LAURIEL FRIEDMAN EMC Phone: 646-642-9672 Hair: Dark Brown Height: 5’6 ½” E-Mail: [email protected] Eyes: Dark Brown Weight: 130Lbs

Total Page：16

File Type：pdf, Size：1020Kb

LAURIEL FRIEDMAN EMC Phone: 646-642-9672 Hair: Dark Brown Height: 5’6 ½” E-Mail: Laurielfriedman@Gmail.Com Eyes: Dark Brown Weight: 130Lbs

LAURIEL FRIEDMAN EMC Phone: 646-642-9672 Hair: Dark brown Height: 5’6 ½” E-mail: [email protected] Eyes: Dark brown Weight: 130lbs THEATER__________________________________________________________________________________________ New York The Merchant of Venice (upcoming) Jessica Drilling Company / Ezra Barnes A Midsummer Night’s Dream Helena New York Classical Theater / Sean Hagerty The Dingdong U.S. Fabiola, Mandy Pearl Theatre Company / Hal Brooks The Lovers (reading) Bella Chagall Workshop Theater Co. / Virginia Roncetti Female Persuasion (reading) Laura Workshop Theater Co. / Illana Stein The Two Gentlemen of Verona Lucetta, 1st outlaw Drilling Company / Hamilton Clancy The Winter’s Tale U.S. Perdita, Hermione Pearl Theatre Company / Michael Sexton Jennifer’s Birth (reading) Adele Workshop Theater Co. / Ryan Lee Experimental Treatment Woman TheaterLab / Craig Newman Inspecting: Romeo and Juliet Nurse Gene Frankel Theatre / Thomas Gordon Pick Your Poison (reading) Ellida Pearl Theatre Company / Dan Daily People Like Us Annie 13th Street Repertory / Gabriela Ortega Romeo and Juliet Juliet Occupy Verona / Joe Raik Regional The Diary of Anne Frank Margot Shakespeare Theatre N.J. / Joseph Discher Peter Piper Rae Guthrie Theater / Ben McGovern Pride and Prejudice U.S. Lydia, Kitty, Guthrie Theater / Joe Dowling Georgiana, Annabelle Educational Macbeth Lady Macbeth London’s Globe Theatre / Bill Buckhurst The Seagull Masha UMN Guthrie / Hayley Finn Lives of the Saints Mona, Flora UMN Guthrie / David Colacci The Gods Electra UMN Guthrie / Marcela Lorca Pericles Gower/Diana UMN Guthrie / Steve Cardamone The Crucible Mary Warren UMN Guthrie / Bruce Roach FILM______________________________________________________________________________________________ Together (For the Kids) Ashley (lead) Evanoah Films / Zach Jansen Chess Katherine (supporting) Largo Films / Michel Cosma Digital Physics Groupie (featured) Philadelphia Philms / John Khanlian Just Kevin Harper Lee (supporting) Indie short / Friedl Kreuser TRAINING_________________________________________________________________________________________ University of Minnesota/Guthrie Theater B.F.A. Actor Training Program: Ken Washington, Michelle O’Neill, Bruce Roach, Marcela Lorca, Steve Cardamone, Lucinda Holshue, D’Arcy Smith London’s Globe Theatre Education LaGuardia High School for the Performing Arts at Lincoln Center: Harry Shifman, Lee Lobenhofer, Richard Harden, Richard Schneider, Alice Nagel, Sandra Aldini Masterclasses: RADA, LISPA, Larry Moss, Barbara Houseman, Kristen Linklater, John Barton, Patrick Tucker, Elena Kuzina, Marion Cantone, Randy Reyes, Jon Ferguson, Dario Tangelson, Rich Rand SPECIAL SKILLS___________________________________________________________________________________ Movement: Lecoq, Margolis, Lorca, viewpoints, mask Advanced French language speaker (can also read and write) Dialects: RP, New York, Russian, French, IPA Trained horseback rider Stage combat training: hand to hand, broad sword, contact .

Copy Link

Recommended publications

Macbeth on Three Levels Wrap Around a Deep Thrust Stage—With Only Nine Rows Dramatis Personae 14 Separating the Farthest Seat from the Stage
Weird Sister, rendering by Mieka Van Der Ploeg, 2019 Table of Contents Barbara Gaines Preface 1 Artistic Director Art That Lives 2 Carl and Marilynn Thoma Bard’s Bio 3 Endowed Chair The First Folio 3 Shakespeare’s England 5 Criss Henderson The English Renaissance Theater 6 Executive Director Courtyard-Style Theater 7 Chicago Shakespeare Theater is Chicago’s professional theater A Brief History of Touring Shakespeare 9 Timeline 12 dedicated to the works of William Shakespeare. Founded as Shakespeare Repertory in 1986, the company moved to its seven-story home on Navy Pier in 1999. In its Elizabethan-style Courtyard Theater, 500 seats Shakespeare's Macbeth on three levels wrap around a deep thrust stage—with only nine rows Dramatis Personae 14 separating the farthest seat from the stage. Chicago Shakespeare also The Story 15 features a flexible 180-seat black box studio theater, a Teacher Resource Act by Act Synopsis 15 Center, and a Shakespeare specialty bookstall. In 2017, a new, innovative S omething Borrowed, Something New: performance venue, The Yard at Chicago Shakespeare, expanded CST's Shakespeare’s Sources 18 campus to include three theaters. The year-round, flexible venue can 1606 and All That 19 be configured in a variety of shapes and sizes with audience capacities Shakespeare, Tragedy, and Us 21 ranging from 150 to 850, defining the audience-artist relationship to best serve each production. Now in its thirty-second season, the Theater has Scholars' Perspectives produced nearly the entire Shakespeare canon: All’s Well That Ends
[Show full text]
Playing Shakespeare with Deutsche Bank Production of Twelfth Night
2016 shakespeare’s globe Annual review contents Welcome 5 Theatre: The Globe 8 Theatre: The Sam Wanamaker Playhouse 14 Celebrating Shakespeare’s 400th Anniversary 20 Globe Education – Inspiring Young People 30 Globe Education – Learning for All 33 Exhibition & Tour 36 Catering, Retail and Hospitality 37 Widening Engagement 38 How We Made It & How We Spent It 41 Looking Forward 42 Last Words 45 Thank You! – Our Stewards 47 Thank You! – Our Supporters 48 Who’s Who 50 The Playing Shakespeare with Deutsche Bank production of Twelfth Night. Photo: Cesare de Giglio The Little Matchgirl and Other Happier Tales. Photo: Steve Tanner WELCOME 2016 – a momentous year – in which the world celebrated the richness of Shakespeare’s legacy 400 years after his death. Shakespeare’s Globe is proud to have played a part in those celebrations in 197 countries and led the festivities in London, where Shakespeare wrote and worked. Our Globe to Globe Hamlet tour travelled 193,000 miles before coming home for a final emotional performance in the Globe to mark the end, not just of this phenomenal worldwide journey, but the artistic handover from Dominic Dromgoole to Emma Rice. A memorable season of late Shakespeare plays in the Sam Wanamaker Playhouse and two outstanding Globe transfers in the West End ran concurrently with the last leg of the Globe to Globe Hamlet tour. On Shakespeare’s birthday, 23 April, we welcomed President Obama to the Globe. Actors performed scenes from the late plays running in the Sam Wanamaker Playhouse at Southwark Cathedral, a service which was the only major civic event to mark the anniversary in London and was attended by our Patron, HRH the Duke of Edinburgh.
[Show full text]
June 2018 Welcome Mike Hausberg
JUNE 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Tempest. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
[Show full text]
The Two Gentlemen of Verona
The Two Gentlemen of Verona , and: Henry V (review) Katherine Scheil Shakespeare Bulletin, Volume 27, Number 3, Fall 2009, pp. 499-503 (Review) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/shb.0.0089 For additional information about this article https://muse.jhu.edu/article/316784 [ Access provided at 28 Sep 2021 23:32 GMT with no institutional affiliation ] THEATRE REVIEWS 499 brimmed black hat, also played the scene for laughs and there was ac- cordingly little sense to Malvolio’s final desire to be revenged. As the play drew to its expected closure of heterosexual coupling, the additional lack of any sense of challenge to the conservative values of the upper classes (social interrogation that this production consistently avoided) was most evident: Orsino came to the final scene wearing a casual beige pinstripe suit and white leather shoes. Olivia matched him, tonally, in a spotless white jacket. The production thus chose sartorially to confirm that this very posh Illyria was a place in which nothing could be contaminated by dirt or malice. Yet despite its deft cleanliness and some very competent acting, the production left me cold. In a review of December 12th 2008, Daily Telegraph critic Charles Spencer claimed that: “the Donmar has produced a Night close to per- fection.” Quite so, but I for one did not want the near-perfect Romantic Comedy it offered; not least because this play at its best should show au- diences quite clearly that the world is a place not only of love, but also of misunderstanding, manipulation, and misery; a place in which fathers and brothers are lost, in which normative social order crushes individuality, and in which personal histories can and do transpire as blanks.
[Show full text]
The Playwright and the Abbey Theatre. Phd Thesis. Ht
Francombe, Benedict John (1993) "The home of the living writer" : the playwright and the Abbey Theatre. PhD thesis. http://theses.gla.ac.uk/1852/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] "THE HOME OF THE LIVING WRITER11,: . THE PLAYWRIGHT AND THE ABBEY THEATRE II Benedict John Francombe Thesis submitted for the degree of Doctor of Philosophy,', Department of Theatre, Film and Television Studies, Faculty of Arts, University of Glasgow. May 1993. Abstract This thesis attempts to outline the practical relationship between Irish playwrights and the Abbey Theatre, from the early work of the Irish Literary Theatre in 1899, until the present day. It argues that the Abbey's reputation for being a writer's theatre tends to be contradicted by its distant association with Irish playwrights during the greater part of its history. Only during the early 1980swas there an active attempt to integrate the playwright within the company, creating a vibrant and active community for the development of new writing. Up until the 1980s the Abbey subscribedto the establishedtwentieth- century view that the playwright was a literary writer, outside the creative centre of theatre.
[Show full text]
Directing Resume.Pages
DOUG SCHOLZ-CARLSON dougscholzcarlson.wordpress.com 3608 PILLSBURY AVENUE SOUTH • MINNEAPOLIS, MN, 55409 • [email protected] • 612.644.6376 Artistic Director (2013-present) Great River Shakespeare Festival Associate Director (2006-13) Founding Company member (2004-06) Founding Co-Artistic Director (2000-04) Minnesota Shakespeare Project Minnesota Shakespeare Festival at Grand Marais Director Great River Shakespeare Festival Romeo and Juliet Macbeth Madison Opera The Barber of Seville The Turn of the Screw The Tender Land Austin Lyric Opera Romeo et Juliette Minnesota Opera La Fanciulla del West Opera Theater of St. Louis The Pirates of Penzance (outreach) The Very Last Green Thing Brundibar Guthrie/University of Minnesota BFA Romeo and Juliet Portland Opera Lucia di Lammermoor Park Square Theater Johnny Baseball (Midwest Premier) Austin Lyric Opera Lucia di Lammermoor Palm Beach Opera The Turn of the Screw Brundibar Pittsburgh Opera Lucia di Lammermoor The Great River Shakespeare Festival Cymbeline (Apprentice Company) As You Like It Minnesota Opera (Resident Artist Program) The Rape of Lucretia Gilbert & Sullivan Very Light Opera Company The Sorcerer New Breath Productions Rags Theater 3 (touring, Port Jefferson, NY) Hamlet A Midsummer Night’s Dream Romeo and Juliet Minnesota Shakespeare Festival at Grand Marais Hamlet Pericles, Prince of Tyre Macbeth Minnesota Shakespeare Project Hamlet St. Paul Chamber Orchestra (Education programs) Bastienne and Bastienna Director (cont.) Institute of Vocal Artistry, Minneapolis Hansel and Gretel Minnesota Orchestra and the Minnesota Opera Scenes from La Boheme Northfield Arts Guild Much Ado About Nothing Twelfth Night Seattle Police Department Lily Loves Charlie, OK? Lake Country School Mid-West Side Story (An original Moliere adaptation) Northfield Youth Choirs H.M.S.
[Show full text]
Study Guides Are Made Possible By
By William Shakespeare Directed by Joe Dowling November 1 - December 21, 2003 at the Guthrie Lab and 2004 National Tour Study Guides are made possible by STUDY GUIDE The Guthrie Theater Joe Dowling Thomas C. Proehl Artistic Director Managing Director The Guthrie Theater receives support from the National Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from the National Endowment for the Arts. ============================================================================================================ Othello By William Shakespeare Directed by Joe Dowling The Guthrie Lab production of Othello is sponsored by American Express, the National Endowment for the Arts and Target. The 2004 National Tour of Othello is sponsored by Shakespeare in American Communities, a national theater touring initiative sponsored by the National Endowment for the Arts and The Sallie Mae Fund in cooperation with Arts Midwest. The Guthrie Theater tour is sponsored by Target Corporation with support from RBC Dain Rauscher and Bankfirst. ============================================================================================================ A Study Guide published by the Guthrie Theater Dramaturgy: Michael Lupu Editing: Michael Lupu, Jeffrey R.H. Rogers, Belinda Westmaas-Jones Research: Belinda Westmaas-Jones, Jo Holcomb, Michael Lupu, Jeffrey R.H. Rogers, Karen Sawyer, Ailsa Staub Produced with the support of: Beth Burns, Sheila Livingston, Catherine McGuire, Patricia Vaillancourt The present guide includes revised and re-edited materials from the previously published Study Guide for the 1993 production of the Guthrie Theater. All quotes from the play included in this study guide come from the full-length text of Othello by William Shakespeare and may not be in the final Guthrie performance script.
[Show full text]
SAM PEARSON 612 702 7376 Hair: Light Brown Height: 6’1” [email protected] Eyes: Blue Weight: 165 EMC
SAM PEARSON 612 702 7376 Hair: Light Brown Height: 6’1” [email protected] Eyes: Blue Weight: 165 EMC THEATER Young Siward Macbeth Aaron Poesner/Teller Chicago Shakespeare Theater Tybalt Romeo & Juliet Marti Lyons Chicago Shakespeare Theater Tybalt SS!Romeo & Juliet Marti Lyons Chicago Shakespeare Theater Cootsy Charles III Gary Griffn Chicago Shakespeare Theater Richard III Richard III Kevin Asselin Montana Shakespeare in the Park Duke Comedy of Errors Chris Duval Montana Shakespeare in the Park Tommy Boyle The Home Place Joe Dowling Guthrie Theater Eddie The Sunshine Boys Gary Gisselman Guthrie Theater Peter Cratchit Christmas Carol Gary Gisselman Guthrie Theater Becket 2013 BFA Showcase Ken Washington Guthrie Theater Dowling Studio Archie The Red Box Peter Moore Park Square Theatre Curley Of Mice & Men Richard Cooke Park Square Theatre Stevie Good People Joel Sass Park Square Theatre Actor B Courting Harry Joel Sass History Theatre Wilmore The Rover Joel Sass U of M / Guthrie Program Boo The Marriage of Bette & Boo Randy Reyes Theatre in the Round Actor Love and Information Wendy Knox Frank Theatre Alceste The Misanthrope Adrian Balbontin Bryant Lake Bowl Antonio The Twelfth Night N/A Backroom Shakespeare MPLS Warren Courting Harry Lee Blessing/ Ron Peluso History Theatre Polixenes Winter’s Tale Tom Cornford Shakespeare’s Globe Ed. Pentheus The Bacchae Dario Tangelson U of M/ Guthrie Program Hal Picnic Bruce Roach U of M/ Guthrie Program Dionysus The Bacchae 2.1 Richard Prioleau National High School Institute TELEVISION Jeff Ringate In an Instant Bo Hakala ABC Marcus Walker Chicago PD Rohn Schmidt NBC EDUCATION U MN Guthrie Theater BFA Actor Training Program Class of 2013, Shakespeare’s Glob Education, Cherubs: National High School Institute- Northwestern University 2008, Perpich Center for Arts Education, Main Street School of Performing Arts, Fine Arts Interdisciplinary Resource School.
[Show full text]
Matt Resume 15
M a t h e w J. L e F e b v r e_____________ C o s t u m e D e s i g n e r 763 Lexington Parkway South USA, Local 829 Saint Paul, MN 55116 Mathewjlefebvre.com 651-247-7589 [email protected] ____Production Director Theatre________________ 2015 To Kill a Mockingbird John Miller-Stephany The Guthrie Theatre 2015 Othello John Langs American Player's Theatre 2015 The Music Man John Miller-Stephany The Guthrie Theater 2015 What I Learned in Paris Lou Bellamy Indiana Repertory Theatre 2015 By the Way, Meet Vera Stark Lou Bellamy Penumbra Theatre Co. 2015 The Millionairess* Ian Belknap Delaware Rep 2014 La Fanciulla del West Doug Scholz Carlson The Minnesota Opera 2014 Sherlock/Suicide Club KJ Sanchez Cincinnati Playhouse in the Park 2014 The Mystery of Irma Vep Joel Sass The Jungle Theatre 2014 Travesties Bill Brown American Player's Theatre 2014 The Importance of Being Earnest Bill Brown American Player's Theatre 2014 Cyrano Joe Chvala Park Square Theatre 2014 The Ballad of Emmett Till Talvin Wilkes Penumbra Theatre Co. 2013 Born Yesterday John Miller-Stephany The Guthrie Theater 2013 Noises Off KJ Sanchez The Milwaukee Rep 2013 The Night of The Iguana Ed Stern Delaware Rep 2013 Pride and Prejudice Joe Dowling The Guthrie Theater 2013 Jackie and Me Marion McClinton Children’s Theatre Company 2013 Two Trains Running Lou Bellamy Oregon Shakespeare Festival 2013 The Three Penny Opera* Matthew Earnest Delaware Rep 2012 The Amen Corner Lou Bellamy Penumbra Theatre Company 2012 Roman Holiday John Miller-Stephany The Guthrie Theatre 2011 Two Trains Running
[Show full text]
Daniel.Ian.Joeck Resume 18
www.danielianjoeck.com Height: 6’3“ Hair: Brown Weight: 180 lbs Eyes: Hazel FILM/TELEVISION Dead of Winter, TV series Bill Red Marble Media Justin Stanley Another Castle, web series Jason/The Man Popcorn and Wine Productions Sara Werner Victory, short film Lead Sepulchral Voice Dan Schneidkraut Melancholy, short film Lead Insomnia Film Festival Eric Ortiz THEATRE (Selected) A Midsummer Night’s Dream Peter Quince/Egeus The Old Globe Patricia McGregor The Tempest Sebastian u/s Alonso The Old Globe Joe Dowling Much Ado About Nothing Friar Francis u/s Leonato The Old Globe Kathleen Marshall Romeo and Juliet Lord Capulet The Old Globe Delicia Turner Sonnenberg Hamlet Francisco/Priest u/s Rosencrantz The Old Globe Barry Edelstein Richard II Bagot/Salisbury The Old Globe Erica Schmidt Red Velvet u/s Terence/Bernard The Old Globe Stafford Arima The Blameless u/s Alex Garcia The Old Globe Gaye Taylor Upchurch The Two Gentlemen of Verona Duke The Old Globe Richard Seer A Flea In Her Ear Policeman Williamstown Theatre Festival John Rando Romeo and Juliet Tybalt, u/s Romeo/Mercutio Park Square Theatre David Mann Ramona Quimby Uncle Hobart Children’s Theatre Company Clinton Turner-Davis The Learned Ladies Chrysale Shakespeare & Company Tina Packer Macbeth Malcolm Nebraska Shakespeare Vincent Carlson-Brown The Taming of the Shrew Katharina Nebraska Shakespeare Amy Lane Julius Caesar Mark Antony Classical Actors Ensemble Randy Funk The Two Gentlemen of Verona Valentine Classical Actors Ensemble Hannah Steblay Duchess of Malfi/Twelfe Night Ferdinand/Orsino Classical Actors Ensemble Joseph Papke Love‘s Labours Lost Don Adriano de Armado Classical Actors Ensemble Joseph Papke A Midwinter Night’s Revel Oberon Walking Shadow Theatre Amy Rummenie Come Hell and High Water Chorus The Moving Company Dominique Serrand SPECIAL SKILLS SAFD 2018: Rec.
[Show full text]
Brian Friel Papers (Additional)
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 180 Brian Friel Papers (Additional) (MSS 42,091 – 42,093; 49,209 – 49,350) (Accession No. 6689 & 6941) Papers of the playwright Brian Friel including correspondence and material relating to his plays, theatre and literature. Also includes financial and legal records and material relating to important events in the life of Brian Friel from 1950 – 2010. Compiled by Fergus Brady with assistance from Karen de Lacey, Avice-Claire McGovern and Nora Thornton, September 2011 1 Introduction....................................................................................................................... 6 Custodial History and Access .......................................................................................... 6 Arrangement ..................................................................................................................... 7 Associated Materials in the National Library of Ireland.............................................. 8 List of productions of plays by Brian Friel, 2000 – 2010............................................... 9 I. Plays ........................................................................................................................... 13 I.i. The Enemy Within (1962)........................................................................................ 13 I.i.1. Productions....................................................................................................... 13 I.ii. Philadelphia, Here
[Show full text]
A Midsummer Night's Dream
University Musical Society STRA3TORD FESTIVAL William Shakespeare's A Midsummer Night's Dream Friday Evening, November 19, 1993 at 8:00 Saturday Afternoon, November 20, 1993 at 2:00 Saturday Evening, November 20, 1993 at 8:00 Sunday Afternoon, November 21, 1993 at 2:00 Power Center for the Performing Arts, Ann Arbor, Michigan The Cast (in order of appearance) Theseus, Duke of Athens ............................................................................WAYNE BEST Hippolyta, Queen of the Amazons, betrothed to Theseus ..............ALISON SEALY-SMTTH Philostrate, Master of the Revels ........................................................MICHAEL MAWSON Egeus, father to Hermia ...........................................................................LEON POWNALL Hermia, daughter to Egeus ...................................................STEPHANIE MORGENSTERN Demetrius, suitor to Hermia .........................................................................SEAN POWER Lysander, beloved of Hermia ...........................................................................MARC RUEL Helena, in love with Demetrius ............................................................SHEILA MCCARTHY Peter Quince, a carpenter ........................... ....................................................BRIAN TREE Nick Bottom, a weaver ...............................................................................TED DYKSTRA Francis Flute, a bellows-mender ................................................................JEFFREY KUHN Robin Starveling,
[Show full text]