FOLKWAYS RECORDS Album No. FH 5594 01965 by Folkways Records & Service Corp•• 165 W. 46th st NYC USA SELMA FREEDOM SONGS A Documentary Recording by Carl Benkert FH 5594 INTRODUCTION Those who made the journey to Selma at the time of the march to Montgomery am. shared the frustrations and • fears of the Black Belt Negro, even if only for a few hours, were privileged to see life 1n a vital totality never otherwise experienced. Values and purposes became • clear and concise as they took their place beside their oppressed brother in the non-violent battle ~,inst man's barbarous mistreatment of his fellow man. P:llrough all ___ the events of those days music was an essential element; music in Bong expressing hope and sorrow; music to pacify or excite; music with the power to engage the intelligence and even touch the spirit. In these circum Selml. stances of tension many freedom songs were adapted or created to suit contemporary situations, ideas or per sonalities. Names llktt..Al-.lJngo and Jim CliJrk came to sound as established in Americana as casey Jones.Jme song which is repeated several t1.mes~s~oduct of the ----selma sfruggle. A young Negro entering a Oowntown A Documentary Recording 1lardware store was asked by the clerk, "Which side are ~n, Boy?" For his reply, "rm on the side of free dom", the clerk produced an axe handle and beat him. by Carl Benkert Monday, March 15th. In the morning, a half block from Brown A. M. E. Chapel on Sylvan street, marchers turned back in the week before were still maintaining their vigil of prayer and song. Here a new march at ALL PHOTOS BY TOSHI SEEGER tempt was halted bringing several hundred demon strators against a hundred or more troopers and troop ers and police. The tension that followed was broken by Hosea Williams of Dr. Martin Luther King's SCLC staff who led the marchers in traditional spirituals. (Side One, Bands 1, 2) A barricade, tabbed the Berlin Wall, previously set up by the police to define the line of re striction was now reerected as the singing continued into the aay.t (Side One, Bands 3 4, 5) Inside, Brown Chapel was crowded with people lromJ all parts of the country Singing before the speeche"& and prayers mark ing the death of Rev. James Reeb. (Side One, Bands 6, 7, 8) Afterward Dr. King led them in a march to the Dallas County courthouse placing a wreath at the door. 'l\lesday, March 16th. During the day, James Orange, an SCLC worker, directed the group gathered. in Brown Chapel in song (Side One, Band 9) later sending them out in pairs to visit homes in the Negro neighbor hoods of Selma. It was profountlly impressive to see the visiting clerics, Duns and laymen moving out in all directions, hand in hand with their guides, mostly children, to be personally introduced. to people and COD ditions. Several march attempts in the afternoon were turned back by Sheriff Jim Clark and another in the early evening was stopped and confined just outside Brewn Chapel by Commissioner of Public Safety Wilson Baker. Finally, Sitting on the church steps and side wa.l.k. the demonstrators sang forth for hours often with words devised in that moment to speak to the officers and troopers present. (Side One, Bands 10, 11, 12) ...- Wednesday March 17th. Two little girls, about five years old, wfto were frequently in the forefront of the group singing in Brown Chapel, sang alone for this re cording. (Side Two Band 3) Outside in the backyards I had just passed other youngsters engaged in their game "State Trooper" in which half the number lined up locked arms, and proceeded to march singing "We Shalf Overcome", then were set upon and beat down by the others wielding sticks and branches. In situations like these, one must observe the tragedy: that the misdeeds of our immature society are imprinted in the minds of innocent children. Thursday, March 18th. In the Zion Methodist Church of Marion, where Jimmie Lee Jackson was killed, an evening mass meeting was attended to overflowing by residents and visitors who had spent the day workin~ in the counties north of Selma. (Side Two, Bands 4, 5) Participating in "We Shall Overcome" is always a mOving occasion for the spirit, but this was for the few outsiderf present the most powerful and electrifying yet experi", enced. The meeting was reluctantly dismissed by AI Turner but the enthUSiastic young folks stayed on to sing with big James Orange. (Side Two, Bands 6, 7) "OH WALLACE" SIDE ONE: ( Band 5. ~WE SHALL NOT BE MOVED "Let's sing a song we truly understand and believe in. ••• " Tell Mayor Smitherman. we shall not be moved (2x) Band 1. (a) GOD WILL TAKE CARE OF YOU Just like a tree that' 5 planted by the water Ob, we shall oot be moved. God will take care of you (REFRAIN) Through every day all the way He will take care of you All the state troopers, we shall not be moved God will take care of you.. Refrain (2x) Repeat Tell Governor Wallace, we shall not be .moved (b) CLIMBING JACOB'S LADDER Refrain (2x) We are .climbing Jacob's ladder (3x) We love everyoody, we shall not be moved Soldiers of the cross Refrain (2x)
Every rung goes higherJ higher (3x) Tell Jim Clark, lord, we shall not be moved Soldiers of the cross Refrain (2x) Do you think I'll make a soldier (3x) We shall not, we shall not be moved diers of the crOSB. Refrain (2x) Band 2. 0ur way to the courthouse•••••••••.• (a ALAWAY ~ ,....-Band 6. Steal away, steal away, steal away to Jesus '---= 0 FREEDOM! Steal away\ steal away home ::-w I ain't got ang to stay here Ob, freedom, oh, freedom, ob, freedom over me, (REFRAIN) over me, And before rll be a slave, I'll be buried in my My Lord, He calls me grave He calls me by the thunder And go home to my Lord and be free. The trumpet sounds within my soul I ain't got long to stay here. No more Jim Crow, no more Jim Crow, no more ~ Refrain Jim Crow over me, over me, And before I'll be a slave, I'll be buried in my "Here' 5 another one that we used to sing on the farm _ grave back down in the red hills of Georgia that I learned to .And go home to my Lord and be free. love at an early age ••. the song of a sharecropper. And it wa this one•••• " YOU MISS ME FROM THE BACK OF THE BUS (b) NOBODY KNOWS THE TROUBLE j'VE SEEN (If you miss me from the back of the bus) Nobody knows the trouble I've seen You can't find me nowhere Nobody knows but Jesus Come on up to the front of the bus Nobody knows the trouble I've seen I'll be riding up there. (3x) Glory ballelujah, Come on up to the front of the bus Band 3. I'll be riding up there. COME BY HERE If you miss me from the Berlin Wall Come by here, my Lordy, come by here (3x) You can't find me nowhere Ob, Lord, come by here. Come on over to the courthouse Refrain j'lI be standing right there (3x) Wallace needs you, won't you come by here (3x) Come on over to the courthouse Refrain r 11 be standing right there.
We need you, LordY won't you come by here (3x) lord, come by here. Band 4. ~B LIN WALL (We're gonna break this Berlin Wall, Berlin Wall, Berlin Wall We're gonna break this Berlin Wall in Selma, Alabama. ) We're gonna stay here 'til it fall, 'til it fall, 'til It fall We're gonna stay here 'til it fall in Selma, Alabama. Hate is the thing that built that Wall, built that Wall, built that wall, Hate is the thing that built that wall in Selma, Alabama.
Love is the thing that'll make it fall, make it fall, make it fall, Love is the thing that'll make it fall, in Selma, Alabama.
We're golUla stand here 'til it fall, 'til it fall 'til it fall, ' We're %~~~~d here 'til it fall in Selma, ROUTE 80 -2- Band 8. Band 10. WOKE UP THIS MORNING WITB MY MIND EVERYBODY WANTS FREEDOM STAYED ON FREEDOM (Freedom) Woke up this morning with my mind stayed. on Everybody wants freedom, freedom (3x) Everybody wants freedom, freedom, freedom Hallelu, hallelu, hallelu, hallelujah. LBJ wants freedom LBJ wants freedom Walkin' and talkin' with my mind stayed on LBJ wants freedom, freedom, freedom freedom (3x) Hallelu, hallelu, ballelu, hallelujah.. Band 11 • .Freedom! Now! (Chanting) Band 9. (a) WIllCH SIDE ARE YOU ON, BOY Band 12. c W GO TELL IT ON TBE MOUNTAIN Which side are you on, boy J which side are you on, everybody Go tell it on the mountain Which side are you on, boy, which side are you Over the hills and everywhere on? Go tell it on the mountain (REFRAIN) To let my people go. (REFRAIN) Don't 'tom' to Mr. Charlie, don't listen to his lies I would not be Mr. Baker, I'll tell you the reason Us black folks, we ain't got a chance unless we why organize. Oh, I wouldn't be pleasing my maker, and I couldn't Refrain get ready to die. Refrain My daddy was a freedom fighter, and rm his freedom son I would not be AI Ungo, I'll tell you the reason I'll stick to this freedom fight, until every battle's why won. Ob, When my Lord calls to go up to heaven, it might Refrain be Bingo Refrain (b) KEEP YOUR EYE ON THE PRIZE I would not be a posse man, r 11 tell you the reason Paul and Silas was bound in jail why Had no money for to go their bail rm afraid my Lord might call for me Keep your eye on the prize, hold on, why don't And I couldn't get ready to die. you hold on Refrain Hold on, hold on, Keep your eye on the prize, hold on, why don't I would not be an Uncle Tom, rH tell you the you hold on. reason why Because an Uncle Tom just ain't nowhere Paul and Silas began to shout .trn\these new Freedom songs. Cell doors open and they walked out Refrain Keep your eye on the prize, hold on, why don't you hold on I would not be Sherill Clark, rll tell you the Hold on, hold on, Keep your eye on the prize, hold on, why don't I Ud be a~::~w~y walk in the non-violent army you hold on.. Evjn after it got dark. Refrain WHICH SIDE ARE YOU ON, BOY All you freedom lovers, good news to you I tell, Of bow the freedom fighters came into your town to dwell. Ob, which side are you on, boy, which side are you on, Which side are you on, boy, which side are you on? (REFRAIN) Ob, listen, Mr. Baker, you're stand.ing in the way Ob, we'll sit here all night long until the break of day. Refrain Ob, listen, State Trooper, go get your night stick Because we've got enough heads to hit, and we'll take every lick. Refrain Just go and get your oorses, bring your cans of gas We'll be here and die like men, until the very last. Refrain
-3- ~ IN LINE FOR MEALS ( Band- 3. " <=lL~' T il:;;' )' ~ T GONNA LET NOBODY TURN ME ROUND "-__~ -. H, WALLACE Ain't gorma let nobody turn me round, Oh, Lord, turn me round, turn me round (Well, 1 read in the paper, just the other day) Ain't goIUla let nobody turn me round That the freedom fighters were on their way They're coming by bus, and airplane, too I'm gonoa keep on a-walkin'j keep on a-talkin', They'll even walk if you ask them to. marching up to freeaom land. (REFRAIN) Ob, Wallace, you never can jail us all Oh, Wallace, segregation's bound to falL Ain't genoa let no tear gas turn me round, Oh, (REFRAIN) wrd turn me round, turn me round Ain't gonna let no tear gas turn me round Now r m no preacher, but I can tell Refrain You've got to straighten up or you're bound for hell Ain't gonna let no horses turn me round, Oh You can tell Wilson Baker and Al Lingo (head of wrd rurn me round, turn me round state Troopers) Ain't genna let no horses turn me round That the people in Selma won't take no mot. Refrain Refrain Ain't genna let George Wallace turn me round, Well rve never been to heaven, but I think rm Oh, Lord, turn me round, turn me round right 't gonna let George Wallace turn me round That the people in heaven are both black and - - Refrain white You can tell Jim Clark and Al Lingo Band 4. \ That the people in Selma won't take no mo'. (.) T,IIIS LITTLE LIGHT OF MINE Refrain ~ This little light of mine, I'm gonna let it shine Well this is the message I wanna you to hear (3x) You ~w I want our freedom and I want it this Let it shine, let it shine, let it shine. year So you can tell Jim Clark and all those state guys, God gave it to me, I' m gonna let it shine (3x) too Let it shine, let it shine, let it shine. Pm gonna have my freedom, they can rope if they WanDa. (b) WHICH SIDE ARE YOU ON, BOY Refrain Which side are you on, boy, which side are you Got to have those troopers on, His name is Joe (Smitherman, Mayor of Selma) Which side are you on, roy, which side are you But you tell Joe, we're gonna beg no 010' on? We' re tired of his mess, we're tired of his jive (REFRAIN) We want our freedom in '65. Refrain Come all you freedom lovers, good news to you I tell, Band 2. Oh how the freedom fighters came into your GET ON BOARD town to dwell. Refrain It'll be carrying, carrying, carrying freedom fighters, fighters, fighters (ax) Come all you faithful children, lift you your Get on board, get on board. voices and sing, Will you follow the Citizen's Council or It'll be killing, kililng, kililng, segregation, Martin Luther King? -gation, -gation. (3x) Refrain Get on board, get on board. My daddy was a freedom fighter, and I'm his It'll be carrying, carrying, carrying all God's freedom son ministers, ministers, ministers (3x) I'll stick to this freedom fight, until every battle's Get on board, get on board. won. Refrain -4- (c) Freedom! Now! (Chanting and handclapping) Ain't gonna let nobody turn me round, turn me round, turn me round (d) COME BY HERE Ain' t gonna let nobody turn me round Come by here, my lnrdy, come by here (3x) Ain' t gorma let George Wallace turn me round, Oh, Lord, come by here. turn me round, turn me round, (REFRAIN) Ain't gonna let George Wallace turn me round Refrain People are begging, my Lord, come by here (3x) Refrain (b) Freedom! Freedom! Freedom!
People are suffering, Lord, come by here (3x) (c) OR, WALLACE Refrain People in Selma are going to heaven People are dying, my Lord, come by here (3x) Listen Sheriff Clark, you can hear this plea Refrain You can lock us in the house, you can throwaway the key Band 5. WE SHALL OVERCOME Oh, Wallace, you never can jail us all 011, Wallace, segregation's bourrl to fall We shall overcome, my Lord, we shall overcome, (REFRAIN) my LJrd, We shall overcome some day You can push me around, you can throw me away Oh, deep in my heart, I do believe But I still want freedom and I want it every day We shall overcome some day. The people in Marion are here to stay (REFRAIN) And you can tell those people, we will demonstrate. We shall live in peace, we shall live in peace, Refrain We shall live in peace some day Refrain ( Band 7. WHICH SIDE ARE YOU ON, BOY God is on our Side, God is on OUI Side, God is on our side today All you freedomlovers, you know what I think Refrain Will you follow the non- violent army of Martin Luther King? (Hum one stanza during Benediction prayer) Refrain Which side are you on, boy, which side are you on, We are not afraid, we are not afraid, Which side are you on, boy, which side are you We are not afraid today on? Refrain (REFRAIN) We shall overcome, we shall overcome, Oh, brother, how do you stand it, Oh, tell me We shall overcome some day how you can .. Refrain Will you be an Uncle To~r will you be a man? Band 6. Refrain (a) AIN'T GONNA LET NOBODY TURN ME AROUND Don't 'tom' to Mr. Charlie, don't listen to his Ain't gonoa let no tear gas turn me round, turn lies me round, turn me round Us black folks we haven't got a chance, unless we Ain't gonoa let no tear gas turn me round organize. Refrain rm gonoa keep on a-walkin'J keep on a-talkin', marching up to freeaom land. They say old George Wallace, he is a mighty mean (REFRAIN) man, Once we get together, boys, we'll take it out of his hands.
-5- WITH
FIlLh. \\ \ \ S HECOIWS
FC7 10S1 RIDE WITH THE SUN , lolklalesfrom five conllnent$ Incl. China, Icaland, ElYP'I, U. S. COLONIAL PERIOD others, read by Kathleen DaMon Read (In THE NEGRO EIIlII.sb) trom book of the $ame name, ed. FH5'110 THE PAnUOT PLAN. Document.anr byltarold Courlander for UN Women's Cutld. FI»252 AMERICAN NECRO SONGS FROM FC1752 THE GLOHY OF NECRO HISTORY: recordlnr of the Amerieallpre-revolutlo~nr 1_10" 33_1/3 rpm 10llllPlay record ...... $4.25 Written and narrated by Lanpton Hugl:!es SLAVERY TIMES:(II5UI-IBI5S)SUlllby Wellel period. Inelude. the Maytlower COmpact, A with tba actual voices of Ralph BuDche and U R~. Llnlt O'[)Ly, I Just. Come From The Body 01 Liberties, Rorer WUll.am., John Mary McLeOd BethllDll recorded espeelally Fountaln, Po' MourDIIr, YOII Gonna. RaapJus! Wise, Maryland Toleration Act, Jame. otis, FC71U NECRO POETRY FOR YOUNC for this album. PI. I _ 11Ie Struale : Oh, What You Sr.., Ain't n.a.l Good News, IStood Patrick Henry, Benjamin Fn.nltllrr's Testl CHILDREN. ADIbolorr of Tn.d1Uonal and Freedom; Steal Away; Swlnr Low, sweet On The River, C41nalnly Lawd, R..tlroad Bill, mODY, Zer>ge r TrUI, AnU-8lavery Petitions, Contemporary Ne,ro Poetry. LANGSTON Charlot; 01 Riley: Go Down Moses, JobD Children's Game SOnrs, Cit Up,ChUlums,Go etc. Narested by Walla.ee HOIl5ll. Edited and HUCHES: FlOrida Road Worters, M.a. Lord, Brow-n'.!iI Body; Battle Hymn ollbe Republic. To Sleep, TIlls Little Llgbt 01 M1De. El.Sy with the book by Charles Edward Smith. SaUor, tn TIme of Sliver RaLn, Sr.D Fnn_ Pt. 2 _ The Clory: Statemant.!! by RalJ)b Rider, I Shall KllOw Him, My Uwd's CltlllI( (Thi. I. a text book With complete noles Ud cisco, HaYam ereams: Havana, 'nI8 City Bunc:be RDd Mary MeLeOd Bethune! Trouble Us Ready, an. Moruln( Soon, Get RlJht, backrrouftd materta1. Called Henen, TIle S...u, Alabama Eanh, In Mind; I'm Not Rough; U we Stars BegiD To Fall, Batter OIly A-ComlD&", Dilla. R.ac; 2_12" 33_1/3 rpm IonrPlay records .... ,11.10 Mother To SOn, Winter SWeetness, Dreams, SRlapndou, SteP Tllil way. I'm In Trouble, Must ote; Orpn CrtnOer's Slrlna". COmplete Youtb; COUNTE£ CULLEN: For My CI'IlId Stand Still, Jorda.n, Do' Lawd, Remember faile, tellt. • mother, Under tba Mistletoe, Red, 11le UII Trouble, Cw lne To Alat.my, Come~GoWtth 1_12" 33_1/3 rpm ioncpiay record ...... 111 knowll Colnr, For a Lady I K..:Iw, For a Me To My Father's House, Belore The S\lfI AMERICAN EARLY PERIOD Poet; ST£RLlNC BROWN: Alter Winter, Coes DOwn, How COIM Me Here? March 011. Sisler LOu: PAUL I..AWRENCE DUNBAR: Notes fealure t.ekrround of AmertCRllNeero FH5(1011 HERlTACE U.s.A. VOL!. SPEECHES Dawn; FENTON JOHNSON: The Banjo Slavery by Ralph KnlCht Ud sonr tena. AND OOCUMENTS na.rrated by DIlvid Kur Pla~r, Aunt Jane Allell, Philadelphia; 1_12" 33-1/3 Illm longpiay ...... $5.U land, Patrick Helll"}', '!'be Decll.n.tlon or tn CLAUDE MeKAY: North and SOUtb, The depeDdenee, Thomas P&ine, Tbe '!III of Spanish Needle, The Tropics In New York; Rlgbts, Benjamin Franlt11n, Wsshlnrton's New York, Home 'I'hoUlhls, Sprtnc 111 N_ lo"ECRO MUSIC OF AFRICA and FE"SOO Farewell Address. SPEECHES AND DOCU Hampshire: ARNA BON'l'EMPS: Dark Clrl, AMERICA, edited by Huold Courl&nder. Re_ MENTS narrated by OILvtd KUI"lan.. Danlal Mlraelas: WARING CUNEY: Troubled Jesus, corded In Atrtc-. and tbe N_ Wo rld, lII Webster, John Brown, Edward Everett at eludllli SOUth AfrIca, (Zulu), French Equa No Imaces; WESLEY CURTRICHT: Hnri CeUysberl, Lincoln Gettysberr AddreS.!l. torta1 Africa, Nlprl.i, Su(!a.n, ZalI:dbar, of the Woods, C£ORClA OOUCLAS JOHNSON: E rtlea, Ethiopia, BrU.U, Columbia, Ham, Complete !tlll. My Little ereams; FRANK ffORNE : To Puerto Rico, Cuba., TrlnJdad and !be U.s. IwIO" 33-1/3 rpm 10lllPlay records ..... p.50 James; TRADITION .... L: Old You Feed My Selectloll5 Include reconllacs !M.de by Mel_ Cow? Bedbue, Preelous Tlllllls, I'maRound_ vUle J. Rer.!lkovJt.!l, Ricardo Aleera, dc. TowlI Cent, Take Yo' Time Mbs Lucy. COm_ Notes by Harold OourJaDder and Hlchanl A. ----.------~~- plete text. Waterman. ------THE WORLD 1_12" 33_1/:1 111m 10llltPlayracord ...... $4.tII 2_12" 33_1/31llm 10D(llliay records .... ,11.90 ------""l'HI c:;rL-(>HV '-'f ""x,,;'u BIB""l'OFty FC7431 THE WORLO OF MAN : Vol.I: Man's Work. A. l1li11' depariure In the IlSt of U. re conllnp In the ETHNIC series of FOLK FC73 .. 0 RHYTHMSOFTHE WORLD,.crlptby Lalllston Hughes. A companioD record to the WAYS RECORDS. With narraUon by Harold FA2448 BILL McADOO stng.!lwlthl'Ultar.Ac First Boo.... of Rhythm. by Unrston HUBbaS. CourlaDder who compUed and edited this THE U.S. NEGRO TODAY companied by Pete seepr, with banjo. I'm Tbe recordl1ll5 present various rtlythms first in a projected .aeries 01 tour reconl COflllR Win: .. Talk For My Freedom, IDon't found In nature that are part of people and all &Ibum. on the Story Of MaD. Cu.Ued from lhfI Want No Jim Crow COffee, Wadi! In The around thi, earth and spaee In sounds, musle FH5S90 THE NASHVILLE SIT-IN STORY, a more thaD 100 albums of ETHNIC (FOLK_ and IlU"l.UOIl. Water, caryl Chessman, JoI:!.n Henry, Fare dramatic documentary t.Md on !hoi luneh WAYS) m.usle, hare 11 a panorama of people 1-10" 33-1/3 Illm IDlIIPlay record ...... 2'5 Tbee Well, Walk On Alat.ma, Cold Winter eounter "sit-in" campalrn byNe.. rostudeuts at work aDd the 80111., m.lIsle RDd sounds that Blues, Let Me Hold Your H&nd, I DoII'I W1nt In Nasb.me, Tennes_, SOII(s, lntervlewI, are a naturalaecompaniment. Emmplas In To Have a war, DIlrUo', Eight_Hundred re--enaetment of historic moments by the elude: animal c-.Ua for hunting aIId fe..unc, Mlle.!!. Noles Include sone telrts of MeAdoo's .!iItudents ibemselYes. COnceived, coordl~ted .!I01Ii'1 Ud music 01 people buUdlnr, planttnr, "SOllls of protest. and directed by Cuy carawan} narration by hanestillC, weuLnr. AfRICA 1-12" 33_1/3 rpm longplay ...... $5.115 Rev. C. T indell Vivien. Notes aDd do<:umen_ 1-10" 33-1/3Illm 10lllPlay reconl ...... 2'5 tary photorrapbs. FD6 ...1 F'REEOOM F'tc" I"ERS OF ALCER1A: SoIll".!iI 01 the F.L.N. sune III Arabic by solo 1_12" 33_1/3 Illm lo~y ...... ~.9S FC7...,2 THE WORLD OF MAN, Vol. 2. FH5511 W.E.B. DUBOIS; a recorded auto Ist.!! with SOldiers Cboru.!il RDd NatlveOrebes_ RELICIONS. wrttten Ud narrated by Harold blogr:aphy, lnterriewed by MOlles Asch; Early tn; Hymll of tile Underrl'Ollnd, Stonr ot To FH5591 WE SHALL OVERCOME; 8011( Of the Courlsftder. IlIclude., Pyrmy, Temlar, Collece Years (Ft.!Ik), Harvard, CermallY, day, Ohl De C.auUe, TIIere Is No COd But FREEDOM RIDERS and the Srr_INS, spirit_ Maori, AmertCRll ltIdJaD., Neltro, HlJIdu, Yo~ Atlanta Un1verslty, NAACP, "TIle CrisiS," COd, Algeria Rabelled, Our Allerta, ee ... - uals, gospel RDd new SOIl(.!iI sune by Tbe ruba, Cuban, JapRJJeM, Esk:imo, ete. Exam_ World War I, Pao_All'leall Colllarenee, All't ral De Caulle, Musical SIC_ture of "Vole. Montgomery Co.spel Trio, '!'be Nashville ple. ll'om the Ethnle Folkways Llbrery. ea, USA" Russia, NAACP and t.heUN,Peace 01 AlpriaD RepubUe" {FLN}. With notes Quartet and Cuy carawan.. This UtUa Upt or Complale tut. COJlll"ruses aftd !be Trtal, The Nesro and ancl sonr tellt •. MI .., There's I Meetllll" Here Toniglll., Roek 1-10" 33_1/3 rpm IollClllay ...... $4.n My Soul, Hold On, Let Us Breli Bread To YOIlIll" People, 'l'boI NesroSDd Africa Of Today. 1_12" 33-1/3 rpm loncptay reconl ...... $S.IS rether, We are SOldlers Inthe Army, We ShaU Wtth complete telrt. FC1SII11 CALL TO FREEDOM,a ca.ntsta .rtt Not Be Moved, Your Doc, Michael Row 11111 1_11" 33-1/3 rpm longplay ...... ~.i5 ten and perlormed by Mrs. Patel'. 11th Crade Boat Ashore, 1'111 SO C1a.d., Oh Freedom, We FI»443 THE rnEEDOM SONCS OF THE Cla.s from the Woodmere Elemenial'J'School, Shall Owrcome. SOne tens, ..:Ites, anddoeu SOMALI REPUBLIC with Abdullah Kershl and N. Y., Canlats Ine1ud8. We Shall (M!reome, mentary photocraphs. FH5502 THE SIT_IN STORY: TIle Storyofthe AlImed Sherif, collected by Chet WUUam.!l Oh Mary, No More AucUon Bloek, 'l'boI 1-13" 33-1/3 rpm IOlll"Play ...... S!UI!! Lunchroom Sit-ins pre_nted tly Frlendly with Ha.!lSan Hu,seln (w ireless) aDd by Mus. World Bro.dc:a..sllllC, faIIr. Edwin Randall, CettysbuTl" Addres.!l, Oh Freedom, 'I'bI lnIll.!l CaJ.Ial, .ecompilJlled .... Itb voice. and lute, Blaek. Freedom Songs: We SlLalI Owrcome, FHS592 WE SHAW. OVERCOMEI Authoru.ed narrator, and lIIc:ludllll" the voices of Dr. drums RDd tambouri... Dulllayap (For OUr Yauee Doodle, Weartnr of the CreeD,. RecordlDr, ProductdbytbeCountU tor United Martin Luther King, Ralph McGill, C .... n star OWII Land), Madatan (Tbe Most Important), Civil Rights Leadership. Joan Baez, PresI field Pitts, PaIlY Aleander, KeUy Miller SpLnsled Banatr, HapplDeu SOJlll" (Americall Lllmumba, Wa Mahad Alab (Tha.nt CocO, 11IdJaD,), French Part1.sa!lSoIlC(FFO, AlprU..n dent "'enDedy, Dr. Martin Luther~, Jr., Smith, PhUip Howerton. Dr . JohnR.Cunn1nc Op.aca (Tlie Care), Wa1al&ha (Brothers), Freedom Soli( (FLN), SOmaUan Freedom Martin Anderson, Odetta, Rabbi Joac:hl.m ham; Events and parao_le:tperienou lD the Raqut, Alo_ (Ob, My COdI), Awee (Where?), Prinz, Bob Dylan, 'Nbltney M. YOIlIII Jr., IWlralion strunk In the SOuth by Rev. Bone (AlankaIi), SOmalian. Fl'8eOomSoag(DuI Alatlkaa (Blue; Blue f'laI"). John Lewls, Roy WUklIIs, Walter Reuther, Ralpb Abernathy. Camplate t.uts. up), Anrnla Freedom SOJlll", AIJI"OIaSOldiers' 1_12" n-1/3 rpm loDCPlay reconl ...... $5.1"5 SaOC, Israel1 WaroflnclependeneeSoDC. COm Peter, Paul Ud Manr, Ba)'Ud RustlD, A. 1_12" 33-1/3 111m IOllClllay ...... ~.1I5 Philip Ralldo\llb. Notes. plete lerlpt aDd "JIll" text•. 1_12" 33-1/3 Illm 101lCPi&y ...... ~.9'5 1_12" 3S-1/3·rpm 10D(llliaYreconl ...... ''.is FC1103 FOLK TAlES FROM WEST AFRICA. Authenlle stories told In Enrllsh by Harold FLl711 ANTHOLOCY of NECRO POETS: FMS'524 HUMAN RIGHTS, 'eaturilll Mn. COurlaftder, from the Harold CQurlander_ F'1»5i3 THE STORY OF' GREENWOOD/HIS outsta.nd1J111" Nalro poeu read from their own Eleanor Roosevelt. A do<:lImaDtary on the Ceorp Herzor BOot"TbeCow_T&USWltch," SlSSlPPI Recorded" Produced for SoN.C. C. works} Inel. I..a.n(ston Hughes, Ctaude McKay, United Nations Deelan.UoD of Human Rtgbt •. publlsbed by Henry RollI! Co. 11le Oow-TaU by CUy carawan _ Sonr: "Thls uttle lI(bt of Countee CulllII, Marpret Walker, Gwendol)ID Mrs. Roosevelt traees the baek.. round of SWitch; Younde Cines to Town, Talk; Throw mt.... Church: Preacher ~ COQl"replion, Brook., otbers. Telrt the adoption of the Huma.a RI,hts doeumeot. Mountllll5; Dob't Shake HaDds with Every_ "I'm a c1t1zen 01 Creenwood--", ThIs 1111 1_12" 33_1/3 Illm 101liJllay ...... ~.i5 Racordlna" al.!lO conta1ns ucerpts from \.be bod,. Clarenee Jordan", Man MeeUnes: Preacher 11411 eenaral Assembly meeUnr ln ParilaDd 1_10" 33-1/3 Illm 10llllJllay ...... 25 ~ COacreptlon, un. CreellWood VoterRq FrankllD D. Roosenlt's "Four Freedoms" Istratlon __ " CorcrePUon: "SOmetimes _ FLl1n ANTHOLOCY ofNECllO POETS In the .peeell of li.. 1. Tnt. CO hunery", "The coml!llofthe NewYear __ ", USA, selactlollS from outstaDdJnii: AmeriCRll 1_12" 33-1/3 rpm longplay ...... ~.i5 F"C'I110 ASMAN'n FOLK TALES FROM "For the ftr.!ll tlme--", "I1)'Ou ca.nlmR(1.ne Nerro poets nf tbe pUt ZOO ,.aes, Inel. CHANA. From The Hat-Shaldlll" OILce &lid It--", COlI(regatlon: "Let II shlne __ ", "'I'bI Uurenc:. DwIb&r, PbylUlll Wheatley, COUnt&e FC'I4011 FOLLOW THE SUNSET, sulIC by Other Tales from the Cold Coast, by Harold .!Itcoftd stal'l--", CO ...... ptlon: "wa want Cullell, otbarsJ read by .v.. eontemP!f. Text Charity BaIley and ..ITated by Robert Em Courtander, Harcourt, Bnea ~ Co. Narrated by Harold CourllJldar. All Stories are more faith", "Flr_, J wnuld Just IIb--", 1_12" 33-1/3 rpm loueplay ...... ~.I5 mett. A BerJ1nn1J111"Ceorrapby record Wilh lillie Anansl's, How Aransl Got Tbem, Anall$l, Tbe Concreption: "Walk, walk", "wewnrkedaU SOIll.!l from around the world. Adapted lor racordt.nc by Eunic- Hol.saat and Ch&rtty Oldest 01 Animals, How ADaIl5I Cot Tbem, of March __ ", Colli: "Cet on board--", "We Anall.!ll, "I1Ie Oldest or Animals, How Aransl FC'IU2 THE STORY OF JAZZ lor Younr Peo BaIley, from the book by Herman and NlI\I. SIUllf--": (d) "I ...... r ibolllht that Creen Ple concehed and _rrated by Uncston Proved It, Nyame's We U, Why TIle Froll Has wood--", "we left City Hall--", OlekCrel SeJmelder. (Doubleday Publ.). SlMP Baby No Tall, ""'0 Feut. For ADlI1llI, Why AI8JI.!Ii Hughes documentary reconllne. from \.be SlHP, Mextean LullAby, Co Lolli' LlI' Dogr1es oT")'! (b). Mr. MecSp.r Enrs, "For us, the Histortcal Jazz Anthologyluuedby Fol.llWays Is Very Thin I.n the Middle, AnlDSI Plays (R.E.) ChLnese LullAby , KumaEc:b.a, Nlgertan evenu--"; (b). "It Is ..metb LIlI" __ ", COn(Te Records. OriCiN aDd cban.clerl.tle. p Dead, Why AIIIUlSI Hide. tn Dan: CorDllrs, plion: "Ain't l1li) dancer--", "Since I went amples IDClude New Orleall5, WileS and Lullaby, All Tllrougb the NlCbt, and Shenan The Porcupl ..'s Hoe, ADd. Wby There Are down--": (e). CoJlll"reptlon: Modern Jazz styles. doah (RE.) Nola. are IDcluded. Many Hoes In Ashantl. 1_12" 33 _1/3 rpm LP, note.!l ...... $5.I!! 1_10" 33_1/3 rpm 100000lay record ..... $4.2S 1_10" 33_1/3 Illm k)D(Illlay ...... $4.2"5 1-10" 33-1/3 rpm longplayrecord ...... 2S tlTHO IN U.s.A.- ~- 6