DOCSLIB.ORG

Disabilities and Self Help Darparu'r Anabl I Sefydlu Eu Hunain an Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Disabilities and Self Help Darparu'r Anabl I Sefydlu Eu Hunain an Art Disabilities And Self Help Darparu'r Anabl i Sefydlu eu Hunain An Art auction to raise money for DASH Ceredigion to celebrate 40 years of supporting children with disabilities and their families. Ocsiwn Gelf i godi arian i DASH Ceredigion i ddathlu 40 mlynedd o gefnogi plant ag anableddau a'u teuluoedd. We are extremely grateful to all the artists who have donated their work and to others who have given works for the auction and prizes for the raffle. Rydym yn hynod o ddiolchgar i'r holl artistiaid sydd wedi cyfrannu eu gwaith ac i eraill sydd wedi rhoi gweithiau ar gyfer yr ocsiwn a gwobrau ar gyfer y raffl. Since 1978, DASH Ceredigion has been organising a variety of leisure schemes for disabled children and young people within the county of Ceredigion. We do this so that local disabled children and their families can have a better quality of life with access to a wide choice of leisure facilities and opportunities. Parents and carers get time to recharge their batteries and disabled children and young people get time of their own for personal, social and creative development in a welcoming and fun environment. Ers 1978, bu DASH Ceredigion yn trefnu amrywiaeth o gynlluniau hamdden i blant a phobl ifanc anabl yng Ngheredigion. Rydym yn gwneud hyn er mwyn i blant anabl lleol a'u teuluoedd gael gwell ansawdd bywyd gyda mynediad at ddewis ehangach o gyfleusterau hamdden a chyfleoedd eraill. Gall rhieni a gofalwyr gael cyfle am seibiant i fagu nerth tra bod y plant a'r bobl ifanc anabl yn cael amser eu hunain ar gyfer datblygiad personol, cymdeithasol a chreadigol mewn amgylchedd croesawgar. www.dashceredigion.org.uk Charity Number 1163672 Rhif Elusen OCSIWN GELF ART AUCTION Dydd Sadwrn MEHEFIN 16 JUNE Saturday 2.00pm (Rhagolwg / Viewing: 1.00pm) Canolfan y MORLAN Centre ABERYSTWYTH Morfa Mawr (Queen's Rd.), Aberystwyth SY23 2HH Viewing and registering to bid from 1.00pm. Everybody wishing to bid will be required to register with their name, address and contact details. Prices in the catalogue are guide prices only and details of art work are given in good faith as to artist, medium etc. All winning bids are binding. Artwork remains the property of DASH Ceredigion until payment is made. We do not have facilities for card payment so all payments must be by cash or cheque on the day. Postal bids can be sent to DASH Ceredigion, Byngalo Min-y-Môr, Wellington Gardens, Aberaeron SA46 0BQ. Please send in a sealed envelope marked DASH auction. Light refreshments will be available to purchase during the viewing and the auction. ****************************** Rhagolwg a chofrestru o 1.00pm. Bydd gofyn i bawb sy'n dymuno gwneud cynnig am eitemau gofrestru trwy roi eu henwau, cyfeiriad a manylion cyswllt. Prisiau canllaw yn unig a geir yn y catalog ac mae'r manylion am weithiau celf ynglyn ag artist, cyfrwng ac ati, yn ddilys hyd y gwyddys. Os bydd eich cynnig yn fuddugol, rhaid talu am yr eitem. Hyd y telir amdano, bydd unrhyw waith celf yn eiddo i DASH Ceredigion. Nid oes gennym gyfleuster talu â cherdyn; felly bydd rhaid talu ag arian parod neu â siec ar y diwrnod. Gellir anfon cynigion drwy'r post i DASH Ceredigion, Byngalo Min-y-Môr, Gerddi Wellington, Aberaeron SA46 0BQ. Defnyddiwch amlen wedi'i selio gan nodi Ocsiwn DASH os gwelwch yn dda. Bydd lluniaeth ysgafn ar gael i'w brynnu yn ystod y rhagolwg a'r ocsiwn. Index of Lots Mynegai i'r Eitemau 1. Barry Arnold, Felin Cenarth 1 - painting/paentiad 2. James Leman, 2 floral silk designs/2 ddyluniad sidan o flodau - fine prints/pritiau cain (V&A, 1995) 3. Steven Doyle, Celtic handprint - screen-print/argraffiad â sgrîn 4. Bodge, Borth, 2016BC - painting/paentiad 5. Cariad Glass, stained glass panel/panel gwydr lliw 6. Gwenllian Beynon, Yma ac Acw - mono print 7. Y Ddafad Ddu/The Black Sheep, hand-knitted children's garment (blue) original design 8. Y Ddafad Ddu/The Black Sheep, dilledyn i blant wedi'i weu â llaw (pinc) cynllun gwreiddiol 9. Helen Tworkowski, Three Oranges in a Bowl - painting/paentiad 10. Averil Clifford Rees, Fruit with string - painting/paentiad 11. Wynne Melville Jones, Craig Elvis Eisteddfa Gurig - print, 31/250 12. Ann Williams, Study of a Ceredogion Cottage - painting/paentiad 13. Patti Keane, Marrow Boat - painting/paentiad 14. Andy McPherson, ceramic pot/potyn cerameg 15. Christopher Stranney, (fishing boat/ cwch pysgota) - painting/paentiad 16. Christopher Stranney, (cockerel and hen together with cockerel/ceiliog ac iâr yngh^yd â cheiliog) - paintings/paentiadau 17. Christopher Stranney, (horse/ceffyl) - painting/paentiad 18. Andrew Francis, Aberystwyth 3 - painting/paentiad 19. Alison Greeley, Pineapple & Aloe - linocut/toriad leino 4/28 20. Ruth Jên Evans, Cwiltiau - print 35/50 21/22. Huw Ceiriog, (21 &22) Ych yng Ngwedd - limited edition/argraffiad cyfyngedig o 300 23. Huw Ceiriog, Berwyn, limited edn./argraffiad cyfyngedig o 70 24. Huw Ceiriog, Marwnadau Llywelyn ap Gruffudd limited edn. /argraffiad cyfyngedig o 300 25. Huw Ceiriog, Kalan Gaeaf limited edn. of/argraffiad cyfyngedig o 60 26. Gwenllian Spink, hand-printed cards/ cardiau wedi'u hargraffu â llaw 27. Wendy Lloyd, Fferm Ceredigion - painting/paentiad 28. William Griffiths, Landrover - pencil drawing/darlun pensil 29. Lizzie Spikes, Cegin - painting/paentiad 30. Rhiannon, Tonneu - silver brooch/broets arian 31. Tegwyn Jones, Gwinllan a roddwyd... - calligraphy (limited edition)/ceinlythreniad (argraffiad cyfyngedig) 32. E. Meirion Roberts, I ddathlu canmlwyddiant geni John Saunders Lewis - print 330/500 33. Christopher Stranney, Nosey Calf - painting/paentiad 34. Christopher Stranney, Triptych - (horses together with 5 miniatures of horses and bull/ceffylau yngh^yd â 5 miniatur o darw a cheffylau) - paintings/paentiadau 35. Sue Lee, Badger - print&appliqué 36. Ruth Packham, floral design felt panel together with a collection of felt animals/ panel ffelt cynllun blodeuog ynghyd â chasgliad o anifeiliaid ffelt 37. Sarah Hudis, (Green man) - screen-print on cloth/print â sgrîn ar liain 38. Barry Arnold, Felin Cenarth 2 - painting/paentiad 39. Mary Lloyd Jones, Moel Famau - lithograph with hand colouring/lithograff gyda lliwio â llaw 22/40 40. Ali Scott, Gwarchod y Praidd/ Minding the Flock - felt work picture/llun gwaith ffelt 41. antique print/print hynafol, Cader Idris and Craig-y-Derin 42. antique print/print hynafol, Aberystwith 43. Hilary Smith, Plate of Oranges - painting/paentiad 44. Philip Huckin, un o lynnoedd Teifi/ one of the Teifi pools - painting/paentiad 45. Rolant Dafis, Cors Caron - art photogrph/ffotograff celf 46. Tad Klodnicki, (sunlight on rock/golau'r haul ar graig) - painting/paentiad 47. Tad Klodnicki, (red house/tŷ coch) - print 48. B J Sewell, Camnant - painting/paentiad 49. Griffith S Owen, (Yr Wyddfa o Ynysfor neu Bont y Traeth, Llanfrothen) - painting/paentiad 50. Tegwyn Jones, Yn ymyl Ty'n-y-coed - calligraphy & paint/llythrennu cain & phaent 51. Tegwyn Jones, Gwynt ar fôr - calligraphy & paint/llythrennu cain & phaent 52. Suzanne Lanchbury, Chameleon - ceramic sculpture/cerflun cerameg 53. Chloe Rodenhurst, Clever Lady Devil's Bridge - print 54. Gareth Owen, Hiraeth - signed digital print by the artist/print digidol gan yr artist wedi'i lofnodi 55. Cynthia Westney, White Sails - lino print/print leino 56. Valériane Leblond, Triptych: Calch Lasar, Taryaneu, Eskidyeu - original art work/gwaith celf gwreiddiol 57. Edrica Huws, The Viola giclée print of original patchwork/print giclée o glytwaith gwreiddiol 13/50 58. Edrica Huws Patchworks (2007) - rare book/llyfr prin 59. Alun Gwynedd Jones, The Dream of Captain Cat - lithograph 1/4 60. Tegwyn Jones, R S Thomas - cartoon portrait/portread cartŵn 61. Meri Wells, Y Daith - ceramic maquette/maquette cerameg 62. Edward Povey, (rural landscape/tirlun gwledig) - linocut/toriad leino 63. unattributed/heb ei briodoli, (Italian townscape with campanille/ treflun Eidalaidd gyda campanille) - painting/paentiad 64. Mary Lloyd Jones, Arenig - painting/paentiad 65. Tad Klodnicki, (house in woodland setting & landscape - back to back/ tŷ mewn llecyn coediog & thirlun - gefn wrth gefn) - paintings/paentiadau 66. Tad Klodnicki, (snow scene & rural landscape - back to back/ golygfa o eira & thirlun gwledig - gefn wrth gefn) - paintings/paentiadau 67. Shani Rhys James, The Dolls House - etching/ysgythriad 1/25 68. Margaret Worrall, Taith gyda'r Nos/ An Evening Stroll - painting/paentiad 69. Marcia Gibson-Watt, (Eglwys Cefnllys ger Llandrindod) print 70. Charles Rennie Mackintosh, drawings for His House for an Art lover - print portfolio: Pomegranate Publications, 1990) Abbreviations Byrfoddau est./amc. - estimate/ amcan bris f - frame/ ffrâm m&f - mounted and framed/ wedi'i fowntio a fframio LOT 1 (see also/gw. hefyd Lot 38) BARRY ARNOLD Felin Cenarth 1 / Cenarth Mill 1 acrylic on gesso board/ acrylig ar ford gesso image/ llun 43x29cm, m&f 61.5x47.5cm signed/ llofnod Arnold est./ amc. £130–£150 fbk: @barry.arnold.uk36 email: [email protected] artist. Barry Arnold has lived in Pontgarreg, Ceredigion for 35 years with his wife, Christine, who is also an artist. The seascape, landscape, farms and buildings have proved an unlimited source of inspiration for his paintings. They have a feeling of warmth and tranquility, and he produces work that is representative of how the countryside ‘feels’ rather than looks and they seem to capture the ‘soul’ of the land. Barry works mainly with acrylic paint on board, rather than on canvas. artist. Mae Barry Arnold wedi byw ym Mhontgarreg ers 35 mlynedd gyda’i wraig, Christine, sydd hefyd yn artist. Bu’r môr, y dirwedd, y ffermydd a’r adeiladau yn ffynonellau diderfyn o ysbrydoliaeth ar gyfer ei baentiadau. Mae iddynt deimlad o gynhesrwydd a llonyddwch, ac mae Barry yn cynhyrchu gweithiau sy’n llwyddo i gynrychioli ‘enaid’ cefn gwlad. Bydd yn gweithio â phaent acrylig ar ford gan mwyaf, yn hytrach nag ar gynfas.
Load more

Recommended publications
  • Annual Report 2012 Adroddiad Blynyddol 2012
    ANNUAL REPORT 2012 ADRODDIAD BLYNYDDOL 2012 CONTEMPORARY ART SOCIETY FOR WALES CYMDEITHAS CELFYDDYD GYFOES CYMRU T H E A L B A N Y G A L L E R Y Dominic Hills SUMMERMuriel Delahaye -EXHIBITION Gossiping 29 x 25ins, oil2011 on canvas st rd 1SUMMER July – 3 EXHIBITIONSeptember An exhibition of work by more than 70 artists 28th June - 10th August 2013 A changing exhibition of work by more than 50 artists Diagonal Shadow 65 x 120cms egg tempera CERI AUCKLAND DAVIES CERI AUCKLAND DAVIES 13th September - 5th October 2013 9th September – 1st October For images and74b details Albany ofRoad, future Cardiff, exhibitions, CF24 3RS view our website T: 029www.albanygallery.com 2048 7158 E: [email protected] W:www.albanygallery.com Gallery open: Monday – Saturday 10am – 5pm, Sundays and Bank Holidays 11am – 4pm 74b Albany Road, Cardiff CF24 3RS T: 029 2048 7158 E: [email protected] Gallery open: Monday - Saturday 10am - 5pm, Sundays and Bank Holidays 11am - 4pm contemporary art society for wales cymdeithas celfyddyd gyfoes cymru Charity No: 247947 OFFICERS OF THE SOCIETY AT 31st DECEMBER 2012 Patron The Right Honourable The Earl of Snowdon President Professor Bryan Hibbard Past President Mrs Betty Evans Vice Presidents Mr Ken Spurlock MBE Mrs J M Rees-Mathews ✝ Mr Peter Clee Dr Tudor Jones Bernard H Rees Chairperson Dr Chris Evans Vice Chairperson 1 Mr John Fitzgerald OBE Treasurer Mr Gwyn Stone Events Secretary Mrs Sian Williams Membership Secretary Dr Dan Evans Mulberry Lodge, 3 Pencisely Rd, Llandaff, Cardiff CF5 1DG Tel:02920 226029 Email:[email protected]
    [Show full text]
  • Charity Arts Auction Josef Herman Foundation
    Charity Arts Auction Josef Herman Foundation Exhibition Auction Day 18th Nov - 6th Dec Sun 8th Dec The Welfare Hall Glynn Vivian Art Ystradgynlais Gallery Swansea Special evening viewing on Viewing from 11.30am Friday 22nd Nov at 7pm Auction starts at 1.30pm Auctioneer: Arfon Haines Davies Listings Josef Herman Foundation Lot 1: John Abell. “Adam & Eve” Lot 2: John Abell. “Cardiff Girls” Lot 5: Joan Baker. “Mouth of the Lot 6: Joan Baker. “Waterfall Cave” Temple Bay” A/P Limited edition lithographic print A/P Limited edition lithographic print of 20 on handmade paper. of 20 on handmade paper. Oil on canvas. Framed. Oil on canvas. Framed. 71.5 x 54 cms unframed. 74 x 54 cms unframed. (50.5 x 61 cms unframed). (54 x 45.5 cms unframed). Estimate: £250 - £350 Estimate: £250 - £350 Estimate: £200 Estimate: £200 Lot 3: Jacqueline Alkema. “Woman Lot 4: Jacqueline Alkema. “In the Lot 7: Joan Baker. “Caerphilly Lot 8: Joan Baker. “Witches Point” with Birds” night series II” Mountain” Oil on canvas. Framed. Oil on paper. 42 x 53 cms framed. Oil on paper. 45.5 x 53 cms framed. Oil on canvas. Framed. (61 x 76 cms unframed). (31 x 21 unframed). (29 x 20 unframed). (61 x 76 cms unframed). Estimate: £350 Estimate: £395 – £450 Estimate: £395 – £450 Estimate: £350 1 2 Listings Josef Herman Foundation Lot 9: Joan Baker. “Sun after Rain – Lot 10: Iwan Bala. “Ystad Bardd/ Lot 13: Seren Bell. “Welsh Mountain Lot 14: Gwenllian Beynon. “Llestri Merthyr Mawr” The Poet's Estate” Ewe & Lamb” Mam” Framed.
    [Show full text]
  • ABERYSTWYTH DIGITAL HERITAGE WALK the Women's Heritage Walk Has Been Developed As Part of the Women's Archive of Wales '
    ABERYSTWYTH DIGITAL HERITAGE WALK The Women’s Heritage Walk has been developed as part of the Women’s Archive of Wales ‘Century of Hope Project’, funded by the Heritage Lottery Fund. The project marks the centenary of some women getting the right to vote in parliamentary elections, and this walk draws attention to some of the remarkable women who have lived in Aberystwyth during the last two hundred years, and to the man who contributed powerfully to the campaign for the vote. The information in this booklet gives a very brief account of their achievements, but we hope that – especially for the less well known – it will lead to more interest in them. Length of walk: approximately 90 minutes. Ability level: this walk should be accessible to all levels of ability. Route: Ceredigion Museum, Pier Street, Old College, Vulcan Street, Chalybeate Street, Portland Street, Alexandra Hall, The Prom, the Coliseum Theatre and Cinema, Ceredigion Museum. Follow the walk on an App. The Women’s Archive of Wales would like to thank Advancing Aberystwyth for working in partnership with us to develop the free digital app version of this walk. Search for ‘Aber App’ at the App Store or Google Play using your IOS or Android device. The App is free and available in Welsh & English. The Women’s Archive of Wales works to raise the profile of women’s history in Wales and to preserve the sources which tell their story. We organise all kinds of events to promote and celebrate the history of women in Wales. Visit our website www.womensarchivewales.org for more details and to join us, and follow us at @AMC_WAW Copyright © Archif Menywod Cymru Women’s Archive Wales Tour Map – Detailed Aberystwyth town maps are available at Ceredigion Museum Location 1: Ceredigion Museum – The home of Olwen Davies’ opera dresses and a place where she performed.
    [Show full text]
  • Visual Culture & Gender, Vol. 3, 2008 Versions of Welsh Culture
    Versions of Welsh Culture Visual Culture & Gender, Vol. 3, 2008 an annual peer-reviewed international multimedia journal Throughout history, England has sought to control and exploit Ireland, Scotland, and Wales. Wales has seen herself as a colonised coun- try, denied free expression of her language and culture by her oppressor. A COMMENT A RY ON WOMEN CRE A TING SP ac E S Like other indigenous cultures, Welsh culture persists through an oral IN WEL S H V I S U A L CULTURE tradition, which in this case, is often identified with the musical tradition of bards, writers, singers, and musicians. However, Peter Lord, a leading PENELO P E COLLET authority on the visual arts in Wales, rejects this narrow view. In Imag- ing the Nation (2000) he has collected bountiful evidence of painting, Abstract sculpture, drawing, photography, cinema, and some printmaking and il- lustration that contributes to a sense of Welsh national identity and visual Women’s histories provide a vivid and perhaps drastic tradition. These art forms are those that Lord uses to define Welsh visual example of the reconstitution of history through the opening culture. He adds that through research, critical writing, and patronage up of a new and different space of knowledge. The field is not of the fine arts there is a substantial tradition on which Welsh artists can simply expanded by the intrusion of hitherto excluded build today. knowledge. Its borders are interfered with; its ontological status is However, women are barely accounted for in Lord’s scholarship problematized, reorganised and redefined (Peim, 2005, pp.
    [Show full text]
  • Global Renaissance Woman Internet Freedom T H Parry Williams Ethical Landscape Fifty Shades of Green Halls of Residence Academic Posts Sports Facilities
    www.aber.ac.uk/prom Global Renaissance Woman Internet Freedom T H Parry Williams Ethical Landscape Fifty Shades of Green Halls of Residence Academic Posts Sports Facilities Bursaries Academic Buildings Scholarships Throughout its history, Aberystwyth University has bene ted from gifts left in the Wills of its alumni and friends. Legacies ensure that, for generations to come, Aber has the capacity to thrive as a place of learning and research and to enhance its global reputation. “ It’s an easy and painless way of putting To nd out more about leaving a legacy something back.” to Aber, please contact: 1982 alumnus Legacies O cer “Words can’t express the gratitude I feel towards Development and Alumni Relations O ce those who founded the Scholarship. Not only has Aberystwyth University it allowed me to remain nancially secure Aberystwyth throughout my studies but most importantly it SY23 3EB has given me access to the brilliant academic Tel: 01970 621568 environment at Aber.” Email: [email protected] Current undergraduate student www.aber.ac.uk/supporters 3193_AberUni_FullPage Legacy_Ad_FIN.indd 1 05/12/2011 12:24 Contents Halls of Residence Academic Posts Features Sports Facilities Global Renaissance Woman 10 Maya Angelou Internet Freedom 14 What are we fighting for? Fist Bumps 18 A study on disease transmission goes viral Bursaries Undergraduate to Professor in a day 20 T H Parry-Williams and the Chair of Welsh Academic Buildings Fifty Shades of Green Scholarships 28 Why we eat the things we do Columns News 4 ��������������������������������������������������������������������Vice-Chancellor
    [Show full text]
  • Aberystwyth University Women's Club 1955-2015 (PDF)
    I. Beginnings Three of us, Mollie Reynolds, Hannah Harbury and myself were having coffee together, and we saw the wife of one of the members of staff going past. In that pre-feministic age, the custom was to refer to ‘the wife of this-or-that professor’. Anyway, not one of us could remember who she was, and we agreed that that was a laughable situation. You have to remember that only a fifth of the number of students that are here today were at the College at that time; the majority of the staff lived in the town and the professors either walked or bicycled to the College. There were very few houses on Waunfawr, and nearly every College department was in the old building. Mollie suggested that we start a Club. And so we set about composing a letter and having copies made. There was no such thing as photocopying then. We were surprised by the reaction, everyone was enthusiastic, and I found myself treasurer of this new Club, much to my husband’s unease! This is how Mair Williams described the formation of the University of Wales Women’s Club (or the College Women’s Club as it was first called) in Yr Angor in 1995 on the occasion of its 40th anniversary. She later recalled that this had happened at a College event around 1954, about the time that Goronwy Rees had arrived at Aberystwyth. Mollie Reynolds suggestion that we start a Club stemmed from the fact that she had been a member of a Women’s Club at the London School of Economics where her husband, Philip A.
    [Show full text]
  • National Contemporary Art Gallery Wales: Preliminary Feasibility Study
    National Contemporary Art Gallery Wales Preliminary Feasibility Study & Options Appraisal July 2018 Client: Museums, Archives and Libraries Division (MALD), Welsh Government Event Authors: Lucie Branczik and Becky Schutt Revision no: 02 Date: July 2018 Event Communications Ltd India House 45 Curlew Street London SE1 2ND +44 (0) 20 7378 9900 [email protected] www.eventcomm.com © Event Communications Ltd 2018 The right of Event Communications Ltd to be identified as the author of this work has been asserted in accordance with the Copyright, Designs and Patent Act 1988. Front cover: Laura Ford, Cardiff Contemporary Festival Source: Laura Ford Contents Executive Summary 7 Appendices 1. Introduction 17 Appendix 1: Consultation List 138 2. Findings and Opportunities 23 Appendix 2: Site Visits 140 Contemporary Art in Wales 25 Appendix 3: Bibliography 142 Supply: Visual and Applied Arts Ecology 30 Appendix 4: List of Figures 144 Demand: Audiences 51 Appendix 5: The Market 147 Key Contexts 61 Appendix 6: Longlist Options 155 Sector Ambition 86 Appendix 7: Vision and Mission Examples 227 3. Purpose and Vision 91 4. The Options 97 5. Recommendations 103 6. Details of the Model 119 7. Recommended Next Steps 131 “In Britain, whenever people come across something new and exciting, but challenging, there is a tendency for them to run for cover, to want what they know and are comfortable with. To design a great new building takes courage on everyone’s part. I think we have a lot more explaining to do.” Zaha Hadid, 1995 Jonathan Glancey, “A monumental spot of local trouble” (The Independent, Jan 1995) 5 Kelly Best, Installation View.
    [Show full text]
  • Y Lle Celf Noddwyr Balch Medal Aur Am Bensaernïaeth Eisteddfod Genedlaethol Cymru
    Eisteddfod Genedlaethol Cymru Blaenau Gwent a Blaenau’r Cymoedd 2010 E i s t e d d f o d G e n e d l a e t h o l C y m r u B l a e n a u G w e n t a B l a e n a u ’ r C y m o e d d 2 0 mewn partneriaeth â Chyngor Celfyddydau Cymru 1 0 in partnership with Arts Council of Wales • Y L l e C e l f Y Lle Celf Noddwyr Balch Medal Aur am Bensaernïaeth Eisteddfod Genedlaethol Cymru Tywysog Llywelyn ar ei geffyl mawr / Prince Llywelyn on his mighty steed Elinor Evans Cymru…wedi’i dylunio’n well 3 Cynnwys Contents Gair o’r Gadair ● From the Chair 4 Vic Coughtrey Y Lle Celf Eisteddfod 2010 - Croeso David Alston 8 Sylwadau’r Detholwyr ● Selectors’ Statements 10 Chris Coppock ● Pamela Rawnsley ● John Selway Y Fedal Aur am Gelfyddyd Gain ● The Gold Medal for Fine Art 22 Y Fedal Aur am Grefft a Dylunio ● The Gold Medal for Craft and Design 24 Gwobrau Eraill ● Other Awards 26 Arddangoswyr ● Exhibitors 28 Pensaernïaeth yng Nghymru ● Architecture in Wales 57 Datganiad y Detholwyr Pensaernïaeth ● Architecture Selectors’ Statement 62 Bill Davies ● Malcolm Parry Ysgoloriaeth Artist Ifanc ● Young Artist Scholarship 68 Pamela Rawnsley Ysgoloriaeth Bensaernïaeth ● Architecture Scholarship 71 Jonathan Adams ● Howard Bowcott Cynghanedd Roger Cecil 75 Mary Lloyd Jones 4 O’r Gadair From the Chair Pan wnaed y datganiad bod yr Eisteddfod Genedlaethol Mae natur y safle, sef lleoliad un o’r gweithfeydd haearn a yn dod i’m tref i am y tro cyntaf ers dros hanner can dur mwyaf Cymru am dros ddwy ganrif, wedi rhoi’r cyfle i’r mlynedd (ac am y tro cyntaf i Flaenau’r Cymoedd ers Is-bwyllgor Celfyddydau Gweledol i ddefnyddio gofod tra pedair blynedd ar bymtheg), yr oedd y newyddion gwahanol.
    [Show full text]
  • My Amazing American Adventure!
    Institute of Geography & Earth Sciences www.aber.ac.uk/iges Institute of Geography & Earth Issue 8 Sciences NEWS My Amazing American Contents Adventure! Megan Alice Edwards Page 5: What careers advisors Undergraduate Student don’t tell you... My recent summer was an extremely busy one. Over the last 2 years I have been raising money for a Cardiff based charity who raise money for children with terminal cancer and give them the opportunity to go on holiday with their family or Page 11: The chance of a meet their hero. The charity offered me the chance lifetime to raise money for them and travel to the US to in the toe with a pick axe (I had forewarned him not to represent them in doing social and environmental trust me with one!). conservation work. It was the most amazing Our journey continued and ended in Washington DC, experience! which was probably my favourite part of the trip. Our youth hostel was lovely and within a close walk of all the We first travelled to Chicago and worked with children major sites. The US Capital building was breath-taking in an outdoor summer day camp. We played games Page 17: Like us? by night; the Lincoln Memorial serene and moving; and with the children and did a lot of (very hot, 40 degrees then there was The White House. I stood in front of it C) work in the camp’s greenhouse. We also worked for about 45 minutes, trying to figure out how such a in the Chicago food depository, organising fruit and simple place could be such a powerful image of politics.
    [Show full text]
  • Peter Finnemore
    CURRICULUM VITAE PETER FINNEMORE DATE OF BIRTH 5th May, 1963 ADDRESS 24 Heol Llanelli Pontiets Carmarthenshire Wales United Kingdom SA15 5UB TELEPHONE (44) 01269 861570 EMAIL [email protected] EDUCATION 1992 - 1994 University of Michigan, Ann Arbor, Michigan, USA MFA in Photography 1987 - 1988 Glasgow School of Art, Glasgow Scotland Postgraduate Diploma, Fine Art Photography 1984 - 1987 Glasgow School of Art, Glasgow, Scotland Degree: (BA Hons.) in Fine Art Photography ACADEMIC AND PROFESSIONAL PRACTISE 1997 – Present Freelance Independent Artist and Educator 2017 – 2021 External Examiner in Photography at Sheffield Hallam University 2017 – 2017 Visiting Lecturer in Photography at Swansea School of Art, 2011 – 2016 Visiting Professor in Photography, Faculty of Arts, Design and Technology University of Derby 2012 - 2016 Fellow & Senior Lecturer, Art and Design (.5), University of Wales Trinity St David, Carmarthen Campus, Wales, UK. 2011- 15 External Examiner in Photography, Glasgow School of Art, Scotland 2005 - 2012 Researcher/ Senior Lecturer (.4), Swansea Metropolitan University 2005 - 08 Visiting Professor in Photography, Faculty of Arts, Design and Technology University of Derby 1 2009 -12 Phd External Supervisor (University of Wales Newport) Geraint Davies; Dimensions, Perceptions: Resonances from Durer’s MELENCOLIA I (2012). 2007 - 2009 Welsh Language Fellow of the Welsh National College– Photography (.5) University of Wales, Newport 2000 – 2005 Part Time Lecturer, Photography, Swansea Institute of Higher Education
    [Show full text]
  • Myths, Memories and Futures the National Library and National Museum in the Story of Wales
    2251MythsMemories+Futuresa-wJW 28/2/07 4:22 pm Page i Myths, Memories and Futures The National Library and National Museum in the Story of Wales Edited by John Osmond Cover: 13th Century crowned head exhibited by Amgueddfa Cymru – National Museum Wales in Cathays Park, Cardiff. Excavated from the remains of Deganwy Castle, near Llandudno, in Spring 1966, it is thought to be the head of Llywelyn Fawr (1173-1240).This memory (or myth?) has been promoted by Harri Webb’s poem The Stone Face, written as a response to the 1966 excavation and reproduced in his The Green Desert (Collected Poems 1950-1969).The poem is quoted overleaf and on page 72 of this volume.The crowned head may originally have lined the most embellished room at Llywelyn Fawr’s castle at Deganwy, the now-vanished hall. Copyright: National Museum of Wales. 2251MythsMemories+Futuresa-wJW 28/2/07 4:22 pm Page ii Published in Wales by A stone face sleeps beneath the earth Institute of Welsh Affairs With open eyes.All history is its dream. The Stone Face by Harri Webb The Institute of Welsh Affairs exists to promote quality research and informed debate affecting the cultural, social, political and economic well-being of Wales. The IWA is an independent organisation owing no allegiance to any political or economic interest group. We are funded by a range of organisations and individuals. For more information about the Institute, its publications, and how to join, either as an individual or corporate supporter, contact: IWA – Institute of Welsh Affairs 1–3 Museum Place Cardiff CF10 3BD Telephone 029 2066 6606 Facsimile 029 2022 1482 Email [email protected] Web www.iwa.org.uk First Impression March 2007 ISBN 1 904 773 20 6 © Institute of Welsh Affairs All rights reserved.
    [Show full text]
  • The Full List of New Fellows Can Be Accessed Here
    Fellows Elected 2016 Honorary Fellows Sir Michael Francis Atiyah OM FRS FRSE FMedSci Professor Martin Rees, Lord Rees of Ludlow KT OM FAA HonFREng HonFLSW FRS FREng FMedSci HonFLSW Honorary Professor University of Edinburgh Astronomer Royal and and Fellow of Trinity College Cambridge Fellow of Trinity College Cambridge Fellows Professor Sir Mansel Aylward CB DSc FFPM FFOM Professor James Durrant FRSC FLSW FFPH FRCP FLSW Sêr Cymru Solar Professor, Swansea University; Professor Chair of Public Health Wales; Director of the Centre for of Photochemistry, Imperial College London Psychosocial Research, Occupational and Physician Health, Cardiff University Professor Gillian Bristow FLSW Professor Merideth Gattis FLSW Dean of Research; Professor of Economic Professor of Psychology, Cardiff University Geography, Cardiff University Professor Ronald Brown FLSW Professor Abderrahmane Haddad FIET FLSW Emeritus Professor of Mathematics, Founder Director of the Advanced High Voltage Research Bangor University Centre, Cardiff University. Professor Jane Cartwright FRHistS FLSW Professor Michael Hambrey FHEA FRGS FLSW Professor of Welsh, Professor of Glaciology and Emeritus Director of the University of Wales Trinity St. David Climate Change Consortium of Wales Professor Antony Chapman FBPsS FAcSS FIoD DSc Professor Paul Harper FORS FLSW HonFBPsS FLSW Deputy Head of School of Mathematics, Cardiff University President and Vice Chancellor of Cardiff Metropolitan University Professor Eryl Wynn Davies DD FLSW Professor Trevor Herbert Dlitt FLeedsCM FRCM FLSW Professor and Head of School of Philosophy and Religious Emeritus Professor of Music, Open University Studies, Bangor University Professor Nora De Leeuw FRSC FLSW Professor Mererid Hopwood FLSW Pro‐Vice Chancellor (International and Europe) and Poet and Professor of Education, University of Wales Professor of Computational Chemistry, Cardiff University Trinity St.
    [Show full text]