DOCSLIB.ORG

Presidente Ettore Scola | Direttore Artistico Felice Laudadio

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Presidente Ettore Scola | Direttore Artistico Felice Laudadio Sotto l’Alto Patronato del Presidente della Repubblica Italiana | Presidente Ettore Scola | Direttore Artistico Felice Laudadio 21-28 marzo 2015 IL PROGRAMMA Il cinema è luce. Federico Fellini sotto l’Alto Patronato Una iniziativa della Regione Puglia del Presidente Assessorato Mediterraneo, Cultura, Turismo della Repubblica Italiana finanziata dal Fondo di Sviluppo e Coesione (FSC) 2007-2013 (Accordo di Programma Quadro rafforzato “Beni e Attività Culturali”) e dal Programma Operativo Interregionale (POIn) “Attrattori culturali, naturali e turismo” – Fondo Europeo di Sviluppo Regionale (FESR) 2007/2013, Asse II, Linea di Intervento 2.1, intervento “Servizi di valorizzazione integrata”. COMITATO D’ONORE SOGGETTO ATTUATORE Nichi Vendola Fondazione Apulia Film Commission Presidente Regione Puglia Silvia Godelli Consiglio di amministrazione Assessore Mediterraneo, Cultura, Turismo, Maurizio Sciarra Regione Puglia presidente Antonio Decaro Chiara Coppola Sindaco di Bari Simonetta Dellomonaco Antonio Felice Uricchio Giandomenico Vaccari Rettore Università degli Studi di Bari Collegio Revisori Massimo Biscardi Sovrintendente Teatro Petruzzelli Aurora De Falco Sebastiano Di Bari Carmelo Grassi Giuseppe Tanisi Presidente AGIS Puglia Daniele Basilio Giulio Dilonardo Direttore Presidente ANEC Puglia Cristina Piscitelli MEDIA PARTNER RUP La Gazzetta del Mezzogiorno Andreina De Nicolò La Repubblica progettazione e gestione progetti Corriere del Mezzogiorno Alessandra Aprea RAI Radio 3 segreteria direzione IlikePuglia Raffaella Del Vecchio SPONSOR TECNICI Massimo Modugno produzioni e progetti audiovisivi Motoria-Mercedes Benz Monile Antonio Parente Mario Mossa Gioiellere Cineporti di Puglia Stelci & Tavani Costantino Paciolla Cinemeccanica direzione amministrativa AUTO UFFICIALE Motoria-Mercedes Benz 2 PRESIDENTE DEL BIF&ST Ettore Scola IDEATORE E DIRETTORE ARTISTICO Felice Laudadio VICE DIRETTORI ARTISTICI DIRETTORE ORGANIZZATIVO Enrico Magrelli Angelo Ceglie Marco Spagnoli COORDINAMENTO GENERALE ANTEPRIME E PANORAMA INTERNAZIONALE Angela Bianca Saponari Giuliana La Volpe programmer e coordinamento PROJECT MANAGER/ACCOUNT Lezioni di cinema Giovanni Antelmi con la collaborazione di ITALIAFILMFEST Paola Albanese Patrizia Prosperi ricerca e movimentazione lungometraggi e documentari CATALOGO E SITO WEB Alessandra Rizzi italiani, retrospettive Francesca Turrisi CINEMA ITALIANO E INTERNAZIONALE SOCIAL MEDIA Raffaella Fioretta Toni Cavalluzzi coordinamento cineasti italiani e cerimoniale Monique Macchiavelli STAFF OPERATIVO coordinamento cineasti stranieri e cerimoniale Francesca Turrisi segreteria di direzione MONTAGGIO MATERIALI AUDIOVISIVI Selene Favuzzi Orsetta Gregoretti coordinamento Fipresci e Cinema&Fiction montaggio materiali Lang e Rosi Ida Panzera MOSTRE responsabile viaggi Angelo Amoroso d’Aragona curatore mostre Lang e Rosi Antonella Pastore responsabile ospitalità FESTIVAL FRITZ LANG a cura di Valentina Parente Felice Laudadio e Carlo di Carlo Rico Colangelo assistenti organizzazione con la collaborazione determinante di Cineteca Nazionale SERATA FINALE TEATRO PETRUZZELLI Cineteca di Bologna condotta da Stefania Rocca Friedrich-Wilhelm-Murnau-Stiftung LEZIONI DI CINEMA Sinister Film a cura di Ermitage Alin Tasciyan RAI Teche Klaus Eder Surf Film Michel Ciment TRIBUTO A FRANCESCO ROSI Jean Gili a cura del Bif&st e della Cineteca Nazionale Derek Malcolm con la collaborazione di Cineteca Bologna Grazyna Torbicka RAI Teche Barbara Lorey de Lacharrière Anne Brishoual RAI TECHE Francesca Maria Cadin PROIEZIONI Anna Palombini a cura di Pino Chiodo CONSULENTI Cinema Engeenering srl, Roma Maurizio Di Rienzo preselezione documentari SOTTOTITOLI ELETTRONICI e presentazione opere prime e seconde Napis, Roma Maria Pia Fusco STUDIO MONTAGGIO MATERIALI AUDIOVISIVI presentazione film italiani in concorso Mark In Video, Roma Franco Montini TRASPORTI focus su... Stelci & Tavani, Roma Lorenzo Baraldi, Alida Cappellini SECURITY E TRANSFER Gianna Gissi, Giovanni Licheri Mario Lavopa laboratori di scenografia e costumi Sama, Bari 3 UFFICIO STAMPA NAZIONALE SI RINGRAZIANO E INTERNAZIONALE Alin Tasciyan Studio Punto&Virgola Presidente FIPRESCI Olivia Alighiero e Flavia Schiavi Klaus Eder con la collaborazione di Segretario generale FIPRESCI Loredana Albanese Paolo Del Brocco UFFICIO STAMPA REGIONALE A. d. RAI Cinema Francesca Limongelli Nicola Morisco Luigi Lonigro Alessandra Rizzi Direttore 01 Distribution AGENZIA DI COMUNICAZIONE Bianca Giordano L’Arancia Comunicazione, Relazioni Esterne Nicola Carella ed Eventi Rai Cinema Maria Luisa Fornarelli Maria Pia Ammirati Giuseppe Laricchia Direttore RAI Teche CINEMA E SCUOLA Carla Consalvi Cooperativa sociale Responsabile Customer Service RAI Teche “I bambini di Truffaut” Giancarlo Visitilli Roberto Cicutto Presidente e a.d. Istituto Luce Cinecittà RIPRESE VIDEO E BACKSTAGE Cooperativa sociale GET Emiliano Morreale Conservatore CSC-Cineteca Nazionale FOTOGRAFI UFFICIALI Laura Argento E BIF&ST IN MOSTRA Responsabile Diffusione Culturale Nicola Amato CSC-Cineteca Nazionale Gianni Cataldi Pasquale Susca Gianluca Farinelli Direttore Fondazione Cineteca di Bologna PARTNER Mediateca Regionale Pugliese Paola Scarnati Giandomenico Curi IL FESTIVAL FRITZ LANG E IL TRIBUTO Archivio audiovisivo Movimento Operaio e A ROSI SONO STATI REALIZZATI CON LA Democratico COLLABORAZIONE DETERMINANTE DI Richard Borg A. d. Universal International Pictures Nicola Maccanico Direttore gen. Warner Bros Italia Paolo Penza Searchlight Product Manager 20th Century Fox Roberto Proia Direttore gen. Notorious Antonio Medici A. d. BIM Distribuzione Claudio Rapino Theatrical Manager Koch Media Sinester Film Angelo Draicchio Ermitage Editore Ripley’s Film Surf Film Massimo Vigliar Cristaldi Film Editore Surf Film Luciana Migliavacca E DI Marco Duradoni 4kstudio A&R Production & Distribution Co. M° Rino Marrone Cecchi Gori Home Video Aldo Arata Creative World Promotions Monile Eagle Pictures Mario Mossa Exposurecinema, Rko, Indigo Film Televisions Jubal srl, DNA srl Giancarlo Castellano Mustang Entertainment srl Francesco Santalucia Punto zero Film, 20th Century Fox Francesca Rossini 4 Il presidente e il direttore artistico del Bif&st 2015 Ettore Scola e Felice Laudadio sentitamente ringraziano per la loro preziosa e amichevole collaborazione: La giuria del Sindacato nazionale critici Le personalità del cinema e della cultura che cinematografici italiani per la sezione hanno accolto l’invito a tenere le Lezioni di Cinema ItaliaFilmFest/Lungometraggi Jean-Jacques Annaud Franco Montini Costa-Gavras Vito Attolini Nanni Moretti Paola Casella Sir Alan Parker Francesco Gallo Edgar Reitz Andrea Martini Margarethe von Trotta Cristiana Paternò Andrzej Wajda Federico Pontiggia e la Sony Pictures Home Entertainment Il presidente della giuria del pubblico per la sezione Panorama internazionale Le personalità del cinema e della televisione Valerio De Paolis protagonisti della tavola rotonda su Cinema&Fiction: convergenze parallele? Il presidente della giuria del pubblico per la a cura di Fabiano Fabiani e Marco Spagnoli: sezione ItaliaFilmFest/Opere Prime e Seconde Jean Gili Eleonora Andreatta I 60 spettatori Matilde Bernabei che si sono offerti di far parte delle giurie del Gianni Canova pubblico Daniele Cesarano L’Università degli Studi di Bari Umberto Contarello per i crediti formativi concessi agli studenti Carlo Degli Esposti partecipanti alle attività del Bif&st Marco Follini e tutto il personale di Mario Gianani Fondazione Apulia Film Commission Silvia Napolitano Regione Puglia – Assessorato Mediterraneo, Severino Salvemini Cultura, Turismo Andrea Scrosati Segreteria del Presidente – Cesarina Clemente Alberto Sironi Comune di Bari Riccardo Tozzi Teatro Petruzzelli Pietro Valsecchi Multicinema Galleria Sala Murat I registi, gli scrittori, gli attori, Teatro Margherita gli intellettuali, i docenti protagonisti Ex Palazzo delle Poste degli Incontri su Francesco Rosi Business in Motion, Roma coordinati da Angela Bianca Saponari: Grand Hotel delle Nazioni, Bari Palace Hotel, Bari Roberto Andò Hotel Oriente, Bari Boston Hotel, Bari Michel Ciment e dei ristoranti convenzionati con il Bif&st 2015 Enrico Costa Piero Di Siena DIREZIONE ARTISTICA Massimo Ghini Jean Gili Bif&st Domenico Notarangelo Evento Spettacolo srl Amerigo Restucci via Donatello 50 00196 Roma Carolina Rosi [email protected] Giuseppe Tornatore [email protected] www.bifest.it I partecipanti agli incontri su Fritz Lang Angelo Amoroso d’Aragona Bif&st® Martin Koerber Per il cinema italiano® Felix Moeller ItaliaFilmFest® Premio Fellini 8½ per l’eccellenza artistica® Giovanni Spagnoletti Federico Fellini Award for Cinematic Excellence® Rüdiger Suchsland Cinema&Fiction® sono marchi registrati di proprietà della per il Goethe-Institut Rom Evento Spettacolo srl Gabriele Kreuter-Lenz gentilmente concessi in comodato gratuito alla Hartmut Burggrabe Apulia Film Commission per il Bif&st 2015 Carmen Hof 5 Bif&st 2015 UN GRANDE FESTIVAL DEDICATO A FRANCESCO ROSI di Felice Laudadio Bentornati al Bif&st! Passano gli anni (siamo alla sesta edizione e mezza) e il festival di Bari cresce anno dopo anno. Ma crescono anche le responsabilità di chi lo organizza man mano che cresce anche il pubblico. Sempre più numeroso. E sempre più esigente. Un buon segnale. Un segnale di buona salute. Lo scorso anno gli spettatori furono oltre 70.000 in 8 giorni. Affamati di cinema. Di incontri. Di lezioni di cinema. Con il tutto esaurito al Teatro Petruzzelli fin dal mattino alle 9, e tanta gente rimasta fuori per esaurimento
Load more

Recommended publications
  • JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009
    JOHN J. ROSS–WILLIAM C. BLAKLEY LAW LIBRARY NEW ACQUISITIONS LIST: February 2009 Annotations and citations (Law) -- Arizona. SHEPARD'S ARIZONA CITATIONS : EVERY STATE & FEDERAL CITATION. 5th ed. Colorado Springs, Colo. : LexisNexis, 2008. CORE. LOCATION = LAW CORE. KFA2459 .S53 2008 Online. LOCATION = LAW ONLINE ACCESS. Antitrust law -- European Union countries -- Congresses. EUROPEAN COMPETITION LAW ANNUAL 2007 : A REFORMED APPROACH TO ARTICLE 82 EC / EDITED BY CLAUS-DIETER EHLERMANN AND MEL MARQUIS. Oxford : Hart, 2008. KJE6456 .E88 2007. LOCATION = LAW FOREIGN & INTERNAT. Consolidation and merger of corporations -- Law and legislation -- United States. ACQUISITIONS UNDER THE HART-SCOTT-RODINO ANTITRUST IMPROVEMENTS ACT / STEPHEN M. AXINN ... [ET AL.]. 3rd ed. New York, N.Y. : Law Journal Press, c2008- KF1655 .A74 2008. LOCATION = LAW TREATISES. Consumer credit -- Law and legislation -- United States -- Popular works. THE AMERICAN BAR ASSOCIATION GUIDE TO CREDIT & BANKRUPTCY. 1st ed. New York : Random House Reference, c2006. KF1524.6 .A46 2006. LOCATION = LAW TREATISES. Construction industry -- Law and legislation -- Arizona. ARIZONA CONSTRUCTION LAW ANNOTATED : ARIZONA CONSTITUTION, STATUTES, AND REGULATIONS WITH ANNOTATIONS AND COMMENTARY. [Eagan, Minn.] : Thomson/West, c2008- KFA2469 .A75. LOCATION = LAW RESERVE. 1 Court administration -- United States. THE USE OF COURTROOMS IN U.S. DISTRICT COURTS : A REPORT TO THE JUDICIAL CONFERENCE COMMITTEE ON COURT ADMINISTRATION & CASE MANAGEMENT. Washington, DC : Federal Judicial Center, [2008] JU 13.2:C 83/9. LOCATION = LAW GOV DOCS STACKS. Discrimination in employment -- Law and legislation -- United States. EMPLOYMENT DISCRIMINATION : LAW AND PRACTICE / CHARLES A. SULLIVAN, LAUREN M. WALTER. 4th ed. Austin : Wolters Kluwer Law & Business ; Frederick, MD : Aspen Pub., c2009. KF3464 .S84 2009. LOCATION = LAW TREATISES.
    [Show full text]
  • Art for Everyone
    COLOR Healing with Flower Essences PLUS Art for Everyone $5.00 ISSUE 88 VOL. 22, Summer 2017 Soil, Culture & Human Responsibility • Truth & Lies Android App On Editor’ s note dear readers Welcome to our summer issue that’s and shared some cheese and fruit and crackers before filled with plenty of art and color to reading the last chapter in the book we have been lift your spirits. Many would agree studying, Rudolf Steiner’s lectures on honey bees. that we are in uncertain times, so Gathering with people around a common aspiration more than ever, we need to be there is another remedy that renews my sense of purpose for each other, but we also need to and direction. be there for ourselves too. Speaking of remedies! We are bringing back our I can’t be prescriptive, but I can share a couple of Holistic Wellness Guide (see page 6) this fall. If you recent experiences that have helped me stay grounded are a subscriber, you will receive this as your Fall and optimistic. I grow a lot of flowers, and each day issue. A team of anthroposophic doctors and nurses I spend time with them. I enjoy their colors and the helped us do a thorough edit of the ever-so-useful A-Z bird and insect life they attract. Our daughter gave us Guide of common ailments and home health-based a wildflower seed packet last year, and from that we solutions. New articles on public health, vaccinations, have many volunteer poppies that grew up red and anthroposophic nursing, and osteopathy will be side pink and tall.
    [Show full text]
  • Chanticleer May & June 2015
    NEWSLETTER OF THE BERKSHIRE-TACONIC BRANCH OF THE ANTHROPOSOPHICAL SOCIETY VOLUME 25, ISSUE 9, MAY/JUNE 2015 Where the Bee sucks, there suck I. In a cowslip’s bell I lie; There I couch when owls do cry. On the bat’s back I do fly After summer merrily. Merrily, merrily shall I live now Under the blossom that hangs on the bough. (ARIEL’s final song in The Tempest by William Shakespeare, Act 5, Scene 1, lines 88-94) Drawing; E. Lapointe Pentecost ur Christian festival of Pentecost is related in a beautiful way to what is above the stars: the universal “Ospiritual fire of the cosmos, individualised and descending in fiery tongues upon the Apostles. This fire is neither of the heavens nor of the earth, neither cosmic nor merely terrestrial, but permeates every- thing, yet it is individualised and reaches every human being. Pentecost is connected with the whole world! Just as the Christmas festival is connected with the earth and the Easter festival with the stars, so Pentecost is directly connected with every human being when he or she receives the spark of spiritual life out of the whole universe. What all humanity received in the descent of the divine human being to earth is given to each individual in the fiery tongues of Pentecost. The fiery tongues represent what is in us, in the universe, and in the stars. Thus, especially for those who seek the spirit, Pentecost has a special, profound meaning, summoning us again and again to seek anew for the spirit.” Rudolf Steiner, lecture given 99 years ago at Pentecost in Berlin, June 6, 1916 (GA 169).
    [Show full text]
  • I Go W Where G I Lo Love
    EANAEANA I gog wwhere I lollove..... EurythmyEuryythmy ~ Christtina Beck Speeech/Acting ~ BBeatrice Vo Mussic ~ Several coollaboratin Performances/Workshops Begin Fall 2018 Sponsored by Lemniscate Arts Tax deductible donations may be made to: Lemniscate Arts a 501(c)3 corporationtion (#20-2307129) noted for Amaranthth Eurythmy Theater and sent to 114 Tuscarora Dr.,, Hillsborough, NC 27278 or online at amarantheurythmytheater.orgntheurythmytheater.org Contact: [email protected] AMMARANTTH EURYYTTHMY TTHEEAATTER VOLUME 95 Spring 2018 OFFICIAL PUBLICATION OF THE EURYTHMY ASSOCIATION OF NORTH AMERICA NEWSLETTERNEWSLETTER 2 Eurythmy Association of North America Mission Statement The Eurythmy Association of North America is formed for these purposes: To foster eurythmy, an art of movement originated and developed by Rudolf Steiner out of anthroposophy; to foster the work of eurythmists on the North American continent by sponsoring performances, demonstrations, and workshops; and to main- tain, develop, and communicate knowledge related to eurythmy and the work of eurythmists by means of newsletters and publications. The Eurythmy Association of North America is a non- OFFICERS OF THE EURYTHMY ASSOCIATION profit corporation of eurythmists living and working on the President Emeritus North American continent. Any eurythmist holding an Alice Stamm, 916-728-2462 accredited diploma recognized by the Section for Eurythmy, Treasurer Speech, and Music at the Goetheanum, may join the Gino Ver Eecke, 845-356-1380 Association as a member. Eurythmy students and non- Corresponding Secretary accredited, but actively working eurythmists, are warmly Alice Stamm, 916-728-2462 welcomed to join as Friends. Recording Secretary The Newsletter is published two times annually. Laurel Loughran, 778-508-3554 Annual dues are from January through December.
    [Show full text]
  • Le Laboratoire D'éric Rohmer, Un Cinéaste À La
    2 EXPOSITIONS ÉVÉNEMENTS 25 CYCLES EXCEPTIONNELS : BLAKE E DWARDS / N ANNI MORETTI FRITZ LANG / CITÉS FUTURISTES / ROBERT ALTMAN / JACQUES FEYDER BERNARDO BERTOLUCCI / TIM BURTON / EGYPTOMANIA / ALAIN CAVALIER BULLE OGIER / GABRIEL YARED / KING HU / SHIRLEY MACLAINE / STEVEN SPIELBERG ... Organisez votre saison sur cinematheque.fr LA CINÉMATHÈQUE FRANÇAISE - 51 RUE DE BERCY 75012 - PARIS Grands mécènes de La Cinémathèque française pub_cf_belfort_2011.indd 1 25/10/2011 17:40:32 Le cinéma n’est pas une distraction pour moi. C’est la rencontre, parfois atroce, avec mes désirs les plus profonds. Alejandra Pizarnik 25 janvier 1963 (Journaux 1959-1971, collection Ibériques, édtions José Corti, 2010) 3 L’équipe du festival Remerciements Président du Festival : Étienne Butzbach Le festival remercie ses partenaires : Le Festival remercie particulièrement Déléguée générale, directrice artistique : la Région Franche-Comté, le Conseil général du Jean-Pierre Chevènement Catherine Bizern Territoire de Belfort, le ministère de la Culture Françoise Etchegaray, Patricia Mazuy, Jean- Secrétaire générale : Michèle Demange et de la communication, la Direction régionale Claude Brisseau Adjoint à la direction artistique, catalogue, site des Affaires culturelles de Franche-Comté, Hala Abdallah, Michel Amarger, Jérôme internet : Christian Borghino le Centre national du cinéma et de l’image Baptizet, Gilles Barthélémy, Xavier Baert, Claire Sélection de la compétition officielle : animée, la Cinémathèque française, la Sempat, Beaudoin, Bernard Benoliel, Vincent-Paul
    [Show full text]
  • (Iowa City, Iowa), 1948-02-14
    lbCal - Team to Indiana; Lincoln. Train ~ THE WEATHER TODAY Cold wave to day and tonight. Snow flurries and strong shifting winds today diminishing to­ Hawks Invade Indiana night. Tomorrow partly cloudy and quite cold . High near 30. Low zero to 5 below. low yester­ .In rry for Loop Top at owa11. day in Iowa City, 14. By BUCK TURNBULL .. .. F.tabliahed 18GS-Vol 80, No. 118-AP News and Wirephoto Iowa Clty, Iowa, Saturday, rebruary 14, 1948-Five Cents ports Edltor . BLOOMINGTON, Ind. (JP) The Lincoln Train 4. Indiana basketball learn stands between Iowa and lhe Big Nine Small Boy - But· a Big Operator leaderShip as the two learns Senate Group Agrees ~uare off here in the Hoosier Slops In Ie lieldhouse tonigh L 'l'he Hawkeye quintet, riding the crest of thl'ee straight confer­ enl'l! wins nnd a six won-two lost Enroule Easl European Bill league record, can move ahead of On Aid Wisconsin's idle Badgers with a. The Rock Island section of the "Iclory over l ndians. Wisconsin Abraham Lincoln Friendship train WASHINGTON (IP)-Aid to and Iowa are currently tied for pulled into Iowa City at 7:37 yes­ * * * Europe received a shot in the arm the Big Nine top. terday morning, paused briefly for yesterday. Late in the afternoon the press and co ntinued on Its The Hawks c'.~ealed Indiana Upholds Union a Senate foreign relations commit­ mission. earlier III the season al Iowa City, Twenty-eight cars of wheat and , tee agreed on a four-year Europe­ 61 -52. an recovery program.
    [Show full text]
  • Master Class with Douglas Trumbull: Selected Filmography 1 the Higher Learning Staff Curate Digital Resource Packages to Complem
    Master Class with Douglas Trumbull: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. * mentioned or discussed during the master class ^ special effects by Douglas Trumbull Early Special Effects Films (Pre-1968) The Execution of Mary, Queen of Scots. Dir. Alfred Clark, 1895, U.S.A. 1 min. Production Co.: Edison Manufacturing Company. The Vanishing Lady (Escamotage d’une dame au théâtre Robert Houdin). Dir. Georges Méliès, 1896, France. 1 min. Production Co.: Théâtre Robert-Houdin. A Railway Collision. Dir. Walter R. Booth, 1900, U.K. 1 mins. Production Co.: Robert W. Paul. A Trip to the Moon (Le voyage dans la lune). Dir. Georges Méliès, 1902, France. 14 mins. Production Co.: Star-Film. A Trip to Mars. Dir. Ashley Miller, 1910, U.S.A. 5 mins. Production Co.: Edison Manufacturing Company. The Conquest of the Pole (À la conquête de pôle). Dir. Georges Méliès, 1912, France. 33 mins. Production Co.: Star-Film. *Intolerance: Love’s Struggle Throughout the Ages. Dir. D.W. Griffith, 1916, U.S.A. 197 mins. Production Co.: Triangle Film Corporation / Wark Producing. The Ten Commandments.
    [Show full text]
  • Lacon 1 Film Program
    BY WAY OF INTRODUCTION This film program represents for the most part an extremely personal selection by me, Bill Warren, with the help of Donald F. Glut. Usually convention film programs tend to show the established classics -- THINGS TO COME, METROPOLIS, WAR OF THE WORLDS, THEM - and, of course, those are good films. But they are seen so very often -- on tv, at non-sf film programs, at regional cons, and so forth -- that we decided to try to organize a program of good and/or entertaining movies that are rarely seen. We feel we have made a good selection, with films chosen for a variety of reasons. Some of the films on the program were, until quite recently, thought to be missing or impossible to view, like JUST IMAGINE, TRANSATLANTIC TUNNEL, or DR JEKYLL AND MR. HYDE. Others, since they are such glorious stinkers, have been relegated to 3 a.m. once-a-year tv showings, like VOODOO MAN or PLAN 9 FROM OUTER SPACE. Other fairly recent movies (and good ones, at that) were, we felt, seen by far too few people, either due to poor distribution by the releasing companies, or because they didn't make enough money to ensure a wide release, like TARGETS or THE DEVIL'S BRIDE. Still others are relatively obscure foreign films, a couple of which we took a sight-unseen gamble on, basing our selections on favorable reviews; this includes films like THE GLADIATORS and END OF AUGUST AT THE HOTEL OZONE. And finally, there are a number of films here which are personal favorites of Don's or mine which we want other people to like; this includes INTERNATIONAL HOUSE, MAD LOVE, NIGHT OF THE HUNTER, RADIO RANCH, and SPY SMASHER RETURNS.
    [Show full text]
  • Gaó E Seu Ritmo No T&Xto
    24." Ano ::•-:: N.° 47 l\ de Novembro de 1944 Vi^y^ Cr $ 1,20 ?\ ^^m\r a^^ Ts^^f^S aW // **^j€ ( nos Estados 1,50 REVISTA á^y C ATUALIDADES -¦¦-.--.¦'•'-'':!}';''"''" ~ ' '.1. f í 'f?$->$'¦-" >J'-' /"-"'7"'"ííi--"'-L.^^Httí' jfl?BWOTr^>:"i í-v."'.O-'-'O.;- -:O'-^^"^^P'4^ÍS"5ttWB H^T'.¦""*¦¦-,.L--:"-~mmm^ÊB0£^y -""^^^*='•*¦V' ' — «f^--' Gaó e seu ritmo No T&xto Wi WÈÊÊÉÈÊSm lllllll mito mmm ¦¦:¦¦¦¦¦:¦:-:¦:-.¦:¦ 31 iimniiji rjKimnnuiirniMisia'!1 "X"< tír"*8^ ^ ""Tú roí ti (-haNDE ENCANTO of a» I Ha' U/)RIAS" E 8E A^UNTVERSAL I.HK DF* •«Aa8 OPORTUNIDADES ÍRÀ LONOR. "OEííCOBERTii". C%wh fe nMt ORANDV jMÉlf 1!!!>>.,X>»J!>.)£»M»WPW; VMfM',»-'. -u .WW-H.XXBS Uma vrz mais, Joan Fontaine aceitou um papel que maioria dar público aclamou-a como a tímida heroina de REBECA. Logo em re- li "glamoui". estrelas" consideiaiia indesejável, poi sei destituído de guida conquistou todos os corações em SUSPEITA, a despeito de ura E não somente o aceitou, poiém fez dele um dos seus mais destacados horrível par de óculos de osso. E um simples uniforme d*s WAAF, tiiunfos. A iimã de Olivia de Havilknd apaiece no papel-título de com seus sapatos militares e suas meias de algodão, serviu apenrs para JANE EYRE, a moderna versão cinematográfica do romance de realçar sua beleza patrícia, em ISTO ACIMA DE TUDO. Em DE Oha;lotte Bionte, a 20th-Fox íealizou crm tanto caiiriho. AMOR TAMBÉM SE MORRE, que "Todos também esteve adorável. "mas No papel de Jane, bonita, sim, mas sempre metida^ em severos e esses papeis tinham suas desvantagens", diz Joan, simples vestidos escuros e usando um penteado clássico sem faceí- certamente não é este característico que torna JANE EYRE um grande lice, ela só uma vez tem opoitunidad.e de apa.ecer em toda a sua bele- Pcís nenhum dos outros de intei- — papel.
    [Show full text]
  • Il Critico Con La Macchina Da Presa
    IL CRITICO CON LA MACCHINA DA PRESA di Massimo GIRALDI e di Gabriele BIGONZONI Leonardo AUTERA * Vincenzo BASSOLI * Francesco BOLZONI * Edoardo BRUNO * Giambattista CAVALLARO * Luigi CHIARINI * Fernaldo DI GIAMMATTEO * Ernesto G. LAURA * Vinicio MARINUCCI * Renato MAY * Domenico MECCOLI * Lino MICCICHE’ * Riccardo NAPOLITANO * Renzo RENZI * Gian Luigi RONDI * Nazareno TADDEI * Paolo di VALMARANA * Mario VERDONE * Gino VISENTINI Associazione Culturale Cineteca Lucana con il sostegno del Ministero Beni e Attività Culturali – Direzione Generale Cinema IL CRITICO CON LA MACCHINA DA PRESA di Massimo GIRALDI e di Gabriele BIGONZONI Associazione Culturale Cineteca Lucana con il sostegno del Ministero Beni e Attività Culturali – Direzione Generale Cinema avvertenze I dati tecnici, artistici e le descrizioni dei soggetti delle filmografie sono ricavati dalla banca dati della Revisione Cinematografica del MiBAC – Direzione Generale Cinema e si riferiscono alle pellicole realizzate per le sale cinematografiche. Dalle filmografie sono esclusi titoli delle riduzioni e dei dialoghi dei film doppiati (particolarmente attivi in questo settore Vinicio Marinucci e Gian Luigi Rondi). Tra parentesi quadra i nomi dubbi o provenienti da altre fonti. Tra parentesi tonda i nomi veri, fatta eccezione per Renato May e per Lino Micciché. SOMMARIO Introduzione e profili: Massimo Giraldi 1 Filmografia: Gabriele Bigonzoni 9 Leonardo AUTERA 10 Vincenzo BASSOLI 18 Francesco BOLZONI 21 Edoardo BRUNO 24 Giambattista CAVALLARO 28 Luigi CHIARINI 31 Fernaldo DI GIAMMATTEO
    [Show full text]
  • Vertical File
    Title Type Family Name Location First Ancestor Publisher/Author/Editor Dates/Issues Geog. Area Covered Abbe (Abbey), Brown, Burch, Genealogy Abbe (Abbey), John Abbe b.1613 Burch 1943 New England, Hulbert Families Brown, Burch, IL Hulbert Ackley- Civil War Pension Records Record Ackley Benjamin Johnson 1832 NY Adam (Biblical)- Bible Genealogies Genealogy Adam Adam and Eve Wurts, John S. Adam (Biblical)- Book of Adam Genealogy Adam Adam Bowen, Harold King 1943 Adams Family Tree Adams Samuel Preston Mrs. Wallace Phorsm Portsmouth & Adams OH Adams News Release Adams James Taylor Adams VA Adams - Spring Family Record Adams James Wamorth? 1832 NY Adams Co., OH- Early Marriages in Records Adams Co., Abraham thru Wilson Ackley, Robert A. 1982 US Adams Co. OH Adams- Folder 1 Letter Adams From Florence Hoag 1907 Mt. Vernon, WA Adams- Folder 1 Letter Adams Samuel Adams Adams, Calvin J. Adams- Folder 1 Navy Discharge Adams Adams, Cyrus B. 1866 Adams- Folder 1 Pamphlet Adams Lobb, F.M. 1979 Cornwall, England Adams- The Adams Family Genealogy/ Tree Adams Jacob Delmar Harper, Nancy Eyer 1978 OH Adams b.1858 Adams, Broyles Genealogy Adams James Darwin KY Adams b.1818 & Lucy Ophelia Snyder b.1820 Adams, Edgell, Twiford Family Bible Records Adams Henry Adams b.1797 Bell, Albert D. 1947 DE Adriance Family of Dutchess Genealogy Adriance Theodorus Adriance Barber, Gertrude 1959 NY County, N.Y. m.1783 Aikman Letter Aikman Lists children of from L.C. Aikman to Cora L. 1941 IN James Aikman Davis Aikman Obituaries Aikman Agnes Ritchie 1901 MA, Oxford, d.1901 OH Aikman Registry Aikman 1884, 1895, 1896, Crawford Co.
    [Show full text]
  • Lucy Kroll Papers [Finding Aid]. Library of Congress
    Lucy Kroll Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2002 Revised 2010 April Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms006016 LC Online Catalog record: http://lccn.loc.gov/mm82078576 Prepared by Donna Ellis with the assistance of Loren Bledsoe, Joseph K. Brooks, Joanna C. Dubus, Melinda K. Friend, Alys Glaze, Harry G. Heiss, Laura J. Kells, Sherralyn McCoy, Brian McGuire, John R. Monagle, Daniel Oleksiw, Kathryn M. Sukites, Lena H. Wiley, and Chanté R. Wilson Collection Summary Title: Lucy Kroll Papers Span Dates: 1908-1998 Bulk Dates: (bulk 1950-1990) ID No.: MSS78576 Creator: Kroll, Lucy Extent: 308,350 items ; 881 containers plus 15 oversize ; 356 linear feet Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Literary and talent agent. Contracts, correspondence, financial records, notes, photographs, printed matter, and scripts relating to the Lucy Kroll Agency which managed the careers of numerous clients in the literary and entertainment fields. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Braithwaite, E. R. (Edward Ricardo) Davis, Ossie. Dee, Ruby. Donehue, Vincent J., -1966. Fields, Dorothy, 1905-1974. Foote, Horton. Gish, Lillian, 1893-1993. Glass, Joanna M. Graham, Martha. Hagen, Uta, 1919-2004.
    [Show full text]