Hercules Fanzine No. 59
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
The Yes Catalogue ------1
THE YES CATALOGUE ----------------------------------------------------------------------------------------------------------------------------------------------------- 1. Marquee Club Programme FLYER UK M P LTD. AUG 1968 2. MAGPIE TV UK ITV 31 DEC 1968 ???? (Rec. 31 Dec 1968) ------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- 3. Marquee Club Programme FLYER UK M P LTD. JAN 1969 Yes! 56w 4. TOP GEAR RADIO UK BBC 12 JAN 1969 Dear Father (Rec. 7 Jan 1969) Anderson/Squire Everydays (Rec. 7 Jan 1969) Stills Sweetness (Rec. 7 Jan 1969) Anderson/Squire/Bailey Something's Coming (Rec. 7 Jan 1969) Sondheim/Bernstein 5. TOP GEAR RADIO UK BBC 23 FEB 1969 something's coming (rec. ????) sondheim/bernstein (Peter Banks has this show listed in his notebook.) 6. Marquee Club Programme FLYER UK m p ltd. MAR 1969 (Yes was featured in this edition.) 7. GOLDEN ROSE TV FESTIVAL tv SWITZ montreux 24 apr 1969 - 25 apr 1969 8. radio one club radio uk bbc 22 may 1969 9. THE JOHNNIE WALKER SHOW RADIO UK BBC 14 JUN 1969 Looking Around (Rec. 4 Jun 1969) Anderson/Squire Sweetness (Rec. 4 Jun 1969) Anderson/Squire/Bailey Every Little Thing (Rec. 4 Jun 1969) Lennon/McCartney 10. JAM TV HOLL 27 jun 1969 11. SWEETNESS 7 PS/m/BL & YEL FRAN ATLANTIC 650 171 27 jun 1969 F1 Sweetness (Edit) 3:43 J. Anderson/C. Squire (Bailey not listed) F2 Something's Coming' (From "West Side Story") 7:07 Sondheim/Bernstein 12. SWEETNESS 7 M/RED UK ATL/POLYDOR 584280 04 JUL 1969 A Sweetness (Edit) 3:43 Anderson/Squire (Bailey not listed) B Something's Coming (From "West Side Story") 7:07 Sondheim/Bernstein 13. -
Measuring the Impact of Second Life for Educational Purposes
ABCDEFDA DA AAADABDAD John Kirriemuir (editor) www.silversprite.com March 2008 Responses and Second Life meeting transcript AB CCCDEFEDA BEB CCCDBEDDBB Originally funded by the Eduserv Foundation and published by the Virtual World Watch project D!EBA"#EEE FADDE AB!DA "D#$"A A%AB DEABAA& FE%!DA&' A(DA)DE*D*ABDA EAA+ ADD%ADAB,**!AD- F.AD/DDDADE&0DEA1D*AED*F ADDA DE*D*&FADE D DE%ADEDABE ,ADD%%ADB%ADABABDED& ' DDEA!DAED2+(C 3EDAAA 2 $%&'(E&)B F.ADDA1DE,/ADABA,DAD EEDD"DA D%D&FDEA"F "D!DD%DDD+ E%A/A/ ADDAD EEB%ADE%ABBADAD%DA (BA/EBE)&4EDEDEDADAD,ADADAABDFA.D // DEDAB/DBDE&&&& *CB'(E&+E FD.D!DAD,&FAAD.""AB EE,DDDA%E 5DA,",&FDAADE.DE.A EDEADE6E,D DEDD%/&7DA/EDAD,DA,5D%DD EDEAD ABDED&3EADA8DAAAB%D DEDEABAAADED"DDEDD DD& DAD"AADEA ABDB%DEEA,DADAD/%/ DAADABEDABB DEDEDADA EDAE,A ,ABDE AD& 3EDEBEEAD.E/DE.DEDADDDADAA AAB E%D%DE&AADADA .BAB.A%AAD&FD.DD,ADDD DE /A EEED1DE%& AD,D% EAD ADDEABA&9%ABDA.DE% DA%%%/ADDABD EAAD"// 5D%D /.BABDDED(DEBEADA/EAD%/ )&FD.DADD DAAADDA,D ABADBD," DE& +AE,'(E&)B :"DAD-2+) F;DEA";DED ,AAD/DED*DAD"D*&<D,DDE EDD,DABAADAB&:DDEADDD ,,DDEDABADEDDADEADE1DAADE & =DDEDA,/&:DEBEBA,AAEDDBEDDDE!D AD/& :ADEDEBEDAADA&>A.D"A EDDDE DADEBED,D E%/DD/ABDDADAD ED AB *ADDD*ADADE(E/)AAABA%AD&3ED(DE BADB)DED ADDEA",DDEAE /A,AB EADEABEAAE,ABDEADEDEA5DD, AADABAEAABDADEEAAB&FDEDDEEDDDE EDD,DDEA"AB,DADADDAAAABAD& F(A0,"AF)E%ABD DEDEADDD& BF-AE'(E&*E, $,#,BFBFF 'ADE,EADA-3EDA/"/D,AB DADE%/ %,ADADED/AA/"AB DADBA%ADE/DA,5D%+/A/DA BA&3E,,/ E//E%ABD,DEA"ABD!DA+DE A.DA/(F?') FDEA"!DD%D/"/DADDABD+E -
Wavelength (February 1983)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 2-1983 Wavelength (February 1983) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (February 1983) 28 https://scholarworks.uno.edu/wavelength/28 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. ... ,.. i .,. #pf r f~ ~ I ~ t J t .. ~ • '~ -- •-- .. I ' I . r : • 1 ,, ' ,,. .t, '~'. • .·' f I .. ""' - • ,, ' ' 4. ,I • , /rl. • 4 . • .•, .' ./j ·. ~ f/ I. • t • New Orleans is a live! A day and night kaleido scope of the gaud y, raucous, erotic and exotic Mardi Gras, Steamboats, Parades, Seafood, Jazz and the French Quarter. Discover it all in the award-winning books Mardi Gras! A Celebration and New Orleans: The Passing Parade. Brilliant color photographs by Mitchel L. Osborne are complimented by delightful and informative texts. A vail able in fine bookstores or order directly from Picayune Press, Ltd .: Mardi Gras!: A C!oth $29.95, Paper$15.95 · New Orleans: The Passing Parade: 326 Picayune Place # 200 New Orleans, LA 70130 Paper $14.95 Postage and Handhng $1.50 • LA res1dents add 3% tax • V1sa & Mastercharge accepted. ' ISSUE NO. 28 • FEBRUARY 1983 "I'm not sure, but I'm almost positive, rhar all music came from New Orleans. " Ernie K-Doe, 1979 Available in American Oak, American Walnut, Teak, Mahogany and White Features Melamine at no change In cost. -
02 Gscene Feb2019
FEB 2019 CONTENTS GSCENE magazine ) www.gscene.com AFFINITY BAR t @gscene f GScene.Brighton PUBLISHER Peter Storrow TEL 01273 749 947 EDITORIAL [email protected] ADS+ARTWORK [email protected] EDITORIAL TEAM James Ledward, Graham Robson, Gary Hart, Alice Blezard, Ray A-J SPORTS EDITOR Paul Gustafson N ARTS EDITOR Michael Hootman R E SUB EDITOR Graham Robson V A T SOCIAL MEDIA EDITOR E N I Marina Marzotto R A DESIGN Michèle Allardyce M FRONT COVER MODEL Arkadius Arecki NEWS INSTAGRAM oi_boy89 SUBLINE POST-CHRISTMAS PARTY FOR SCENE STAFF PHOTOGRAPHER Simon Pepper, 6 News www.simonpepperphotography.com Instagram: simonpepperphotography f simonpepperphotographer SCENE LISTINGS CONTRIBUTORS 24 Gscene Out & About Simon Adams, Ray A-J, Jaq Bayles, Jo Bourne, Nick Boston, Brian Butler, 28 Brighton & Hove Suchi Chatterjee, Richard Jeneway, Craig Hanlon-Smith, Samuel Hall, Lee 42 Solent Henriques, Adam Mallaby, Enzo Marra, Eric Page, Del Sharp, Gay Socrates, Brian Stacey, Michael Steinhage, ARTS Sugar Swan, Glen Stevens, Duncan Stewart, Craig Storrie, Violet 46 Arts News Valentine (Zoe Anslow-Gwilliam), Mike Wall, Netty Wendt, Roger 47 Arts Matters Wheeler, Kate Wildblood ZONE 47 Arts Jazz PHOTOGRAPHERS Captain Cockroach, James Ledward, 48 Classical Notes Jack Lynn, Marina Marzotto 49 Page’s Pages REGULARS 26 Dance Music 26 DJ Profile: Lee Dagger 45 Shopping © GSCENE 2019 All work appearing in Gscene Ltd is 52 Craig’s Thoughts copyright. It is to be assumed that the copyright for material rests with the magazine unless otherwise stated on the 53 Wall’s Words page concerned. No part of this publication may be reproduced, stored in 53 Gay Socrates an electronic or other retrieval system, transmitted in any form or by any means, 54 Charlie Says electronic, mechanical, photocopying, FEATURES recording or otherwise without the prior 55 Hydes’ Hopes knowledge and consent of the publishers. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
JORDAN This Publication Has Been Produced with the Financial Assistance of the European Union Under the ENI CBC Mediterranean
ATTRACTIONS, INVENTORY AND MAPPING FOR ADVENTURE TOURISM JORDAN This publication has been produced with the financial assistance of the European Union under the ENI CBC Mediterranean Sea Basin Programme. The contents of this document are the sole responsibility of the Official Chamber of Commerce, Industry, Services and Navigation of Barcelona and can under no circumstances be regarded as reflecting the position of the European Union or the Programme management structures. The European Union is made up of 28 Member States who have decided to gradually link together their know-how, resources and destinies. Together, during a period of enlargement of 50 years, they have built a zone of stability, democracy and sustainable development whilst maintaining cultural diversity, tolerance and individual freedoms. The European Union is committed to sharing its achievements and its values with countries and peoples beyond its borders. The 2014-2020 ENI CBC Mediterranean Sea Basin Programme is a multilateral Cross-Border Cooperation (CBC) initiative funded by the European Neighbourhood Instrument (ENI). The Programme objective is to foster fair, equitable and sustainable economic, social and territorial development, which may advance cross-border integration and valorise participating countries’ territories and values. The following 13 countries participate in the Programme: Cyprus, Egypt, France, Greece, Israel, Italy, Jordan, Lebanon, Malta, Palestine, Portugal, Spain, Tunisia. The Managing Authority (JMA) is the Autonomous Region of Sardinia (Italy). Official Programme languages are Arabic, English and French. For more information, please visit: www.enicbcmed.eu MEDUSA project has a budget of 3.3 million euros, being 2.9 million euros the European Union contribution (90%). -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Elton John Tumbleweed Connection Mp3, Flac, Wma
Elton John Tumbleweed Connection mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Tumbleweed Connection Country: Japan Released: 2001 Style: Ballad, Classic Rock MP3 version RAR size: 1542 mb FLAC version RAR size: 1114 mb WMA version RAR size: 1806 mb Rating: 4.2 Votes: 445 Other Formats: WMA MIDI AUD MP4 APE XM ASF Tracklist Hide Credits Ballad Of A Well Known Gun Acoustic Guitar, Lead Guitar – Caleb QuayeBacking Vocals – Dusty Springfield, Kay A1 4:59 Garner, Lesley Duncan, Madeline Bell, Tony Burrows, Tony HazzardBass Guitar – Dave Glover*Drums, Percussion – Roger PopePiano – Elton John Come Down In Time A2 Acoustic Bass – Chris LaurenceAcoustic Guitar – Les ThatcherBass Guitar – Herbie 3:25 FlowersDrums – Barry MorganHarp – Skaila KangaOboe – Karl Jenkins Country Comfort Acoustic Guitar – Caleb QuayeAcoustic Guitar [12-String] – Les ThatcherBacking Vocals – A3 5:08 Dee Murray, Nigel OlssonBass Guitar – Herbie FlowersDrums – Barry MorganHarmonica – Ian DuckPiano – Elton JohnSteel Guitar – Gordon HuntleyViolin – Johnny Van Derek Son Of Your Father Backing Vocals – Kay Garner, Lesley Duncan, Madeline Bell, Sue And Sunny*, Tammi A4 3:46 HuntBass Guitar – Dave Glover*Drums – Roger PopeHarmonica – Ian DuckLead Guitar – Caleb QuayePiano – Elton John My Father's Gun Backing Vocals – Dusty Springfield, Kay Garner, Lesley Duncan, Madeline Bell, Tony A5 6:19 Burrows, Tony HazzardBass Guitar – Dave Glover*Drums – Roger PopeElectric Guitar, Acoustic Guitar – Caleb QuayePiano – Elton John Where To Now St. Peter B1 Backing Vocals -
December 16, 1932
,. I. l'lstor.:.cal oo1et .. \,aterman St . -ro~id,nca. R. I. THE --JEWISH HOME NEWSPAPER OF RHODE ISLAND E!n1 r.rcd u Stcond-Oau Manu. Nov, 7, 1929, 11 tin Pose, Of. PROVIDENCE, R. I., FRIDAY DECEMBER 16 1932 Vol. IV. No. 12 6 cc at Providence. R. I.. Undu th A_,:t of M~rdl ) . 1679 5 Cents the Copy BETH-EL GROUP WILL BE HONORED I u. s. METHODS WILL HEAR BAY HELP TO BETTER Jewish Youth Gather STATE LEADERS p ALESTI E LA 1D To Plead For Support ~ r our of Water T onig~t at Emanu-EI In Struggle Over d b An-1 ri an Religion Slump tv1 Drilling For Annual Concl ve Movement ls National Rt"claims Arid reas Hundred to Hear Ad Part of the nation-wide mov mcnt w York, De 1 (JTA)- Ho s 22-}' ar-Old Jewish now in progress Lo arouse inter s l of . of tummg ltu--g ar' · of land in Pol dre~ of Hart£ ord American Jews in behalf of national . tin , n w and, into ar bl c age .religious institutions, two Massachu - ui bl £or orang growing and truck -ulptor Au·arded S miuary H ad setts leaders are schedul d to speak (armmg, is n as a r uH o! th ronigbt at a meeting of m mbers of d' cry there of n w sour ( wtl- Spinoza Prize Continue Next Week Temple Beth-EL r supply by lh applk tion o{ Th speakers ar Rabbi Israel Har Am ricnn m t.hods according t.o a co N w York. -
Mtv and Transatlantic Cold War Music Videos
102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially. -
SUMMER 2010 ASSEMBLY REPORTS District Assemblies Were Held Over the Weekend 12Th-15Th March in Morley and Paisley
CHURCH OF THE NAZARENE Together “Since we are all one body in Christ, we belong to each other and each of us needs all the others” (Romans 12:5) British Isles – – – SUMMER 2010 ASSEMBLY REPORTS District Assemblies were held over the weekend 12th-15th March in Morley and Paisley. South District Superintendent, Rev David Montgomery, brought his first report to the Assembly with the challenge to “…remain in Christ”. As Jesus said, “…if a man remains in me and I in him, he will bear much fruit…” (John 15:5). Special features of the assembly were the times of prayer for each pastor, and a question and answer session with members of the District Advisory Board. A weekend of Conventions and Rallies characterised the North Assembly, Times of Prayer at the South Assembly which followed the theme, The Church in Community, Evangelism, Worship, & Mission. Rev Colin H. Wood, brought his 18th report as District Superintendent and recognised the great need for God’s Spirit to move in the land and across the district, and that God’s Call would come to many to offer themselves for the pastoral ministry. General Superintendent, Dr Jesse C. Middendorf, presided at both assemblies, Ordination group Morley (l.to r.) Rev and both assemblies David Montgomery, Rev Margaret concluded with ordination Brown (Ordinand – Atherton), Dr Jesse C. Ordination group Paisley standing (l.to r.): Rev Jonny & services. Middendorf. Pamela Gios (Carlisle), Rev Derrick & Dayna Thames (Perth), Rev Rosemary Davidson (Edinburgh), Rev Michelle Sowerby (Parkhead), Rev Jennifer & Pastor Jonny Blake (Carlisle), JoAnne & Rev Nathan Payne (Erskine).