Infallible VEDIC REMEDIES (Mantras for Common Problems) INFALLIBLE VEDIC REMEDIES (Mantras for Common Problems)
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Peacock Cult in Asia
The Peacock Cult in Asia By P. T h a n k a p p a n N a ir Contents Introduction ( 1 ) Origin of the first Peacock (2) Grand Moghul of the Bird Kingdom (3) How did the Peacock get hundred eye-designs (4) Peacock meat~a table delicacy (5) Peacock in Sculptures & Numismatics (6) Peacock’s place in history (7) Peacock in Sanskrit literature (8) Peacock in Aesthetics & Fine Art (9) Peacock’s place in Indian Folklore (10) Peacock worship in India (11) Peacock worship in Persia & other lands Conclusion Introduction Doubts were entertained about India’s wisdom when Peacock was adopted as her National Bird. There is no difference of opinion among scholars that the original habitat of the peacock is India,or more pre cisely Southern India. We have the authority of the Bible* to show that the peacock was one of the Commodities5 that India exported to the Holy Land in ancient times. This splendid bird had reached Athens by 450 B.C. and had been kept in the island of Samos earlier still. The peacock bridged the cultural gap between the Aryans who were * I Kings 10:22 For the king had at sea a navy of Thar,-shish with the navy of Hiram: once in three years came the navy of Thar’-shish bringing gold, and silver,ivory, and apes,and peacocks. II Chronicles 9: 21 For the King’s ships went to Tarshish with the servants of Hu,-ram: every three years once came the ships of Tarshish bringing gold, and silver,ivory,and apes,and peacocks. -
Women and Nature in the Ashoka Shashthi Vrata Katha of Bengal
11 Separated by the text: Women and Nature in the Ashoka Shashthi Vrata Katha of Bengal Namrata Rathore Mahanta* Abstract: Ashoka Shasthi Vrata is a popular vrata practiced by women in West Bengal for the long life and well-being of children. Celebrated in the month of Chaitra, the vrata is dedicated to the Puranic goddess Shashthi. The vrata rites involve the ritual narration of a story (katha) associated with the vrata. The narrative moves around the life of an abandoned female infant named Ashoka, found under an Ashoka tree in a hermitage and her subsequent encounter with the benevolent and malevolent aspects of the goddess Shashthi. The present paper focusses on the relationship between Ashoka and the flora and fauna in the hermitage in an attempt to read the Ashoka Shasthi Vrata Katha as a narrative of empowerment achieved through bonding between women and nature. Keywords: Women, Nature, Mother Goddesses, Puranas, Vratas, Motherhood omen‟s vratas are simple rituals performed for wish fulfillment and W are distinct from the other kinds of scriptural vratas. The present day women‟s vratas are remnants of primordial rites variously transformed through the puranic tradition. In Bengal, women‟s vratas are termed „ashastriya‟ or „meyeli vratas. Ashoka Shashthi is a popular vrata practiced by women of Bengal for the long life and well-being of their children. Celebrated in the month of Chaitra, the vrata is dedicated to the Puranic goddess Shashthi. The vrata rites involve the ritual narration of a story (katha) associated with the vrata. The narrative of the Ashoka Shashthi Vrata Katha moves around Ashoka, an infant found lying under an Ashoka tree near a hermitage. -
Northern Sri Lanka Jane Derges University College London Phd In
Northern Sri Lanka Jane Derges University College London PhD in Social Anthropology UMI Number: U591568 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U591568 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Fig. 1. Aathumkkaavadi DECLARATION I, Jane Derges, confirm that the work presented in this thesis is my own. Where information has been derived from other sources I confirm that this has been indicated the thesis. ABSTRACT Following twenty-five years of civil war between the Sri Lankan government troops and the Liberation Tigers of Tamil Eelam (LTTE), a ceasefire was called in February 2002. This truce is now on the point of collapse, due to a break down in talks over the post-war administration of the northern and eastern provinces. These instabilities have lead to conflicts within the insurgent ranks as well as political and religious factions in the south. This thesis centres on how the anguish of war and its unresolved aftermath is being communicated among Tamils living in the northern reaches of Sri Lanka. -
Yakshi: the Journey of the 'Mother Internationally
Journal of Advances and JournalScholarly of Advances and Researches in Scholarly Researches in AlliedAllied Educat ion Education Vol.Vol. IX 3,, Issue Issue No. 6, XV II, Jan-2015April, ISSN-2012, 2230 -7540 ISSN 2230- 7540 REVIEW ARTICLE AN YAKSHI: THE JOURNEY OF THE 'MOTHER INTERNATIONALLY GODDESS' IN INDIAN ART TRADITION INDEXED PEER REVIEWED & Study of Political Representations: REFEREED JOURNAL Diplomatic Missions of Early Indian to Britain www.ignited.in Journal of Advances and Scholarly Researches in Allied Education Vol. IX, Issue No. XVII, January-2015, ISSN 2230-7540 Yakshi: The Journey of the 'Mother Goddess' In Indian Art Tradition Aditi Mann1 Akanksha Narayan Singh2 1Research Scholar, University of Delhi 2Assistant Professor, University of Delhi Abstract – The present paper points out the variable forms that an image can assume, from the form of living divine being, as symbol of sovereignty, war trophies and as object of sculptural art, depending on the changing context, setting, presentation and most significantly on the perceptions of a viewer. The paper shall deal with female forms of idols particularly of Yakshi and would seek its transition from an independent powerful deity whose worship was widely spread once, to its eventual absorption and marginalization by the dominant religious traditions in ancient times and finally its coexistence with the Brahmanic deities among the rural communities in present times. Furtherw, it will emphasize on the changing perceptions towards "Once Goddess Yakshi" in contemporary period and how she is perceived, experienced and interpreted by various communities and by different people. - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - X - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - THE JOURNEY OF THE YAKSHI Prithvi etc. The Aryan culture initially stood apart from those who were the worshippers of Linga and Yoni The beginning of civilization in India goes back to third representing the generative organs of male and millennium B. -
BHAKTI Temple Hours Mon to Fri: 9 AM – 12:30 PM & 4 PM – 8:30 PM January 2011
Greater Cleveland Shiva Vishnu Temple A Non-profit 7733 Ridge Road Organization P.O. Box 29508 US POSTAGE Parma, OH 44129 PAID Cleveland, OH Permit No. 03879 Phone (440) 888-9433 www.shivavishnutemple.org A Non-Profit Tax-Exempt Organization REGULAR WEEKLY & MONTHLY PUJA SCHEDULE Sunday 9:30 AM Shiva Abhishekam; 11 AM Vishnu Puja st rd 1 Sunday 12:30 PM Jagannath Puja 3 Sunday 12:30 PM Jain Puja Monday 10 AM Shiva Abhishekam; 6 PM Jagannath Puja Tuesday 10 AM Ganesha Abhishekam; 6 PM Hanumanji Puja Wednesday 10 AM Ram Parivar Puja 6 PM Aiyappa Puja; Thursday 10 AM Radha Krishna Puja; 6 PM Shrinathji Puja: Friday 10 AM Parvati Puja (Abhishekam 1st Fri 7:15 p) 6 PM Lakshmi Puja: 6:30 PM Durga Puja 7:15 PM Abhishekam for Sridevi 2nd Fri for Bhudevi 3rd Friday (7:15 p) Saturday 11 AM Vishnu Abhishekam 10 AM Aiyappa Puja 1st Sat 5 PM Karthikeya Puja 6 PM Saraswati Puja; 6:30 PM Navagraha Abhishek 11 AM Venkateswara Abhishekam 2nd & 4th Sat Puja 1st &3rd Sat NITYA PUJA (Monday – Saturday ) 10 AM Shiva Abhishekam; 10 AM Vishnu Puja Highlights of Feb 2011 events Date Day Time Description Feb 2 Wed Amavasya Feb 5 Sat 10 a Sri Aiyappa Puja Feb 7 Mon 10 a Vasant PanchamiSri Saraswati Puja Feb 8 Tue 6 p Sukla Shashthi, Murugabhishekam Feb 17 Wed 7.15 p Pournima, Satyanarayanpuja Feb 20 Sat 6 p Sankatahara Chaturthi,Ganeshabhishekam Mar 2 Wed 6 p Mahashivaratri Visitors are requested to wear appropriate attire in the Temple premises 10pm Mini Aarati Bhajan,Prasad Greater Cleveland Shiva Vishnu Temple BHAKTI Temple Hours Mon to Fri: 9 AM – 12:30 PM -
Nagapattinam District 64
COASTAL DISTRICT PROFILES OF TAMIL NADU ENVIS CENTRE Department of Environment Government of Tamil Nadu Prepared by Suganthi Devadason Marine Research Institute No, 44, Beach Road, Tuticorin -628001 Sl.No Contents Page No 1. THIRUVALLUR DISTRICT 1 2. CHENNAI DISTRICT 16 3. KANCHIPURAM DISTRICT 28 4. VILLUPURAM DISTRICT 38 5. CUDDALORE DISTRICT 50 6. NAGAPATTINAM DISTRICT 64 7. THIRUVARUR DISTRICT 83 8. THANJAVUR DISTRICT 93 9. PUDUKOTTAI DISTRICT 109 10. RAMANATHAPURAM DISTRICT 123 11. THOOTHUKUDI DISTRICT 140 12. TIRUNELVELI DISTRICT 153 13. KANYAKUMARI DISTRICT 174 THIRUVALLUR DISTRICT THIRUVALLUR DISTRICT 1. Introduction district in the South, Vellore district in the West, Bay of Bengal in the East and i) Geographical location of the district Andhra Pradesh State in the North. The district spreads over an area of about 3422 Thiruvallur district, a newly formed Sq.km. district bifurcated from the erstwhile Chengalpattu district (on 1st January ii) Administrative profile (taluks / 1997), is located in the North Eastern part of villages) Tamil Nadu between 12°15' and 13°15' North and 79°15' and 80°20' East. The The following image shows the district is surrounded by Kancheepuram administrative profile of the district. Tiruvallur District Map iii) Meteorological information (rainfall / ii) Agriculture and horticulture (crops climate details) cultivated) The climate of the district is moderate The main occupation of the district is agriculture and allied activities. Nearly 47% neither too hot nor too cold but humidity is of the total work force is engaged in the considerable. Both the monsoons occur and agricultural sector. Around 86% of the total in summer heat is considerably mitigated in population is in rural areas engaged in the coastal areas by sea breeze. -
Language and Literature
1 Indian Languages and Literature Introduction Thousands of years ago, the people of the Harappan civilisation knew how to write. Unfortunately, their script has not yet been deciphered. Despite this setback, it is safe to state that the literary traditions of India go back to over 3,000 years ago. India is a huge land with a continuous history spanning several millennia. There is a staggering degree of variety and diversity in the languages and dialects spoken by Indians. This diversity is a result of the influx of languages and ideas from all over the continent, mostly through migration from Central, Eastern and Western Asia. There are differences and variations in the languages and dialects as a result of several factors – ethnicity, history, geography and others. There is a broad social integration among all the speakers of a certain language. In the beginning languages and dialects developed in the different regions of the country in relative isolation. In India, languages are often a mark of identity of a person and define regional boundaries. Cultural mixing among various races and communities led to the mixing of languages and dialects to a great extent, although they still maintain regional identity. In free India, the broad geographical distribution pattern of major language groups was used as one of the decisive factors for the formation of states. This gave a new political meaning to the geographical pattern of the linguistic distribution in the country. According to the 1961 census figures, the most comprehensive data on languages collected in India, there were 187 languages spoken by different sections of our society. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
Opening and Closing Prayers
DHYANA SLOKAS (GAJANANAM) At the beginning of every lecture or class we chant the Dhyana Slokas. This helps to set the inner mood and create the proper mindset for the practice. The prayers invoke the Gurus and teachers blessing for a successful practice. The Gajananam follows nearly the same sequence as the Jaya Ganesha. First, we invoke Ganesha to remove all obstacles, then Subramanya to give us strength and destroy all negative forces, inside and outside. Next is Saraswati to give us Divine knowledge. Then we ask the teacher (Guru) to guide us always. We invoke the Divine Mother Durga, Narayani to bring auspiciousness to all our undertakings. Gajananam Bhutaganadi Sevitam Kapitta Jambu Phala Sara Bhakshitam Uma Sutam Shokavinasha Karanam Namami Vigneshvara Pada Pamkajam I prostrate myself before the lotus feet of Vigneshwara (Ganesha), the son of Uma, the cause of destruction of sorrow, who is served by the host of angels, who has the face of an elephant, who partakes of the essence of Kapitta and Jambu fruits. Shadananam Kumkuma Raktavarnam Mahamatim Divya Mayura Vahanam Rudrasya Sunam Surasainya Natham Guham Sadaham Sharanam Prapadye I always take refuge in Guha of six faces (Subramanya), who is of deep red color like Kumkuma, who possesses great knowledge, who has the divine peacock to ride on, who is the son of Rudra (Siva) and who is the leader of the army of the Devas (gods, angels). Ya Kundendu Tushara Hara Dhavala Ya Shubra Vastravrita Ya Vina Vara Danda Mandita Kara Ya Shveta Padmasana Ya Brahmachyuta Shankara Prabhritivir Devai Sada Pujita Sa Mam Patu Saraswati Bhagavati Nishyesha Jatyapaha May that goddess Saraswati, who wears a garland white like the Kunda flower, the moon and the snow, who is adorned with pure white clothes, who hands are ornamented with Vina and the gestures of blessings, who is seated on a white Lotus, who is always worshipped by Brahma, Vishnu and Siva and the other Gods, who is the remover of all inertness and laziness, protect me. -
Upanishad Vahinis
Upanishad Vahini Stream of The Upanishads SATHYA SAI BABA Contents Upanishad Vahini 7 DEAR READER! 8 Preface for this Edition 9 Chapter I. The Upanishads 10 Study the Upanishads for higher spiritual wisdom 10 Develop purity of consciousness, moral awareness, and spiritual discrimination 11 Upanishads are the whisperings of God 11 God is the prophet of the universal spirituality of the Upanishads 13 Chapter II. Isavasya Upanishad 14 The spread of the Vedic wisdom 14 Renunciation is the pathway to liberation 14 Work without the desire for its fruits 15 See the Supreme Self in all beings and all beings in the Self 15 Renunciation leads to self-realization 16 To escape the cycle of birth-death, contemplate on Cosmic Divinity 16 Chapter III. Katha Upanishad 17 Nachiketas seeks everlasting Self-knowledge 17 Yama teaches Nachiketas the Atmic wisdom 18 The highest truth can be realised by all 18 The Atma is beyond the senses 18 Cut the tree of worldly illusion 19 The secret: learn and practise the singular Omkara 20 Chapter IV. Mundaka Upanishad 21 The transcendent and immanent aspects of Supreme Reality 21 Brahman is both the material and the instrumental cause of the world 21 Perform individual duties as well as public service activities 22 Om is the arrow and Brahman the target 22 Brahman is beyond rituals or asceticism 23 Chapter V. Mandukya Upanishad 24 The waking, dream, and sleep states are appearances imposed on the Atma 24 Transcend the mind and senses: Thuriya 24 AUM is the symbol of the Supreme Atmic Principle 24 Brahman is the cause of all causes, never an effect 25 Non-dualism is the Highest Truth 25 Attain the no-mind state with non-attachment and discrimination 26 Transcend all agitations and attachments 26 Cause-effect nexus is delusory ignorance 26 Transcend pulsating consciousness, which is the cause of creation 27 Chapter VI. -
Kartikeya - Wikipedia, the Free Encyclopedia
קרטיקייה का셍तिकेय http://www.wisdomlib.org/definition/k%C4%81rtikeya/index.html का셍तिकेय كارتِيكيا کارتيکيا تک ہ का셍तिकेय کا ر یی http://uh.learnpunjabi.org/default.aspx Kartikeya - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Kartikeya Kartikeya From Wikipedia, the free encyclopedia Kartikeya (/ˌkɑrtɪˈkeɪjə/), also known as Skanda , Kumaran ,Subramanya , Murugan and Subramaniyan is Kartikeya the Hindu god of war. He is the commander-in-chief of the Murugan army of the devas (gods) and the son of Shiva and Parvati. Subramaniyan God of war and victory, Murugan is often referred to as "Tamil Kadavul" (meaning "God of Tamils") and is worshiped primarily in areas with Commander of the Gods Tamil influences, especially South India, Sri Lanka, Mauritius, Indonesia, Malaysia, Singapore and Reunion Island. His six most important shrines in India are the Arupadaiveedu temples, located in Tamil Nadu. In Sri Lanka, Hindus as well as Buddhists revere the sacred historical Nallur Kandaswamy temple in Jaffna and Katirk āmam Temple situated deep south. [1] Hindus in Malaysia also pray to Lord Murugan at the Batu Caves and various temples where Thaipusam is celebrated with grandeur. In Karnataka and Andhra Pradesh, Kartikeya is known as Subrahmanya with a temple at Kukke Subramanya known for Sarpa shanti rites dedicated to Him and another famous temple at Ghati Subramanya also in Karnataka. In Bengal and Odisha, he is popularly known as Kartikeya (meaning 'son of Krittika'). [2] Kartikeya with his wives by Raja Ravi Varma Tamil காத -
Lord Murugan in the Vedas
Lord Murugan In The Vedas M. Rajantheran' &. Raja Viknarasah? Abstract The worship of Lord Muruga is not only an ancient religious practice of the Tamils but it is also being a bridge to connect the civilization, culture, beliefs and tradition of them. The Sanggam literature hails Lord Muruga as the Lord of the Kurunji land. But even the Vedas which were written long before the Sang gam literature praise Lord Muruga with special superiority. Among the four Vedas namely Rig, Yajur, Sarna, Aiharoa, Rig Veda is considered to be the oldest. Even in the Rig Veda, there found many pieces of information about Lord Muruga. Lord Muruga is referred to as Agnibhu, Sadasapati, Skanda and Subramanya. What do the names means? What is the significance of Lord Muruga in the Vedas? The article aims at giving a clear insight into all these aspects. In order to prove it with evidence, the Vedic verses and Maha Vakyas of Lord Muruga are also given with their meaning. Furthermore, in order to reinforce the points, research materials found in Ramayana, Bagavath Gita and Upanishads are also incorporated. Keywords: Lord Muruga, Veda, Skanda, Upanishad, The Tamils, Hinduism, Maha vakyas. Tat Kumiiriiya tndamahe Kiirttikeyaya dltimahi - ianno Skandah. pracodasuit (Maitrtiyani Samhiia - Krsna Yajuroeda) Let us meditate on Lord Kumara, also known as Karthikeya. May Lord Skanda inspire and illumine our mind and understanding Tat Purusiiua tndamahe Mahasena1(a dhimahi - tanno Sanmukhah pracadayiit (Taittinya Aranyaka) 1 Dr M. Rajantheran is a Professor in Indian Studies, Department of Indian Studies, Faculty of Arts and Social Science, University of Malaya (Malaysia).