Cybersemiotics: a New Foundation for Transdisciplinary Theory of Information, Cognition, Meaningful Communication and the Interaction Between Nature and Culture
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Biosemiotic Medicine: from an Effect-Based Medicine to a Process-Based Medicine
Special article Arch Argent Pediatr 2020;118(5):e449-e453 / e449 Biosemiotic medicine: From an effect-based medicine to a process-based medicine Carlos G. Musso, M.D., Ph.D.a,b ABSTRACT Such knowledge evidences the Contemporary medicine is characterized by an existence of a large and intricate increasing subspecialization and the acquisition of a greater knowledge about the interaction among interconnected network among the the different body structures (biosemiotics), different body structures, which both in health and disease. This article proposes accounts for a sort of “communication a new conceptualization of the body based on channel” among its elements, a true considering it as a biological space (cells, tissues, and organs) and a biosemiotic space (exchange of “dialogic or semiotic space” that is signs among them). Its development would lead conceptually abstract but experientially to a new subspecialty focused on the study and real, through which normal and interference of disease biosemiotics (biosemiotic pathological intra- and inter- medicine), which would trigger a process- based medicine centered on early diagnosis and parenchymal dialogs (sign exchange) management of disease. occur. Such dialogs determine a Key words: medicine, biosemiotics, diagnosis, balanced functioning of organ systems therapy. or the onset and establishment of http://dx.doi.org/10.5546/aap.2020.eng.e449 disease, respectively. The investigation and analysis of such phenomenon is the subject of a relative new discipline: To cite: Musso CG. Biosemiotic medicine: From an biosemiotics, which deals with the effect-based medicine to a process-based medicine. 1 Arch Argent Pediatr 2020;118(5):e449-e453. study of the natural world’s language. -
Thomas A. Sebeok and Biology: Building Biosemiotics
Cybernetics And Human Knowing. Vol. 10, no. 1, pp. xx-xx Thomas A. Sebeok and biology: Building biosemiotics Kalevi Kull1 Abstract: The paper attempts to review the impact of Thomas A. Sebeok (1920–2001) on biosemiotics, or semiotic biology, including both his work as a theoretician in the field and his activity in organising, publishing, and communicating. The major points of his work in the field of biosemiotics concern the establishing of zoosemiotics, interpretation and development of Jakob v. Uexküll’s and Heini Hediger’s ideas, typological and comparative study of semiotic phenomena in living organisms, evolution of semiosis, the coincidence of semiosphere and biosphere, research on the history of biosemiotics. Keywords: semiotic biology, zoosemiotics, endosemiotics, biosemiotic paradigm, semiosphere, biocommunication, theoretical biology “Culture,” so-called, is implanted in nature; the environment, or Umwelt, is a model generated by the organism. Semiosis links them. T. A. Sebeok (2001c, p. vii) When an organic body is dead, it does not carry images any more. This is a general feature that distinguishes complex forms of life from non-life. The images of the organism and of its images, however, can be carried then by other, living bodies. The images are singular categories, which means that they are individual in principle. The identity of organic images cannot be of mathematical type, because it is based on the recognition of similar forms and not on the sameness. The organic identity is, therefore, again categorical, i.e., singular. Thus, in order to understand the nature of images, we need to know what life is, we need biology — a biology that can deal with phenomena of representation, recognition, categorisation, communication, and meaning. -
A Short History of Biosemiotics
Biosemiotics (2009) 2:221–245 DOI 10.1007/s12304-009-9042-8 ORIGINAL PAPER A Short History of Biosemiotics Marcello Barbieri Received: 20 March 2009 /Accepted: 14 April 2009 / Published online: 6 May 2009 # Springer Science + Business Media B.V. 2009 Abstract Biosemiotics is the synthesis of biology and semiotics, and its main purpose is to show that semiosis is a fundamental component of life, i.e., that signs and meaning exist in all living systems. This idea started circulating in the 1960s and was proposed independently from enquires taking place at both ends of the Scala Naturae. At the molecular end it was expressed by Howard Pattee’s analysis of the genetic code, whereas at the human end it took the form of Thomas Sebeok’s investigation into the biological roots of culture. Other proposals appeared in the years that followed and gave origin to different theoretical frameworks, or different schools, of biosemiotics. They are: (1) the physical biosemiotics of Howard Pattee and its extension in Darwinian biosemiotics by Howard Pattee and by Terrence Deacon, (2) the zoosemiotics proposed by Thomas Sebeok and its extension in sign biosemiotics developed by Thomas Sebeok and by Jesper Hoffmeyer, (3) the code biosemiotics of Marcello Barbieri and (4) the hermeneutic biosemiotics of Anton Markoš. The differences that exist between the schools are a consequence of their different models of semiosis, but that is only the tip of the iceberg. In reality they go much deeper and concern the very nature of the new discipline. Is biosemiotics only a new way of looking at the known facts of biology or does it predict new facts? Does biosemiotics consist of testable hypotheses? Does it add anything to the history of life and to our understanding of evolution? These are the major issues of the young discipline, and the purpose of the present paper is to illustrate them by describing the origin and the historical development of its main schools. -
Introduction: an Evolutionary History of Biosemiotics
Chapter 1 Introduction: An Evolutionary History of Biosemiotics Donald Favareau Abstract1 The present chapter is intended to provide an introductory overview to the history of biosemiotics, contextualizing that history within and against the larger currents of philosophical and scientific thinking from which it has emerged. Accordingly, to explain the origins of this most 21st century endeavour requires effectively tracing – at least to the level of a thumbnail sketch – how the “sign” con- cept appeared, was lost, and now must be painstakingly rediscovered and refined in science. In the course of recounting this history, this chapter also introduces much of the conceptual theory underlying the project of biosemiotics, and is therefore intended to serve also as a kind of primer to the readings that appear in the rest of the volume. With this purpose in mind, the chapter consists of the successive examination of: (1) the history of the sign concept in pre-modernist science, (2) the history of the sign concept in modernist science, and (3) the biosemiotic attempt to develop a more useful sign concept for contemporary science. The newcomer to biosemiotics is encouraged to read through this chapter (though lengthy and of necessity still incomplete) before proceeding to the rest of the volume. For only by doing so will the disparate selections appearing herein reveal their common unity of purpose, and only within this larger historical context can the contemporary attempt to develop a naturalistic understanding of sign relations be properly evaluated and understood. 1 Pages 1–20 of this chapter originally appeared as The Biosemiotic Turn, Part I in the journal Biosemiotics (Favareau 2008). -
Anthropomorphic Machines: Alien Sensation and Experience in Nonhumans Created to Be Like Us
Anthropomorphic machines: alien sensation and experience in nonhumans created to be like us by Tessa Gwendoline Leach ORCID 0000-0002-0560-7667 Doctor of Philosophy (Arts) June 2018 School of Historical and Philosophical Studies This thesis is submitted in total fulfilment of the requirements of the degree i Abstract This thesis is positioned at the intersection between technology studies and the nonhuman turn in the humanities. It argues that typical approaches to the study of technology omit any consideration of the alien nature of nonhuman sensation and experience. The discussion of metaphysical theory aimed at redressing this omission is grounded in this thesis in the study of specific case studies of anthropomorphic machines, objects which are typically surrounded by human-centric rhetoric. There are four main case studies presented. The first, the Microsoft Kinect for Xbox One, is a sensor designed for use in videogames. The second is the “robot tortoises” (Machina speculatrix) designed by William Grey Walter in the 1940s and 50s. The third is the language- using artificial intelligence program SHRDLU developed by Terry Winograd between 1968 and 1972. The fourth is the concept of the gynoid (female humanoid robot) and particularly the gynoid sexbot. Each of these case studies has previously been analysed in Science and Technology Studies, Cultural Studies or Engineering, and this thesis builds on this past work by giving primacy and due consideration to the alien in these anthropomorphic technologies. The thesis aims to decentre the anthropomorphic qualities of machines that are often foregrounded in both engineering and critical texts. This is done both by emphasising the alien nature of nonhuman sensation and experience, and through anthrodecentric theory and language. -
TOWARDS a SEMIOTIC BIOLOGY Life Is the Action of Signs
• TOWARDS [ ASEMIOTIC ' BIOLOGY Life is the Action of Signs Imperial College Press TOWARDS A SEMIOTIC BIOLOGY Life is the Action of Signs P771tp.indd 1 5/3/11 5:22 PM TOWARDS A SEMIOTIC BIOLOGY Life is the Action of Signs Sense world s si interpretant io m e s Receptor Sense net Carrier of a feature sign Internal world Object Opposite structure Effect net Carrier of an effect representamen object Effector Effect world Editors Claus Emmeche University of Copenhagen, Denmark Kalevi Kull University of Tartu, Estonia Imperial College Press ICP P771tp.indd 2 5/3/11 5:22 PM This page is intentionally left blank Published by Imperial College Press 57 Shelton Street Covent Garden London WC2H 9HE Distributed by World Scientific Publishing Co. Pte. Ltd. 5 Toh Tuck Link, Singapore 596224 USA office: 27 Warren Street, Suite 401-402, Hackensack, NJ 07601 UK office: 57 Shelton Street, Covent Garden, London WC2H 9HE British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. TOWARDS A SEMIOTIC BIOLOGY Life is the Action of Signs Copyright © 2011 by Imperial College Press All rights reserved. This book, or parts thereof, may not be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording or any information storage and retrieval system now known or to be invented, without written permission from the Publisher. For photocopying of material in this volume, please pay a copying fee through the Copyright Clearance Center, Inc., 222 Rosewood Drive, Danvers, MA 01923, USA. In this case permission to photocopy is not required from the publisher. -
University of Tartu Sign Systems Studies
University of Tartu Sign Systems Studies Тартуский университет Tartu Ülikool Труды по знаковым системам Töid märgisüsteemide alalt 28 Т арту — Т artu 2000 University of Tartu Sign Systems Studies volume 28 Editors: Peeter Torop Michail Lotman Kalevi Kull В TARTU UNIVERSITY I PRESS Tartu 2000 Sign Systems Studies is an international journal of semiotics and sign processes in culture and nature Periodicity: one volume per year Official languages: English and Russian Established in 1964 Address of the editorial office: Department of Semiotics University of Tartu Tiigi St. 78, Tartu 50410, Estonia e-mail: [email protected] Information and subscription: http://www.ut.ee/SOSE/sss.htm Assistant editor: Silvi Salupere Editorial board: Irina Avramets Jelena Grigorjeva Ülle Pärli Anti Randviir The publication has been supported by the Estonian Science Foundation and the Estonian Ministry of Education © University of Tartu, 2000 ISSN 1406-4243 ISBN 9985-56-542-8 Tartu University Press Tiigi 78, Tartu 50410, Estonia Order No. 688 '*« м . z с Juri Lotman and Thomas A. Sebeok in Bergen, Norway, during Lotman’s first journey ever to the West (October 3, 1986). Sign Systems Studies 28, 2000 Table of contents Peeter Torop, Mihhail Lotman, Kalevi Kull Intercommunication: Editors’ com m ents................................... 11 General semiotics John Deely Semiotics as a postmodern recovery of the cultural unconscious.................................................................................... 15 Семиотика как переоткрытие бессознательного культуры -
Some Considerations on Visual Communication and Production of Meaning in Plant Kingdom
Lucrări Ştiinţifice – vol. 58 (2) 2015, seria Agronomie SOME CONSIDERATIONS ON VISUAL COMMUNICATION AND PRODUCTION OF MEANING IN PLANT KINGDOM Olga PÂNZARU1 e-mail: opanzaru @yahoo.com Abstract Using a semiotic approach, our research has focused on two directions: primarily, on visual communication and how meaning is produced and conveyed in visually complex messages or images coming from plants, and secondly, how do viewers construct their own meanings from this visual communication. We took photos of several vegetal scenes and then investigated the production of meanings and the significance of some visual messages/signs coming from the plants under study. Our analysis aimed to highlight the relationships between the components of the visual image, the relationships between the producers of the visual image, as well as the relationships between the components of the image and those who are viewing it. The researches in the field of Biosemiotics have demonstrated that all living organisms are systems producing “meaning” with the help of signs, signs which acquire the ability to transfer information, in other words they are communicative systems which communicate by signs, and communication can be defined as an interaction based on sign relations. The notion of image within plant kingdom is related to indexicality, as essential means of visual representation, and the global significance of the visual message, that is, the meaningful communication is constituted by interaction of indexical and plastic signs. Thus, Semiotics has facilitated a better understanding not only of the complexity of the living world, but also of the communicative force of the image, based on sign relations, within plant kingdom. -
Sebeok's Semiosic Universe and Global Semiotics
Sebeok’s semiosic universe and global semiotics Susan Petrilli On the belief that the universe is a semiosic web Sebeok placed no limits on semiotic inquiry as he chose to conduct it. In terms of fields of semiosis and objects of analysis Sebeok’s interests ranged from his studies in biology to his reflections relatively to lingusitics, cybernetics, and artificial intelligence, his musements relatively to narrative esthetic signs, his interest in ecology and the signs of deception, sometimes inventing new disciplines to focus on specific aspects in the life of signs, such as “zoosemiotics” and “biosemiotics”. Even more significant is his method of inquiry and its ontological foundations. Sebeok was a convinced critic of code semiotics and the restriction of its focus to the human social world, privileging the instruments of interpretation semiotics which best account for his axiom that life is the criterial attribute of semiosis. Working in such a direction he created the conditions for his “global semiotics”, an approach capable of conceiving the totality of semiosis, the great semiobiosphere, in a detotalizing perspective, that is, in its interrelated plurality and diversification. The play of musement is a specifically human capacity theorized by Sebeok with his biosemiotic interpretation of the concept of language as a syntactic modeling device, to which he lives up to with his life as a researcher and critical interpreter of signs beyond prejudicial boundaries, even perhaps beyond the signs of life. 1. Sebeok’s semiosic universe 1.1. Signs, other signs and more... Thomas A. Sebeok began his studies in higher education during the second half of the thirties at Cambridge. -
What Is Biosemiotics?
Biosemiotics (2008) 1:1–3 DOI 10.1007/s12304-008-9009-1 EDITORIAL What is Biosemiotics? Marcello Barbieri Published online: 13 February 2008 # Springer Science + Business Media B.V. 2008 The discovery of the genetic code took place between 1961 and 1966, and almost immediately inspired the idea of a deep link between biology and semiotics. The manifesto of this new synthesis was written by George and Muriel Beagle in 1966 with a single simple sentence: “The deciphering of the genetic code has revealed our possession of a language much older than hieroglyphics, a language as old as life itself, a language that is the most living language of all—even if its letters are invisible and its words are buried in the cells of our bodies” (Beadle and Beadle 1966). In 1974, Marcel Florkin coined the term ‘biosemiotics’ for the study of this molecular language, or, more precisely, for the study of semiosis (the production of signs) at the molecular level (Florkin 1974). At about the same time, a parallel development was taking place in linguistics. The idea that animals have feelings, psychologies and even minds has been entertained in various ways throughout the centuries, but for a long time is has been taken almost for granted that only man is a semiotic animal, i.e. that only man makes use of signs. That idea was explicitly challenged for the first time in 1963, when Thomas Sebeok suggested that animal communication is also based on signs, and proposed the term ‘zoosemiotics’ for the new science of animal semiosis (Sebeok 1963, 1972). -
Biosemiotics by Giorgio Prodi: a Postscript
Biosemiotics by Giorgio Prodi: A Postscript Kalevi Kull Giorgio Prodi was a co-founder of the biosemiotic field—the biosemiotic science or the contemporary interdiscipline of biosemiotics1—due to his works from the 1970s and 1980s. Prodi wrote much, but almost only in Italian. Thomas Sebeok dedicated the first volume ever published under the title Biosemiotics to him, with the inscrip- tion “In memoriam: Giorgio Prodi (1928–1987): bold trailblazer of contemporary biosemiotics” (Sebeok and Umiker-Sebeok 1992: v). Donald Favareau included Prodi in his list of 24 essential authors of biosemiotics in the first ever anthology of biosemiotics (Favareau 2010a, b; Prodi 2010a). Thus, Prodi is a classic in the field. However, an in-depth analysis of his work from a biosemiotic point of view has hitherto still been absent. So it was obvious, after learning that Felice Cimatti has written both about zoose- miotics (Cimatti 1998) and about Prodi (Cimatti 2000a) in Italian, to ask him to publish an article on Prodi’s biosemiotics in English (Cimatti 2000b) and, since he had published a whole book about Prodi in Italian, to publish also an updated ver- sion in English—which is what we have here.2 Prodi was a very productive writer. The list of his publications (Prodi 1987) divides his works into two categories. The category “scientific” includes 10 books (all in Italian, except 1 edited volume of conference proceedings in English) and 324 articles3 (most of these with co-authors, 178 in English, a few in French, the rest in Italian). The category “philosophical and literary” includes 13 books (all in 1 Favareu 2010a: 280. -
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Semiotic Review 6: Vegetal Ontologies - article published May 2018 https://semioticreview.com/ojs/index.php/sr/article/view/40 Semiotic Thresholds, Between Arts and Biological Science: Green Technology and the Concept of Phytomining Mindaugas Gapševičius, John Tredinnick-Rowe, Juan Pablo Diaz, Lina Rukevičiūtė, Brian Degger [email protected] Abstract: This paper documents the creative process of the Between Arts and Biological Science: Green Technology and the Concept of Phytomining project. The project represents an iterative series of concepts, models, and installations about the Anthropocene which culminates in design ideas for the creation of a functional environmental remediation system. The paper is given in three parts: historical conception, small scale modelling and the creation of a working phytoremediation system. Phytoremediation systems use plants to extract, sequester, and/or detoxify pollutants; common examples include heavy metals and human waste. Such solutions tend to be mechanically simple but biologically complex. The rationale behind the creation of this system was to create an autonomous remediation process that could function without external input, such as one that would be needed if economic or environmental resources are scarce, as is common in times of political, economic or environmental crises. This project is an exploration of how biological and technological systems can be integrated using plants and algae as a test medium - primarily Taraxacum officinale and Chetomorpha algae. The work uses several theoretical post- hoc constructions to explore the nature of design in remediation systems, these being: the Anthropocene, and phytosemiotics. This paper works at the art-engineering interface as it illustrates the process of going from conceptual models to full-scale construction of a working system.