Daniel.Ian.Joeck Resume 18

www.danielianjoeck.com Height: 6’3“ Hair: Brown Weight: 180 lbs Eyes: Hazel FILM/TELEVISION Dead of Winter, TV series Bill Red Marble Media Justin Stanley Another Castle, web series Jason/The Man Popcorn and Wine Productions Sara Werner Victory, short film Lead Sepulchral Voice Dan Schneidkraut Melancholy, short film Lead Insomnia Film Festival Eric Ortiz THEATRE (Selected) A Midsummer Night’s Dream Peter Quince/Egeus The Old Globe Patricia McGregor The Tempest Sebastian u/s Alonso The Old Globe Joe Dowling Much Ado About Nothing Friar Francis u/s Leonato The Old Globe Kathleen Marshall Romeo and Juliet Lord Capulet The Old Globe Delicia Turner Sonnenberg Hamlet Francisco/Priest u/s Rosencrantz The Old Globe Barry Edelstein Richard II Bagot/Salisbury The Old Globe Erica Schmidt Red Velvet u/s Terence/Bernard The Old Globe Stafford Arima The Blameless u/s Alex Garcia The Old Globe Gaye Taylor Upchurch The Two Gentlemen of Verona Duke The Old Globe Richard Seer A Flea In Her Ear Policeman Williamstown Theatre Festival John Rando Romeo and Juliet Tybalt, u/s Romeo/Mercutio Park Square Theatre David Mann Ramona Quimby Uncle Hobart Children’s Theatre Company Clinton Turner-Davis The Learned Ladies Chrysale Shakespeare & Company Tina Packer Macbeth Malcolm Nebraska Shakespeare Vincent Carlson-Brown The Taming of the Shrew Katharina Nebraska Shakespeare Amy Lane Julius Caesar Mark Antony Classical Actors Ensemble Randy Funk The Two Gentlemen of Verona Valentine Classical Actors Ensemble Hannah Steblay Duchess of Malfi/Twelfe Night Ferdinand/Orsino Classical Actors Ensemble Joseph Papke Love‘s Labours Lost Don Adriano de Armado Classical Actors Ensemble Joseph Papke A Midwinter Night’s Revel Oberon Walking Shadow Theatre Amy Rummenie Come Hell and High Water Chorus The Moving Company Dominique Serrand SPECIAL SKILLS SAFD 2018: Rec. Pass in Single Sword, Rapier & Dagger; Pass in Broadsword, Unarmed Partner Dance 20+ yrs Martial Arts: Shotokan Karate, Muay Thai, Kali, Jeet Kune Do, Tai Chi Juggling Dialects: British: RP, Cockney, Estuary; Irish; Spanish; French; American Southern; Rapping South African Handstands Licensed Driver Valid Passport TRAINING/EDUCATION The Old Globe and University of San Diego Shiley Graduate Theatre Program, MFA Colorado College, B.A. cum laude, Distinction in Drama, Phi Beta Kappa Shakespeare & Company, Lenox MA – Performance Intern Company, Month-Long Intensive Williamstown Theatre Festival Acting Apprentice, Williamstown MA HONORS/AWARDS 2017 Darlene Marcos Shiley MFA Fellowship – The Old Globe and University of San Diego Shiley Graduate Theatre Program 2014 Best Classical Supporting Actor for Duke Ferdinand, Duchess of Malfi – Lavender Magazine, MN .

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Macbeth on Three Levels Wrap Around a Deep Thrust Stage—With Only Nine Rows Dramatis Personae 14 Separating the Farthest Seat from the Stage
Weird Sister, rendering by Mieka Van Der Ploeg, 2019 Table of Contents Barbara Gaines Preface 1 Artistic Director Art That Lives 2 Carl and Marilynn Thoma Bard’s Bio 3 Endowed Chair The First Folio 3 Shakespeare’s England 5 Criss Henderson The English Renaissance Theater 6 Executive Director Courtyard-Style Theater 7 Chicago Shakespeare Theater is Chicago’s professional theater A Brief History of Touring Shakespeare 9 Timeline 12 dedicated to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style Courtyard Theater, 500 seats Shakespeare's Macbeth on three levels wrap around a deep thrust stage—with only nine rows Dramatis Personae 14 separating the farthest seat from the stage. Chicago Shakespeare also The Story 15 features a flexible 180-seat black box studio theater, a Teacher Resource Act by Act Synopsis 15 Center, and a Shakespeare specialty bookstall. In 2017, a new, innovative S omething Borrowed, Something New: performance venue, The Yard at Chicago Shakespeare, expanded CST's Shakespeare’s Sources 18 campus to include three theaters. The year-round, flexible venue can 1606 and All That 19 be configured in a variety of shapes and sizes with audience capacities Shakespeare, Tragedy, and Us 21 ranging from 150 to 850, defining the audience-artist relationship to best serve each production. Now in its thirty-second season, the Theater has Scholars' Perspectives produced nearly the entire Shakespeare canon: All’s Well That Ends
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