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Table Des Matieres Table des matieres Remerciements 7 Avertissement. 9 Introduction 11 Premiere partie LA THESE : L'UNIVERSITE, LE CANDIDAT ET LE DEDICATAIRE Chapitre 1 Les theses dans le cursus universitaire 19 La faculte des arts 19 La faculte de theologie 23 La faculte de medecine et de pharmacie 25 La faculte de droit 26 Chapitre II La soutenance 27 Les candidats 29 L'invitation ä la soutenance 31 Le decor de la salle: tapisseries et tentures 32 Le dais et le portrait du roi 34 Le public 36 Protocole et preseance 42 Panegyriques, harangues et odes 45 Chapitre III L'illustration des theses 51 Le placard et le livret 52 La dedicace et ses raisons d'etre 52 367 POUR LA PLUS GRANDE GLOIRE DU ROI La dedicace imprimee ou gravee 56 La dedicace gravee sur I'encadrement. 60 Retombees de la dedicace 68 La presentation de la these au roi et a la cour 69 Les cadres 73 La reception 77 Lesjournaux 77 Les livrets explicatifi 84 Lespoemes 87 Deuxieme partie ELABORATION, DIFFUSION, RECEPTION Chapitre IV Les peintres 91 Charles Le Brun 92 Pierre Mignard 103 Nicolas Mignard 107 Pierre-Paul Sevin 109 Antoine Paillet 110 Chapitre V Les graveurs 115 Les portraitistes 116 Robert Nanteuil 116 Louis Cossin, Pierre Beaufrere et Antoine et Madeleine Masson 122 Nicolas de Poilly 125 Pieter Van Schuppen 128 Nicolas Pitau 130 Pierre Simon 130 Les graveurs d'histoire 132 Gilles Rousselet 132 Francois de Poilly 133 Gerard Edelinck 135 Guillaume Vallet, Etienne Picart et Etienne Gantrel 137 Les graveurs en lettres 139 Jean Richer 139 Jean Liebaux 141 Chapitre VI Contrats et depenses 147 Le prix des gravures 147 368 TABLE DES MATURES Le portrait 147 Les allegories 151 Les prix des modeles 152 L'impression 153 Le satin 154 Diffusion et reutilisation 156 Les portraits 156 Les theses historiees 160 La reception des illustrations de these: remplois et copies 160 Troisieme partie LE ROI, SON HISTOIRE ET SON PORTRAIT Chapitre VII L'histoire du roi 169 De la naissance au regne personnel (1638-1660) 169 Les premieres annees (1638-1645) 169 La naissance 169 Le nouveau roi (1643-1645) 173 De l'avenement au sacre (1645-1654) 180 Celebration du roi en province et ä l'etranger (1649-1653) 180 Theses hors de Paris 180 Theses hors de France 184 Vers raffirmation du pouvoir royal (1653-1660) 186 Les annees 1653-1659 186 Les annies 1659-1660 192 Le pouvoir personnel: le roi triomphant (1661-1715) 197 Compositions historiees 197 Le roi ä cheval: de la guerre ä lapaix 213 Le Roi Tres Chretien, l'Eglise catholique et Dieu 226 Fails etgestes de Louis XIV: la justice et la sante du roi. 237 Une these «ideale» 246 Chapitre VIII Le portrait du roi 251 Le portrait physique: du visage au costume 251 Le visage 251 Le costume 260 Le portrait moral dans les sujets d'histoire: l'allegorie et l'embleme 262 L'aigle et lefoudre de Jupiter 263 Hercule, le lion de Ne'me'e et la massue: l'Hercule francais et l'Hercule chritien 263 Minerve: de la sagesse a lapaix 270 Mars 271 Apollon 272 369 POUR LA PLUS GRANDE GL01RE DU ROI L'Histoire et le Temps 272 La Victoire, la Paix, la Renommee et la Gloire 273 Le Zele religieux et la Providence 275 Les vertus 276 Les vices, l'Heresie et les ennemis de la France 278 Le roi en lui-meme 279 L'embleme royal et la monarchic 285 Le portrait en buste: attributs et symboles 286 Les instruments du pouvoir: couronne, sceptre et main de justice 286 Lys au naturel et lys he'raldiques. Le soleilpersonnifie 288 Conclusion 293 Abreviations 299 Table des theses dedUes au roi 301 Annexe : table des thhes dediees a lafamille royale, aux fib legitimes de Louis XIV et aux favorites 309 Sources et bibliographie 315 Table de concordance 337 Table des illustrations 339 Credits photographiques 345 Index des noms depersonnes 347 370.
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