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Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Sinister Wisdom 70.Pdf
Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper. -
Stockholm Cinema Studies 11
ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Cinema Studies 11 Imagining Safe Space The Politics of Queer, Feminist and Lesbian Pornography Ingrid Ryberg This is a print on demand publication distributed by Stockholm University Library www.sub.su.se First issue printed by US-AB 2012 ©Ingrid Ryberg and Acta Universitatis Stockholmiensis 2012 ISSN 1653-4859 ISBN 978-91-86071-83-7 Publisher: Acta Universitatis Stockholmiensis, Stockholm Distributor: Stockholm University Library, Sweden Printed 2012 by US-AB Cover image: Still from Phone Fuck (Ingrid Ryberg, 2009) Contents 1. Introduction ................................................................................................... 13 Research aims and questions .................................................................................... 13 Queer, feminist and lesbian porn film culture: central debates.................................... 19 Feminism and/vs. pornography ............................................................................. 20 What is queer, feminist and lesbian pornography?................................................ 25 The sexualized public sphere................................................................................ 27 Interpretive community as a key concept and theoretical framework.......................... 30 Spectatorial practices and historical context.......................................................... 33 Porn studies .......................................................................................................... 35 Embodied -
Lines on Lesbian Sex the Politics of Representing Lesbian Sex in the Age of Ms
Lines on Lesbian Sex The Politics of Representing Lesbian Sex in the Age of ms by Gabrich Grpn heterosexuality) that such material, especially anything considered pornographic, fragments the erotic and the emotional-utilizes the imbrication of the emotional in Cetarticksurks rcprCsrntation.rpornographiques/krotiqucs the sexual as part of its construction. This acts as a lcsbiennes au temps du MH/SIDA dhnontre, entw aum, h palliative for the more problematic aspects of the material. Tmicallv,.* . Pat Califia for instance, an inlfamous producer of sadomasochistic material, writes in one of her stories: Even when correcting serious misdeeds, Berenice Women are manibukzted1 into heterosexualitvr' [dominatrix and moier] was not brutal. She loved through a discourse which exploits and helplessness, she craved the sight of a female body re-directs their emotional need away from abandoningalldecency and self-control. These things the female and to the male. are not granted save in loving trust. Dominance is not J created without complicity. A well-trained slave is hopelessly in love with her mistress.. .. (67) conjiuion qui rlgnr &ns &S communautishbiennes lorsque This story, centring on a sadomasochistic mother- virnt k temps d'aborder k nrjet du MH/SIDA. daughter relationship and recuperativeofthe primary love relationship between female carer and dependent inht Lesbian erotic, or if you like, pornographic1 postulated by psychoanalysis, presents a whole series of (re)presentationfrequently bases the quest for the, or an, incest-taboo-breaking -
Feminism, Pornography and Ethical Heterosex Katherine Albury Phd, School of Media, Film and Theatre 2006
Impure Relations: Feminism, Pornography and Ethical Heterosex Katherine Albury PhD, School of Media, Film and Theatre 2006 ABSTRACT This thesis engages with feminist and queer theory to assert that heterosexuality can be understood not as a fixed, unchanging and oppressive institution, but as changing combination of erotic and social affects which coexist within public and private bodies, discourses and imaginations. Drawing on the work on Michel Foucault, William Connolly, Eve Sedgwick and others, it examines the multiple discourses of heterosexuality that are already circulating in popular culture, specifically, representations of sex and gender within sexually explicit media. It examines the fields of polyamory, ‘feminist porn’, amateur and DIY pornography and ‘taboo’ sexual practices to demonstrate the possibilities offered by non-normative readings of heterosex. These readings open up space not only for queerer, less oppressive heterosexualities, but also for models of ethical sexual learning which incorporate heterosexual eroticism and emphasise both the pleasures and dangers of heterosex. Keywords: Heterosexuality, Pornography, Sexual Ethics, Feminism 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Albury First name: Katherine Other name/s: Margaret Abbreviation for degree as given in the University calendar: margaret School: SAM (previously EMPA) Faculty: Arts and Social Sciences Title: Impure relations: Feminism, pornography and ethical heterosex Abstract 350 words maximum: (PLEASE TYPE) This thesis engages with feminist and queer theory to assert that heterosexuality can be understood not as a fixed, unchanging and oppressive institution, but as changing combination of erotic and social affects which coexist within public and private bodies, discourses and imaginations. -
Feminist Press Catalog
FEMINIST PRESS CATALOG FALL 2019–SPRING 2020 CONTENTS 2 Fall 2019 Titles CONTACT INFORMATION 8 Spring 2020 Titles EXECUTIVE DIRECTOR & PUBLISHER Jamia Wilson [email protected] 14 Amethyst Editions SENIOR EDITOR & FOREIGN RIGHTS MANAGER Lauren Rosemary Hook [email protected] 16 Backlist Highlights SENIOR SALES, MARKETING & PUBLICITY MANAGER Jisu Kim [email protected] 25 Rights & Permissions FIEBRE TROPICAL TABITHA AND MAGOO DRESS UP TOO A Novel Michelle Tea Juliana Delgado Lopera lllustrated by Ellis van der Does Uprooted from Bogotá into an ant-infested “Whether you know it or not, you are waiting for a book like this. Fiebre Tropical is a triumph, and we’re all triumphant in its presence.” —DANIEL HANDLER Miami townhouse, fifteen-year-old Francisca is miserable in her strange new city. Her alienation grows when her mother is swept up into an evangelical church replete with abstinent salsa dancers and baptisms for the dead. But there, Francisca meets the magnetic Carmen: head of the youth group and the FIEBRE pastor’s daughter. As her mother’s mental TROPICAL health deteriorates, Francisca falls for Car- men and turns to Jesus to grow closer with her, even as their relationship hurtles toward a shattering conclusion. JULIANA DELGADO LOPERA is an award-winning A NOVEL BY JULIANA DELGADO LOPERA Colombian writer and historian based in San Francisco. “ Fiebre Tropical is a triumph, and we’re all AMETHYST EDITIONS is a modern, queer imprint Tabitha and Magoo love to play dress up in MICHELLE TEA is the author of the novel triumphant in its presence.” founded by Michelle Tea. -
Booksinc.Net for the Absolute Latest Event Information!
Visit www.booksinc.net for the absolute latest event information! In this newsletter Book Clubs · Page 7 Biographies · Page 6 ENDORSE Events · Pages 4-5 Fiction · Page 2 Kids Books · Page 8 Nonfi ction · Page 3 NYMBC TM · Page 7 PRIDE Trade Paper · Page 6 JUNE CAN’T The experience you download “Every generation of Americans has brought our Nation closer to fulfi lling its promise of equality. While progress Cecil Castellucci Angus Whyte Sarah Dessen Alvin Orloff Christopher Moore Mike Adamick Andrea Carla Michaels Andrea Carla Michaels Larry-Bob Roberts joSon has taken time, our achievements in advancing the rights of Jan-Philipp Sendker Bernadette Luckett Maureen Langan Thea Hillman Jami Attenberg LGBT Americans remind us that history is on our side, and Gloria Steine Maureen Langan Corina Vacco Daphne Gottlieb Ramsey Hootman that the American people will never stop striving toward lib- Letty Pogrebin Cindy Caponera Stephanie Keuhn Michelle Tea Lisa Brackmann erty and justice for all.” — Barack Obama Robert K. Lewis Sue Kolinsky Seth Lerer Stephanie Rosenbaum Daryl Wood Gerber Helen E. Fisher Monica Wesolowska Ransom Riggs Daniel Smith Kate Carlisle Abigail Tarttelin Julian Guthrie David Margolick Jen Sincero Juliet Blackwell June 5 · 7:30 PM Linda Joy Myers Susan Schorn Eli Brown Cathleen Peck David Mezzapelle An editor of the UK’s Phoenix magazine, Abigail Tarttelin shares Judith Newton John Rocco Jo Robinson Mark Abramson Tara Ison Karen Joy Fowler Christopher Wolf Daniel LeVesque Michael Levi Kristen McCloy Golden Boy, a riveting coming-of-age story of a family in crisis as Temple Grandin Marissa Moss Justin Chin Carl Hiaasen Ellen Plotkin Mullholland their façade as an effortlessly excellent unit crumbles around them when their biggest secret is revealed. -
Feminist Presses and Publishing Politics in Twentieth-Century Britain
MIXED MEDIA: FEMINIST PRESSES AND PUBLISHING POLITICS IN TWENTIETH-CENTURY BRITAIN SIMONE ELIZABETH MURRAY DOCTOR OF PHILOSOPHY UNIVERSITY COLLEGE LONDON 1999 The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author U,Ip 1 Still, Madam, the private printing press is an actual fact, and not beyond the reach of a moderate income. Typewriters and duplicators are actual facts and even cheaper. By using these cheap and so far unforbidden instruments you can at once rid yourself of the pressure of boards, policies and editors. They will speak your own mind, in your own words, at your own time, at your own length, at your own bidding. And that, we are agreed, is our definition of 'intellectual liberty'. - Virginia Woolf, Three Guineas (1938) 2 Image removed due to third party copyright ABSTRACT The high cultural profile of contemporary feminist publishing in Britain has previously met with a curiously evasive response from those spheres of academic discourse in which it might be expected to figure: women's studies, while asserting the innate politicality of all communication, has tended to overlook the subject of publishing in favour of less materialist cultural modes; while publishing studies has conventionally overlooked the significance of gender as a differential in analysing print media. Siting itself at this largely unexplored academic juncture, the thesis analyses the complex interaction of feminist politics and fiction publishing in twentieth-century Britain. Chapter 1 -" 'Books With Bite': Virago Press and the Politics of Feminist Conversion" - focuses on Britain's oldest extant women's publishing venture, Virago Press, and analyses the organisational structures and innovative marketing strategies which engineered the success of its reprint and original fiction lists. -
IPG Spring 2020 LGBTQ Titles - February 2020 Page 1
LGBTQ Titles Spring 2020 {IPG} Rainbow Warrior My Life in Color Gilbert Baker, Dustin Lance Black Summary In 1978, Harvey Milk asked Gilbert Baker to create a unifying symbol for the growing gay rights movement, and on June 25 of that year, Baker’s Rainbow Flag debuted at San Francisco’s Gay Freedom Day Parade. Baker had no idea his creation would become an international emblem of liberation and inclusiveness, forever cementing his pivotal role in helping to define the modern LGBTQ movement. Rainbow Warrior is Baker’s passionate personal chronicle, from a repressive childhood in 1950s Kansas, to a harrowing stint in the US Army, and finally his arrival in San Francisco, where he bloomed as both a visual artist and social justice activist. His fascinating story weaves through the early years of the struggle for LGBTQ rights, when he Chicago Review Press worked closely with Milk, Cleve Jones, and the Sisters of Perpetual Indulgence. Gilbert Baker often called 9781641603201 himself the “Gay Betsy Ross,” and readers of his colorful, irreverent, and deeply personal memoir will find it Pub Date: 5/5/20 On Sale Date: 5/5/20 difficult to disagree. $16.99 USD Discount Code: LON Contributor Bio Trade Paperback Artist Gilbert Baker created the first Rainbow Flag in 1978, and was a longtime LGBTQ+, peace, and AIDS 256 Pages activist. He died in 2017. Carton Qty: 0 Biography & Autobiography / Lgbt BIO031000 9 in H | 6 in W | 1 in T | 1.3 lb Wt For Your Convenience A Classic 1930's Guide to London Loos Paul Pry, Philip Gough Summary A facsimile guide to the Gents Loos of London, with map endpapers, published originally in 1937 by Routledge. -
Cindy S. Hughey
When the Personal is Not Political in a Personal is Political Social Movement: Analysis of A Muted Group's Muting of Members by Cindy S. Hughey A senior thesis submitted in partial fulfillment of the requirements for CM 43 1: Senior Seminar in Communication Theory Senior thesis advisor: Dr. Sherri Smith Spring 2001 When Monique Wittig said.. ."I am not a woman, I am a Lesbian," there was a gasp from the audience, but the statement made sense to me. Of course I am a woman, but I belong to another geography as well, and the two worlds are complicated and unique. -Joann Nestle (Quoted from Chesire Calhoun 209) Abstract This study seeks to analyze the muting of lesbian voices in the women's movement through application of muted group theory and social movement analysis. On a larger scale this research will serve to address some of the issues faced by minority groups in organized social movements. Primary issues include the historical presence of lesbians in the women's movement, the efforts of movement players to suppress lesbian voices, and the actions that lesbians take to make their voices heard. Key source material includes memoirs of lesbian feminists and academic articles that tell the stories of lesbian feminists. Analysis of the form and content of the source materials leads to conclusions centered around power issues. When the Personal is Not Political in a Personal is Political Social Movement: Analysis of a Muted Group's Muting of Members The purpose of this research project is to examine the muting of lesbian voices in the women's movement. -
Warrior Princess (XSTT) Lesbian Internet Fans
Understanding Lesbian Fandom: A Case Study of the Xena: Warrior Princess (XSTT) Lesbian Internet Fans by Rosalind Maria Hanmer A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY American and Canadian Studies The University of Birmingham December 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis is written to promote and pursue an understanding of lesbian fandom and its function on the Internet. It will demonstrate how a particular television text Xena: Warrior Princess (X: WP) and a dedicated online fandom „xenasubtexttalk‟ (XSTT) of diverse lesbian fan membership gained empowerment and agency through their fan practices. Since the screening of the television fantasy series X: WP (1995-2001), there has been a marked increase in academic enquiry into lesbian fan culture on the Internet. This thesis contributes to the lesbian spectatorship of fandom with a specific interest in online fandom. This research suggests there are many readings of X: WP and the dedicated websites set up to discuss the series have increased during and post the series broadcast period. -
Passion, Politics, and Politically Incorrect Sex: Towards a History Of
PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies CEU eTD Collection Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) Budapest, Hungary 2015 PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) CEU eTD Collection Budapest, Hungary 2015 Approved by: ________________________ Abstract This thesis is an exploration of the largely underexamined history of lesbian sadomasochism (SM) in the United States between the mid-1970s, when the first organised lesbian feminist SM groups were founded, and 1993, by which time public debates about lesbian SM were becoming less visible. I engage with feminist discourses around lesbian SM within the so- called feminist sex wars of the 1980s, tracing the sometimes dramatic rise to prominence of lesbian SM as a feminist issue. Entwined in this web of controversy, I assert, is the story of a perceived fundamental split in the feminist movement between those who believed SM was patriarchal, abusive and violent, and those who saw it as a consensual expression of sexual freedom and liberation.