Wanting Pictures After Feminism: Re-Reading on Our Backs
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Sinister Wisdom 70.Pdf
Sinister Sinister Wisdom 70 Wisdom 70 30th Anniversary Celebration Spring 2007 $6$6 US US Publisher: Sinister Wisdom, Inc. Sinister Wisdom 70 Spring 2007 Submission Guidelines Editor: Fran Day Layout and Design: Kim P. Fusch Submissions: See page 152. Check our website at Production Assistant: Jan Shade www.sinisterwisdom.org for updates on upcoming issues. Please read the Board of Directors: Judith K. Witherow, Rose Provenzano, Joan Nestle, submission guidelines below before sending material. Susan Levinkind, Fran Day, Shaba Barnes. Submissions should be sent to the editor or guest editor of the issue. Every- Coordinator: Susan Levinkind thing else should be sent to Sinister Wisdom, POB 3252, Berkeley, CA 94703. Proofreaders: Fran Day and Sandy Tate. Web Design: Sue Lenaerts Submission Guidelines: Please read carefully. Mailing Crew for #68/69: Linda Bacci, Fran Day, Roxanna Fiamma, Submission may be in any style or form, or combination of forms. Casey Fisher, Susan Levinkind, Moire Martin, Stacee Shade, and Maximum submission: five poems, two short stories or essays, or one Sandy Tate. longer piece of up to 2500 words. We prefer that you send your work by Special thanks to: Roxanna Fiamma, Rose Provenzano, Chris Roerden, email in Word. If sent by mail, submissions must be mailed flat (not folded) Jan Shade and Jean Sirius. with your name and address on each page. We prefer you type your work Front Cover Art: “Sinister Wisdom” Photo by Tee A. Corinne (From but short legible handwritten pieces will be considered; tapes accepted the cover of Sinister Wisdom #3, 1977.) from print-impaired women. All work must be on white paper. -
Stockholm Cinema Studies 11
ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Cinema Studies 11 Imagining Safe Space The Politics of Queer, Feminist and Lesbian Pornography Ingrid Ryberg This is a print on demand publication distributed by Stockholm University Library www.sub.su.se First issue printed by US-AB 2012 ©Ingrid Ryberg and Acta Universitatis Stockholmiensis 2012 ISSN 1653-4859 ISBN 978-91-86071-83-7 Publisher: Acta Universitatis Stockholmiensis, Stockholm Distributor: Stockholm University Library, Sweden Printed 2012 by US-AB Cover image: Still from Phone Fuck (Ingrid Ryberg, 2009) Contents 1. Introduction ................................................................................................... 13 Research aims and questions .................................................................................... 13 Queer, feminist and lesbian porn film culture: central debates.................................... 19 Feminism and/vs. pornography ............................................................................. 20 What is queer, feminist and lesbian pornography?................................................ 25 The sexualized public sphere................................................................................ 27 Interpretive community as a key concept and theoretical framework.......................... 30 Spectatorial practices and historical context.......................................................... 33 Porn studies .......................................................................................................... 35 Embodied -
Lines on Lesbian Sex the Politics of Representing Lesbian Sex in the Age of Ms
Lines on Lesbian Sex The Politics of Representing Lesbian Sex in the Age of ms by Gabrich Grpn heterosexuality) that such material, especially anything considered pornographic, fragments the erotic and the emotional-utilizes the imbrication of the emotional in Cetarticksurks rcprCsrntation.rpornographiques/krotiqucs the sexual as part of its construction. This acts as a lcsbiennes au temps du MH/SIDA dhnontre, entw aum, h palliative for the more problematic aspects of the material. Tmicallv,.* . Pat Califia for instance, an inlfamous producer of sadomasochistic material, writes in one of her stories: Even when correcting serious misdeeds, Berenice Women are manibukzted1 into heterosexualitvr' [dominatrix and moier] was not brutal. She loved through a discourse which exploits and helplessness, she craved the sight of a female body re-directs their emotional need away from abandoningalldecency and self-control. These things the female and to the male. are not granted save in loving trust. Dominance is not J created without complicity. A well-trained slave is hopelessly in love with her mistress.. .. (67) conjiuion qui rlgnr &ns &S communautishbiennes lorsque This story, centring on a sadomasochistic mother- virnt k temps d'aborder k nrjet du MH/SIDA. daughter relationship and recuperativeofthe primary love relationship between female carer and dependent inht Lesbian erotic, or if you like, pornographic1 postulated by psychoanalysis, presents a whole series of (re)presentationfrequently bases the quest for the, or an, incest-taboo-breaking -
Feminism, Pornography and Ethical Heterosex Katherine Albury Phd, School of Media, Film and Theatre 2006
Impure Relations: Feminism, Pornography and Ethical Heterosex Katherine Albury PhD, School of Media, Film and Theatre 2006 ABSTRACT This thesis engages with feminist and queer theory to assert that heterosexuality can be understood not as a fixed, unchanging and oppressive institution, but as changing combination of erotic and social affects which coexist within public and private bodies, discourses and imaginations. Drawing on the work on Michel Foucault, William Connolly, Eve Sedgwick and others, it examines the multiple discourses of heterosexuality that are already circulating in popular culture, specifically, representations of sex and gender within sexually explicit media. It examines the fields of polyamory, ‘feminist porn’, amateur and DIY pornography and ‘taboo’ sexual practices to demonstrate the possibilities offered by non-normative readings of heterosex. These readings open up space not only for queerer, less oppressive heterosexualities, but also for models of ethical sexual learning which incorporate heterosexual eroticism and emphasise both the pleasures and dangers of heterosex. Keywords: Heterosexuality, Pornography, Sexual Ethics, Feminism 1 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Albury First name: Katherine Other name/s: Margaret Abbreviation for degree as given in the University calendar: margaret School: SAM (previously EMPA) Faculty: Arts and Social Sciences Title: Impure relations: Feminism, pornography and ethical heterosex Abstract 350 words maximum: (PLEASE TYPE) This thesis engages with feminist and queer theory to assert that heterosexuality can be understood not as a fixed, unchanging and oppressive institution, but as changing combination of erotic and social affects which coexist within public and private bodies, discourses and imaginations. -
A Liberal Anti-Porn Feminism? Alex Davies Forthcoming in Social Theory and Practice
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PhilPapers A liberal anti-porn feminism? Alex Davies Forthcoming in Social Theory and Practice ...the glorification of settling for the best inequality has to offer or has stimulated the resourceful to invent, are what Ti-Grace Atkinson meant to reject when she said, "I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex. She'd choose freedom every time."1 In her essay “Why I'm Against S/M Liberation” (in Against Sadomasochism), Ti Grace Atkinson says, “I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex.” While women are forced to make such a choice we cannot consider ourselves free.2 1 – The prospect of a liberal anti-porn feminism Catharine MacKinnon has presented two defences of several anti-pornography civil rights ordinances, which classify the trafficking (i.e. the production, sale, exhibition or distribution) of pornography as a form of discrimination on the basis of sex.3 First, she justifies the ordinances by drawing attention to the role pornography purportedly plays in the subordination of women to men. Pornography sexualizes gender inequality and thereby helps to sustain gender inequality by making it attractive and constitutive of sex. Pornography should not be trafficked if we want an end to gender inequality. Second, MacKinnon presents what was originally a pre-emptive defence of the ordinances against the predictable challenge that, in restricting the trafficking of pornography, the ordinances violate the free speech rights of pornographers. -
From Here to Queer: Radical Feminism, Postmodernism, and The
From Here to Queer: Radical Feminism, Postmodernism, and the Lesbian Menace (Or, Why Can't a Woman Be More like a Fag?) Author(s): Suzanna Danuta Walters Source: Signs, Vol. 21, No. 4, Feminist Theory and Practice (Summer, 1996), pp. 830-869 Published by: The University of Chicago Press Stable URL: http://www.jstor.org/stable/3175026 . Accessed: 24/06/2014 17:21 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The University of Chicago Press is collaborating with JSTOR to digitize, preserve and extend access to Signs. http://www.jstor.org This content downloaded from 199.79.170.81 on Tue, 24 Jun 2014 17:21:49 PM All use subject to JSTOR Terms and Conditions FromHere to Queer: Radical Feminism,Postmodernism, and the Lesbian Menace (Or, WhyCan't a Woman Be More Like a Fag?) Suzanna Danuta Walters Queer defined (NOT!) A LREADY, IN THIS OPENING, I am treadingon thin ice: how to definethat which exclaims-with postmodern cool-its absoluteundefinability? We maybe here(and we may be queer and not going shopping),but we are certainlynot transparentor easily available to anyone outside the realm of homo cognoscenti.Yet definitions,even of the tentativesort, are importantif we are to push forwardthis new discourseand debate meaningfullyits parameters. -
Feminist Presses and Publishing Politics in Twentieth-Century Britain
MIXED MEDIA: FEMINIST PRESSES AND PUBLISHING POLITICS IN TWENTIETH-CENTURY BRITAIN SIMONE ELIZABETH MURRAY DOCTOR OF PHILOSOPHY UNIVERSITY COLLEGE LONDON 1999 The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author U,Ip 1 Still, Madam, the private printing press is an actual fact, and not beyond the reach of a moderate income. Typewriters and duplicators are actual facts and even cheaper. By using these cheap and so far unforbidden instruments you can at once rid yourself of the pressure of boards, policies and editors. They will speak your own mind, in your own words, at your own time, at your own length, at your own bidding. And that, we are agreed, is our definition of 'intellectual liberty'. - Virginia Woolf, Three Guineas (1938) 2 Image removed due to third party copyright ABSTRACT The high cultural profile of contemporary feminist publishing in Britain has previously met with a curiously evasive response from those spheres of academic discourse in which it might be expected to figure: women's studies, while asserting the innate politicality of all communication, has tended to overlook the subject of publishing in favour of less materialist cultural modes; while publishing studies has conventionally overlooked the significance of gender as a differential in analysing print media. Siting itself at this largely unexplored academic juncture, the thesis analyses the complex interaction of feminist politics and fiction publishing in twentieth-century Britain. Chapter 1 -" 'Books With Bite': Virago Press and the Politics of Feminist Conversion" - focuses on Britain's oldest extant women's publishing venture, Virago Press, and analyses the organisational structures and innovative marketing strategies which engineered the success of its reprint and original fiction lists. -
Cindy S. Hughey
When the Personal is Not Political in a Personal is Political Social Movement: Analysis of A Muted Group's Muting of Members by Cindy S. Hughey A senior thesis submitted in partial fulfillment of the requirements for CM 43 1: Senior Seminar in Communication Theory Senior thesis advisor: Dr. Sherri Smith Spring 2001 When Monique Wittig said.. ."I am not a woman, I am a Lesbian," there was a gasp from the audience, but the statement made sense to me. Of course I am a woman, but I belong to another geography as well, and the two worlds are complicated and unique. -Joann Nestle (Quoted from Chesire Calhoun 209) Abstract This study seeks to analyze the muting of lesbian voices in the women's movement through application of muted group theory and social movement analysis. On a larger scale this research will serve to address some of the issues faced by minority groups in organized social movements. Primary issues include the historical presence of lesbians in the women's movement, the efforts of movement players to suppress lesbian voices, and the actions that lesbians take to make their voices heard. Key source material includes memoirs of lesbian feminists and academic articles that tell the stories of lesbian feminists. Analysis of the form and content of the source materials leads to conclusions centered around power issues. When the Personal is Not Political in a Personal is Political Social Movement: Analysis of a Muted Group's Muting of Members The purpose of this research project is to examine the muting of lesbian voices in the women's movement. -
Warrior Princess (XSTT) Lesbian Internet Fans
Understanding Lesbian Fandom: A Case Study of the Xena: Warrior Princess (XSTT) Lesbian Internet Fans by Rosalind Maria Hanmer A thesis submitted to The University of Birmingham for the degree of DOCTOR OF PHILOSOPHY American and Canadian Studies The University of Birmingham December 2010 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis is written to promote and pursue an understanding of lesbian fandom and its function on the Internet. It will demonstrate how a particular television text Xena: Warrior Princess (X: WP) and a dedicated online fandom „xenasubtexttalk‟ (XSTT) of diverse lesbian fan membership gained empowerment and agency through their fan practices. Since the screening of the television fantasy series X: WP (1995-2001), there has been a marked increase in academic enquiry into lesbian fan culture on the Internet. This thesis contributes to the lesbian spectatorship of fandom with a specific interest in online fandom. This research suggests there are many readings of X: WP and the dedicated websites set up to discuss the series have increased during and post the series broadcast period. -
Passion, Politics, and Politically Incorrect Sex: Towards a History Of
PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies CEU eTD Collection Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) Budapest, Hungary 2015 PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) CEU eTD Collection Budapest, Hungary 2015 Approved by: ________________________ Abstract This thesis is an exploration of the largely underexamined history of lesbian sadomasochism (SM) in the United States between the mid-1970s, when the first organised lesbian feminist SM groups were founded, and 1993, by which time public debates about lesbian SM were becoming less visible. I engage with feminist discourses around lesbian SM within the so- called feminist sex wars of the 1980s, tracing the sometimes dramatic rise to prominence of lesbian SM as a feminist issue. Entwined in this web of controversy, I assert, is the story of a perceived fundamental split in the feminist movement between those who believed SM was patriarchal, abusive and violent, and those who saw it as a consensual expression of sexual freedom and liberation. -
AWKWARD ALLIANCES and the INDIANAPOLIS ANTI-PORNOGRAPHY ORDINANCE of 1984 Jonnie Bray Fox Submitted to the Faculty of the Univer
AWKWARD ALLIANCES AND THE INDIANAPOLIS ANTI-PORNOGRAPHY ORDINANCE OF 1984 Jonnie Bray Fox Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University May 2021 Accepted by the Graduate Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master's Thesis Committee ______________________________________ Raymond Haberski, PhD, Chair ______________________________________ Nancy Marie Robertson, PhD ______________________________________ Rebecca K. Shrum, PhD ii © 2021 Jonnie Bray Fox iii ACKNOWLEDGEMENT Thank you to all who supported and guided me through this process. Thank you to my advisor, Dr. Raymond Haberski, who first presented me with this topic and encouraged me to tackle controversial history with an honest and unrelenting voice. Thank you to my committee members, Dr. Rebecca Shrum and Dr. Nancy Marie Robertson. Dr. Shrum provided great opportunities like working with the Michael Bohr Collection at the Indiana Historical Society. Dr. Robertson has been a beacon of guidance through the graduate program as well as a wealth of resource recommendations. Regarding the research, thank you to the archivists of the University of Indianapolis Digital Mayoral Archives. This mecca of materials was my crutch and I still recommend these collections to anyone researching Indianapolis politics. I would like to thank everyone who allowed me to interview them for my research. They were not only invaluable resources, but inspiring individuals. I would also like to thank my family and friends for their endless support. Thank you to my Mom for being excited that her daughter was doing her thesis on pornography. -
On Our Backs Production Materials
http://oac.cdlib.org/findaid/ark:/13030/c86m3drj No online items On Our Backs production materials Finding aid created by GLBT Historical Society staff using RecordEXPRESS GLBT Historical Society 989 Market Street, Lower Level San Francisco, California 94103 (415) 777-5455 [email protected] http://www.glbthistory.org/ 2021 On Our Backs production 1998-32 1 materials Descriptive Summary Title: On Our Backs production materials Dates: circa 1986-1993 Collection Number: 1998-32 Creator/Collector: Extent: 1.1 linear feet Repository: GLBT Historical Society San Francisco, California 94103 Abstract: Production materials from the graphic files of the lesbian erotica magazine, "On Our Backs," including numerous black & white prints, contact sheets, drawings and cartoons, and a few production notes. Language of Material: English Access Collection is open for research. The erotica in this collection may only be viewed by researchers age eighteen and over and it is made available for educational and research purposes. Preferred Citation On Our Backs production materials. GLBT Historical Society Scope and Content of Collection Production materials from the graphic files of the lesbian erotica magazine, "On Our Backs," including numerous black & white prints, contact sheets, drawings and cartoons, and a few production notes. "On Our Backs" played a definitive role in the feminist sex wars of the 1980s, taking the side of sex-positive feminism. Includes work by photographer Phyllis Christopher, and artists Kris Kovick, Megan Kelso, Siné Ananita, Zanne and [Jacki] Randall, as well as autographed photos sent to the magazine by Diane Bogus, of Women in the Moon Publications. GSSO Linked Terms: http://purl.obolibrary.org/obo/GSSO_000381; http://purl.obolibrary.org/obo/GSSO_008497; http://purl.obolibrary.org/obo/GSSO_003450 Indexing Terms Lesbians Journalism Erotica On Our Backs production 1998-32 2 materials.