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An Indian Novelist Chetan Bhagat
AN INDIAN NOVELIST CHETAN BHAGAT A.V Aravindan Assistant Professor, Department of English Chetan Bhagat is an Indian author, columnist, and screenwriter. Chetan Bhagat’s novels are adapted into successful movies. Most of his views are focused on youth and issues based on national development which occupies the most important part in the society. He also plays the role of motivational speaker which wonderfully working out by grasping the minds of young generation with good deeds and thoughts. He is one of the most successful authors and his novels awarded as best-selling novels. He quit his banking career in 2009 in order to bring changes in the society. He decided to lead his whole life as a writer. Chetan Bhagat has introduced some unique trends in the Indian English literature. He has focused the interest of the youth and has written about their aspirations. He has attempts to guide their ripe energies into proper direction. There is no surprise if the readers acclaim him as the youth writer. His novels touch an emotional chord of the third generation. This displays the ambition of the youth, mixed with fears and tinged with tears. His men and women observe morality in the warm heartedness of the human relations. Therefore, they take life for pleasure. He is not only considered as an author by the readers but also considered as the youth icon. Many of the young Indian readers are inspired by his humorous way of depicting stories. He is also a good columnist and he writes many columns for many leading newspapers. -
E-Waste Mass Awareness Programme Through Ad Film in Cinema/Theatres (Phase-II)
E-Waste Mass Awareness Programme through Ad Film in Cinema/Theatres (Phase-II) CAMPAIGN REPORT Conducted by PHD Chamber of Commerce and Industry in association with Ministry of Electronics and IT (MeitY), Government of India Report: E- Waste Mass Awareness Programme through Cinema 1 CAMPAIGN REPORT Report: E- Waste Mass Awareness Programme through Cinema 2 Table of Contents S. No. Particular Page No. 1 Acknowledgement 4 2 Executive Summary 5 3 Introduction 6 4 Agencies Involved 9 5 Flow of the Project – E- Waste Mass Awareness 11 Programme through Cinema Phase-II 6 Concept of the Ad Film – E -Positive 13 7 E- Waste Mass Awareness Programme through 15 Cinema - Phase-II- Schedule 7.1 Successful movies – Phase-II – E-Waste Mass 15 Awareness Programme through Cinema 7.2 List of Movies where Ad Film on E-Waste 18 Broadcasted 7.3 Partners during the campaign 24 7.4 Phase-II – Impact 24 8 Feedback from the viewers 25 9 Overall Feedback - National 26 8.1 City wise Feedback Analysis 30 8.2 City wise Feedback Analysis – Gurgaon 30 8.3 City wise Feedback Analysis – Trivandrum 33 8.4 City wise Feedback Analysis – Gandhinagar 37 8.5 City wise Feedback Analysis – Mumbai 40 8.6 City wise Feedback Analysis – Shimla 44 8.7 City wise Feedback Analysis – Madurai 47 8.8 City wise Feedback Analysis – Delhi 51 8.9 City wise Feedback Analysis – Raipur 54 8.10 City wise Feedback Analysis – Bangalore 58 8.11 City wise Feedback Analysis – Hyderabad 61 9 General feedback of the respondents 65 10 Post Event Activities 65 11 Recommendations and Suggestions 66 12 Organising Team 67 13 Annexure – A 68 Report: E- Waste Mass Awareness Programme through Cinema 3 ACKNOWLEDGEMENT It is with great pleasure that we present the post campaign report emerging out of Phase-II of ‘E-Waste Mass Awareness Programme through Ad Film in Cinema/Theatres’. -
Language and Literature
1 Indian Languages and Literature Introduction Thousands of years ago, the people of the Harappan civilisation knew how to write. Unfortunately, their script has not yet been deciphered. Despite this setback, it is safe to state that the literary traditions of India go back to over 3,000 years ago. India is a huge land with a continuous history spanning several millennia. There is a staggering degree of variety and diversity in the languages and dialects spoken by Indians. This diversity is a result of the influx of languages and ideas from all over the continent, mostly through migration from Central, Eastern and Western Asia. There are differences and variations in the languages and dialects as a result of several factors – ethnicity, history, geography and others. There is a broad social integration among all the speakers of a certain language. In the beginning languages and dialects developed in the different regions of the country in relative isolation. In India, languages are often a mark of identity of a person and define regional boundaries. Cultural mixing among various races and communities led to the mixing of languages and dialects to a great extent, although they still maintain regional identity. In free India, the broad geographical distribution pattern of major language groups was used as one of the decisive factors for the formation of states. This gave a new political meaning to the geographical pattern of the linguistic distribution in the country. According to the 1961 census figures, the most comprehensive data on languages collected in India, there were 187 languages spoken by different sections of our society. -
An Indian Novelist Chetan Bhagat
A. V Aravindan et al., IJSRR 2019, 8(1), 454-459 Research article Available online www.ijsrr.org ISSN: 2279–0543 International Journal of Scientific Research and Reviews An Indian Novelist Chetan Bhagat A.V Aravindan Assistant professor in English AJK College of arts and science, Coimbatore Tamil Nadu, India Email: [email protected] ABSTRACT: Chetan Bhagat is an Indian author, columnist, and screenwriter. Chetan Bhagat’s novels are adapted into successful movies. Most of his views are focused on youth and issues based on national development which occupies the most important part in the society. He also plays the role of motivational speaker which wonderfully working out by grasping the minds of young generation with good deeds and thoughts. He is one of the most successful authors and his novels awarded as best-selling novels. He quit his banking career in 2009 in order to bring changes in the society. He decided to lead his whole life as a writer. Chetan Bhagat has introduced some unique trends in the Indian English literature. KEYWORDS: columnist, deeds and thought, unique trends *Corresponding author A.V Aravindan Assistant professor in English AJK College of arts and science, Coimbatore Tamil Nadu, India IJSRR, 8(1) Jan. – Mar., 2019 Page 454 A. V Aravindan et al., IJSRR 2019, 8(1), 454-459 INTRODUCTION: Chetan bhagat has focused the interest of the youth and has written about their aspirations. He has attempts to guide their ripe energies into proper direction. There is no surprise if the readers acclaim him as the youth writer. His novels touch an emotional chord of the third generation. -
Film Tourism in India – a Beginning Towards Unlocking Its Potential
Film tourism in India – a beginning towards unlocking its potential FICCI Shoot at Site 2019 13 March 2019 Film tourism is a growing phenomenon worldwide, fueled by both the growth of the entertainment industry and the increase in international travel. Film tourism sector has seen tremendous growth in the past few years. It represents a gateway to new and more intense ways of experiencing destinations. At the same time, it creates the potential for new communities by way of an exchange of insights, knowledge and experience among the tourists themselves. Films play a significant role in the promotion of tourism in various countries and different states of India. A film tourist is attracted by the first-hand experience of the location captured on the silver screen. Not only is film tourism an excellent vehicle for destination marketing, it also presents new product development opportunities, such as location tours, film museums, exhibitions and the theme of existing tourist attractions with a film connection. This report focusses on the concept of film tourism and the various initiatives taken by both the state and central government of India for boosting film induced tourism through their respective film production policies. Dilip Chenoy Secretary General - Federation of Indian Chamber of Commerce and Industry Foreword The significance of cinema in today’s times has gone beyond its intended purpose of mass entertainment. Cinema is a portal for people to escape from reality and into their world of fantasy. Cinema is a source of inspiration for some, a source of entertainment for some and a source of education for some. -
Dipesh Jain's Gali Guleiyan Is the Kind of Film Worth Waiting For. He
Community Community Indian Sports The Diary of Centre a Bookseller P6organises P16 is Shaun ‘Inter Bythell’s Organisation entertaining and Table Tennis dryly humorous Tournament’. account. Sunday, September 2, 2018 Dhul-Hijja 22, 1439 AH Doha today: 330 - 390 Watch out! COVER STORY Dipesh Jain’s Gali Guleiyan is the kind of film worth waiting for. He contends that should not have been the case. P4-5 2 GULF TIMES Sunday, September 2, 2018 COMMUNITY ROUND & ABOUT PRAYER TIME Fajr 3.56am Shorooq (sunrise) 5.15am Zuhr (noon) 11.34am Asr (afternoon) 3.03pm Maghreb (sunset) 5.54pm Jawani Phir Nahin Ani 2 come visit him in Turkey. Pervez and his friend Sheikh, grab Isha (night) 7.24pm DIRECTION: Nadeem Beyg this chance to add some excitement into their lives embark on CAST: Humayun Saeed, Fahad Mustafa, Ahmed Ali Butt, a new journey; this time with their family. They get the shock Uzma Khan, Kubra Khan, Mawra Hocane, Vasay Chaudhry of their lives when they see the opulence with which the rich, USEFUL NUMBERS SYNOPSIS: Sheikh (Vasay Chaudhry) and Pervez (Ahmed charming and successful Rahat lives! But Pervez strongly feels Ali Butt) are now settled back into their mundane lives when that there is more to Rahat than what meets the eye, as his suddenly Pervez’s brother-in-law, Rahat (Fahad Mustafa), lavish lifestyle is a complete enigma. who had been out of touch for the past 10 years resurfaces, and invites his sister, Lubna (Uzma Khan), and her family to THEATRE: The Mall, Landmark, Royal Plaza Emergency 999 Reprisal teams up with his ex-cop neighbour, wife (Olivia Culpo) and daughter, Jacob Worldwide Emergency Number 112 DIRECTION: Brian A Miller James (Bruce Willis), to bring down barrels down a path of bloodshed that Kahramaa – Electricity and Water 991 CAST: Bruce Willis, Frank Grillo, the assailant. -
Dfccil 75 General Awareness Q
www.gradeup.co 1 www.gradeup.co 1.Atomic Power Station is located at B. 4 Rawatbhata, in the state of ........... C. 1 A. Maharashtra D. 3 B. Madhya Pradesh Ans. D C. Rajasthan Sol. D. Gujarat ● West Bengal is bordered by three countries named Bangladesh, Nepal, Ans. C and Bhutan. Sol. ● West Bengal shares the border with • Atomic Power Station is located at the Indian states of Odisha, Rawatbhata, in the state of Jharkhand, Bihar, Sikkim, and Rajasthan. Assam. • The Rajasthan Atomic Power Station ● Arunachal Pradesh shares the is also known as Rajasthan Atomic border with Myanmar, China, and Power Project. Bhutan. • Some important Nuclear power ● Sikkim shares the border with station in India are following:- Bhutan, China, and Nepal. 4.The British made English the medium of instruction in India in ............ A. 1835 B. 1857 C. 1855 2.The state tree of Haryana is ............ D. 1833 A. Mango B. Peepal Ans. A C. Guava Sol. D. Neem ● The British made English the medium of instruction in India in Ans. B 1835. Sol. ● The english language as a ● The state tree of Haryana is medium of instruction in Peepal. government schools and colleges was ● The state bird is Black francolin and included by Macaulay’s minute of the state flower is lotus. 1835. ● Haryana was formed on 1 Nov. ● He also introduced the western 1966 and the capital of the state is system of education in India. Chandigarh. ● Faridabad is the most populous 5.Ibrahim Lodi was killed by ........... in district of haryana. the First Battle of Panipat in 1526. -
Building a Word Segmenter for Sanskrit Overnight
Building a Word Segmenter for Sanskrit Overnight Vikas Reddy*1, Amrith Krishna*2, Vishnu Dutt Sharma3, Prateek Gupta4, Vineeth M R5, Pawan Goyal2 1Dept. of Mining Engineering, 2Dept. of Computer Science and Engineering, 4Dept. of Mathematics, 5Dept. of Electrical Engineering, 1,2,4,5IIT Kharagpur 3American Express India Pvt Ltd fvikas.challaram, [email protected], [email protected] Abstract There is abundance of digitised texts available in Sanskrit. However, the word segmentation task in such texts are challenging due to the issue of Sandhi. In Sandhi, words in a sentence often fuse together to form a single chunk of text, where the word delimiter vanishes and sounds at the word boundaries undergo transformations, which is also reflected in the written text. Here, we propose an approach that uses a deep sequence to sequence (seq2seq) model that takes only the sandhied string as the input and predicts the unsandhied string. The state of the art models are linguistically involved and have external dependencies for the lexical and morphological analysis of the input. Our model can be trained “overnight” and be used for production. In spite of the knowledge lean approach, our system preforms better than the current state of the art by gaining a percentage increase of 16.79 % than the current state of the art. Keywords: Word Segmentation, Sanskrit, Low-Resource Languages, Sequence to sequence, seq2seq, Deep Learning 1. Introduction proximity between two compatible sounds as per any one Sanskrit had profound influence as the knowledge preserv- of the 281 rules is the sole criteria for sandhi. -
Guru Randhawa Is an Indian Singer, Songwriter and Music Composer Associated with Punjabi, Bhangra, Indi-Pop and Bollywood Music
Sunanda Sharma is an Indian singer and actress. She made her debut with the song "Billi Akh". Sharma also recently began her acting career in the film Sajjan Singh Rangroot with co-stars Diljit Dosanjh and Yograj Singh. Sunanda Sharma started her Bollywood career with "Tere Naal Nachna" song. Harrdy Sandhu, is an Indian singer and actor. His first song was Tequilla Shot, and he gained popularity with Soch (2013) and Joker (2014), which were written by Jaani. Sandhu made his acting debut in Yaaran Da Katchup (2014). His song "Soch" was remade for the 2016 Bollywood film Airlift. SoundTrack:- *Joker * Soch * Yaar Superstar * Kya Baat Ay * Naah * Backbone * Hornn Blow * Naa Ji Naa * Aashqui Te Loan * Kudi Tu Pataka Dhvani Bhanushali is an Indian singer. She is mostly known for her singing in "Dilbar", from the movie Satyameva Jayate. She started her music career with the song "Ishtehaar" from the film Welcome To New York. *Veere *Dilbar *Psycho Saiyaan *Ishare Tere *Leja Re *Main Teri Hoon *Vaaste *Ishtehaar *Smiley *Mukhda Vekh Ke *Koka. Manj Musik, is an Indian music composer, singer and filmi scorer. He was the former lead vocalist and music composer for the bhangra music group RDB, which he formed with his two brothers Surjeet Singh and Kuljeet Ral in 2000, Manj Musik began producing his own singles and also began to produce music in Bollywood, and has worked with established actors such as Saif Ali Khan, Shahrukh Khan and Akshay Kumar, among others. In 2014 Manj founded his own music label Muzik ONE Records. In 2017, his son, (stage name "Noopsta"), dropped his first single named "You Can’t Stop The Party" featuring popular desi hip hop artists Raftaar and Humble the Poet. -
2017 Shanlax International Journal of English 19
18 Shanlax International Journal of English Gender is the quality of being male or female. Both are human beings bestowed with unique features. The physical features differ from male to female only to differentiate them, which is termed as sex. Equality refers to the condition of being equal i.e. sameness or evenness. The Oxford Advanced Learner‟s Dictionary defines gender as “the fact of being male or female, S. NithyaFraila Julie, Ph.D. especially when considered with reference to social, Research Scholar, PG & Research cultural differences, not difference in biology” (644). Department of English, Over the years there has been many efforts taken to Periyar EVR College (Autonomous), discuss the issue of gender equality in many countries. Tiruchirapalli Gender equality prevails in every country, community, race,& etc. Many organizations and communities have Dr. T. Jayakumar, taken efforts to erase inequality. Nevertheless, it is Associate Professor, prevailing still. The present society gradually changes PG & Research Department of its views on women who are working along with men. English, Periyar EVR College Equal positions are given to women in various public (Autonomous), Tiruchirapalli and private companies which had been hitherto a male dominated territory. Because of the efforts taken by civil Article Particulars rights movements and organizations, women‟s role at Received: 13.6.2017 home, in work place and society has increased. This Accepted: 14.6.2017 happens not only in developed countries but also in Published: 19.6.2017 developing countries. Gender inequality exists when people of all gender do not get equal rights and privileges. It refers to the unequal treatment of people belonging to various genders. -
A History of the Indian Novel in English
A HISTORY OF THE INDIAN NOVEL IN ENGLISH EDITED BY ULKA ANJARIA Brandeis University' · ,, CAMBRIDGE ::: UNIVERSITY PRESS CAMBRIDGE UNIVERSITY PRESS 32 Avenue of the Americas, New York, NY IOOI3-2473, USA Cambridge University Press is parr of the University of Cambridge. Ir furthers che University's mission by disseminating knowledge in the pursuit of education, learning, and research ar the highest international levels of excellence. www.cambridge.org Information on chis tide: W\VW".cambridge.org/978II0707996o © Ulka Anjaria 2015 1his publication is in copyright. Subject ro staturory exception and ro the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2015 Printed in the United Scates of America A catalog record for this publication is available .from the British Library( Library ofCongress Cattdoging in Publication Data A history of the Indian novel in English I edited by Ulka Anjaria, Brandeis University. pages em ISBN 978-1-107-07996-o (hardback) 1. Indic fiction (English) -History and criticism. I. Anjaria, Ulka, 1979- editor. PR9492.2.H57 201) 823.009 1954-dc23 201)004873 ISBN 978-I-107-07996-o Hardback Cambridge University Press has no responsibility for the persistence or accuracy of URLS for external or third-party Internet Web sites referred to in this publication and does nor guarantee that any content on such 'Web sites is, or will remain, accurate or appropriate. Contents List ofFigures page viii -
Chapter II * Place of Hevajra Tantraj in Tantric Literature
Chapter II * Place of Hevajra Tantraj in Tantric Literature 4 1. Buddhist Tantric Literature Lama Anagarik Govinda wrote: “the word ‘Tantrd is related to the concept of weaving and its derivatives (thread, web, fabric, etc.), hinting at the interwovenness of things and actions, the interdependence of all that exists, the continuity in the interaction of cause and effect, as well as in spiritual and'traditional development, which like a thread weaves its way through the fabric of history and of individual lives. The scriptures which in Buddhism go under the name of Tantra (Tib.: rgyud) are invariably of a mystic nature, i.e., trying to establish the inner relationship of things: the parallelism of microcosm and macrocosm, mind and universe, ritual and reality, the world of matter and the world of the spirit.”99 Scholars like N.N. Bhattacharyya and also Pranabananda Jash, regard Tantra as a religious system or science (Sastra) dealing with the means (sadhana) of attaining success (siddhi) in secular or religious efforts.100 N.N. Bhattacharyya mentions that “Tantra came to mean the essentials of any religious system and, subsequently, special doctrines and rituals found only in certain forms of various religious systems. This change in the meaning, significance, and character of the word ‘Tantra' is quite striking and is likely to reveal many hitherto unnoticed elements that have characterised the social fabric of India through the ages.”101 It is must be noted that the Tantrika tradition is not the work of a day, it has a long history behind it. Creation, maintenance and dissolution, 99 Lama Anagarika Govinda, Foundations of Tibetan Myticism (Maine: Samuel Weiser, Inc., 1969), p.93.