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Annual Report 2012 Adroddiad Blynyddol 2012
ANNUAL REPORT 2012 ADRODDIAD BLYNYDDOL 2012 CONTEMPORARY ART SOCIETY FOR WALES CYMDEITHAS CELFYDDYD GYFOES CYMRU T H E A L B A N Y G A L L E R Y Dominic Hills SUMMERMuriel Delahaye -EXHIBITION Gossiping 29 x 25ins, oil2011 on canvas st rd 1SUMMER July – 3 EXHIBITIONSeptember An exhibition of work by more than 70 artists 28th June - 10th August 2013 A changing exhibition of work by more than 50 artists Diagonal Shadow 65 x 120cms egg tempera CERI AUCKLAND DAVIES CERI AUCKLAND DAVIES 13th September - 5th October 2013 9th September – 1st October For images and74b details Albany ofRoad, future Cardiff, exhibitions, CF24 3RS view our website T: 029www.albanygallery.com 2048 7158 E: [email protected] W:www.albanygallery.com Gallery open: Monday – Saturday 10am – 5pm, Sundays and Bank Holidays 11am – 4pm 74b Albany Road, Cardiff CF24 3RS T: 029 2048 7158 E: [email protected] Gallery open: Monday - Saturday 10am - 5pm, Sundays and Bank Holidays 11am - 4pm contemporary art society for wales cymdeithas celfyddyd gyfoes cymru Charity No: 247947 OFFICERS OF THE SOCIETY AT 31st DECEMBER 2012 Patron The Right Honourable The Earl of Snowdon President Professor Bryan Hibbard Past President Mrs Betty Evans Vice Presidents Mr Ken Spurlock MBE Mrs J M Rees-Mathews ✝ Mr Peter Clee Dr Tudor Jones Bernard H Rees Chairperson Dr Chris Evans Vice Chairperson 1 Mr John Fitzgerald OBE Treasurer Mr Gwyn Stone Events Secretary Mrs Sian Williams Membership Secretary Dr Dan Evans Mulberry Lodge, 3 Pencisely Rd, Llandaff, Cardiff CF5 1DG Tel:02920 226029 Email:[email protected] -
Managing Online Communications and Feedback Relating to the Welsh Visitor Attraction Experience: Apathy and Inflexibility in Tourism Marketing Practice?
Managing online communications and feedback relating to the Welsh visitor attraction experience: apathy and inflexibility in tourism marketing practice? David Huw Thomas, BA, PGCE, PGDIP, MPhil Supervised by: Prof Jill Venus, Dr Conny Matera-Rogers and Dr Nicola Palmer Submitted in partial fulfilment for the award of the degree of PhD University of Wales Trinity Saint David. 2018 i ii DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed (candidate) Date 15.02.2018 STATEMENT 1 This thesis is the result of my own investigations, except where otherwise stated. Where correction services have been used, the extent and nature of the correction is clearly marked in a footnote(s). Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed (candidate) Date 15.02.2018 STATEMENT 2 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter- library loan, and for the title and summary to be made available to outside organisations. Signed (candidate) Date 15.02.2018 STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for deposit in the University’s digital repository. Signed (candidate) Date 15.02.2018 iii iv Abstract Understanding of what constitutes a tourism experience has been the focus of increasing attention in academic literature in recent years. For tourism businesses operating in an ever more competitive marketplace, identifying and responding to the needs and wants of their customers, and understanding how the product or consumer experience is created is arguably essential. -
The Welsh Affairs Committee
The Welsh Affairs Committee The Welsh Affairs Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Office of the Secretary of State for Wales (including relations with the National Assembly for Wales.) Current membership Dr Hywel Francis MP (Chairman) (Labour, Aberavon) Mr Stephen Crabb MP (Conservative, Preseli Pembrokeshire) David T. C. Davies MP (Conservative, Monmouth) Nia Griffith MP (Labour, Llanelli) Mrs Siân C. James MP (Labour, Swansea East) Mr David Jones MP (Conservative, Clwyd West) Mr Martyn Jones MP (Labour, Clwyd South) Mrs Madeleine Moon MP (Labour Bridgend) Jessica Morden MP (Labour, Newport East) Hywel Williams MP (Plaid Cymru, Caernarfon) Mark Williams MP (Liberal Democrat, Ceredigion) Betty Williams MP was a Member of the Committee during the inquiry. Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the Internet via www.parliament.uk. Publications The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the Internet at www.parliament.uk/parliamentary_committees/welsh_affairs_committee.cfm. A list of Reports of the Committee in the present Parliament is at the back of this volume. Committee staff The current staff of the Committee are James Davies (Clerk), Dr Rebecca Davies (Committee Specialist), Jane Trew (Committee Assistant), Sarah Colebrook (Secretary) and Jim Lawford (Senior Office Clerk). Contacts All correspondence should be addressed to the Clerk of the Welsh Affairs Committee, House of Commons, 7 Millbank, London SW1P 3JA. -
Llyfrgell Genedlaethol Cymru = the National Library of Wales Cymorth
Llyfrgell Genedlaethol Cymru = The National Library of Wales Cymorth chwilio | Finding Aid - Winifred Coombe Tennant Papers, (GB 0210 WINCOOANT) Cynhyrchir gan Access to Memory (AtoM) 2.3.0 Generated by Access to Memory (AtoM) 2.3.0 Argraffwyd: Mai 05, 2017 Printed: May 05, 2017 Wrth lunio'r disgrifiad hwn dilynwyd canllawiau ANW a seiliwyd ar ISAD(G) Ail Argraffiad; rheolau AACR2; ac LCSH Description follows ANW guidelines based on ISAD(G) 2nd ed.; AACR2; and LCSH https://archifau.llyfrgell.cymru/index.php/winifred-coombe-tennant-papers-2 archives.library .wales/index.php/winifred-coombe-tennant-papers-2 Llyfrgell Genedlaethol Cymru = The National Library of Wales Allt Penglais Aberystwyth Ceredigion United Kingdom SY23 3BU 01970 632 800 01970 615 709 [email protected] www.llgc.org.uk Winifred Coombe Tennant Papers, Tabl cynnwys | Table of contents Gwybodaeth grynodeb | Summary information .............................................................................................. 3 Hanes gweinyddol / Braslun bywgraffyddol | Administrative history | Biographical sketch ......................... 3 Natur a chynnwys | Scope and content .......................................................................................................... 4 Trefniant | Arrangement .................................................................................................................................. 5 Nodiadau | Notes ............................................................................................................................................ -
Print Finishers
2014 Newport Half Marathon Gun Pos Gun Time No Name M/F Cat Club Chip Pos Chip Time 1 1:14:46 1 Ryan McFlyn M 1 1:14:46 2 1:17:09 1175 Matthew Welsh M 1 Tri 2 1:17:08 3 1:17:15 910 Leighton Rawlinson M 3 1:17:14 4 1:17:30 865 Emrys Penny M Newport Harriers 4 1:17:29 5 1:17:43 68 Maciej Bialogonski M 5 1:17:42 6 1:17:46 316 James Elgar M 6 1:17:45 7 1:19:35 372 Tom Foster M Cardiff Triathletes 7 1:19:34 8 1:20:33 926 Christopher Rennick M 8 1:20:31 9 1:21:10 425 Mike Griffiths M Lliswerry Runners 9 1:21:09 10 1:21:27 680 Richard Lloyd M Aberdare VAAC 10 1:21:25 11 1:21:52 117 Gary Brown M Penarth & Dinas Runners 11 1:21:50 12 1:22:03 801 Doug Nicholls M San Domenico 12 1:22:02 13 1:22:21 625 Alun King M Lliswerry Runners 13 1:22:18 14 1:22:25 574 Dean Johnson M 14 1:22:22 15 1:22:38 772 Emma Wookey F Lliswerry Runners 15 1:22:36 16 1:22:54 256 Steve Davies M 50 Pontypool & District Runners 16 1:22:52 17 1:25:26 575 Nicholas Johnson M 17 1:25:24 18 1:25:50 597 Richard Jones M 18 1:25:39 19 1:25:55 458 Michael Harris M Caerleon Running Club 19 1:25:53 20 1:26:02 163 Jack Casey M 20 1:25:56 21 1:26:07 162 James Casburn M Caerleon Running Club 22 1:26:05 22 1:26:08 541 Richard Jackson-Hookins M Penarth & Dinas Runners 23 1:26:06 23 1:26:09 82 Thomas Bland M Lliswerry Runners 24 1:26:06 24 1:26:09 531 Mark Hurford M Pontypool & District Runners 21 1:26:03 25 1:26:10 803 Daniel Oakenfull M 25 1:26:08 26 1:26:12 215 Pete Croall M San Domenico 26 1:26:10 27 1:26:15 57 Jon Belcher M 27 1:26:12 28 1:26:43 107 Phil Bristow M 50 San Domenico 28 1:26:40 -
Reports and Financial Statements 2013-14 Layout 1
2013/14 Reports and Financial Statements for the year ended 31 March 2014 Charity number 1034245 General Activites Account Contents Annual Report: • Trustees’ Annual Report 03 o Annual Governance Statement 06 • Environmental report 43 • Remuneration report 47 • Statement of Council’s and the Accounting Officer’s responsibilities 49 The Certificate and Report of the Auditor General for Wales to the Arts Council of Wales 50 Financial statements: • Statement of financial activities 52 • Balance sheet 53 • Cash flow statement 54 • Notes forming part of the financial statements 55 Annex to the Annual Report (not forming part of the financial statements): • Grants 80 Arts Council of Wales is committed to making information available in large print, Braille, audio and British Sign Language and will endeavour to provide information in languages other than Welsh or English on request. Arts Council of Wales operates an equal opportunities policy. Front Cover: Theresa Nguyen, Gold Medal for Craft and Design at Y Lle Celf, National Eisteddfod of Wales 2013 (image: Dewi Glyn Jones) BIANCO, NoFit State (image: Richard Davenport) Annual Report for the year ended 31 March 2014 Trustees’ Annual Report Reference and administrative details Trustees Council Members who served since 1 April 2013 were: Attendance at meetings during 2013/14 Audit Capital Remuneration Council Committee Committee Committee1 Number of meetings held: 6550 Professor Dai Smith, (c) 6 Committee Chair Chairman n/a Dr Kate Woodward, (d) 3 Vice-chairman Emma Evans (a) 5 Committee Chair -
City Centr Walking Tr
Image Credits and Copyrights National Waterfront Museum p7, Glynn Vivian Art Gallery p10: Powell Dobson Architects. The Council of the City & County of Swansea cannot guarantee the accuracy of the information in this brochure and accepts no responsibility for any error or misrepresentation, liability for loss, disappointment, negligence or other damage caused by the reliance on the information contained in this brochure unless caused by the negligent act or omission of the Council. This publication is available in alternative formats. Contact Swansea Tourist Information Centre (01792 468321. Published by the City & County of Swansea © Copyright 2014 Welcome to Swansea Bay, Mumbles and Gower City Centre Swansea, Wales’ Waterfront City, has a vibrant City Centre with over 230 shops and Wales’ largest Walking Trail indoor market. As well as a wide range of indoor attractions (including the oldest and newest museums in Wales), Swansea boasts award winning parks and gardens. Clyne Gardens is internationally famous for its superb collection of rhododendrons and Singleton Botanical Gardens is home to spectacular herbaceous borders and large glasshouses. Swansea sits on the sandy 5 mile stretch of Swansea Bay beach, which leads to the cosy but cosmopolitan corner of Mumbles. Capture its colourful charm from the promenade and pier, the bistros and boutiques, and the cafés and medieval castle. Mumbles marks the beginning of the Gower Peninsula’s coastline. Explore Gower’s 39 miles of captivating coastline and countryside. Ramble atop rugged limestone cliffs, uncover a cluster of castles or simply wander at the water’s edge - a breathtaking backdrop is a given. Your adventure starts here! This guide takes you on a walking tour of the ‘Top 10’ most asked about attractions in and near Swansea City Centre, by visitors to Swansea Tourist Information Centre. -
Politics of Engagement Or Engagement with Politics?
1 POLITICS OF ENGAGEMENT OR ENGAGEMENT WITH POLITICS? I am not sure whether it is life in these times or my time of life that makes me pose questions in this essay, rather than give answers. Do contemporary artist’s engage with politics in any meaningful way in Wales or anywhere else? Or does the practice of art in itself become a form of political engagement? In different historical periods, artists have been engaged or disengaged with politics, but in many ways, the often un-deliberate act of making art is a political and social statement in itself, in Wales even more so. Until recently, it made little economic sense to be an artist based in Wales. To live and work here is therefore a political decision which has ramifications; specific cultural, economic and political factors influence the artist’s work. We clearly see an engagement with social conditions in art from the 1930’s onwards, in the work of Evan Walters for example, see his magnificent red breasted “The Communist” of 1932 orating to a crowd. Post war, art in Wales could be praised for it’s avoidance of the international trends that were infiltrating into the British Isles, and for the emergence of a particular Welsh painting that became known as “Welsh Environmentalism”.i On the other hand the missionary zeal of the 56 Group must be aplauded for bringing a vigorous Modernism to Wales. It is post-Modern that Wales’s artists really ‘engage’ directly with politics. Artist’s like Paul Peter Piech, whose poster prints dealt with social politics, and Ogwyn Davies, who’s art consistently raises the issues of Welsh nationalismii, or the implied socialist message in the work of Jack Crabtree are examples. -
Cross-Curriculum Learning with Swansea Cultural Venues
1 CROSS-CURRICULUM LEARNING WITH SWANSEA CULTURAL VENUES Led by experienced artist-educators with specialist knowledge April 2018 – March 2019 2 Cross-Curriculum Learning Experience for Schools 4Site is a one stop cultural shop for all schools in Swansea. Check out the exciting range of work and the exhibitions going on at the Dylan Thomas Centre, the Glynn Vivian Art Gallery, Swansea Museum, and West Glamorgan Archives. We recommend reading through this pack prior to your visit and if you have any further questions, please contact the appropriate venue. This document contains all the practical information you will need to organise your schools cultural education sessions and benefit from your 4site membership. Dylan Thomas Centre Glynn Vivian Art Gallery [email protected] [email protected] 01792 463980 01792 516900 Swansea Museum West Glamorgan Archives [email protected] [email protected] 01792 653763 01792 636589 3 CONTENTS 1. Introduction Page 4 2. Venues Page 5 - Map - Information 3. Fees and Charges Page 10 - How to pay 4. How to Book Page 11 - Booking forms - Group Sizes 5. Planning your visit Page 15 - Access - Parking - Resources 6. Session Programmes Page 18 - Foundation - Key Stage 2 - Key Stage 2 + 3 - Key Stage 4 7. Funding Support Page 27 “Excellent information on Glynn “A wonderful educational visit Vivian. Excellent hands on and @swanseamuseum. We have interactive workshop. Every thoroughly enjoyed our topic on opportunity taken to develop Ancient Egypt #Year1&2” pupils’ art skills: Sketching, observing, problem solving, Teacher, St Helen’s Catholic drawing.” Primary School Teacher, YGG Bryniago 4 1. -
ABERYSTWYTH DIGITAL HERITAGE WALK the Women's Heritage Walk Has Been Developed As Part of the Women's Archive of Wales '
ABERYSTWYTH DIGITAL HERITAGE WALK The Women’s Heritage Walk has been developed as part of the Women’s Archive of Wales ‘Century of Hope Project’, funded by the Heritage Lottery Fund. The project marks the centenary of some women getting the right to vote in parliamentary elections, and this walk draws attention to some of the remarkable women who have lived in Aberystwyth during the last two hundred years, and to the man who contributed powerfully to the campaign for the vote. The information in this booklet gives a very brief account of their achievements, but we hope that – especially for the less well known – it will lead to more interest in them. Length of walk: approximately 90 minutes. Ability level: this walk should be accessible to all levels of ability. Route: Ceredigion Museum, Pier Street, Old College, Vulcan Street, Chalybeate Street, Portland Street, Alexandra Hall, The Prom, the Coliseum Theatre and Cinema, Ceredigion Museum. Follow the walk on an App. The Women’s Archive of Wales would like to thank Advancing Aberystwyth for working in partnership with us to develop the free digital app version of this walk. Search for ‘Aber App’ at the App Store or Google Play using your IOS or Android device. The App is free and available in Welsh & English. The Women’s Archive of Wales works to raise the profile of women’s history in Wales and to preserve the sources which tell their story. We organise all kinds of events to promote and celebrate the history of women in Wales. Visit our website www.womensarchivewales.org for more details and to join us, and follow us at @AMC_WAW Copyright © Archif Menywod Cymru Women’s Archive Wales Tour Map – Detailed Aberystwyth town maps are available at Ceredigion Museum Location 1: Ceredigion Museum – The home of Olwen Davies’ opera dresses and a place where she performed. -
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ARTS COUNCIL CONTENTS C hairina;,'~ Introduction 4 The Arts Council of Great Britain, as a 5 publicly accountable body, publishes an Sui kA• 1r. -C;eneral's Preface 8 Annual Report to provide Parliament and Departmental Report s 14 the general public with an overview of th e Scotland year's work and to record ail grants an d Wales 15 guarantees offered in support of the arts . Council 16 Membership of Council and Staff 17 A description of the highlights of th e Advisory Panels and Committee s 18 Council's work and discussion of its policie s Staff 23 appear in the newspaper Arts in Action Annual Accounts 25 which is published in conjunction with thi s Funds, Exhibitions, SchewsandAuvrd~ Report and can be obtained, free of charge , from the Arts Council Shop, 8 Long Acre , London WC2 and arts outlets throughou t the country . The objects for which the Arts Council of Great Britain is established are : I To develop and improve the knowledge , understanding and practice of the arts ; 2 To increase the accessibility of the arts to the public throughout Great Britain ; 3 To co-operate with governmen t departments, local authorities and othe r bodies to achieve these objects. CHAIRMAN'S INTRODUCTION and performing artists and of helping t o wherever possible both Mth local build up the audiences which must be th e authorities and with private sponsors. real support for the arts . It is the actua l event, the coming together of artist an d The Arts Council is very conscious that th e audience, which matters . -
Bangor University DOCTOR of PHILOSOPHY Image and Reality In
Bangor University DOCTOR OF PHILOSOPHY Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Colcough, Samantha Award date: 2015 Awarding institution: Bangor University Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 24. Sep. 2021 BANGOR UNIVERSITY SCHOOL OF HISTORY, WELSH HISTORY AND ARCHAEOLOGY Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions Image and Reality in Medieval Weaponry and Warfare: Wales c.1100 – c.1450 Samantha Jane Colclough Note: Some of the images in this digital version of the thesis have been removed due to Copyright restrictions [i] Summary The established image of the art of war in medieval Wales is based on the analysis of historical documents, the majority of which have been written by foreign hands, most notably those associated with the English court.