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Product Catalogue
Product Catalogue - 1 - I would like to take this opportunity to welcome you to our Retailer Reference Guide. This guide has been compiled to offer you an insight into Ulster, our core values, and our long-term commitment to our retailers and to the industry. We have made significant investments in new ranges and refreshed some of our existing ranges and this guide showcases the entire Ulster offering accompanied by stunning room set and close up photography. I know that at Ulster we are extremely fortunate to have such good relationships with our retailers and, indeed we can count many of you as our friends. I thank you for your continued support over the years, and assure you that we are clearly focused on strenghtening those valued relationships going forward. Nick Coburn Group Managing Director Natural Choice Axminster - Garland Natural (11/20042) Find this carpet on Page 22 Contents This Retailer Reference Guide provides you with all of the information you will need on current Ulster Carpets products. We have divided the guide into easily identifiable colour-coded sections which will help you to quickly locate the ideal Ulster product. The colour-coded bars below outline the colours and page numbers of each section. Section/Content Page(s) Section/Content Page(s) Behind the Brand 4 - 5 Open Ground 46 - 54 Ulster History & Sheriden 46 - 48 Key Selling Points 4 - 5 Athenia 49 - 51 Tazmin 52 - 54 Contemporary Traditionals 6 - 21 Country House Kazan 6 - 7 Classic Traditionals 55 - 60 Country House Beaumont 8 - 9 Anatolia 10 - 12 Glenavy -
Advances in Carpet Manufacture
SOFTbank E-Book Center Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Woodhead Publishing in Textiles: Number 87 Advances in carpet manufacture Edited by K. K. Goswami © SOFTbank2009 Woodhead E-Book Publishing Center Limited Tehran, Phone: 66403879,66493070 For Educational Use. www.ebookcenter.ir Published by Woodhead Publishing Limited in association with The Textile Institute Woodhead Publishing Limited, Abington Hall, Granta Park, Geat Abington Cambridge CB21 6AH, UK www.woodheadpublishing.com Woodhead Publishing India Private Limited, G-2, Vardaan House, 7/28 Ansari Road, Daryaganj, New Delhi ± 110002, India Published in North America by CRC Press LLC, 6000 Broken Sound Parkway, NW, Suite 300, Boca Raton, FL 33487, USA First published 2009, Woodhead Publishing Limited and CRC Press LLC ß Woodhead Publishing Limited, 2009 The authors have asserted their moral rights. This book contains information obtained from authentic and highly regarded sources. Reprinted material is quoted with permission, and sources are indicated. Reasonable efforts have been made to publish reliable data and information, but the authors and the publishers cannot assume responsibility for the validity of all materials. Neither the authors nor the publishers, nor anyone else associated with this publication, shall be liable for any loss, damage or liability directly or indirectly caused or alleged to be caused by this book. Neither this book nor any part may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, microfilming and recording, or by any information storage or retrieval system, without permission in writing from Woodhead Publishing Limited. The consent of Woodhead Publishing Limited does not extend to copying for general distribution, for promotion, for creating new works, or for resale. -
The Story of Axminster Carpets
Magic Carpets – the Axminster story Magic Carpets-the Axminster story Introduction Up until the 18th century Age of Elegance, few people in this country would have set foot on a carpet. The fl oors of the homes of this Isle would have been made of beaten earth covered in rushes or straw threshings, fl agstones or wood. As late as 1751, a carpet was described as “a sort of covering to be spread on a table, trunk, an estrade (dais), or even a passage or fl oor”. In Scotland, in the latter part of the 18th century, a fl at reversible double-woollen fl oor cloth was becoming popular as a means of rendering the houses comfortable and as “a security against stone buildings, stone staircases and a cold climate”. “Kidderminster stuffs”, initially used as table cloths, were adapted in 1735 as a coarse double-weave cloth for fl ooring, but it was not until the middle of the 18th century that the glorious hand-knotted seamless carpets were born in the market town of Axminster and spread on the fl oors of palaces and country homes of Great Britain and beyond. The inventor of Axminster Carpets was a local man – Thomas Whitty – and it is his story and that of the second great weaver of Axminster, Harry Dutfi eld, which this booklet seeks to record. Index 03 Introduction Thomas Whitty and the birth of Axminster carpets 04 04 08 Whitty’s designs in the Age of Elegance 10 The Weavers’ Tales celebrations 08 11 Harry Dutfi eld and the renaissance of Axminster Carpets 13 Where are they now? 10 14 Looking to the future 15 Chronology 11 Introduction & Index | p3 Thomas Whitty and the birth of Axminster carpets The man who made the town of making an eight-inch square of ‘Turkey’ Axminster synonymous with carpets – carpet. -
Product Catalogue
Product Catalogue - 1 - I would like to take this opportunity to welcome you to our Retailer Reference Guide. This guide has been compiled to offer you an insight into Ulster, our core values, and our long-term commitment to our retailers and to the industry. We have made significant investments in new ranges and refreshed some of our existing ranges and this guide showcases the entire Ulster offering accompanied by stunning room set and close up photography. I know that at Ulster we are extremely fortunate to have such good relationships with our retailers and, indeed we can count many of you as our friends. I thank you for your continued support over the years, and assure you that we are clearly focused on strengthening those valued relationships going forward. Nick Coburn Group Managing Director Natural Choice Axminster - Garland Slate (91/20050) Find this carpet on Page 19. Contents This Retailer Reference Guide provides you with all of the information you will need on current Ulster Carpets products. We have divided the guide into easily identifiable colour-coded sections which will help you to quickly locate the ideal Ulster product. The colour-coded bars below outline the colours and page numbers of each section. Section/Content Page(s) Section/Content Page(s) Behind the Brand 4-5 Open Ground 42 - 52 Ulster History & Sheriden 42 - 44 Key Selling Points 4-5 Athenia 45 - 47 Quadra 48 Orissa 49 Contemporary Traditionals 6 - 17 Tazmin 50 - 52 Country House Kazan 6 - 7 Country House Beaumont 8 - 9 Classic Traditionals 53 - 57 Country -
Axminster CARPET
Axminster CARPET Custom Marine Design 1 The ultimate flooring With more than 80 years of experience as a carpet manufacturer, we can offer expertise and flexibility in production and supply, as well as long-standing business relationships in our role as a experience reliable partner. As a company, we offer custom made design carpets, as well as carpet and vinyl flooring collections. Providing a complete package for all marine floor covering needs in any area of a vessel. Custom Axminster design 2 3 A specialist supplier As a company we are a leading supplier of DESSO® branded With DESSO Axminster carpet we deliver the following high quality wool and nylon products as well as Tarkett key benefits: branded vinyl flooring. With our portfolio of products for cruise ships, ferry and • More than 80 years of experience in carpet river cruises, offshore structures, and other types of vessels manufacturing we aim to provide flooring solutions for all segments of the • A completely vertically integrated production process Marine industry as well as wholesale marine partners. • Higher quality wool and therefore carpet • Standard 3 ply yarn system Our manufacturing process is vertically integrated, which • Reduction in life cycle costs due to high quality level means that all stages of production are carried out in our own • Highest level of quality specifications facilities, thus achieving optimal flexibility and quality control. • Full commitment to the Cradle to Cradle® Continuous investment in our production facilities ensures design philosophy the quality of our products. To offer our customer a true custom-made experience, we take care of the entire process including: Design ID:J17145-701 1 2 3 4 5 6 7 8 9 10 11 N872A873 N878B878 C880B877 E550 D550K549 L549 N213 1 Project design 7 2 On Site Installation Support/ plans Training Custom-made 6 experience 3 After sales Production (maintenance recommendations) 5 4 On Site Just in Time Support Delivery 4 5 Innovation Strategy Today, most people spend 90% of their time indoors. -
Rug Buying Guide Find the Perfect Rug for Any Space
Rug Buying Guide Find the perfect rug for any space. Learn more about rug construction, sizes, material, style, and care. The right rug can do more than just help define a space. It can protect your floors from wear and tear while adding to a visually appealing aesthetic with its colors and patterns. However, purchasing a rug is no easy task. You must consider your lifestyle, placement of the rug, design of the rug, and what you will need from a rug. We’ve compiled the ultimate guide to help you find the exact rug that will fulfill the needs of your space. Rug Weaves The weave of a rug can determine the feel, look, and durability overtime. Although rugs can now be made more efficiently, there are still many craftsmen who tediously weave rugs by hand. Hand-Knotted Hand-knotted rugs are very labor intensive with lasting results. They are very durable and can last for over 20 years with minimal shedding. The most common fiber used is wool. Because hand-knotted rugs are very labor intensive to create, they can take on average 5-7 months to be completed, sometimes even longer. The time and labor put into creating a hand-knotted rug does make it considerably pricier than other. Weavers will begin by hand tying knots onto warps before tying tufts of wool around the warp creating knots. The end of knots create the pile. Wefts are then threaded through in order to tighten the knots. This creates the foundation of the rug. The more knots per inch, the more intricate the pattern, and usually the more durable the knots will be. -
HEYDER ALIYEV CENTRE, Azerbaijan Zaha Hadid Architects Background in 2013, the Heydar Aliyev Center Opened to the Public in Baku, the Capital of Azerbaijan
HEYDER ALIYEV CENTRE, Azerbaijan Zaha Hadid Architects Background In 2013, the Heydar Aliyev Center opened to the public in Baku, the capital of Azerbaijan. The cultural center, designed by Zaha Hadid, has become the primary building for the nation's cultural programs, aspiring instead to express the sensibilities of Azeri culture and the optimism of a nation that looks to the future. This report presents a case study of the project. It will include the background information, a synopsis of the architect's mastery of structural design. Also, some special elements of this building will be discussed in detail. And the structural design of the whole complex will be reviewed through diagrams and the simplified computer-based structural analysis. The Heydar Aliyev Center Since 1991, Azerbaijan has been working on modernizing and developing Baku’s infrastructure and architecture in order to depart from its legacy of normative Soviet Modernism. The center is named for Heydar Aliyev, the leader of Soviet-era Azerbaijan from 1969 to 1982, and President of Azerbaijan from October 1993 to October 2003. The project is located in the center of the city. And it played an extremely important role in the development of the city. It breaks from the rigid and often monumental Soviet architecture that is so prevalent in Baku. More importantly, it is a symbol of democratic philosophy thought. Under the influence of the new Azerbaijan party and the Soviet Socialist Republic of Azerbaijan leader’s political and economic reform, the center was also designed to show the potential of the country’s future cultural development, to encourage people to study the history, language, culture, national creed and spiritual values of their own country. -
Azərbaycan Respublikasi Mədəniyyət Və Turizm Nazirliyi
AZƏRBAYCAN RESPUBLİKASI MƏDƏNİYYƏT VƏ TURİZM NAZİRLİYİ M.F.AXUNDOV ADINA AZƏRBAYCAN MİLLİ KİTABXANASI YENİ KİTABLAR Annotasiyalı biblioqrafik göstərici 2010 Buraxılış II B A K I – 2010 AZƏRBAYCAN RESPUBLİKASI MƏDƏNİYYƏT VƏ TURİZM NAZİRLİYİ M.F.AXUNDOV ADINA AZƏRBAYCAN MİLLİ KİTABXANASI YENİ KİTABLAR 2010-cu ilin ikinci rübündə M.F.Axundov adına Milli Kitabxanaya daxil olan yeni kitabların annotasiyalı biblioqrafik göstəricisi Buraxılış II BAKI - 2010 Tərtibçilər: L.Talıbova N.Rzaquliyeva Baş redaktor: K.Tahirov Redaktor: T.Ağamirova Yeni kitablar: biblioqrafik göstərici /tərtib edənlər L.Talıbova [və b.]; baş red. K.Tahirov; red. T.Ağamirova; M.F.Axundov adına Azərbаycан Milli Kitabxanası.- Bakı, 2010.- Buraxılış II. - 424 s. © M.F.Axundov ad. Milli Kitabxana, 2010 Təbiət elmləri 1. 2-780890 Экологическая экспертиза [Текст]: учебное пособие для студентов вузов, обучающихся по специальности "Экология" /В.К.Донченко, В.М.Питулько, В.В.Растоскуев, С.А.Фролова; под ред. В.М.Питулько; рец. М.П.Федоров, Л.И.Цветкова, А.Г.Емельянов.- М.: Издательский центр "Академия", 2010.- 523 с. В книге дан анализ нормативно-правового обеспечения охраны окружающей среды, природопользования и экологической безопасности в России и за рубежом. Riyaziyyat 2. В1.р Alıyev, R.B. Pedaqoji fakültələrin riyaziyyat kursunda A50 rasional ədədlərin tədrisi yolları [Mətn]: ped. elm. nam. dər. dis. 13.00.02 /Rafiq Alıyev; ADPU.- Bakı, 2007.- 148 s. 3. В1.р Cəfərov, O.C. V-VI siniflərdə şagirdlərin ədədlər C50 nəzəriyyəsi elementlərinə dair biliklərinin genişləndirilməsi və dərinləşdirilməsi [Mətn]: ped. elm. nam. dər. dis.: 13.00.02 /Orxan Cəfərov; Azərb. Resp. Təhsil nazirliyi, Naxşıvan Dövlət un-ti. Naxçıvan, 2008.- 176 s. 4. В127 Davudova, R.İ. -
First Mosaic Stone Qur'an in Preparation
June 17, 2021 Baneh handicrafts workshops Two handicrafts workshops were inaugurated in Baneh, Kurdestan Province, on Tuesday, on the occasion of the Handicrafts Week, started on June 10, said the western province’s 5 Cultural Heritage, Tourism, and Handicrafts Department, CHTN reported. Iranica First mosaic stone Qur’an in preparation chtn.ir Iranica Desk briefed the CHTN reporter on the details of the and extremely difficult, the official added it is the artwork, saying that the diameter of each page of first of its kind. he first stone Qur’an is being made by this holy book, which is being made by the stone Master Seyyed Hossein Mirehei has previously a Qom handicraft artist using mosaic mosaic artist, Seyyed Hossein Mirehei, is two made two stone chandeliers for the holy shrines Tstone art,” said an official from the cen- millimeters. of Imam Ali and Imam Hussein (PBUT), the first tral province’s Cultural Heritage, Tourism, and All the process of making is done by hand, he ex- and third Shia Imams in Najaf and Karbala re- Handicrafts Department. plained . spectively, the official said. The head of Qom Cultural Heritage, Tourism, Mentioning that the entire making process of The two donated artworks are unique and unpar- and Handicrafts Department, Alireza Arjmandi, mosaic stone Qur’an is completely innovative alleled, he said. basijasatid.ir Top 10 museums to visit in Iran What are the best museums of Iran that you 10 museums which will leave you speechless. that are kept in museums of Iran. The large and mous museums in Iran. The -
The Journal of the Asian Arts Society of Australia Ancient Iran
VOLUME 19 NO. 3 SEPTEMBER 2010 the journal of the asian arts society of australia TAASA Review ancient iran C o n t E n t s Volume 19 No. 3 September 2010 3 Editorial taasa rEVIEW Tobin Hartnell and Josefa Green THE ASIAN ARTS SOCIETY OF AUSTRALIA INC. ABN 64093697537 • Vol. 19 No. 3, September 2010 ISSN 1037.6674 4 ChEshmEh ali WarE: a PaintEd CEramiC tradition in thE iranian CEntral PlatEau Registered by Australia Post. Publication No. NBQ 4134 Edna Wong EditorIAL • email: [email protected] 7 ElamitE art General editor, Josefa Green Javier Álvarez-Món PubliCations Committee 10 the KazaKly-yatKan Wall Paintings: New PErspectivEs on the Art of the AnCiEnt Iranian World Josefa Green (convenor) • Tina Burge Melanie Eastburn • Sandra Forbes • Ann MacArthur Fiona Kidd Jim Masselos • Ann Proctor • Susan Scollay Sabrina Snow • Christina Sumner 12 PErsepolis in the WEstErn imagination dEsign/layout Tobin Hartnell Ingo Voss, VossDesign Printing 15 love Thy Neighbour: The Intimate Art of DiPlomaCy in PErsepolis Processional SculPturEs John Fisher Printing Stephanie Reed Published by The Asian Arts Society of Australia inc. 18 sasanian roCK rEliEf PanEls PO Box 996 Potts Point NSw 2011 www.taasa.org.au Ali Asadi Enquiries: [email protected] 21 in the PubliC domain: A Persian ShAhnama FoliO from ThE NGV TAASA Review is published quarterly and is distributed to members Susan Scollay of The Asian Arts Society of Australia inc. TAASA Review welcomes submissions of articles, notes and reviews on Asian visual and performing arts. All articles are refereed. Additional copies and 22 silKs of sasanian PErsia subscription to TAASA Review are available on request. -
Hamlet İsaxanlı: Biblioqrafiya. Alim, Qurucu, Şair
Hamlet Isaxanlı Biblioqrafiya. Alim, Qurucu, Şair İngilis dilində ......................................................................... 102 XƏZƏR UNİVERSİTƏSİ Rus dilində ............................................................................. 105 KİTABXANA İNFORMASİYA MƏRKƏZİ Avropa və Şərq dillərində...................................................... 111 Prof. Hamlet İsaxanlı haqqında məqalələrin əlifba göstəriciləri ............................................................................. 112 Azərbaycan dilində ................................................................ 112 İngilis dilində ......................................................................... 121 HAMLET İSAXANLI Rus dilində ............................................................................. 122 Avropa və Şərq dillərində ..................................................... 124 ALİM QURUCU ŞAİR BİBLİOQRAFİYA Xəzər Universitəsi Nəşriyyatı B a k ı - 2 0 1 0 4 1 Hamlet Isaxanlı Biblioqrafiya. Alim, Qurucu, Şair Redaksiya heyəti: Tatyana Zaytseva, Ph.D. İçindəkilər İsaxan İsaxanlı, Ph.D. Lyudmila Sotova Tərtibçidən ............................................................................. 5 Tərtibçi: Səbinə Əlimərdanova Hamlet Abdulla oğlu İsaxanlı (İsayev) ............................... 7 Riyaziyyat................................................................................ 8 Tərcüməçilər: Eldar Şahgəldiyev, Ph.D. Humanitar və sosial elmlər üzrə tədqiqatları. Poetik və Hafiz Əliyev bədii-publisistik yaradıcılığı ................................................. -
Iran-Tour-2022 In-Depth
930 Irwin Street, Suite 222, San Rafael, CA 94901 Phone: 415-381-5861 ◆ 888-367-6147 [email protected] ◆ www.originalworld.com CST Permit #2057026-40 Persian Treasures of Iran In-Depth Tour: 28 Days/27 Nights May 1-28 and September 28-October 25, 2022 September Tour Follows Our Tour to The Caucasus Persian Treasures of Iran is an in-depth exploration of this intriguing country. The journey offers a comprehensive experience of the major cities and sites of Iran, plus smaller towns and villages, with opportunities for interaction with local people and immersion with the culture. We will visit historic sites, ancient traditional villages, enjoy spectacular landscapes, browse crafts centers and local bazaars. Our itinerary gives distances; coaches do 50-70 km an hour depending on roads (mountainous or flat) and the drives are mostly full days with en-route visits. The roads are very good here and not “bumpy dirt” roads. DETAILED ITINERARY May 1 /Sep 28 Sun Day 1 ARRIVAL TEHRAN PM OR May 2/Sep 29 ARRIVAL TEHRAN EARLY AM You will be met at the airport and transferred to hotel. Rest of day/evening at leisure. May 2/Sep 29 Mon Day 2 TEHRAN TOUR Come down to breakfast as you wish, breakfast restaurant opens at 7 am. We shall meet our guide in the lobby at 8:40 am and head out, about a 20 minute drive, to visit to the opulent Golestan Palace/Museum Complex, the former residence of the 19th early 20th century Qajar Kings of Iran, with several museums including the Marble Throne Room.