The Ledger and Times, April 3, 1964
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Happy Birthday!
THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe. -
Friday, June 11 11Am Ruby Dee Park at Library Green
You are Cordially Invited to The 2021 Induction of Honorees Friday, June 11 11am Ruby Dee Park at Library Green In the event of inclement weather, the ceremony will take place in the New Rochelle Public Library Ossie Davis Theater. Limited seating available. For further information: Barbara Davis, City Historian (914) 224-5093 About the New Rochelle “Walk of Fame” The New Rochelle Walk of Fame, located in Ossie Davis Park at Library Green in downtown, is a unique tribute to nationally notable individuals with distinct ties to New Rochelle. Inductees are honored with 20” x 14” full color historical interpretive sign (larger signs feature a specific group of honorees,) telling their stories in words and graphics. The Walk is a micro history of America in a nutshell as reflected in the lives of New Rochelle’s famous sons and daughters, representing the arts, business, politics, education, the media, entertainment and sports. The signs are strategically located in the gardens lining the Library Green pathway and were created and funded by former resident and historian Roderick Kennedy Jr., working in partnership with the Barbara Davis, City Historian, the City of New Rochelle and the Downtown Business Improvement District. New Rochelle Walk of Fame New Rochelle Walk of Fame 1. Madame Alexander Premier doll maker of the 20th Century (1895-1990) 2. Jerry Boch, Joseph Stein Composer, Fiddler on the Roof and others (1928 – 2010) Writer, Fiddler on the Roof and others (1912 – 2010) 3. Nell Brinkley Illustrator, Cartoonist (1886 – 1944) 4. Theresa Brewer Singer and entertainer (1931 – 2007) 5. Joseph Campbell Professor, writer on mythology and comparative religions (1904 – 1987) 6. -
1St Connection Between Baseball and Opera
Baseball & Opera (compiled by Mark Schubin, this version posted 2014 April 14) 1849 : 1 st connection between baseball and opera: Fans of American actor Edwin Forrest, who is playing Macbeth in New York, hire thugs from among ballplayers at Elysian Fields in Hoboken, New Jersey (1 st famous ball field) to disrupt performances of British actor William Macready, also playing Macbeth in New York at what had been Astor Opera House. Deadly riot ensues; Macready is rescued by ex-Astor Opera House impresario Edward Fry, who later (1880) invents electronic home entertainment (and probably headphones) by listening to live opera by phone. 1852: Opera-house exclusivity dispute with composer’s niece Johanna Wagner forms legal basis of baseball’s reserve clause. 1870 : Tony Pastor’s Opera House baseball team is covered by The New York Times (they won). 1875 : San Francisco Chronicle reports on that city’s opera-house baseball team. 1879 : Pirate King role created for Signor Brocolini, who, as John Clark, played first base for the Detroit Base Ball Club. 1881 : Dartmouth College opera group performs to raise money for college’s baseball team. 1884 : Three telegraph operators, James U. Rust, E. W. Morgan, and A. H. Stewart, present live games remotely. One sends plays from ballpark, second receives and announces, third moves cards with players’ names around backdrop. Starting in Nashville’s 900-seat Masonic Theater, they soon move to 2,500-seat Grand Opera House, beginning half-century of remote baseball game viewing at opera houses (also Augusta, GA Grand Opera House starting 1885). 1885 : The Black Hussar is probably 1 st opera with baseball mentioned in its libretto (in “Read the answer in the stars”). -
The Great Ideas Online
THE GREAT IDEAS ONLINE Aug ‘07 No 434 Dana Gioia, chairman of the National Endowment for the Arts delivered the Stanford University Commencement address June 17, 2007. ‘TRADE EASY PLEASURES FOR MORE COMPLEX AND CHALLENGING ONES’ Good morning. Thank you, President Hennessy. t is a great honor to be asked to give the Commencement address I at my alma mater. Although I have two degrees from Stanford, I still feel a bit like an interloper on this exquisitely beautiful cam- pus. A person never really escapes his or her childhood. At heart I’m still a working-class kid—half Italian, half Mexican— from L.A., or more precisely from Hawthorne, a city that most of this audience knows only as the setting of Quentin Tarantino’s 2 Pulp Fiction and Jackie Brown—two films that capture the ineffa- ble charm of my hometown. Today is Father’s Day, so I hope you will indulge me for begin- ning on a personal note. I am the first person in my family ever to attend college, and I owe my education to my father, who sacri- ficed nearly everything to give his four children the best education possible. My dad had a fairly hard life. He never spoke English until he went to school. He barely survived a plane crash in World War II. He worked hard, but never had much success, except with his family. When I was about 12, my dad told me that he hoped I would go to Stanford, a place I had never heard of. For him, Stanford repre- sented every success he had missed yet wanted for his children. -
PUNKS! TOPICALITY and the 1950S GANGSTER BIO-PIC CYCLE
cHAPTER 6 PUnKs! TOPIcALItY AnD tHe 1950s gANGSTER BIo-PIc cYcLe ------------------------------- PeteR stAnfield “This is a re-creation of an era. An era of jazz Jalopies Prohibition And Trigger-Happy Punks.” — Baby Face Nelson this essay examines a distinctive and coherent cycle of films, pro- duced in the late 1950s and early 1960s, which exploited the notoriety of Prohibition-era gangsters such as Baby Face Nelson, Al Capone, Bonnie Parker, Ma Barker, Mad Dog Coll, Pretty Boy Floyd, Machine Gun Kelly, John Dillinger, and Legs Diamond. Despite the historical specificity of the gangsters portrayed in these “bio-pics,” the films each display a marked interest in relating their exploits to contemporary topical con- cerns. Not the least of these was a desire to exploit headline-grabbing, sensational stories of delinquent youth in the 1950s and to link these to equally sensational stories of punk hoodlums from 1920s and 1930s. In the following pages, some of the crossovers and overlaps between cycles of juvenile delinquency films and gangster bio-pics will be critically eval- uated. At the centre of analysis is the manner in which many of the films in the 1950s bio-pic gangster cycle present only a passing interest in pe- riod verisimilitude; producing a display of complex alignments between the historical and the contemporary. 185 peter stanfield DeLInQUENTS, gANGSTERs, AnD PUnKs In the 1950s, the representation of gangsters and of juvenile delinquents shared a common concern with explaining deviancy in terms of a rudi- mentary psychology, -
Hollywood: the Shock of Freedom in Films -- Printout -- TIME
Back to Article Click to Print Friday, Dec. 08, 1967 Hollywood: The Shock of Freedom in Films (See Cover) Two girls embrace, then enjoy a long, lingering kiss that ends only ' when a male intruder appears. A vulpine criminal in a sumptuous penthouse pulls aside a window curtain to look down at the street. When he releases the curtain, he is abruptly in another apartment. He crosses the thickly carpeted living room to peer into a bedroom; when he turns back, the living room is empty and bare- floored. In the midst of an uproariously funny bank robbery, a country-boy hoodlum fires his pistol; the tone of the scene shifts in a split second from humor to horror as the bloodied victim dies. At first viewing, these scenes would appear to be photomontages from an underground-film festival. But The Fox, based on a D. H. Lawrence story with a lesbian theme, is soon to be released nationally, starring Sandy Dennis. Point Blank, with Lee Marvin, is in its plot an old-fashioned shoot-em-down but in its technique a catalogue of the latest razzle-dazzle cinematography. Bonnie and Clyde is not only the sleeper of the decade but also, to a growing consensus of audiences and critics, the best movie of the year. Differing widely in subject and style, the films have several things in common. They are not what U.S. movies used to be like. They enjoy a heady new freedom from formula, convention and censorship. And they are all from Hollywood. Poetry & Rhythm. Hollywood was once described as the only asylum run by its inmates. -
TOPICALITY and the 1950S GANGSTER BIO-PIC CYCLE
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kent Academic Repository CHAPTER 6 PUNKS! TOPICALITY AND THE 1950s gANgSTER BIO-PIC CYCLE ------------------------------- peter Stanfield “This is a re-creation of an era. An era of jazz Jalopies Prohibition And Trigger-Happy Punks” — Baby Face Nelson this essay examines a distinctive and coherent cycle of films, pro- duced in the late 1950s and early 1960s, which exploited the notoriety of Prohibition-era gangsters such as Baby Face Nelson, Al Capone, Bonnie Parker, Ma Barker, Mad Dog Coll, Pretty Boy Floyd, Machine Gun Kelly, John Dillinger, and Legs Diamond. Despite the historical specificity of the gangsters portrayed in these “bio-pics,” the films each display a marked interest in relating their exploits to contemporary topical con- cerns. Not the least of these was a desire to exploit headline-grabbing, sensational stories of delinquent youth in the 1950s and to link these to equally sensational stories of punk hoodlums from 1920s and 1930s. In the following pages, some of the crossovers and overlaps between cycles of juvenile delinquency films and gangster bio-pics will be critically eval- uated. At the centre of analysis is the manner in which many of the films in the 1950s bio-pic gangster cycle present only a passing interest in pe- riod verisimilitude; producing a display of complex alignments between the historical and the contemporary. 15 peter stanfield DELINQUENTS, gANgSTERS AND PUNKS In the 1950s, the representation of gangsters and of juvenile delinquents shared a common concern with explaining deviancy in terms of a rudi- mentary psychology, which held that criminality was fostered by psycho- pathic personalities. -
Download Booklet
110788 bk Bjorling4 EU 23/07/2004 01:04pm Page 8 PONCHIELLI: La Gioconda: ADD & Cielo e mar! 4:22 GREAT SINGERS • BJÖRLING 13th January 1951 – DB 21563 (E1-RC-2126-1) 8.110788 1-3, 5 & 6 with the Royal Opera Orchestra conducted by Nils Grevillius 4 & 7 with the Stockholm Concert Association Orchestra conducted by Nils Grevillius 8-9 with the Swedish Radio Orchestra conducted by Nils Grevillius 10-17 with the RCA Victor Orchestra conducted by Renato Cellini Jussi BJÖRLING Collection, Vol. 4 Opera Arias and Duets 1945-1951 You are welcome to contact one of the Jussi Björling Societies! * The Jussi Bjorling Society-USA Les pêcheurs de perles www.jussibjorlingsociety.com. To join, write to Mickey Dove, 109 Melrose Rd., Broad Brook, CT 06016 USA, or email her at [email protected] Otello * The Jussi Bjorling Appreciation Society To join, write to Eric Wimbles, Glenaire, 58 Mill Road, Crowle, North La bohème Lincolnshire, DN17 4LN, UK, or email him at [email protected] La forza del destino * Jussi Björlingsällskapet (The Scandinavian Jussi Björling Society) www.jussibjorlingsallskapet.com. To join, contact the Jussi Björling Museum (see below). Don Carlo You are welcome to visit or contact the Jussi Björling Museum, which has L’elisir d’amore the world’s largest collection related to Jussi Björling. Address: Borganäsvägen 25, SE-78433 Borlänge, Sweden. http://www.borlange.se/kommun/jussi/ Manon 8.110788 8 110788 bk Bjorling4 EU 23/07/2004 01:04pm Page 2 Jussi Björling: Collection, Vol. 4 GOUNOD: Roméo et Juliette: VERDI: Don Carlo: Opera Arias and Duets (1945-1951) 1 Ah! lève-toi, soleil 3:18 0 Io l’ho perduta… Qual pallor… 10:23 6th September 1945 – DB 6249 (2SB 2535-2) Dio, che nell’alma infondere Jussi Björling was born in February 1911 (on the 5th bohème. -
If You Stutter, You Are Definitely in Good Company!
6450-SFA.qxd 3/13/06 8:31 AM Page 2 Winston Churchill captured the attention of millions during WWII with his inspiring speeches. Basketball star Kenyon Martin has NBA All Star and Hall of Famer Singer Carly Simon, winner of an been a two-time member of basketball’s Bill Walton is recognized as a well- Oscar and a Grammy, not only has 20/20’s John Stossel still struggles Team USA and was selected to the known NBC Sports commentator. many hit records but is also an author with stuttering, yet has become one 2004 NBA All-Star Team. of children’s books. of the most successful reporters in broadcast journalism today. Country music star and recording artist Mel Tillis has entertained audiences across the country and around the world. As “Xander” in the popular TV Annie Glenn, wife of astronaut series, Buffy the Vampire Slayer, John Glenn, was grounded for years Actor James Earl Jones, a Broadway Bob Love, legendary star of the and television star, is well-known for Nicholas Brendon has won fans Chicago Bulls, now heads up by a stuttering problem. Speech of all ages. therapy, hard work and determination his voice as “Darth Vader” in Star Wars Community Affairs for the and his book, Voices and Silences. championship team. helped to turn it around. Author John Updike continues his successful career with best-sellers Rabbit at Rest, Brazil, and Villages. Marilyn Monroe captivated movie Explorer, conservationist, and zoologist Robert Merrill, world-famous Legendary golfer KenVenturi, audiences and fellow performers alike Alan Rabinowitz works tirelessly to If you stutter, baritone, was the first American to Congressman Frank Wolf of Virginia U.S. -
Film Locations in San Francisco
Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros. -
The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992
THE SECULARIZATION OF THE REPERTOIRE OF THE MORMON TABERNACLE CHOIR, 1949-1992 Mark David Porcaro A dissertation submitted to the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music (Musicology) Chapel Hill 2006 Approved by Advisor: Thomas Warburton Reader: Severine Neff Reader: Philip Vandermeer Reader: Laurie Maffly-Kipp Reader: Jocelyn Neal © 2006 Mark David Porcaro ALL RIGHTS RESERVED ii ABSTRACT MARK PORCARO: The Secularization of the Repertoire of the Mormon Tabernacle Choir, 1949-1992 (Under the direction of Thomas Warburton) In 1997 in the New Yorker, Sidney Harris published a cartoon depicting the “Ethel Mormon Tabernacle Choir” singing “There’s NO business like SHOW business...” Besides the obvious play on the names of Ethel Merman and the Mormon Tabernacle Choir, the cartoon, in an odd way, is a true-to-life commentary on the image of the Salt Lake Mormon Tabernacle Choir (MTC) in the mid-1990s; at this time the Choir was seen as an entertainment ensemble, not just a church choir. This leads us to the central question of this dissertation, what changes took place in the latter part of the twentieth century to secularize the repertoire of the primary choir for the Church of Jesus Christ of Latter-day Saints (LDS)? In the 1860s, when the MTC began, its sole purpose was to perform for various church meetings, in particular for General Conference of the LDS church which was held in the Tabernacle at Temple Square in Salt Lake City. From the beginning of the twentieth century and escalating during the late 1950s to the early 1960s, the Choir’s role changed from an in-house choir for the LDS church to a choir that also fulfilled a cultural and entertainment function, not only for the LDS church but also for the American public at large. -
The Concerts at Lewisohn Stadium, 1922-1964
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.