best Director nomination). BROAD- (Casting) innovative cross-border project and a new play devel- WAY: Impressionism (March 2009) Creator/ Jay Binder, CSA/Sara Schatz (Casting) Jack Bowdan, opment program and several new initiatives in Supervisor, Dr. Seuss’ How the Grinch Stole Christmas!, CSA, Mark Brandon & Nikole Vallins have cast over Southeastern San Diego. He also launched a free The Coast of Utopia (2007 Tony Award® for Best 70 Broadway shows including , Gypsy, matinee series which brings thousands of students Direction of a Play, which won a total of 7 Tony The Thirty Nine Steps, ’s White Christmas, The to the Globe’s productions. He holds a Masters de- Awards, including Best Play), Dirty Rotten Scoundrels Story Of My Life, Is He Dead?, Inherit The Wind, Journey’s gree from the University of Wisconsin in Arts (Tony nominations: Best Director and Musical), End, Butley, Virginia Woolf, Sweet Charity, Wonderful Town, Administration and a Bachelors of Business Henry IV (Tony Award), Hairspray (Tony Award), The Movin’ Out, 42nd Street, Music Man, Iceman Cometh, Administration from the University of Notre Dame, Invention of Love (Tony nominations: Best Director Charlie Brown, Sound of Music, Lion King, Beauty & the and acted, directed, produced plays and musicals and Play), The Full Monty (Tony nominations: Best Beast, The Last Night of Ballyhoo, Chicago, King and I, throughout his early years through college and grad- Director and Musical), More to Love, Labor Day, St. Damn Yankees, Lost in Yonkers, Jerome Robbins’ Broadway, uate school. Mr. Spisto has served as chief executive Louis Woman, Pride’s Crossing, The Little Foxes, Hapgood Goodbye Girl. FILM: Hairspray, Dreamgirls, Chicago, up- for the Pacific Symphony, Detroit Symphony, and (Lucille Lortel Award for Direction, 1995), Damn coming Nine. Eight–time Artios Award winner. They American Ballet Theatre. Yankees (Tony nomination Best Musical Revival), Two are thrilled to return to The Old Globe. Shakespearean Actors (Tony nominations: Best Casting Darko Tresnjak Director and Play),Porgy and Bess for Houston Grand JAY BINDER CASTING (Resident Artistic Director) Opera and Broadway (Tony Award), as well as Radio Jay Binder, CSA DIRECTING CREDITS AT THE GLOBE IN- City Music Hall, Il Trittico, Metropolitan Opera. RE- Jack Bowdan, CSA, Mark Brandon, Sara Schatz, CLUDE: The Women, The Pleasure of His Company, All’s CENT AWARDS: 2008 Theatre Hall of Fame Nikole Vallins Kate Sprance & Karen Young Well That Ends Well, Bell, Book and Candle, Hamlet, Inductee, 2004 Thomas Degaetani Award (USITT), Pericles, The Two Noble Kinsmen, Antony and Cleopatra, 2002 “Mr. Abbott” Award (SDCF), 2001 Joan Music Theatre International The Winter’s Tale, The Comedy of Errors, A Midsummer Cullman Award for Extraordinary Creativity, 2001 Is one of the world’s leading dramatic licensing agen- Night’s Dream, Titus Andronicus. OTHER CREDITS Joe A. Callaway Award (SDCF), the Drama League’s cies, protecting the rights and legacy of composers, INCLUDE:The Merchant of Venice, Royal Shakespeare Julia Hansen Award for Excellence in Directing, lyricists and book writers. Our core business is issu- Company, Theatre for a New Audience; All's Well that 2001. Honorary Doctorate, University of Michigan. ing licenses and supplying scripts, musical materials, Ends Well, Antony and Cleopatra, Theatre for a New Honorary Doctor of Humane Letters, University of and other theatrical resources to schools and theatres, Audience; The Two Noble Kinsmen, The Public Theater; San Diego. Recipient of ArtServe Michigan’s 2008 both amateur and professional around the world. Princess Turandot, Hotel Universe, Blue Light Theater International Achievement Award. Mr. O’Brien is a With nearly 300 titles in the MTI catalogue including Company; More Lies About Jerzy, Vineyard Theatre member of the College of Fellows of the American hits from the Broadway and London stage, musical re- Company; The Skin of Our Teeth, Rosencrantz and Theatre. vues, the Broadway Junior Collection and other youth Guildenstern Are Dead, The Winter's Tale, Under Milk musicals, MTI shows have been performed by Wood, Moving Picture, The Blue Demon, Princess Turandot, 60,000 amateur and professional theatrical organiza- The Love of Three Oranges, Williamstown Theatre tions throughout the US and in over 60 countries Festival; Heartbreak House, What the Butler Saw, around the world. Amphityron, The Blue Demon, Huntington Theatre; Hay FOR THIS PRODUCTION Fever, Princess Turandot, Westport County Playhouse; A Additional Staff Louis G. Spisto Little Night Music, Amour, Goodspeed Musicals; (CEO/Executive Producer) Rosencrantz and Guildenstern Are Dead, Long Wharf Assistant Scenic Design ...... Jo Winiarski Louis G. Spisto has led The Old Globe since Theatre; and The Two Noble Kinsmen, Chicago Assistant Lighting Design ...... Amanda Zieve October 2002. During his tenure, Spisto spear- Shakespeare Theatre. His opera credits include the Followspot Operators ...... Kristen Flores, headed the return of the Shakespeare Repertory American premieres of Victor Ullmann’s Der zerbroch- Steve Schmitz Season and brought to the Globe several new musi- ene Krug and Alexander Zemlinsky’s Der Zwerg, Los cals, including the critically-acclaimed A Catered Angeles Opera; and the American premiere of Affair, the launch of the national tour of the Tony Rimsky-Korsakov’s May Night, Sarasota Opera.

Award-winning Avenue Q and the Broadway transfers UPCOMING:Walter Braunfels’ Die Vogel at the Los This theatre operates under an agreement between the League of Resident Theatres and Actors’ Equity of Chita Rivera: The Dancer’s Life and the Twyla Angeles Opera, conducted by James Conlon. Association, the union of professional actors and stage Tharp/ musical, The Times They Are A- managers in the United States. Changin’. He has produced over 75 plays and musi- Jack O’Brien The Directors are members of the Society of Stage Directors and Choreographers, an independent national cals, including Dirty Rotten Scoundrels, the west coast (Artistic Director Emeritus) labor union. premiere of the Tony-winning play Take Me Out and Mr. O’Brien served as the Artistic Director of The the annual holiday favorite, Dr. Seuss’ How the Grinch Old Globe from 1982 through 2007. Recent Globe The Scenic, Costume, Lighting and Sound Designers in LORT Theatres are represented by United Scenic Artists Stole Christmas!. Spisto has managed the Globe’s productions: Dirty Rotten Scoundrels, Imaginary Friends, Local USA-826, IATSE. Capital Campaign to raise $75 million by the Twelfth Night, The Full Monty, The Seagull, The Magic Fire,

Theatre’s 75th anniversary in 2010. Launched in Dr. Seuss’ How the Grinch Stole Christmas! WEST END: This Theatre operates under an Agreement with the March 2006, the campaign has reached 85% of its Love Never Dies (sequel to ’s International Alliance of Theatrical Stage Employees Local No. 122. goal to date. A strong advocate of arts education, Phantom, Fall 2009), Hairspray (Olivier Award for PERFORMANCES MAGAZINE P15 The Conrad Prebys Theatre Center

The Conrad Prebys Theatre Center will herald an exciting new era for The Old Globe, enabling the theatre to produce works at an even higher artistic level and helping ensure the Globe’s prominent position in the future of American theatre. Construction will be completed in 2009 and the first production will be in early 2010. Old Globe Theatre - Donald and Darlene Shiley Stage The Conrad Prebys Theatre Center will encompass both the new facility now under construction and the Old Globe Theatre – the Globe’s flagship theatre with year-round performances of Broadway-bound musicals, classics and new plays.

NEW! Sheryl and Harvey White Theatre A state-of-the-art arena stage – for our intimate productions – with 251 seats in five rows surrounding the stage, safe and comfortable theatre access for audience and actors, full lighting grid and trap room, and new public restrooms.

NEW! Karen and Donald Cohn Education Center Including Hattox Hall, a large performance and training space for children and adults, as well as a studio dedicated to student activities and a “History of The Old Globe” installation. The Education Center will be home to the Globe’s many audience enrichment activities, serving more than 50,000 each year, and will feature spectacular views from the Donald and Darlene Shiley Terrace.

NEWLY REDESIGNED! Copley Plaza The Globe’s 13,000-square foot “outdoor lobby” will feature an expanded dining pavilion and seating areas and stunning new landscaping, providing a comfortable welcome to theatergoers, as well as many of the 12 million annual visitors to .

THE OLD GLOBE ARENA STAGE PRODUCTIONS AT THE SAN DIEGO MUSEUM OF ART NOW - NOVEMBER 2009 During construction, The Old Globe has built a temporary arena stage in the James S. Copley Auditorium at the San Diego Museum of Art. We are grateful to the Museum for leasing us this space just steps away from the Globe to house our “second stage” productions. In building this theatre, we had one goal: to provide you with uninterrupted enjoyment of our intimate productions.

P16 PERFORMANCES MAGAZINE Annual Fund Donors

The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us in giving a warm thanks and recognition to these leaders who have made tonight and our 625 other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight. Benefactors ($100,000 and above) Mary Ann Blair Globe Guilders The Shubert Foundation City of San Diego, Commission for The James Irvine Foundation Supervisor Pam Slater-Price Arts & Culture The San Diego Union-Tribune and the County of San Diego Audrey S. Geisel/The San Diego Donald & Darlene Shiley Sheryl & Harvey White Foundation Foundation Dr. Seuss Fund

Season Sponsors ($50,000 to $99,999) Bank of America Peter Cooper & Norman Blachford The Bernard & Dorris Lipinsky Fund The Legler Benbough Foundation Advised Fund at the San Diego of the Jewish Community Foundation John A. Berol Human Dignity Foundation Conrad Prebys & Debra Turner California Bank & Trust Valerie & Harry Cooper QUALCOMM, INC. J. Dallas & Mary H. Clark Fund at Deni & Jeff Jacobs Wells Fargo The San Diego Foundation Joan & Irwin Jacobs Fund of the Karen & Donald Cohn Jewish Community Foundation

Production Sponsors ($25,000 to $49,999) Mary Beth Adderley-Wright, Jake & Todd Figi The San Diego Foundation’s Art Works Richard Wright & Elizabeth Adderley Kathryn & John Hattox for San Diego Initiative, supported by American Airlines HM Electronics, Inc. The James Irvine Foundation, Alan Benaroya Mr. & Mrs. Neil Kjos Ariel W. Coggeshall Fund and The Cohn Restaurant Group/Prado Restaurant National Corporate Theatre Fund San Diego Foundation Endowment Continental Airlines Sempra Energy Union Bank of California Danah H. Fayman Sheraton San Diego Hotel & Marina U.S. Bank Mandell Weiss Charitable Trust

Director Circle ($10,000 to $24,999) Anonymous Pamela A. Farr Allison & Robert Price Mrs. Inge Lehman Barta in memory of Hal & Pam Fuson Price Family Charitable Fund Chester K. Barta, MD Robert Gleason & Marc Matys Supervisor Ron Roberts and the Jane Smisor Bastien Lee & Frank Goldberg County of San Diego Arthur & Sophie Brody Fund of the Martin Goodman Jean & Gary Shekhter Jewish Community Foundation Ingrid B. Hibben Patsy & Forrest Shumway The Louis Yager Cantwell Private Dr. & Mrs. Harry F. Hixson, Jr. Nancy & Alan Spector and Family Foundation Supervisor Bill Horn and the Ms. Jeanette Stevens Deni & Ken Carpenter County of San Diego Anne Taubman & David Boyle Pamela & Jerry Cesak Daphne H. & James D. Jameson Gillian & Tony Thornley Elaine & Dave Darwin Mr. & Mrs. Neil Kjos Evelyn Mack Truitt Mr. & Mrs. Brian Devine Dr. Ronald & Mrs. Ruth Leonardi Brent V. Woods & Laurie C. Mitchell Nina & Robert Doede Sue & John Major June E. Yoder Edgerton Foundation Dr. Patricia Montalbano Carolyn Yorston-Wellcome Dr. & Mrs. Robert Epsten National Endowment for the Arts Robert & Deborah Young Carol Spielman-Ewan & Joel Ewan Hank & Robin Nordhoff Ellen & Tim Zinn The Kenneth T. & Eileen L. Norris Foundation

PERFORMANCES MAGAZINE P17 Annual Fund Donors continued

FOUNDER CIRCLE Peter & Doris Ellsworth ($1,500 to $2,499) ($5,000 to $9,999) Noddy & Ira Epstein Anonymous Anonymous Alan & Pauline Fatayerji The Family of Richard & Mary Adams Lawrence G. Alldredge & Dawn Moore Mary & David Fitz Diana J. Barliant & Nowell Wisch Richard & Kathy Binford Susanna & Michael Flaster Yvonne & Lew Barnum The Colwell Family Fund at The San Diego Foundation Samuel I. & John Henry Fox Foundation at Sally & John Berry R. Patrick & Sharon Connell Union Bank of California Cynthia Bolker & Greg Rizzi Chairman Greg Cox and the County of San Diego Millicent & Charles Froehlich Dr. Herman & Irene Boschken Ann & John Davies Deede Gales Ronda & Stanley Breitbard Bernard J. Eggertsen & Florence Nemkov Barbara & Albert Garlinghouse Terry & Bill Burd Martha & George Gafford Drs. Thomas H. & Jane D. Gawronski Clint & Susie Burdett Mary Ann & Arnold Ginnow Dr. & Mrs. William Gott Anita Busquets & William Ladd Leo S. Guthman Fund Ms. Cheryl Haimsohn Hon. Arthur J. Collingsworth & Brian R. Simmons Fred & Alicia Hallett Drs. Patrick Harrison & Eleanor Lynch Sally & Pat Crahan Alexa Kirkwood Hirsch Susan & Dr. Ronald Heller Mrs. Gail Powell Davis Leonard & Elaine Hirsch Dr. & Mrs. Peter K. Hellwig Jim & Sally Ditto Melissa & James Hoffmann Rhonda Heth & Thomas Mabie Ron & Devora Eisenberg - Great News! Carol & George Lattimer Tish & Jere Horsley Carol Fink Peter & Inge Manes Richard & Janet Hunter Dieter & Susan Fischer/Dieter’s Mercedes Service Bob Martinet Drs. Sonia & Andy Israel Sid & Jean Fox Paul I. & Margaret W. Meyer Al* & Pat JaCoby Joy & Dr. Fred Frye Money/Arenz Foundation, Inc. Mary & Russell Johnson Elaine & Murray Galinson Harle Garth Montgomery Dr. & Mrs. Richard L. Kahler Bill & Judy Garrett Arthur & Marilyn Neumann William Karatz Leslie & Robert Garson Charles & Barbara Noell Marge & Jerry Katleman Daniel & Arline Genis John & Marcia Price Family Foundation Maurice Kawashima The George Consulting Group Ellen C. Revelle Bob* & Gladys King Tom & Sheila Gorey Jeannie & Arthur Rivkin Jane & Ray Klofkorn Drs. Barbara & Leonard Gosink Julie & Bob Sullivan Rosalie Kostanzer & Mike Keefe Norm Hapke & Valerie Jacobs Hapke Deborah Szekely Bob & Laura Kyle Michael & Jill Holmes Ric Torres Dr. Eric Lasley & Judith Bachner Dr. David K. Hostetler Dixie & Ken Unruh Ledford Enterprises Inc. Gary & Carrie Huckell Susan L. Leone Al Isenberg & Regina Kurtz CRAIG NOEL CIRCLE James & Pamela Lester Jackie Johnston-Schoell Beginning July 2008, the Craig Noel Circle includes Sandy & Arthur Levinson William & Edythe Kenton gifts of $2,500 - $4,999. This change is being phased Merriel F. Mandell, Ph.D. Jo Ann Kilty in over the current year as patrons renew their gifts. R.J. Maus, Architects Ken & Sheryl King For donors who contribute to the Paver Campaign, Elizabeth & Edward McIntyre Sherry & Larry Kline the phase-in period is up to five years. Harold O. McNeil Curt & Nancy Koch Rebecca Moores Brooke & Dan Koehler ($2,500 to $4,999) Mr. & Mrs. David Mulliken Terry & Mary Lehr Richard Addesso Josiah & Rita Neeper Ms. Sherrill Leist Dr. & Mrs. Wayne Akeson Eileen & Lawrence Newmark Jerry Lester, M.D./Rosarito, Mexico Gail, John & Jennifer Andrade Tom & Lisa Pierce Jerry & Elsa Lewis Dr. Bob & Jill Andres Matthew & Judith Pollack Robin J. Lipman & Miro Stano Anonymous (3) Joanne Powers Mathew & Barbara Loonin Mr. & Mrs. Richard Baldwin Sarah B. Marsh-Rebelo & John G. Rebelo Charlie & Jackie Mann Melissa Garfield Bartell & Michael Bartell Mrs. Charlotte Rees Dr. Marianne McDonald Joan & Jeremy Berg Nancy J. Robertson Elizabeth Meyer Perry S. Binder, MD Sherry & Charles Sheppard Joel & Deirdre Mick Charles & Charlotte Bird Drs. Joseph & Gloria Shurman Akiko Charlene Morimoto & Hubert Frank Hamilton,Jr. Paul Black Roberta J. Simpson James & Nancy Mullen Dr. & Mrs. Edgar D. Canada Marisa SorBello & Peter Czipott Joyce & Martin Nash Cecilia Carrick & Stan Nadel Nancy Steinhart & Rebecca Goodpasture Sigrid Pate & Glenn Butler George & Ellen Casey Mickey Stern Mo & Bill Popp Carol & Rudy Cesena Jay & Diane Sweeney Dr. & Mrs. Daniel Porte Carol & Jeff Chang Marilyn Elizabeth Thompson Jim & Claudia Prescott Garet & Wendy Clark Cherie Halladay Tirschwell Marie & Don Prisby Ms. Heidi Conlan/The Sahan Daywi Foundation Carol Vassiliadis Joseph & Jane Rascoff Susan B. Cowell Doris & Lou Vettese Lynne Rich Gigi & Ed Cramer Jordine Von Wantoch Roger & Christine Roberts Darlene G. Davies in memory of Lowell Davies Merle Wahl William & Susane Roberts Pat & Dan Derbes Jan Harden Webster & Raul Ortega Warren & Beverly Sanborn Mrs. Philip H. Dickinson Chris & Pat Weil Sanderson Family Donor Advised Fund Marion Eggertsen Helene & Allan Ziman at the Rancho Santa Fe Foundation

P18 PERFORMANCES MAGAZINE Herbert & Elene Solomon Margery & John Swanson Betty & Richard Kuhn Hannah & Eugene Step Linda Terramagra LABS, Inc./Silvia Dreyfuss Sharon S. Storey & Theodore A. Milby Gene & Celeste Trepte CDR. Mark C Lorenzo, USN Ret. Mr. & Mrs. Donald Tartre Stan & Anita Ulrich Dr. & Mrs. David D. Lynn Mr. & Mrs. Charles Taubman M.J. Zahnle Edward & Nancy Lyon Pat & Jack Thomas Carl Maguire & Margaret Sheehan Pamela J. Wagner GOLD Jeanne Maltese Z.J. Waxenberg Fund of the ($500 to $999) Ron & Mercy Mandelbaum Jewish Community Foundation Dr. & Mrs. Maurice Alfaro F. Dale & Lois Marriott James & Ellen Weil Janet Anderson & John Glascock Martin & Passante AAL Shirli Fabbri Weiss Anonymous (3) Christopher J. Maxin & Stephanie Buttell-Maxin The Gray White Family Fund Drs. Michael & Gabriela Antos Tony & Nancy McCune Michael & Penny Wilkes Jeff & Donna Applestein Mr. & Mrs. William McKenzie Mr. & Mrs. Harold B. Williams Mr. & Mrs. David A. Baer Drs. John Meyers & Betty Joan Maly Keith J. Wong Richard & Linda Basinger James & Estelle Milch Fund of the Allan & Bev Zukor Robert Beck Jewish Community Foundation Ben-Yehuda Family Fund of the Carole S. Miller DIAMOND Jewish Community Foundation Joel, Annette & Arianna Millman ($1,500 to $2,499) Edgar & Julie Berner Charles W. Mills, Jr. Mrs. Lazare F. Bernhard Bob & Joyce Blumberg Steve & Jill Morris BRG Consulting Suzanne I. Bond Shirley Mulcahy Joy & Robert M. Callicott Mr. & Mrs. Blaine A. Briggs Barbara B. Oswalt Jack & Carol Clark Ruth Mary Campbell In Memory of Margaret Peninger Mike Conley & Sue Steele Beth & Tim Cann Dr. Ken Pischel & Dr. Katherine Ozanich Richard & Stephanie Coutts Greg & Loretta Cass Drs. Paul & Katherine Ponganis Martin & Enid Gleich Luc & Ann Marie Cayet-Pleska Leslie & Judy Reed Sherry & Rick Levin Ray & Shelley Chalupsky Robert & Doris Reed Ruth & Jim Mulvaney Lynne Champagne & Wilfred Kearse Elaine Rendon & Alicia Atun Parker & Crosland, LLP Anne C. Coleman Joseph W. & Kathleen A. Robinson Susan Parker Roseann Concannon & Bill Waggoner Stuart & Linda Robinson Peggy W. Price Dr. & Mrs. William Davidson Joseph J. Rusche Dee E. Silver, M.D. Dr. Donald & Eilene Dose The Sapp Family Christy & Howard Zatkin William Eiffert & Leslie Hodge Norman Schiewe & Elli Johns Paul & Clare Friedman Richard Shapiro & Marsha Janger PLATINUM Sally Fuller Mr. & Mrs. Randall Silvia ($1,000 to $1,499) Dr. & Mrs. Steven Garfin Rodney & Dolores Smith Fund at Anonymous (2) Peter & Christine Gault The San Diego Foundation Michael Bark & Laura Benedict Craig & Terrie Georgi Gloria Penner Snyder & Bill Snyder Judy & Larry Belinsky Arthur & Judy Getis Mr. & Mrs. George Stassinopoulos Nicholas B. Binkley Norman & Patricia Gillespie Helga & Sam Strong Drs. Gary & Barbara Blake The Golemb Family John & Linda Sunkel Sandra & Harry Carter Louise & Doug Goodman Clifford & Kay Sweet Patricia Eichelberger Chris Graham & Michael Albo Dr. Terry & Naomi Tanaka Dan & Phyllis Epstein Carol & Don Green Randy Tidmore Mr. & Mrs. Thomas M. Henry Mr. & Mrs. Arthur A. Greenberg Mr. & Mrs. Jeffrey C. Truesdell Webster & Helen Kinnaird Mr. & Mrs. Norman Greene Natalie C. Venezia & Paul A. Sager Dr. & Mrs. Ara Klijian Richard & Candace Haden Douglas Wallingford Dr. & Mrs. James E. Lasry Jay & Mary Hanson Howard & Jo Weiner Don & Mary Jane Lincoln Linda E. Hanson Mr. & Mrs. David Weinrieb Dr. Robert & Marcia Malkus Alex & Mary Hart Judith L. White Joy & Ronald Mankoff Mr. & Mrs. Arnold Hess Katherine White Jasna Markovac & Gary Miller Mr. Stephen Hopkins & Dr. Carey Pratt Ross & Barbara White Dr. & Mrs. M. Joseph McGreevy Viviana Ibanez Dennis & Carol Wilson Judith & Neil Morgan Isabella Fund at The San Diego Foundation Cass Witkowski Family Jack & Virginia Oliver Edward & Linda Janon Bill & Betty Witman Rod & Barbara Orth Dr. & Mrs. Clyde W. Jones Wolfe Legal Group Dr. Julie Prazich & Dr. Sara Rosenthal Kathy & Rob Jones Dr. Dolores Wozniak Dan Rehm Kenneth & Marilyn Jones Brendan M. & Kaye I. Wynne Don & Darlene Russell David & Susan Kabakoff Family Fund Elizabeth Zeigler & Bernard Kuchta Debbie & Shayna Seid Family Fund of the of the Jewish Community Foundation Jewish Community Foundation Patricia & Alexander Kelley SILVER Lew & Alice Silverberg Gerald & Phyllis Kelly ($250 to $499) In Memory of Edward Silverstein Gayle & Jerry Klusky Ben Abate Alan & Esther Siman Bill & Linda Kolb Mr. Gale Acker & Dr. Nancy Acker Ron & Susan Styn Marvin M. Kripps, M.D. Sybil & B.J. Adelson

PERFORMANCES MAGAZINE P19 Annual Fund Donors continued

James A. Agostini Christine Hickman & Dennis Ragen Dr. & Mrs. Richard Rowen George Amerault John & Peggy Holl Rowling Family Charitable Fund of the Anonymous (3) Paul & Barbara Holz Jewish Community Foundation Dr. & Mrs. John Randolph Backman Nancy & Bill Homeyer Dr. Norman & Barbara Rozansky Fund of the John & Elizabeth Bagby Kendyl & Merri Houdyshell Jewish Community Foundation Allen & Nancy Bailey Robert Hyman George & Karen Sachs Beverly Bartlett & Barbara Sailors Joseph & Donna Hynes Samiljan Family Fund of the Jewish Ruth & Jim Batman Susan D. Inot Community Foundation Sharon & Bill Beamer Bill & Cheri James Patrick Sammon Bruce & Patricia Becker Nancy B. & David A. James Josiah & Abigail Sand Sarah & Vernon Berger In Memory of Donald Jenkins Jack & Carol Sanders Mr. & Mrs. Stanley Birstein Judge & Mrs. Anthony C. Joseph Simon & Ruth Sayre Robert Blanton & Ann Clark Jim & Sharon Justeson Lillian Schafer Gaylyn N. Boone & James Dorcy Louis & Mary Beth Kelly Ann & Herb Schnall Robert & Yvonne Boyer Gail & Chuck Kendall Martin & Connie Schroeder David Brockway Lloyd & Joanna Kendall RAdm. & Mrs. H. James T. Sears Ed Brookins Kathleen Kim & Zachary Rattner In Memory of Malin E. See Julia Brown Louis J. Knobbe Linda J. Seifert Dr. & Mrs. Simon C. Brumbaugh, Jr. Jo Ann & Lee Knutson Lori Severson & Eric Longstreet Marie F. Buckey Elizabeth Lasley Glenda Allen Shekell David Burns & Diane Lischio Elliott & Phyllis Lasser Jerry & Beth Silverman Sandra Lee Burns Dixon & Pat Lee Eunice M. Simmons, M.D. Ms. Mary-Kay Butler Mr. & Mrs. Lawrence Lewis Anne & Ron Simon George Byrne Tom & Terry Lewis Terrence & Kathryn Slavin Helen M. Caldwell Donald Lipkis, MD & Arlene Pollard Malcolm E. Smith William & Shirley Carrington Roy & Carol Long Norman & Judith Solomon Mr. & Mrs. John Charron Mr. & Mrs. Howard Lund Bill & Barbara Sperling Elaine & Peter Chortek Sally A. Luster Mr. & Mrs. Fred C. Stalder Richard Clampitt & Rachel Hurst Judge & Mrs. Frederick Mandabach Alan M. Stall Doug & Elisabeth Clark Patricia Manning Robert & Ann Steiner Barbara Mistler Crew Harold & Beverly Martyn Jim Stenderup Glenn Currie Photography Joanne D. Marugg Edward Stickgold & Steven Cande Drs. Robert & Melanie Dean Cdr. & Mrs. John C. Mathews III Jill & Evan Stone Caroline S. DeMar Gene McAllister Jan & Dave Stormoen Dutch & Dawn Dershem Ronald McCaskill & Robyn Rogers Mr. & Mrs. W.E. Strich Dean & Mrs. Michael H. Dessent Oliver McElroy & Karen Delaurier Abbe Wolfsheimer Stutz In Memory of Edith Dolnick Teresa McEuen Mr. & Mrs. Eric Suggs Patricia & Glen Doughty Steve McIntee Mrs. J.B. Swedelius Stephen & Sandra Drew Charles & Billie McKnight Donald & Margaret Sweimler Mr. & Mrs. Clarence B. Dustin Mr. & Mrs. Jim Melcher Dr. Blake S. & Mrs. Peggy Jean Talbot Lizbeth Ecke & David Meyer Mr. & Mrs. David Michan Dr. Marshall & Leila Taylor Victor & Louise Engleman Dr. & Mrs. Paul E. Michelson Douglas & Lynn Todd Bill & Mary Farrell James & Dorothy Mildice Johanna Vertullo Dr. Susan D. Fee Dr. & Mrs. James Miller Barbara C. Ward Esther & Robert Feier Stan & Phyllis Minick Kathy & Jim Waring Richard & Beverly Fink Family Foundation Rena Minisi & Rich Paul William Weeks Pauline Forman in memory of Sid Forman Dr. & Mrs. Robert F. Morrison Mr. & Mrs. James Welterlen Arthur & Barbara Friedman Susan & Charles Muha John & Sharon Western Randee & Richard Friedman Mary Jo Murphy Sandy Wichelecki Charles & Jeanne Gahagan Wendy & Jim Neri Olivia & Marty Winkler Robert Glasser Harvey & Marsha Netzer Mr. & Mrs. John W. Witt Dr. & Mrs. Jerrold Glassman Dr. David & Elizabeth Ostrander Perri L. Wittgrove Dr. & Mrs. Michael Goldbaum Joshua & Jacqueline Pack Janet Wolf Carole & Howard Goldfeder Carolann Pagliuso Vicky Zollweg & Michael Dunteman Robert & Edry Goot Lori Partrick Euvoughn L. Greenan Clifford T. Pentrack & Mary E. Giovaniello This list is current as of January 31, 2009 Martin & Deanna Greenberg Dr. & Mrs. Richard & Patricia Perlman To learn more about supporting The Old Globe’s artistic, Theodore Gryga Lawrence Roy Perrin education and community programs, please visit our Jerome & Anita Gutkin Mr. & Mrs. David J. Pettitt website at www.TheOldGlobe.org or call Maggi Hall Deborah B. Pettry Josh Martinez-Nelson at (619) 231-1941 x2308. Helen M. Hammond Susan Pollack Robert M. & Helen M. Hansen Daniel & Lynn Reisfeld C. Harbordt Brent & Bev Robinson Mark & Corrine Harvey Irl & Clarice Robinson Donald J. Hickey Mr. & Mrs. Christopher Rohrer Diane Roland *In Memoriam

P20 PERFORMANCES MAGAZINE Globe Ambassadors

Lawrence G. Alldredge and Dawn Moore Mary Ann and Arnold Ginnow Donald and Darlene Shiley Perry S. Binder, M.D. Alexa Kirkwood Hirsch Roberta J. Simpson Paul Black Leonard and Elaine Hirsch Ms. Jeanette Stevens Dr. and Mrs. Edgar D. Canada Pat Jacoby Jay and Diane Sweeney Carol and Rudy Cesena Mary and Russell Johnson Dixie and Ken Unruh Jack and Carol Clark Bob* and Gladys King Doris and Lou Vettese Mary H. Clark Rosalie Kostanzer and Mike Keefe Jordine Von Wantoch Steven J. Cologne Bob and Laura Kyle *In Memoriam R. Patrick and Sharon Connell James & Pamela Lester Susan B. Cowell Merriel F. Mandell, Ph.D. Globe Ambassadors are generous supporters of The Old Gigi and Ed Cramer Peter and Inge Manes Globe who attend special presentations about activities at Darlene G. Davies Bob Martinet the Globe and serve as the Theatre’s Ambassadors in the Mrs. Philip H. Dickinson Dr. Marianne McDonald community. Nina and Robert Doede Paul I. and Margaret W. Meyer Marion Eggertsen David and Noreen Mulliken For more information please Bernard J. Eggertsen and Florence Nemkov Charles Noell and Barbara Voss contact Marilyn McAvoy at Danah H. Fayman Jeannie and Arthur Rivkin (619) 231-1941 x2309. Susanna and Michael Flaster Dr. H. Warren Ross

Craig Noel League Members Planned Giving Society of The Old Globe

Anonymous (14) Joseph E. Jessop* Velda Pirtle* Harvey* and Jordine Von Wantoch Robert S. Albritton* J. Robert* and Gladys H. King Florence Borgeson Plunkert* Merle and Phil* Wahl Diana Barliant Marilyn Kneeland Dolly* and Jim Poet Holly J.B. Ward Nancine Belfiore Jean and David Laing Dorothy Shorb Prough* Sheryl and Harvey P. White Alan Benaroya Jerry Lester Foundation Brenda Marsh-Rebelo and John Rebelo Mrs. Jack Galen Whitney Dorothy Brown Endowment Fund Dr. Bernard Lipinsky* Donald and Darlene Shiley Stanley E. Willis II* Dr. and Mrs. Edgar D. Canada Heather Manion Patsy and Forrest Shumway Julie Meier Wright Garet and Wendy Clark Calvin Manning* B. Sy and Ruth Ann Silver Carolyn Yorston-Wellcome J. Dallas* and Mary H. Clark Chris and Jill Metcalf Stephen M. Silverman *In Memoriam R. Patrick and Sharon Connell Paul I. and Margaret W. Meyer Roberta Simpson Patricia W. Crigler, Ph.D., CAPT/USN/Ret. Judy* and George Miller Dolores and Rod Smith Craig Noel League members are leaving Carlos and Patricia Cuellar Steve Miller Marisa SorBello and Peter Czipott lasting gifts to the Theatre through planned Patricia and Donn DeMarce* Dr. Robert W. Miner John and Cindy Sorensen gifts, cash contributions, bequests and other Mrs. Philip H. Dickinson Shirley Mulcahy Marje Spear* estate planning options. Dr. and Mrs. Robert Epsten Laurie Dale Munday Nancy A. Spector and Alan R. Spector Frank A. Frye, III Stanley Nadel and Cecilia Carrick Jeanette Stevens For more information, please contact Robert Gleason and Marc Matys Alice B. Nesnow Eric Leighton Swenson Director of Development, Marcy Goldstone Arthur and Marilyn Neumann Anne C. Taubman Todd R. Schultz Kathryn Crippen Hattox Craig Noel Cherie Halladay Tirschwell (619) 231-1941 x2310 or David and Debbie Hawkins Greg and Polly Noel Marian Trevor (Mrs. Walter M.)* [email protected]. Craig and Mary Hunter PACEM (Pacific Academy of Evelyn Mack Truitt Barbara Iredale* Ecclesiastical Music) Ginny Unanue Bob Jacobs Mrs. Margaret F. Peninger* Carol and Lawrence Veit

PERFORMANCES MAGAZINE P21 Special Thanks to our Corporate Donors SEASON SPONSORS ($50,000 and more)

PRODUCTION SPONSORS ($25,000-$49,999)

DIRECTOR CIRCLE ($10,000-$24,999) Break-Away Tours Higgs, Fletcher & Mack, LLP Starbucks Coffee City National Bank KPMG, LLP Torrey Pines Bank Cyberknife Centers of San Diego, Inc./ Neiman Marcus Vistage International Radiation Medical Group ResMed Foundation

FOUNDER CIRCLE CRAIG NOEL CIRCLE ($5,000-$9,999) ($2,500-$4,999) AT&T Cush Family Foundation M2000 Corporation Nordstrom San Diego Business Journal WD-40 Company 104.94FM XLNC1 The Westgate Hotel

Corporate Partners enjoy exclusive benefits and recognition, especially the opportunity to entertain clients and employees with exclusive receptions in our Patron and Lipinsky Family Suites, behind-the-scenes tours, and preferred seating at our shows. For information, please contact Courtney Quinn at (619) 231-1941 x2311.

P22 PERFORMANCES MAGAZINE Associate Artists of The Old Globe

In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and pleasure in ac- knowledging as ASSOCIATE ARTISTS OF THE OLD GLOBE, the following who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of this theatre. William Anton Richard Easton Bob James Jonathan McMurtry Douglas W. Schmidt Irene Tedrow * Jacqueline Brooks Tovah Feldshuh Charles Janasz Stephen Metcalfe Seret Scott Sada Thompson Lewis Brown Monique Fowler Peggy Kellner* Robert Morgan David F. Segal Paxton Whitehead Victor Buono* Ralph Funicello Tom Lacy Ellis Rabb* Richard Seger James Winker Wayland Capwell * Lillian Garrett-Groag Diana Maddox Steve Rankin Diane Sinor Robert Wojewodski Kandis Chappell Harry Groener Dakin Matthews Robin Pearson Rose Don Sparks G Wood* Eric Christmas* A.R. Gurney Deborah May Marion Ross David Ogden Stiers * in memoriam George Deloy Joseph Hardy Katherine McGrath Steven Rubin Conrad Susa Tim Donoghue Mark Harelik John McLain Ken Ruta Deborah Taylor Patron Information

TICKET SERVICES HOURS latecomers is extremely disruptive. Latecomers may be given alternative Monday: Call the ticket office or visit our website for a current schedule seating and will be seated at an appropriate interval. of Monday hours. Tuesday - Sunday: Noon – last curtain YOUNG CHILDREN Hours subject to change. Please call ahead. Children three years of age and under will not be admitted to Phone (619) 23-GLOBE or (619) 234-5623 performances. FAX (619) 231-6752 Email [email protected] ELECTRONIC DEVICES AND CAMERAS Use of recording devices and cameras is not permitted. If you are wear- ADMINISTRATION HOURS Monday - Friday : 9am – 5pm ing a digital watch or pager, or if you are carrying a cellular phone, Phone (619) 231-1941 please silence it prior to entering the theatre. Website www.TheOldGlobe.org Address The Old Globe ASSISTED LISTENING SYSTEM P.O. Box 122171 For the convenience of the hearing impaired, the assisted listening sys- San Diego, CA 92112-2171 tem is available in the Old Globe Theatre. Lightweight headsets may be obtained from the house manager prior to performances, free of charge. ORDERING TICKETS/CHANGE OF ADDRESS The Old Globe accepts Visa, Discover, MasterCard, or American PUBLIC TOURS Express. Phone orders for non-subscribers are subject to a $3 per ticket Go behind the scenes at The Old Globe to learn about the history, three service charge, not to exceed $12. Ticket exchanges are subject to a ser- stages, shop and craft areas. Open tours: most Saturdays and Sundays vice charge for non-subscribers. If you have moved, please notify the at 10:30am. Groups by reservation. $5 adults; $3 seniors and students. Ticket Services Office to update our records. Call (619) 234-5623 dur- Phone (619) 231-1941 x2142 for information/reservations. ing Ticket Services hours, mail your change of address to the Ticket Services Office, or email us at [email protected]. LOST AND FOUND If you have misplaced a personal item while at the theatre, please con- UNABLE TO ATTEND? tact the Ticket Services Office or Security as soon as possible. If we are If you find you are unable to use your tickets, please give them to a unable to locate your item, we’ll happily take down your contact infor- friend, or turn them in to the Ticket Serivces Office and receive a tax re- mation as well as a description of the item and contact you if it is found. ceipt for your donation. Tickets must be received by show time. The Old Globe does not assume liability for items left behind on premises. RESTROOMS AND TELEPHONES Restrooms are located in the lower lobby of the Old Globe Theatre and Natural Herb Cough Drops - Courtesy of Ricola USA, Inc. adjacent to the Festival Theatre; pay phones may be found in the lower — available upon request — . Please ask an usher. Globe Theatre lobby and next to the Gift Shop. The videotaping or other video or audio recording of this production is SEATING OF LATECOMERS strictly prohibited. Although we understand parking is often at a premium, the seating of

PERFORMANCES MAGAZINE P23 Trevor Hay ...... Property Master, Festival Courtney Quinn ...... Development Coordinator, Joshua Camp, Kristi Hummel, David Medina, Individual Annual Giving Staff Patricia Rutter ...... Craftspeople Diane Addis...... Membership Administrator Lighting Josh Martinez-Nelson ...... Development Administrator Louis G. Spisto...... CEO/Executive Producer Nate Parde ...... Lighting Director Diana Steffen...... VIP Donor Ticketing Jason Bieber ...... Lighting Assistant Rachel Plummer...... Development Assistant Michael G. Murphy ...... General Manager Tonnie Ficken...... Master Electrician, Globe Donor Services Darko Tresnjak ...... Resident Artistic Director Jim Dodd...... Master Electrician, Copley Joyanne Buscemi, Monica Jorgensen, Barbara Lekes, Dave Henson...... Director of Marketing Kevin Liddell ...... Master Electrician, Festival Richard Navarro, Stephanie Reed, and Communications Todd Adams, Elizabeth Axe, Bonnie Breckenridge, Katie Judy Zimmerman...... Suite Concierges Todd Schultz ...... Director of Development Brost, Nate Cargill, Mark Dewey, Rissa Dickey, Kristen MARKETING Mark Somers...... Director of Finance Flores, Lacey Flores, Chris Givens, Kelli Groskopf, Mia Fiorella...... Audience Development Manager Richard Seer ...... Director of Professional Training Justin Hobson, Shawna Kyees, Areta MacKelvie, Jackie Anderson ...... Publications Coordinator Robert Drake...... Director of Production Molly Mande, Omar Ramos, Steve Schmitz, Claire Kennelly...... Marketing Assistant Roberta Wells-Famula...... Director of Education Amanda Zieve ...... Electricians Samantha Haskins...... Public Relations Assistant ARTISTIC Sound Erica Dei ...... Graphic Designer Jack DePalma ...... Play Development Director Paul Peterson ...... Sound Director Craig Schwartz...... Production Photographer Samantha Barrie...... Casting Director Erik Carstensen...... Master Sound Technician, Globe Joyanne Buscemi, Monica Jorgensen, Claudia Hill-Sparks...... Voice and Speech Consultant Rachel Eaves ...... Master Sound Technician, Copley Susie Virgilio...... Marketing/Events Assistants Bernadette Hobson...... Artistic Assistant Keala Settle...... Mic Runner, Globe Subscription Sales Stage Management Scott Cooke...... Subscription Sales Manager Leila Knox...... Production Stage Manager ADMINISTRATION Anna Bowen-Davies, Stanley Cade, Arthur Faro, Andy Suzanne Bradley...... Assistant General Manager Fink, Randi Hawkins,Pamela Malone, Yolanda Moore, PRODUCTION Daniel Baginski...... Executive Assistant Jessica Morrow, Ken Seper, Cassandra Shepard, Debra Pratt Ballard...... Associate Director of Production Mark Gingery...... Theatre Center Project Coordinator Grant Walpole...... Subscription Sales Representatives Ron Cooling...... Company Manager Information Technology Ticket Services Carol Donahue...... Production Coordinator Dean Yager...... Information Technology Manager Bob Coddington...... Ticket Services Manager Technical ThadSteffen...... Information Technology Asst. Mgr. Marsi Roche...... Ticket Operations Manager Benjamin Thoron ...... Technical Director J. Adam Latham...... Information Technology Assistant Dani Meister...... Group Sales Manager Wendy Berzansky...... Associate Technical Director Human Resources Brandon Smithey ...... Ticket Services Supervisor/ Sean Fanning ...... Resident Design Assistant Sandra Parde...... Human Resources Director Training Coordinator Eliza Korshin ...... Technical Assistant/Buyer Maintenance Marissa Haywood, Christian Thorsen...... Stage Carpenter/Flyman, Globe Randy McWilliams...... Facilities Manager Shouna Shoemake...... Lead Ticket Services Representatives Carole Payette ...... Charge Scenic Artist Violanda Corona, Ismael Delgado, Miguel Gaspar, Roberto Brian Abraham, Elizabeth Brown, Sarah Ditges, Tony Edee Armand, Adam Bernard, Gonzalez, Reyna Huerta, Jose Morales, Albert Rios, Maria Dixon, Merri Fitzpatrick, Michael Knudsen, Alicia Lerner, Victoria Erbe...... Scenic Artists Rios, Perla Rios, Nicolas Torres...... Building Staff Cassie Lopez, Caryn Morgan, Jensen Olaya, Michael Gillian Kelleher...... Master Carpenter Pousson, Carlos Quezada, Robert Dougherty...... Master Carpenter, Festival PROFESSIONAL TRAINING Molly Whittaker...... Ticket Services Representatives Sheldon Goff, Jason McIntyre, Laura McEntyre, Mongo Llance Bower...... Program Coordinator Moglia, Mason Petersen...... Carpenters Maria Carrera, Cynthia Caywood, Sabin Epstein, PATRON SERVICES Costumes Gerhard Gessner, Jan Gist, Claudia Hill-Sparks, Peter Mike Callaway...... Theatre Manager Stacy Sutton ...... Costume Director Kanelos, Fred Robinson, Liz Shipman...... MFA Faculty David Carson, Rob Novak...... House Managers Charlotte Devaux Shields...... Resident Design Assistant Corey Johnston, Robin Sanford Roberts, Kristen Cairns...... Front of House Assistant Maureen Mac Niallais ...... Assistant to the Director Ben Seibert, George Yé ...... MFA Production Staff Dana Juhl ...... Food and Beverage Manager Shelly Williams...... Design Assistant/Shopper Haydee Aldas...... Food and Beverage Assistant Manager Erin Cass, Wendy Miller ...... Drapers EDUCATION Michelle Elliott, Brock Roser, Anne-Marie Shafer, Babs Behling, Anne Glidden Grace...... Assistant Cutters Kim Montelibano Heil...... Education Associate Tess Thompson...... Pub Staff Mary Miller...... Costume Assistant Carol Green...... Speakers Bureau Coordinator Rose Espiritu, Stephanie Rakowski, Nancy Liu...... Stitcher Amy Biedel, Marisela De la Parra, Monique Gaffney, Janet Stephanie Reed...... Gift Shop Supervisors Erin Carignan...... Craft Supervisor, Dyer-Painter Hayatshahi, Jamie Koottarappallil, Jensen Olaya, Steve Security/Parking Services Molly O’Connor ...... Wig and Makeup Supervisor Lipinsky, Sarah Price, David Tierney...... Teaching Artists Rachel “Beahr” Garcia...... Security/ Kim Parker..... Assistant to Wig and Makeup Supervisor Parking Services Supervisor Beverly Boyd...... Wardrobe Supervisor FINANCE Irene Herrig...... Associate Supervisor of Security Marnee Davis...... Globe Crew Chief Paula Nickodemus...... Senior Accountant Dallas Chang, Sherisa Eselin, Janet Larson, Kristin Bongiovanni...... Globe Run Crew Trish Guidi...... Accounts Payable/Accounting Assistant Jeffrey Neitzel...... Security Officers Jeri Nicolas ...... Copley Crew Chief Anthony Martinez...... Payroll Coordinator/ Mark Anguiano, Patricia Ceja, Accounting Assistant Marie Jezbera ...... Rental Agent Deborah Elliott, Mark Florez, Nicole Hagemeyer, Lou Tim Cole...... Receptionist Properties Hicks, Michael Watts...... Parking Lot Attendants Neil A. Holmes ...... Properties Director Andrew Ashton, David Nguyen.....V.I.P. Valet Attendants Kristin Steva Campbell...... Assistant to the Director DEVELOPMENT M.H. Schrenkeisen...... Shop Foreman Annamarie Maricle ...... Associate Director, Institutional Grants Rory Murphy...... Lead Craftsman Marilyn McAvoy...... Major Gifts Director Jack O’Brien ...... Artistic Director Emeritus Pat Cain...... Property Master, Globe Eileen Prisby...... Events Manager Craig Noel ...... Founding Director David Buess...... Property Master, Copley

PERFORMANCES MAGAZINE P24