DOCSLIB.ORG

Chronology of Browning's Literary Life

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chronology of Browning's Literary Life Chronology of Browning’s Literary Life 1793 Birth of actor and theatre manager William Charles Macready. 1795 Birth of Thomas Carlyle. 1806 Birth of John Stuart Mill and EBB. 1809 Birth of Alfred Tennyson. 1812 RB born at Camberwell, South-East London. 1819 Birth of John Ruskin. c. 1820 RB studies at Revd Thomas Ready’s school, Peckham. 1822 Birth of Matthew Arnold. Death of Shelley. 1826 RB reads Shelley, Miscellaneous Poems. Puts together Incondita, unpublished volume of poems, later destroyed. 1828 Mill reads Wordsworth’s miscellaneous poems in the two-volume edition of 1815, and emerges from a severe depression. 1828–9 RB attends London University. Tennyson’s ‘Timbuctoo’ wins Chancellor’s poetry prize at Cambridge. c. 1830 RB belongs to ‘the Set’ or ‘the Colloquials’, informal literary and debating group and contributes to its journal, the Trifler. 1833 Monthly Repository publishes Mill’s ‘What is Poetry?’ and ‘The Two Kinds of Poetry’. EBB, Prometheus Bound. Pauline (publ. anony- mously by Saunders & Otley): no sales and few reviews. 1834 RB journeys to St Petersburg with the Russian Consul-General. Meets Amédée de Ripert-Monclar. 1835 Paracelsus: some critical success. RB becomes friendly with John Forster, editor of the Examiner, and with William Macready. 1836 ‘Madhouse Cells’ published under the name ‘Z’ in Fox’s Monthly Repository. Meets Thomas Carlyle. Forster publishes a Life of Strafford, partly written by RB. Meets Walter Savage Landor. Macready requests a play. 1837 Strafford performed five times at Covent Garden: numerous reviews, several good. Reads Carlyle’s Sartor Resartus. Carlyle, The French Revolution. 1838 RB’s first trip to Italy: visits Venice, Treviso, Bassano, Vicenza, Padua and Asolo. EBB, The Seraphim. 1840 Sordello: bad notices. Attends Carlyle’s lectures On Heroes and Hero- Worship. 1841 Bells and Pomegranates, a series of cheaply produced pamphlets (publ. Edward Moxon), begins with Pippa Passes. 1842 Bells and Pomegranates continues with a play King Victor and King Charles. Anonymous essay on Chatterton in the Foreign Quarterly Review. Bells and Pomegranates continues with Dramatic Lyrics. 1843 Bells and Pomegranates continues with two more plays, The Return of the Druses and A Blot in the ‘Scutcheon. A Blot has three unsuc- cessful performances at Drury Lane. Arnold wins Newdigate Prize for ‘Cromwell’. Carlyle, Past and Present. Ruskin, Modern Painters I. 209 210 Chronology of Browning‘s Literary Life 1844 Bells and Pomegranates continues with Colombe’s Birthday, RB’s last stage play. Journey to Italy: visits Naples, Rome and Florence. EBB contributes to R. H. Horne’s survey of contemporary literature and culture, A New Spirit of the Age. EBB, Poems. 1845 RB begins correspondence with EBB. First visits her on May 20. Bells and Pomegranates continues with Dramatic Romances and Lyrics. Carlyle, Oliver Cromwell’s Letters and Speeches. 1846 Bells and Pomegranates ends with two closet dramas, Luria and A Soul’s Tragedy. Marriage to EBB on 12 September; they depart for Italy, 19 September. Ruskin, Modern Painters II. 1847 RB and EBB settle in Florence at Casa Guidi. Dante Gabriel Rossetti reads Pauline ‘with warm admiration’ in the British Museum. He guesses RB is the author and writes to him. 1849 Poems in two volumes (publ. Chapman & Hall). Sordello among a number of works excluded. Son ‘Pen’ born. Death of Browning’s mother. Unauthorized edition of Poems published in the US by Ticknor, Reed & Fields. 1850 Christmas-Eve and Easter Day. EBB, Poems including Sonnets from the Portuguese, love sonnets written during the courtship. Tennyson Poet Laureate. 1851 EBB, Casa Guidi Windows. Brownings travel to Paris and visit England. Ruskin, Stones of Venice I. 1852 Essay on Shelley introduces a collection of Shelley’s letters (publ. Moxon). Letters turn out to be forged, book withdrawn. Meets Joseph Milsand. Trip to England. Meets Ruskin. Arnold, Empedocles on Etna, and Other Poems. 1853 Ruskin, Stones of Venice II and III. 1855 Men and Women: no great success. 1856 EBB, Aurora Leigh: a hit with critics and public. Bequest from John Kenyon leaves Brownings financially secure. Ruskin, Modern Painters III and IV. 1857 Arnold Professor of Poetry at Oxford, inaugural lecture ‘On the Modern Element in Literature’. Ruskin, Elements of Drawing and The Political Economy of Art. 1858–65 Carlyle, History of Frederick the Great. 1860 EBB, Poems Before Congress. RB comes across the ‘Old Yellow Book’ on a market-stall in Florence. Ruskin, Modern Painters V. 1861 Death of EBB on 29 June. RB returns to live in London, taking regular summer trips abroad. Arnold, On Translating Homer. 1862 Selections from RB’s poetry, chosen by Forster and B. W. Proctor (dated 1863). EBB, Last Poems. Arnold re-elected Professor of Poetry at Oxford. 1863 Poetical Works in three volumes, including Sordello. Meets Julia Wedgwood. 1864 Dramatis Personae; goes to a second edition. Beginning of RB’s popularity. 1865 Revised Poetical Works (publ. Chapman & Hall). Selected poems (publ. Moxon’s Miniature Poets). Julia Wedgwood breaks off friendship. Chronology of Browning‘s Literary Life 211 1866 Death of Robert Browning Senior. 1867 Academic honours, an MA from Oxford and a fellowship at Balliol. Sir Francis Doyle Professor of Poetry at Oxford. 1868 Poetical Works in six volumes, including Pauline (publ. Smith, Elder). Refuses rectorship of St Andrews University. 1868–9 Serial publication of The Ring and the Book (publ. Smith, Elder): enthusiastic critical reception. Arnold, Culture and Anarchy. 1869 Attacked by Alfred Austin in ‘The Poetry of the Period’ published in the Temple Bar (June). Meets Queen Victoria. Refuses to marry Louisa, Lady Ashburton. 1870 Second revised reissue of Poetical Works. 1871 Balaustion’s Adventure: a popular success, several editions issued. Prince Hohenstiel-Schwangau, Saviour of Society. 1872 Second edition of The Ring and the Book. Also Selections from the Poetical Works, to be reissued many times. Fifine at the Fair poorly received and offends Dante Gabriel Rossetti, who believes it to be an attack on him along the lines of R. W. Buchanan’s article, ‘The Fleshly School of Poetry’. 1873 Red Cotton Night-Cap Country. Deaths of Mill and Macready. 1875 Aristophanes’ Apology, The Inn-Album and a third revised reissue of the six-volume Poetical Works. 1876 Pacchiarotto and How He Worked in Distemper: with Other Poems. 1877 Translation: The Agamemnon of Aeschylus. Again refused Rectorship of St Andrews. Carlyle, Characteristics. 1878 La Saisiaz and The Two Poets of Croisic. 1879 Dramatic Idyls. Honorary LL D from Cambridge. 1880 Selections from the Poetical Works, Second Series, companion volume to the 1872 selection. Dramatic Idyls, Second Series. 1881 First meeting of Frederick Furnivall and Emily Hickey’s Browning Society. Death of Carlyle. 1882 Honorary DCL from Oxford. 1883 Jocoseria successful, reaches several editions. 1884 Honorary LLD from Edinburgh University. Ferishtah’s Fancies very popular, reaches several editions. 1885 Refuses Presidency of the new Shelley Society. 1887 Parleyings with Certain People of Importance in Their Day. 1888–9 Poetical Works in 16 volumes. Death of Arnold. 1889 Asolando. RB dies in Venice. 1891 Buried in Poets’ Corner, Westminster Abbey. 1892 Death of Tennyson. 1900 Death of Ruskin. Notes Preface 1. The standard biographies of EBB are Gardner B. Taplin’s The Life of Elizabeth Barrett Browning (London, 1957) and Margaret Forster’s convincing demolition of the Andromeda myth, Elizabeth Barrett Browning: a Biography (London, 1988). 2. Stone’s invaluable book is in the Macmillan Women Writers series. She outlines the contributions of Helen Cooper, Cora Kaplan, Angela Leighton, Dorothy Mermin and others. See also Andrew Stauffer, ‘Elizabeth Barrett Browning’s (Re)visions of Slavery’, English Language Notes, 34.4 (1997) 29–48; Sarah Brophy, ‘Elizabeth Barrett Browning’s “The Runaway Slave at Pilgrim’s Point” and the Politics of Interpretation’, Victorian Poetry, 36.3 (1998) 273–88; David Reide, ‘Elizabeth Barrett: The Poet as Angel’, Victorian Poetry, 32.2 (1994) 121–39; Pauline Simonsen, ‘Elizabeth Barrett Browning’s Redundant Women’, Victorian Poetry, 35.4 (1997) 509–32. 3. Pioneering work on the Brownings and gender includes Nina Auerbach, ‘Robert Browning’s Last Word’, Victorian Poetry, 22.2 (1984) 161–73; Susan Brown, ‘Pompilia: the Woman (in) Question’, Victorian Poetry, 34.1 (1996) 15–37; Laura E. Haigwood, ‘Gender-to-Gender Anxiety and Influence in Robert Browning’s Men and Women’, Browning Institute Studies, 14 (1986) 97–118; Marjorie Stone, ‘Bile and the Brownings: A New Poem by RB, EBB’s “My Heart and I,” and New Questions about the Browning’s Marriage’, in Robert Browning in Contexts, ed. John Woolford (Winfield, KS, 1998) 213–31; John Woolford, ‘Elizabeth Barrett and the Wordsworthian Sublime’, Essays in Criticism, 45.1 (1995) 36–56. 4. EBB to Richard Hengist Horne, 1 May 1843: Kelley VII, p. 99. Long before EBB was in a position to directly affect Browning’s composition, she praised the nobility and passion of his poetry but found it lacking in harmony: ‘And the verse . the lyrics . where is the ear?’ 5. RB to EBB, 13 July 1845: Kelley X, p. 306: ‘I like so much to fancy that you see, and will see, what I do as I see it, while it is doing, as nobody else in the world should, certainly.’ 6. 30 November 1846: Kelley XIV, p. 368. 7. Maisie Ward, The Tragi-Comedy of Pen Browning (London, 1972) p. 131. 8. movies.excite.com: The Barretts of Wimpole Street (1934) [database online – cited 24 February 2000]. Available at http://movies.excite.com. 9. Rudolf Besier, The Barretts of Wimpole Street (London, 1930) p. 57. 10. 23 February 1846: Kelley XII, p. 98. 11. EBB to Sarianna Browning [end of March 1861]: Letters of Elizabeth Barrett Browning, ed. Frederick Kenyon (London, 1897) II, p. 434. 12. Browning didn’t believe in monarchs, spirits or long-haired boys.
Load more

Recommended publications
  • A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
    A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography.
    [Show full text]
  • The Armstrong Browning Library Newsletter God Is the Perfect Poet
    The Armstrong Browning Library Newsletter God is the perfect poet. – Paracelsus by Robert Browning NUMBER 51 SPRING/SUMMER 2007 WACO, TEXAS Ann Miller to be Honored at ABL For more than half a century, the find inspiration. She wrote to her sister late Professor Ann Vardaman Miller of spending most of the summer there was connected to Baylor’s English in the “monastery like an eagle’s nest Department—first as a student (she . in the midst of mountains, rocks, earned a B.A. in 1949, serving as an precipices, waterfalls, drifts of snow, assistant to Dr. A. J. Armstrong, and a and magnificent chestnut forests.” master’s in 1951) and eventually as a Master Teacher of English herself. So Getting to Vallombrosa was not it is fitting that a former student has easy. First, the Brownings had to stepped forward to provide a tribute obtain permission for the visit from to the legendary Miller in Armstrong the Archbishop of Florence and the Browning Library, the location of her Abbot-General. Then, the trip itself first campus office. was arduous—it involved sitting in a wine basket while being dragged up the An anonymous donor has begun the cliffs by oxen. At the top, the scenery process of dedicating a stained glass was all the Brownings had dreamed window in the Cox Reception Hall, on of, but disappointment awaited Barrett the ground floor of the library, to Miller. Browning. The monks of the monastery The Vallombrosa Window in ABL’s Cox Reception The hall is already home to five windows, could not be persuaded to allow a woman Hall will be dedicated to the late Ann Miller, a Baylor professor and former student of Dr.
    [Show full text]
  • British Poetry of the Long Nineteenth Century
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Zea E-Books Zea E-Books 12-1-2019 British Poetry of the Long Nineteenth Century Beverley Rilett University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/zeabook Part of the Literature in English, British Isles Commons Recommended Citation Rilett, Beverley, "British Poetry of the Long Nineteenth Century" (2019). Zea E-Books. 81. https://digitalcommons.unl.edu/zeabook/81 This Book is brought to you for free and open access by the Zea E-Books at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Zea E-Books by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. CHARLOTTE SMITH WILLIAM BLAKE WILLIAM WORDSWORTH SAMUEL TAYLOR COLERIDGE GEORGE GORDON BYRON PERCY BYSSHE SHELLEY JOHN KEATS ELIZABETH BARRETT BROWNING ALFRED TENNYSON ROBERT BROWNING EMILY BRONTË GEORGE ELIOT MATTHEW ARNOLD GEORGE MEREDITH DANTE GABRIEL ROSSETTI CHRISTINA ROSSETTI OSCAR WILDE MARY ELIZABETH COLERIDGE ZEA BOOKS LINCOLN, NEBRASKA ISBN 978-1-60962-163-6 DOI 10.32873/UNL.DC.ZEA.1096 British Poetry of the Long Nineteenth Century A Selection for College Students Edited by Beverley Park Rilett, PhD. University of Nebraska —Lincoln Zea Books Lincoln, Nebraska Collection, notes, preface, and biographical sketches copyright © 2017 by Beverly Park Rilett. All poetry and images reproduced in this volume are in the public domain. ISBN: 978-1-60962-163-6 doi 10.32873/unl.dc.zea.1096 Cover image: The Lady of Shalott by John William Waterhouse, 1888 Zea Books are published by the University of Nebraska–Lincoln Libraries.
    [Show full text]
  • Tony Roberts
    Tony Roberts Living with Browning: an appreciation of the poet in his bicentennial year I sometimes feel that Robert Browning and I were related, distant cousins perhaps. It stems from the ghostly intimacy of having read nine biographies of the man. His poetry and the books that feed on it have taken up five feet of my bookshelves for many years. Of course I frequently reread the poems, too, and quote Randall Jarrell in my defence. Celebrating Wallace Stevens’ work, in Poetry and the Age , Jarrell concluded: A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great. By that measure Robert Browning is a great poet. On my count there are a dozen or more lightning strikes among the thicket of collections written by this most relentless of Victorians i. What I have loved of Browning is the plain speaking, “hip to haunch”, intimacy of the dramas. We are there with the watch seizing “brother Lippo”; at dinner with the worldly prelate, Bishop Blougram; gathered with the sons at the deathbed of the bishop of Saint Praxed’s; attending on the dry, sadistic duke at Ferrara; eavesdropping on the cuckolded “faultless painter”. Here and elsewhere, Browning exhibits his genius for character and atmosphere – and for fine detail (“the ferrel of his stick/Trying the mortar’s temper ‘tween the chinks”), the perfect image ii , sensuality (upper iii and lower caste iv ), the memorable aphorism (“incentives come from the soul's self;/ The rest avail not.”) adroit rhythms and rhymes and – in lighter moments – a sometimes knockabout sense of humour v.
    [Show full text]
  • Title: the Disclosure of Self in Robert Browning's Dramatic Monologues
    Title: The Disclosure of self in Robert Browning's dramatic monologues Author: Agnieszka Adamowicz-Pośpiech Adamowicz-Pośpiech Agnieszka. (2014). The Disclosure of Citation style: self in Robert Browning's dramatic monologues. W: W. Kalaga, M. Mazurek, M. Sarnek (red.) "Camouflage : secrecy and exposure in literary and cultural studies" (S. 112-126). Katowice : Wydawnictwo Uniwersytetu Śląskiego Agnieszka Adamowicz-Pośpiech The Disclosure of Self in Robert Browning’s Dramatic Monologues “To read poems,” wrote George Eliot in a review of Browning’s work, “is often a substitute for thought; fine-sounding conventional phrases and the sing-song of verse demand no co-operation in the reader; they glide over the mind.”1 Contrary to Eliot’s assessment, the aim of this paper is to show that by creating a disturbing persona characterized by a fluctuating self-consciousness which was distinctive not only of the fictional character but also of the listener/reader and the writer, Browning hampers uninvolved reading. In his dramatic monologues, the poet employs certain techniques to hide the real nature of his monologists, and the reader is forced painstakingly to gather the dispersed allusions, implications and insinuations so as to uncover the secrets of the speakers. Doubleness in Victorian poetry has been perceived by some critics as one of its defining characteristics.2 Amongst the terms coined to describe it is E.D.H. Johnson’s “dark companion”: “The expressed content [of a poem] has a dark companion, its imaginative counterpart, which accompanies and comments on apparent meaning in such a way as to suggest ulterior motives.”3 Isobel Armstrong proposed a parallel concept “double companion.”4 However, the essential words, seem to me, to be the “imaginative counterpart” – since it is only in the imagination of the reader that the counterpart may arise on condition that the reader becomes involved in unraveling the text.
    [Show full text]
  • Robert Browning Post by Wende
    Tea Time: Robert Browning Post by Wende Robert Browning was born in a suburb of London, England on May 7, 1812. His mother was an accomplished pianist and a devout Christian. His father, who worked as a bank clerk, was an artist, scholar, and collector of books and pictures. Through most of his childhood, Robert was homeschooled, being proficient at reading and writing by the age of five, and learning Latin, Greek, and French by the time he was fourteen. In 1828, he enrolled at the University of London, but he soon left, desiring to read and learn at his own pace. Robert Browning enjoyed the poetry of Elizabeth Barrett, and after corresponding with her for a time, married her in 1846. The couple moved to Italy, where they both continued to write. They had a son, Robert "Pen" Browning, in 1849. After Elizabeth’s death in 1861, Robert and Pen moved to London. In his long life Robert Browning wrote many volumes of poems. The Pied Piper of Hamelin is always a favorite with children, as are How they brought the Good News from Ghent to Aix, and Ratisbon. His most popular poems are Pippa Passes, The Ring and the Book, A Blot on the 'Scutcheon, and Saul. Robert Browning died on the same day that his final volume of verse, Asolando, was published, in 1889. The following poem “Spring Song”, excerpted from Pippa Passes, is great for younger children to memorize and recite due to its simple rhyme scheme and vocabulary. The year’s at the spring, And day’s at the morn; Morning’s at seven; The hillside’s dew-pearled; The lark’s on the wing; The snail’s on the thorn: God’s in His Heaven – All’s right with the world! Activities: Read Poetry for Young People, Robert Browning Recite and/or memorize the poem, “Spring Song” Record what you learn about Robert Browning on the notebooking page.
    [Show full text]
  • Nineteenth-Century Perceptions of Robert Browning: the Poet Through His Own Eyes and Those of His Victorian Critics and Devoted Readers
    NINETEENTH-CENTURY PERCEPTIONS OF ROBERT BROWNING: THE POET THROUGH HIS OWN EYES AND THOSE OF HIS VICTORIAN CRITICS AND DEVOTED READERS By KRISTI MARTIN A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of English May 2010 Winston-Salem, North Carolina Approved By: Melissa Jenkins, Ph.D., Advisor ______________________________ Examining Committee: Eric Wilson, Ph.D., Chairman ______________________________ Jefferson Holdridge, Ph.D. ______________________________ Table of Contents Abstract…………………………………………………………………………………..iii Introduction………………………………………………………………………………1 Chapter One: The Good, the Bad, and the Fanatical: Browning and His Nineteenth- Century Reception……………………………………………………..…………5 Chapter Two: Going Where No Victorians Have Gone Before: The London Browning Society…………………………………………………………………………...29 Chapter Three: Being Robert Browning: The Autobiographical Poems of the Poet……52 Conclusion……………………………………………………………………………….81 Bibliography……………………………………………………………………………..85 ii Abstract Thesis under the direction of Melissa Jenkins, Ph.D., Professor of English. The London Browning Society has been addressed by scholars in modern biographies such as The Life of Robert Browning: A Critical Biography (1996) by Clyde De L. Ryals, and it was studied in a 1969 book by William S. Peterson titled Interrogating The Oracle: A History of the London Browning Society. However, this thesis goes further by approaching the Society as the equivalent of a modern day “fan” community, and by providing a close look at some of the Society’s published documents. The purpose of doing so is to form a picture of Browning’s reputation during his life and career based on the perceptions of the critics of the day, the Society members, and the thoughts he had on himself and his own works.
    [Show full text]
  • Draft Programme the Information in This Programme Is Correct As of 19Th February
    The Trollope Society Visit to Florence 1st - 5th April 2020 Draft Programme The information in this programme is correct as of 19th February. For the latest version of the programme visit www.trollopesociety.org/event/trip-florence/ Wednesday 1st April From 5pm Registration and pick up pack Reception, Hotel Ricasoli, Via Delle Mantellate 2, Firenze 6pm – 8pm Welcome to Florence by Dominic Hotel Ricasoli, Via Delle Edwardes, Chair of the Trollope Mantellate 2, Firenze Society Drinks Reception with canapes to include the launch of newly reprinted Fanny Trollope’s The Life and Adventures of Jonathan Jefferson Whitlaw (1836) Thursday 2nd April 10am to 1pm Walking tour of City Centre Meet at the carousel in Piazza della Repubblica, 50123 Firenze 3pm-4pm Talk by Mark Roberts, Consultant to Acton Room, Harold Acton the British Institute on Some 19th- Library, Century Literary Visitors to Florence British Institute, Lungarno Guicciardini, 9, 50125 Firenze See More Information 4.30pm – 6.30pm Visit to the British Institute with The Ferragamo Room, Harold afternoon tea and cake Acton Library, British Institute, Lungarno Guicciardini, 9, 50125 Firenze Friday 3rd April 9.30am Walk to Trollope Villa Trollope Villa, 21 Piazza della Indipendenza 10.15am to 12 Talk by Dominic Edwardes on The noon Life of Fanny Trollope. Talk by Julia Bolton Holloway, Hotel Ricasoli, Via Delle librarian, archivist and custodian of Mantellate 2, Firenze the English Cemetery, on Frances Trollope’s political and social activism The Trollope Society Visit to Florence 2020 – Draft Programme 23rd February 2.00pm Walk to English Cemetery OR English Cemetery, Piazzale 2.30pm Meet at English Cemetery Donatello, 38, 50132 Firenze Followed by refreshments at nearby café 7.00pm Dinner at Gran Caffè San Marco Gran Caffè San Marco, Piazza San Marco, 11/R, 50121 Firenze Included for those who have pre- booked and pre-paid Saturday 4th April 10am - 12 noon Free time or optional visit to the The Stibbert Museum, Via Stibbert Museum.
    [Show full text]
  • To the EDITOR of the CLASSICAL REVIEW
    THE CLASSICAL REVIEW. 61 then a few of the by-ways. Mr. Browning ling of Admetus's story, and Ixion (Jocoseria), used to know every inch of one highway with its conversion of the transgressor with all its associated by-ways, and never into a newer and more human Prometheus. set his foot on any other highway in the But also there is a word in Gerard de Loiresse same region. If he had been a zoologist, he {Parleyings) for those who might think that would have known all about lions and no- we must go back to myths for all our poetry. thing about tigers. Of course, this is no dis- Outlying stories that he found in his great paragement to his greatness. His true field researches are worked up in EcJietlos and was not learning but life. Only, why could Pfieidippides. He is still constant to the he not have read some Plato ? Our wistful Aeschylus of his youth, and especially to fancy cannot help framing some shadow of the PrometJieus, and to these he adds Pindar the transformed Republic and interpreted and Homer, quoting all three in Roman P/taedrus, for which we could have spared, letters in the midst of his verse. From perhaps, the refutation of Bubb Doding- Homer he is led to consider the ' Homeric ton and the divagations of the Famille question,' and uses it characteristically to Miranda. show forth in allegory the religious edu- Besides interpreting Greek tragedy, he cation of mankind (Asolando, Developments). translated it. The translations of the Alceslis In this period, for the first time in his life, (in Balaustion) and the Hercules Furens (in he begins to add Latin to Greek.
    [Show full text]
  • Browning's Dilemma in Romantic Inheritance: Dramatic Monologue and the Sense of Poetic Career
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyutacar : Kyushu Institute of Technology Academic Repository Browning's Dilemma in Romantic Inheritance: Dramatic Monologue and the Sense of Poetic Career 著者 虹林 慶 journal or 九州地区国立大学教育系・文系研究論文集 publication title volume 2 number 1 page range No.2 year 2014-10 URL http://hdl.handle.net/10228/00006684 Browning’s Dilemma in Romantic Inheritance: Dramatic Monologue and the Sense of Poetic Career Kyushu Institute of Technology Kei NIJIBAYASHI Browning is often considered to be one of the major successors of Romanticism, especially in any consideration of his versatile handling of love poetry, as in “Love among the Ruins”, or in his apocalyptic, Gothic poems like “Childe Roland to the Dark Tower Came” and the long, conceptual poems from early in his career: Pauline, Paracelsus and Sordello. However, as Britta Martens argues in Browning, Victorian Poetic and the Romantic Legacy, his inheritance of Romanticism does not enable a straightforward analysis of the specific techniques, themes and styles he adopted. Martens pays close attention to Browning’s ambivalence towards his poetic and private selves, and describes a fraught artistic struggle in the poet’s attachment to and gradual estrangement from Romanticism. One of the causes for Browning’s ambiguity about Romanticism was his urgent need to establish a professional poetic career, unlike the Romantics. 1 (Wordsworth stands as the major exception.) In the creation of the Romantic universe, the sense of career curiously diverged from the business world in favour of the imagination, and triumphant posthumous visions in which the poets gained their artistic and social apotheosis.
    [Show full text]
  • Victorian Writers, Remembered & Forgotten
    University of South Carolina Scholar Commons Faculty Publications English Language and Literatures, Department of 10-2008 Victorian Writers, Remembered & Forgotten Patrick G. Scott University of South Carolina - Columbia, [email protected] Follow this and additional works at: https://scholarcommons.sc.edu/engl_facpub Part of the English Language and Literature Commons Publication Info 2008. (c) Patrick Scott, 2008 This Paper is brought to you by the English Language and Literatures, Department of at Scholar Commons. It has been accepted for inclusion in Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. , Department of Rare Books & Special Collections VICTORIAN- WRITERS RentelDbered & F9rgotten . .. Mezzanine Exhibition Gallery~ Thomas Cooper Library . University of South Carolina October-November. 2008· FOREWORD This exhibition welcomed to the University the Thirty-Ninth Annual Meeting of the Victorians Institute, a two-day conference bringing to Columbia nearly a hundred Victorian scholars from the south-east and across the United States. So many of the great writers of the Victorian age are still well-known names that myriads of others get overlooked or neglected. The University of South Carolina's Department of Rare Books & Special Collections has first editions and even manuscript material from many of the best-remembered Victorian writers, but it also preserves the writings of others who are now almost forgotten. In some cases, such lesser-known items may be even rarer than long-sought-after first editions by the most famous names. The current exhibition juxtaposes work by major Victorians, such as Charles Dickens, Alfred Tennyson, Charlotte Bronte, and George Eliot, with the work of some of these other · writers who deserve to be better-known.
    [Show full text]
  • The Tomb of the Author in Robert Browning's Dramatic Monologues
    Előd Pál Csirmaz The Tomb of the Author in Robert Browning’s Dramatic Monologues MA Thesis (for MA in English Language and Literature) Eötvös Loránd University (ELTE), Budapest, Hungary, 2006 Supervisor: Péter Dávidházi, Habil. Docent, DSc. Abstract Even after the death of the Author, its remains, its tomb appears to mark a text it cre- ated. Various readings and my analyses of Robert Browning’s six dramatic mono- logues, My Last Duchess, The Bishop Orders His Tomb at Saint Praxed’s Church, Andrea del Sarto, “Childe Roland to the Dark Tower Came,” Caliban upon Setebos and Rabbi Ben Ezra, suggest that it is not only possible to trace Authorial presence in dramatic monologues, where the Author is generally supposed to be hidden behind a mask, but often it even appears to be inevitable to consider an Authorial entity. This, while problematizes traditional anti-authorial arguments, do not entail the dreaded consequences of introducing an Author, as various functions of the Author and vari- ous Author-related entities are considered in isolation. This way, the domain of metanarrative-like Authorial control can be limited and the Author is turned from a threat into a useful tool in analyses. My readings are done with the help of notions and suggestions derived from two frameworks I introduce in the course of the argument. They not only help in tracing and investigating the Author and related entities, like the Inscriber or the Speaker, but they also provide an alternative description of the genre of the dramatic monologue. Előd P Csirmaz The Tomb of the Author ii Contents 1 INTRODUCTION 1 2 THE THEORY OF THE AUTHOR 1 2.1 A History of the Death of the Author 2 2.2 From the Methodological to the Ontological and Back: The Functions of the Author and its Death 3 A.
    [Show full text]