Symposium to Discuss Discrimination Against the Woman Artist

Total Page:16

File Type:pdf, Size:1020Kb

Symposium to Discuss Discrimination Against the Woman Artist the ridgerunner • thursday, january 13, 1972 Symposium To Discuss Discrimination Against The Woman Artist from page 1 passionate thinking,” and by University of Minnesota, an crew. Her first full-time teaching “Time” magazine as “remarkable” honor graduate of Oxford Uni­ position was at the University of in an eight-page cover story on versity, and holds a Ph. D. in North Carolina at Greensboro in Millett and the movement in English and comparative literature the English Department, in 1959. its August 31, 1970 issue. from Columbia. She is also a She has also taught at Hunter and Born in St. Paul, Minnesota, sculptor and more recently a film­ at Barnard colleges. She lives in she is a Phi Beta Kappa, magna- maker, with the movie “Three New York City with her husband, cum-laude graduate of the Lives” made by an all-women the sculptor Fumio Yoshimura. Carolyn Kizer, poet in residence at UNC-Chapel Hill in 1968 and during the current acadamic year, is a native of Spokane, Washington. Much of her life since gradua­ tion from Sarah Lawrence College Whisnant has been a combination of public- of poetry here. Her influence on UNC-Asheville, in 1970 and 1971. life activities with teaching and the campus and in the department She has a varied educational writing. During the Johnson will fortunately be felt for a long background. Her B.A. is in Administration she directed the time.” English and Latin from Meredith literary programs of the National Bertha Harris, a native of College, and her M.A. is in litera­ Endowment for the Arts, the Fayetteville, N. C., is the author ture from UNC-Chapel Hill. federal cultural program estab­ of two novels, “Catching Sara- She studied music at the West­ lished by the Congress in the fall dove” (1969) and “Confessions of minister Choir College, painting of 1965. She is now literature Cherubino,” to be published in in Sonora, California, and studied consultant to the Endowment. March. Both are partially set in poetry for one summer with She spent the academic year North Carolina. Ezra Pound in Washington, D. C. 1964-65 in Pakistan as Poet in She received her B.A. and M.A. She is writing a book on Pound as Residence for the U. S. Depart­ degrees from the University of a teacher and his influence on ment of State, the first time an North Carolina at Greensboro, young writers. American writer has been so where she studied with the well- She has taught at North honored. known writers Randall Jarrell, Carolina State University, 1956- She has read widely at colleges Guy Owen, and Grances Grey 57, and at Queens College, Char­ and universities throughout the Patton. She has worked at lotte, as a member of the English United States and in England and various office jobs and for a faculty, 1957-65, and in 1972 has served two terms as director publisher in New York City and will teach a course there in of the Association of Literary taughe at East Carolina Univer­ creative writing. She has directed Magazines of America. sity. She now teaches literature poetry workshops at various She founded the magazine and creative writing at UNC- writers’ conferences, including “Poetry Northwest” at the Charlotte. those at Belmont College, Appa­ University of Washington and Charleen Whisnant, a native of lachian State University, Ridge­ edited it from 1959 until 1966. Greensboro, N. C. now living in crest Writers Conference, and the She has published three books of Charlotte, is founder and editor Governor’s School. Harris poetry; “The Ungrateful Garden” of Red Clay Publishers, and from She is married to Murray (1961), “Knock Upon Silence” 1964 to 1970 was editor of “Red Whisnant, an architect, and has two children. The Women Writers’ temporary plans are to present short (1965), and “Midnight was my Clay Reader,” a hardcover annual Cry” (1971) collection of new writing. Both the evening program and talks the night of the thirteenth. She was formerly married to Her poetry has appeared in the poetry discussion sessions Bertha Harris will cite the plight of the woman within the Stimson Bullitt, by whom whe has numerous magazines and anthol­ the following morning will be educational system. Charlene Whisnant has indicated that three teen-aged children, two ogies, and she has lectured and open to the public without charge. she might speak on the element of competition between men daughters and a son. given readings at colleges through­ Books by all the writers will be and women within the sexist society. Carolyn Kiser will Commenting on her work at out the country, including Bryn on sale in the campus bookstore tentatively outline the function of monetary concerns within UNC-Chapel Hill, Max Steele, Mawr, Wesleyan, and Cornell, during the week preceding the the society in the oppression of women. Finally Kate Millett director of the creative writing and on ABC and NET television symposium and in the lobby of the will narrate the problems the woman artist encounters in program there, says, “ Miss Kizer programs in New York City. Lipinsky Student Center Fol­ lowing the symposium. , publishing. has revolutionized the teaching She has given two readings at BOOKSTORE FEATURES BOOKS by and about FEMINISTS The UNC-A Campus Store is Goode; The Nature of Prejudice presently selling copies of these by Gordon Allport; and The books by authors participating Second Sex by Simone Beauvoir. in The Writer’s Symposium this Volumes of poetry available week: Midnight Was My Cry by are: "The Jacobs Ladder" and Carolyn Kizer; Catching Sara- several other volumes of The dove by Bertha Harris; and Work of Denise Levertov. Also I Sexual Politics by Kate Millet. featured is “To Bedlam and Part Other books of interest: “The Way Back" and also more volumes Other Half: edited by Cynthia of The Poetry of Anne Sexton. Fucks Epstein and William J. Millett Kizer.
Recommended publications
  • April 2005 Updrafts
    Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity.
    [Show full text]
  • Five Kingdoms
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 Five Kingdoms Kelle Groom University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Groom, Kelle, "Five Kingdoms" (2008). Electronic Theses and Dissertations, 2004-2019. 3519. https://stars.library.ucf.edu/etd/3519 FIVE KINGDOMS by KELLE GROOM M.A. University of Central Florida, 1995 B.A. University of Central Florida, 1989 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing/Poetry in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2008 Major Professor: Don Stap © 2008 Kelle Groom ii ABSTRACT GROOM, KELLE . Five Kingdoms. (Under the direction of Don Stap.) Five Kingdoms is a collection of 55 poems in three sections. The title refers to the five kingdoms of life, encompassing every living thing. Section I explores political themes and addresses subjects that reach across a broad expanse of time—from the oldest bones of a child and the oldest map of the world to the bombing of Fallujah in the current Iraq war. Connections between physical and metaphysical worlds are examined.
    [Show full text]
  • 1 Creative Expression in Writing (EGL 32 W)
    Creative Expression in Writing (EGL 32 W) - Preliminary Syllabus Instructor: Brittany Perham Term: Fall 2015 Required Materials 1. Great American Prose Poems: From Poe to the Present, edited by David Lehman ISBN-13: 978-0743243506 Available at Powell’s Books here: GAPP Available at Amazon.com here: GAPP 2. Short Takes: Brief Encounters with Contemporary Nonfiction, edited by Judith Kitchen ISBN-13: 978-0393326000 Available at Powell’s Books here: Short Takes Available at Amazon.com here: Short Takes 3. Sudden Fiction: American Short-Short Stories, edited by Robert Shepard & James Thomas ISBN-13: 978-0879052652 Available at Powell’s Books here: Sudden Fiction Available at Amazon.com here: Sudden Fiction 4. Online reading (posted online in the form of links) 5. Handouts (posted online in the form of .pdf files) The Online Community The fabulous thing about the Online Writers’ Studio is that it brings together like-minded people from all over the world. Together we will form a community of writers who will challenge and support each other. This is your class. Grading Most students enroll in this course under the non-graded (NGR) or the Credit/No Credit (i.e. pass/fail) options. If you would prefer to be graded, or if you must receive a letter grade to meet the requirements of your academic program, participation will serve as the basis of your grade. In order to receive an A, you must turn in all three pieces of writing for workshop, fulfill your responsibilities as workshop member, and participate thoughtfully in class discussion. If you complete less than 60% of the course work on time, you will receive an F.
    [Show full text]
  • P R O S P E C T
    PROSPECTUS CHRIS ABANI EDWARD ABBEY ABIGAIL ADAMS HENRY ADAMS JOHN ADAMS LÉONIE ADAMS JANE ADDAMS RENATA ADLER JAMES AGEE CONRAD AIKEN DANIEL ALARCÓN EDWARD ALBEE LOUISA MAY ALCOTT SHERMAN ALEXIE HORATIO ALGER JR. NELSON ALGREN ISABEL ALLENDE DOROTHY ALLISON JULIA ALVAREZ A.R. AMMONS RUDOLFO ANAYA SHERWOOD ANDERSON MAYA ANGELOU JOHN ASHBERY ISAAC ASIMOV JOHN JAMES AUDUBON JOSEPH AUSLANDER PAUL AUSTER MARY AUSTIN JAMES BALDWIN TONI CADE BAMBARA AMIRI BARAKA ANDREA BARRETT JOHN BARTH DONALD BARTHELME WILLIAM BARTRAM KATHARINE LEE BATES L. FRANK BAUM ANN BEATTIE HARRIET BEECHER STOWE SAUL BELLOW AMBROSE BIERCE ELIZABETH BISHOP HAROLD BLOOM JUDY BLUME LOUISE BOGAN JANE BOWLES PAUL BOWLES T. C. BOYLE RAY BRADBURY WILLIAM BRADFORD ANNE BRADSTREET NORMAN BRIDWELL JOSEPH BRODSKY LOUIS BROMFIELD GERALDINE BROOKS GWENDOLYN BROOKS CHARLES BROCKDEN BROWN DEE BROWN MARGARET WISE BROWN STERLING A. BROWN WILLIAM CULLEN BRYANT PEARL S. BUCK EDGAR RICE BURROUGHS WILLIAM S. BURROUGHS OCTAVIA BUTLER ROBERT OLEN BUTLER TRUMAN CAPOTE ERIC CARLE RACHEL CARSON RAYMOND CARVER JOHN CASEY ANA CASTILLO WILLA CATHER MICHAEL CHABON RAYMOND CHANDLER JOHN CHEEVER MARY CHESNUT CHARLES W. CHESNUTT KATE CHOPIN SANDRA CISNEROS BEVERLY CLEARY BILLY COLLINS INA COOLBRITH JAMES FENIMORE COOPER HART CRANE STEPHEN CRANE ROBERT CREELEY VÍCTOR HERNÁNDEZ CRUZ COUNTEE CULLEN E.E. CUMMINGS MICHAEL CUNNINGHAM RICHARD HENRY DANA JR. EDWIDGE DANTICAT REBECCA HARDING DAVIS HAROLD L. DAVIS SAMUEL R. DELANY DON DELILLO TOMIE DEPAOLA PETE DEXTER JUNOT DÍAZ PHILIP K. DICK JAMES DICKEY EMILY DICKINSON JOAN DIDION ANNIE DILLARD W.S. DI PIERO E.L. DOCTOROW IVAN DOIG H.D. (HILDA DOOLITTLE) JOHN DOS PASSOS FREDERICK DOUGLASSOur THEODORE Mission DREISER ALLEN DRURY W.E.B.
    [Show full text]
  • English 3150: Intermediate Poetry Workshop University of North Texas Spring 2016 3150.001 TR 12:30-1:50 Pm AUDB 201
    English 3150: Intermediate Poetry Workshop University of North Texas Spring 2016 3150.001 TR 12:30-1:50 pm AUDB 201 Dr. Anne Keefe Email: [email protected] Office: LANG 408A Office Hours: TR 8:15-9:15 am W 1-2 pm “It is the pleasure of the workshop that everyone there gets to be a part of such moments of sweetness, when there appears at last a poem that is fine and shapely, where before there was only struggle, and the tangled knot of words. We all partake, then, a little, of the miracle, that is made not only of luck and inspiration and even happenstance, but of those other matters too— technical knowledge and diligent work—matters that are less interesting perhaps, but altogether essential, for such things support the ineffable and moving light of the poem: they are the bedrock of the river.” --Mary Oliver, A Poetry Handbook Description This course is an intermediate level workshop focusing on the craft of poetry writing. We will engage the art of poetry through technical exercises in sound, meter, form, image, and voice. Structured in a workshop environment, the class discussion will center on student-created texts, with supplemental readings from contemporary poets, and culminate with a final portfolio of revised work. Required Texts Mary Oliver, A Poetry Handbook: A Prose Guide to Understanding and Writing Poetry (ISBN: 9780156724005) Additional course readings will be provided in our course reader, which I will distribute on the first day of class, or as handouts. Electronic versions of all readings will also posted on our Blackboard site.
    [Show full text]
  • School of Unlikeness: the Creative Writing Workshop and American Poetry
    School of Unlikeness: The Creative Writing Workshop and American Poetry Sarah Cohen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2012 Reading Committee: Brian Reed, Chair Jeanne Heuving Jessica Burstein Program Authorized to Offer Degree: English University of Washington Abstract School of Unlikeness: American Poetry and the Creative Writing Workshop Sarah Cohen Chair of the Supervisory Committee: Associate Professor Brian Reed English This dissertation is a study of the creative writing workshop as a shaping institution of American poetry in the twentieth century. It takes as its starting point the observation that in the postwar period the rise of academic creative writing programs introduced profound material changes into the lives of American poets, as poetry became professionalized within the larger institution of the university. It goes on to argue that poets responded to these changes in ways that are directly legible in their work, producing a variety of poetic interrogations of the cultural and psychological effects of the reflexive professional self-fashioning that became, partially through the workshop, the condition of modern literary life. In other words, as poets became students and teachers, their classroom and career experiences occasioned new kinds of explorations of identity, performance, vocation, authority, and the cultural status of poets and poetry. The cluster of concerns linked to the evolving institution of "creative writing" shows stylistically diverse works to be united, and also resonates with and helps to clarify the major debates within the poetry world over the past decades between the camps of the "mainstream" and the "avant- garde" or, as Robert Lowell put it in 1959, "the cooked and the raw." My dissertation examines a variety of iterations of the relationship between workshop culture and poetic production through case studies of the poets Robert Lowell, Sylvia Plath, Anne Sexton, Theodore Roethke, Richard Hugo, and Jorie Graham.
    [Show full text]
  • Poetry for the People
    06-0001 ETF_33_43 12/14/05 4:07 PM Page 33 U.S. Poet Laureates P OETRY 1937–1941 JOSEPH AUSLANDER FOR THE (1897–1965) 1943–1944 ALLEN TATE (1899–1979) P EOPLE 1944–1945 ROBERT PENN WARREN (1905–1989) 1945–1946 LOUISE BOGAN (1897–1970) 1946–1947 KARL SHAPIRO BY (1913–2000) K ITTY J OHNSON 1947–1948 ROBERT LOWELL (1917–1977) HE WRITING AND READING OF POETRY 1948–1949 “ LEONIE ADAMS is the sharing of wonderful discoveries,” according to Ted Kooser, U.S. (1899–1988) TPoet Laureate and winner of the 2005 Pulitzer Prize for Poetry. 1949–1950 Poetry can open our eyes to new ways of looking at experiences, emo- ELIZABETH BISHOP tions, people, everyday objects, and more. It takes us on voyages with poetic (1911–1979) devices such as imagery, metaphor, rhythm, and rhyme. The poet shares ideas 1950–1952 CONRAD AIKEN with readers and listeners; readers and listeners share ideas with each other. And (1889–1973) anyone can be part of this exchange. Although poetry is, perhaps wrongly, often 1952 seen as an exclusive domain of a cultured minority, many writers and readers of WILLIAM CARLOS WILLIAMS (1883–1963) poetry oppose this stereotype. There will likely always be debates about how 1956–1958 transparent, how easy to understand, poetry should be, and much poetry, by its RANDALL JARRELL very nature, will always be esoteric. But that’s no reason to keep it out of reach. (1914–1965) Today’s most honored poets embrace the idea that poetry should be accessible 1958–1959 ROBERT FROST to everyone.
    [Show full text]
  • Curriculum of English Bs
    CURRICULUM OF ENGLISH BS (Revised 2017) HIGHER EDUCATION COMMISSION ISLAMABAD CURRICULUM DIVISION, HEC Prof. Dr. Mukhtar Ahmed Chairman Prof. Dr. Arshad Ali Executive Director Mr. Muhammad Raza Chohan Director General (Academics) Dr. Muhammad Idrees Director (Curriculum) Syeda Sanober Rizvi Deputy Director (Curriculum) Mr. Riaz-ul-Haque Assistant Director (Curriculum) 2 CONTENTS 1. Preface 4 2. Rationale of Curriculum Review and Revisions 10 3. Assessment Criteria 12 4. Indicative List of General Courses 13 5. Summary of Scheme of Studies for 4-year BS 14 6. Semester-wise Scheme of Studies BS English (Language & Literature) 18 7. Elective Subjects - BS English (Literature) 104 8. Annexure A-F 132 3 PREFACE The curriculum, with varying definitions, is said to be a plan of the teaching-learning process that students of an academic programme are required to undergo to achieve some specific objectives. It includes scheme of studies, objectives & learning outcomes, course contents, teaching methodologies and assessment/ evaluation. Since knowledge in all disciplines and fields is expanding at a fast pace and new disciplines are also emerging; it is imperative that curricula be developed and revised accordingly. University Grants Commission (UGC) was designated as the competent authority to develop, review and revise curricula beyond Class-XII vide Section 3, Sub-Section 2 (ii), Act of Parliament No. X of 1976 titled “Supervision of Curricula and Textbooks and Maintenance of Standard of Education”. With the repeal of UGC Act, the same function was assigned to the Higher Education Commission (HEC) under its Ordinance of 2002, Section 10, Sub-Section 1 (v). In compliance with the above provisions, the Curriculum Division of HEC undertakes the revision of curricula regularly through respective National Curriculum Revision Committees (NCRCs) which consist of eminent professors and researchers of relevant fields from public and private sector universities, R&D organizations, councils, industry and civil society by seeking nominations from their organizations.
    [Show full text]
  • Ineligible Poems
    Ineligible Poems Only poems in the Poetry Out Loud print or online anthologies are eligible for competition. Due to copyright issues and the need to periodically refresh the Poetry Out Loud anthology, some poems have been retired. The following poems have been removed from the anthology and are ineligible for the 2015-2016 season. Adding It Up by Philip Booth Agoraphobia by Linda Pastan Alabanza: In Praise of Local 100 by Martín Espada The Alphabet by Karl Shapiro 'Alone' by Edgar Allan Poe Altruism by Molly Peacock Ancapagari by Carolyn Forché Ancestor by Jimmy Santiago Baca And Death Shall Have No Dominion by Dylan Thomas The Applicant by Sylvia Plath An Arundel Tomb by Philip Larkin Aubade by Edith Sitwell aunt jemima by Lucille Clifton Authority by W.S. Merwin Baseball by Gail Mazur Baudelaire by Delmore Schwartz Beat! Beat! Drums! by Walt Whitman Beautiful Black Men by Nikki Giovanni Beauty by Tony Hoagland Becune Point by Derek Walcott The Bells of San Blas by Henry Wadsworth Longfellow Birches by Robert Frost Birthday Poem by Al Young The Blackstone Rangers by Gwendolyn Brooks The Blues Don't Change by Al Young Booker T. and W.E.B. by Dudley Randall Buckroe after the Season by Virginia Adair Buried at Springs by James Schuyler Calling Him Back from Layoff by Bob Hicok The Canonization by John Donne Carmel Point by Robinson Jeffers Casey at the Bat by Ernest Lawrence Taylor Celebration for June 24 by Thomas McGrath Come Up from the Fields, Father by Walt Whitman Conversation by Ai The Cremation of Sam McGee by Robert Service Detroit, Tomorrow by Phillip Levine Dog by Lawrence Ferlinghetti Domestic Violence by Eavan Boland Doña Josefina Counsels Doña Concepción Before Entering Sears by Maurice Kilwein Guevara A Dream Within a Dream by Edgar Allan Poe Duende by Tracy K.
    [Show full text]
  • Poetry Editor to Appear at University of Montana
    University of Montana ScholarWorks at University of Montana University of Montana News Releases, 1928, 1956-present University Relations 3-8-1966 Poetry Editor to appear at University of Montana University of Montana--Missoula. Office of University Relations Follow this and additional works at: https://scholarworks.umt.edu/newsreleases Let us know how access to this document benefits ou.y Recommended Citation University of Montana--Missoula. Office of University Relations, "Poetry Editor to appear at University of Montana" (1966). University of Montana News Releases, 1928, 1956-present. 1821. https://scholarworks.umt.edu/newsreleases/1821 This News Article is brought to you for free and open access by the University Relations at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana News Releases, 1928, 1956-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. UNIVERSITY OF MONTANA FROM INFORMATION SERVICES MISSOULA. MONTANA 59801 PHONE 243-2522 AREA CODE 400 RELEASE IMMEDIATELY duffey 3- 8-66 POETRY EDITOR TO APPEAR AT UM Carolyn Kizer, poet and editor of "Poetry Northwest," vill present a poetry reading March 9 in the Music Recital at the University of Montana, at 8:15 p.m. Miss Kizer is the author of two books of poems, "The Ungrateful Garden" and "Knock Upon Silence," according to Herb Gottfried, graduate student in English at UM. She founded the quarterly magazine of poetry, which she now edits, in 1959; with Richard Hugo and Nelson Bentley. She received her B.A. degree at Sarah Lawrence College.
    [Show full text]
  • James S. Jaffe Rare Books Llc
    JAMES S. JAFFE RARE BOOKS LLC OCCASIONAL LIST: SUMMER MISCELLANY 2019 P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. AMMONS, A. R. Ommateum with Doxology. Small 8vo, original salmon cloth, dust jacket. Philadelphia: Dorrance & Co., (1955). First edition of Ammons’ rare first book. One of 300 copies printed, of which only 100 were bound. Wright A. According to his close friend, the poet David Lehman, “Ammons published Ommateum, his first book, at his own expense in 1955; sixteen copies were sold in the next five years.” A very fine copy, essentially as new. $2,500.00 2. [ARCHIVES & COLLECTIONS] Bisbee Poetry Festival Archive (1979-1985). In 1979, Jon Friedman founded the annual Bisbee Poetry Festival in the historic mining town of Bisbee, AZ, a picturesque town on the Mexican border that had become a vibrant center of creative activity for musicians, writers, and artists. Every year for the next seven years Friedman invited six of the best contemporary poets to Bisbee during the third week of August to read their poetry to audiences that usually exceeded 500 avid fans from around the country. The readings, which might more accurately be described as performances, varied from an hour to an hour and a half, and these readings, along with the interviews, workshops, press conferences and informal social events that surrounded the readings, were all professionally videotaped, thereby capturing some of the most riveting live poetry readings of the period, readings that, it must be emphasized, were enhanced by their non-academic environment.
    [Show full text]
  • FIELD, Issue 98, Spring 2018
    FIELD CONTEMPORARY POETRY AND POETICS NUMBER 98 SPRING 2018 OBERLIN COLLEGE PRESS EDITORS David Young David Walker ASSOCIATE Pamela Alexander EDITORS Kazim Ali DeSales Harrison Lynn Powell EDITOR-AT- Martha Collins EARGE MANAGING Marco Wilkinson EDITOR EDITORIAE Allison Fulton ASSISTANTS Maria Turner Juliet Wayne DESIGN Steve Parkas www.oberlin.edu/ocpress Published twice yearly by Oberlin College. Poems should be submitted through the online submissions manager on our website. Subscription orders should be sent to FIELD, Oberlin College Press, 50 N. Professor St., Oberlin, OH 44074. Checks payable to Oberlin College Press: $16.00 a year. Single issues $8.00 postpaid. Please add $4.00 per year for Canadian addresses and $9.00 for all other countries. Back issues $12.00 each. Contact us about availability. FIELD is indexed in Humanities International Complete. Copyright © 2018 by Oberlin College. ISSN: 0015-0657 CONTENTS Lee Upton 7 Why Am 1 Not Invited to Your Par 8 The Sunflower Bob Hicok 9 America: a primer 10 Faith 11 Two sides of a coin Diane K. Martin 12 Two Bits Michael McGriff 13 Wig Libby Burton 14 Your Mother: Franz Kafka. My Father: A Hole Ripped in the Night. 15 Intimacy Daniel Biegelson 16 We Move in Abundance 17 We Live in an Unknown Sea Talvikki Ansel 18 16 Stanzas in February Mark Irwin 20 Dissolving Parable 21 Open Ales Steger 22 He writes d by Brian Henry Aimee Sands 23 The longer we stay the deeper the knowledge 24 Verge Steven Chung 25 Forgery 26 Bad Children Heather Sellers 27 Peninsula Jennie Malboeuf 28 First Mirror
    [Show full text]