JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY Orbir ID™e ecrronic 1yn~e1izer (?UJ lJ-~eohJre0 1piner orgon equoJ...

~e nevve1rwoy ro mo <.emu1ic fromWur i~zec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or de.monstration record. Or write: _Dept. T0-472 WuRLilZER® The Wurlitzer Company, h th DeKalb, Illinois 60115. llH e "~ cove.-- photo ... The Byrd Theatre in Richmond, Virginia appears to­ day (after recent renovation) exactly as it did when it opened on December 27, 1928. The 4/17 Wurlitzer will be featured at the 17th Annual ATOS Convention. Preview begins on page 23. Journal of the American Theatre Organ Society (Photo by Ray Brubacher) Volume 14, No. 2 • April, 1972 in this issue ... ATOS National Membership is $8.00 per cal­ endar year, which includes a subscription to FEATURES THEATRE ORGAN, the official publication of the American Theatre Organ Society. Single copies: $1 .25. Make check or money order 4 How I Got Hooked!. . Bernie Venus payable to ATOS, and mail to P. 0. Box 306, 7 The Ted Meyn Story . Lloyd E. Klos North Haven, Connecticut 06473. 12 Shuffle Off to Buffalo ALL MATERIAL FOR PUBLICATION 13 Salute to West Penn EXCEPT ADVERTISING SHOULD BE 17 "Great Western Regional" . . Hal Steiner SENT TO ATOS PUBLICATIONS P. 0. BOX 2329, LIVONIA, MICHIGAN 48150 21 Rochester Hosts Convention in 1923 . . Lloyd E. Klos 23 '72 Convention Highlights ADVERTISING ADDRESS : 24 Convention Schedule ATOS Advertising 2231 North Burling Street 25 Convention Organs Chicago, Illinois 60614 26 Convention Store 35 Finding the Right Teacher ...... John Muri ATOS National Officers 39 John Seng at Radio City Music Hall . Allan Day Stillman Rice, President 39 Len Clarke Heads ATOS Advertising Lee Erwin, Vice President 40 Blackout at Clapham Junction .... Lee Haggart Mary Bowles, Secretary-Treasurer Mildred Rice, Executive Secretary Barbara Hubbard, Membership Secretary ATOS National Board of Directors DEPARTMENTS Mary Bowles Gaylord Carter Lee Erwin Allen W. Rossiter 11 Closing Chord 31 Vox Pops 40 Dinny's Colyum Allen Miller Richard Simonton 26 Hollywood Cavalcade 36 Pipe Piper 41 Chapter Notes Ron Willfong Judd Wolton 38 Chapter Chairmen 47 Classified Ads Albert T. Mason, Past President 27 For the Records 30 Nuggets from the Golden Days ATOS Honorary Members 1959-Jesse Crawford 1966-W. "Tiny" James 1960-Farny Wurlitzer 1967-Erwin A. Young, Jr. 1961-Mel Doner 1968-Richard C. Simonton 1962-Leonard MacClain 1969-Judd Walton p.--esident~s messaae ... 1963-Eddie 0unstedter 1970-Bill Lamb 1964-Reginald Foort 1971-George and Vi Thompson The Los Angeles Regional Convention was, in 1965-0an Barton my thinking, a great way to start what promises to

------HALL OF FAME ----- be an eventful year for ATOS. The chapter is to be congratulated for three programs of dedication DON BAKER F. DONALD MILLER JESSE CRAWFORD C. SHARPE MINOR held in the beautiful San Gabriel Civic Auditorium MRS . JESSE CRAWFORD HENRY B. MURTAGH EDDIE DUNSTEDTER RAY SHELLEY and all the other enjoyable programs scheduled LEE ERWIN ARSENE SIEGAL during this convention. Their generous contribution FRED FEIBEL MILTON SLOSSER REGINALD FOORT FIRMIN SWINNEN of a true labor of love - the preservation of the ARTHUR GUTOW SIDNEY TORCH SIGMUND KRUMGOLD OLIVER WALLACE theatre organ - shall be shared by many through LEONARD MacCLAIN LEW WHITE beautiful music from the King of Instruments, "The Theatre Pipe Organ". EDITORIAL STAFF I have been requested by Al Mason, Publisher of Editor-George Thompson THEATRE ORGAN, to remind you that news­ Associate Editors - Ray Brubacher letters sent in from chapters cannot be used as chapter news in THEATRE Lloyd E. Klos Peg Nielsen ORGAN. We have no staff (paid or unpaid) to excerpt items of interest from Editor-Emeritus - W. "Stu" Green these newsletters to be printed as "Chapter Notes". Publisher-Al Mason Again it is time to nominate members for the National Board of Directors to Art Director-Don Lockwood Advertising Manager-Len Clarke serve a two year term. Send the names of your candidates to National Headquarters Circulation Manager-Vi Thompson immediately as ballots must be printed soon. Don't forget to include a picture and short resume including occupations and hobbies. THEATRE ORGAN (title registered U. S. Patent Office) is published bi-monthly by the American Our membership is over 3500 on March 1st as compared to 2800 at this same Theatre Organ Society, Inc., a non-profit organ­ time last year. We continue to grow through the efforts of all our members. ization, Stillman H. Rice, President. All rights ORGANIZE your fun at the 17th Annual Convention in the Washington , D.C. reserved. Entire contents copyrighted 1970 by ATOS, Inc ., Office of publication is P. 0 . Box Area - "IN TUNE FOR YOU IN '72". 2329, Livonia, Michigan 48150. POSTMASTER: Second Class postage paid at Livonia, Michigan. IF UNDELIVERABLE, send ATOS ~!{(~ form 3579 to ATOS Circulation Department, Box Aia~:..-ie..•~vE"P.IS I LIBRARY 1314, Salinas, California 93901. Stillman H. Rice , President

THEATRE ORGAN APRIL, 1972 3 THE MAKING OF A THEATRE ORGANIST

OR ... How I Got Hooked!

by Bernie Venus

I do not know just when it began on cold wintry Monday nights Cecil B. I lived in Montreal where we had but I remember that it was at a time DeMille presented "The Lux Radio Leo LeSieur playing the Aeolian pipe when on Sunday night the theme song, Theatre"; and in Toronto the films organ in Ogilvies Department Store "If I Could Spend one Hour with changed twice a week with two pictures every noon hour, five days a week. You," meant that Eddie Cantor was showing and often the "B" film was On the radio Kathleen Stokes played coming on the radio; on Thursday better than the headliner. A check into the CBS studio organ with "The Happy night, "Where the Blue of the Night the radio program listings would always Gang" from Toronto. S~ea's Theatre Meets the Gold of the Day," meant give you an "Organ Recital" or "Organ still had a Wurlitzer playing and in Bing Crosby and the Kraft Music Hall; Reveries''. Montreal Billy Eckstine played piano on stage at different theatres. Some­ Bernie in his solo chamber - The Venus 3/10 Wurlitzer came into prominence with the re­ times you were able to hear Norton lease of the film "My Wife Said 'THAT'S ENOUGH!' ." The flicker short was preemed at the 1968 ATOS Convention in Los Angeles and one of the memorable moments was Bernie's (Buddy) Payne, who used to play the booming, triumphal laughter when his months of installation were behind him. The film had Palace, Capitol, and Imperial Theatres one glaring fault; it failed to characterize Bernie's long-suffering wife as the spoilsport of the title. In fact she gets on very well with the monster which occupies so much of the Venus abode. in Montreal in the silent days. My brother Alfred was an avid organ fan and had quite a collection of 78's of Jesse Crawford, Dick Leibert and Eddie Dunstedter. I recall one Christmas eve when Alf pulled me on a sled three miles to pick up two 10-inch discs he had ordered for Christ­ mas. They were "Tip-Toe Through the Tulips", and "Body and Soul", and were played all through the Christmas holidays. I remember getting interested in theatre organs after hearing some of Alfs English recordings of Quentin MacLean, Sidney Torch, and Reg. Foort. This started me reading organ books and sending away for photos of theatre organists. The last thing my father said to me as I boarded the train for Halifax to embark for England at the beginning of World War II was, "While you are traveling around keep in mind that England has a lot of theatre organs

THEATRE ORGAN still playing." As soon as I landed in sent me to Italy, but not before I met our base area, I hit out for the nearest my future wife, Elaine, while visiting town which turned out to be Woking, the famous Blackpool Tower Wur­ Surrey. After walking around and find­ litzer. Miss Ena Baga was playing there ing the Ritz Theatre I decided to go in while Reg. Dixon was in the Air Force and see the movie. Well I never did see and in no way was Elaine going to let it because as I walked in all hell seemed me tour the Tower Organ with Miss to break loose as the spotlight aimed Baga, without her tagging along. at the hole in the floor and out came While stationed in Brighton I spent this wonderful, beautiful looking con- each Saturday night at the Dome sole, with Harold Coombs, playing listening to Dudley Reeve play the big "English Organist's Theme Songs". As Christie Organ. Because I was there so Listening area -The main chamber is behind soon as he finished I headed backstage often to hear him play, Dudley ar­ the Chinese characters at the left, Solo and learned something; the average ranged for me to get in free. chamber at the right. theatre organist is a human being just The last person I talked to in original value, less depreciation, plus like the rest of us. Even though they England while waiting for the train the regular 25 percent and sales tax. are thought of as in the same status as to come home to Canada, was Sidney This started a five-month battle (from famous actors and actresses, they can Torch. My unit had twenty minutes January to June) and nine trips in be warm friendly people. to wait so I phoned him. I was hoping order to deal with Canadian customs. he would make some more organ re­ I obtained a letter from the Wurlitzer cordings, but he said no, he was going factory giving the original cost, ship­ to start an orchestra. ping and installation charges, and pre­ After I was home in Montreal for a sent value. After all this I came to a few weeks I decided to visit Toronto dead end with customs. It seemed where I heard Quentin MacLean playing that no one had sufficent authority at Shea's. Result: I stayed in Toronto. to make a decision on this entry. When the decline in theatre organ Finally, after so much frustration, I playing became evident, I started check­ decided to write to the Prime Minister ing out the organs in theatres in On­ of Canada, who was then the Honour­ tario, Canada. I soon learned that able Mr. Diefenbaker. His secretary there were fewer Wurlitzers in all of informed me that he had read my Canada than in the city of Buffalo. letter and put it in the hands of Mr. After checking out organs from Roch­ George C. Nowlan, the Minister of ester, N. Y. to Detroit I met Harold National Revenue. Three weeks later Logan who has a very fine installation he said if I had proof of date of in Niagara Falls City, Ontario. He in­ purchase please let him know. So on formed me that the Wurlitzer organ June 11, five months after I got my Reg. Foort's hospitality was much appre­ in the Granada Theatre, Buffalo, was receipt, we got the go-ahead. ciated by a soldier far from home. for sale with two or three bids in al­ Loading the 36-foot tractor-trailer Harold started me on four and a ready. This was in 1959. took all weekend. When the driver half years of visiting organs, organists, It was on a very cold Saturday arrived on Monday morning he said and organ companies, and making so morning in January that a friend and "now I've seen just about everything." many friends. One particular incident I left Toronto at 6 AM to get to The load was higher than the top of that has always stayed in my memory Buffalo to see the Granada manager the trailer. It was impossible to go of wonderful times was an invitation and present my bid. After one tense under the highway overpasses so we to visit a well-known organist. I was week of waiting I received a phone headed out into the country to go traveling by train and as I came to the call which said "You now own a Wur­ over level crossings until we arrived at station before the one where I was to litzer pipe organ but I don't know Canadian Customs. The customs men get off, there standing in the rain with what you're going to do with it." were waiting and wanted to know who his cap on but no umbrella, looking After securing an official receipt, I knew in Ottawa to get this kind of into every window for me was one of my cousin, Joe Booth, and another pull. I told them "The Prime Minister" the finest gentlemen I have ever met organ nut, John Holywell, and I spent and that was that. and one of the greatest organists, the weekend from Friday night to The next day, what a sight! The Reggie Foort. I became good friends Sunday night dismantling the solo garage was filled with organ parts till with Reggie, his wife Betty, and their chamber and packing it for shipment. it bulged, and the lawn was covered. children. After taking me to their The following weekend we did the Finally we managed to get everything home they treated me like royalty. main chamber. After three weekends else into the basement. During the following week we visited of dismantling and packing the organ, I started to wash away the more the Capitol Theatre to see and hear we discovered the Government of Can­ than thirty years of accumulated dirt. Reg's magnificent 5-manual Moller ada had just passed an "anti-dumping" (The organ was installed in the Granada which was spread across the stage. It law that included pipe organs, or as February 3, 1927). This took me until sounded beautiful. they put it, anything not made in January 17, 1960, exactly one year to Finally the Canadian Army decided Canada. This meant the special duty the day since we first left for Buffalo I should earn some of my pay. They could be up to 75 percent of the to put in our bid.

THEATRE ORGAN APRIL, 1972 5 authentic Chinese. We have not lost hear the 3/10 Wurlitzer. Among those any of the original Wurlitzer sound attending were several from the "Home and the shutters give us complete Theatre Organ Club" and representa­ control of volume. tives from the Niagara Frontier Chapter The organ, after four years of steady in Buffalo, N. Y., Randy and Carol rebuilding, played its first recital in Piazza; Wally, Irene and Shirley Cole. June 1968. It was such a success that we had another recital in September. This has become a regular event and each time there seems to be more people. The only problem seems to be Console and main chamber - The console that no one ever wants to go home. is floodlighted. Walls and floors are hard­ In November Horace Lapp played surfaced. and told us of some of his experiences while playing 'The Silents' around Elaine and I decided that since we Toronto. It was a memorable afternoon were already adding on a bedroom we and as usual no one wanted to go would add two rooms and plan on a home. large two-chamber ins tall at ion. It wouldn't cost much more to add two rooms instead of one. After three years of building, mixing concrete and sawing wood we had a 14' by 38' ex­ Colin Corbett and Mildred Alexander during tension with an 11' ceiling. The main the organ crawl which ended at the Venus home. Andy Jarosik, who does a regular chamber is 14' by 12' and the solo stint at the Wurlitzer in the Riviera at chamber, with switches and relays, is North Tonawanda, looks on. 14' by 35'. The ceiling joists _are 1O" The program opened with Douglas deep with 6" of fiberglass insulation Young at the Console. We were then right through and lined with gyproc graced with the artistry of Mildred sheating. The walls are hard surfaced Alexander, looking so lovely dressed and the floors tiled throughout. in an exquisite lace pant suit. Millie The blower is in a separate concrete played "Open Your Eyes" and "Cry room with a 4" soundproof door. The Me a River" with such feeling that it power supply, my own design, provides brought tears to our eyes. One of her 10 volts at 125 amperes. The main Horace Lapp playing the 5/105 Casavant. other selections was the full score of chamber contains the Flute, String, He's one of Canada's leading theatre organ­ Gordon Jenkin's "Manhattan Tower" Celeste, Violin, Diapason, Clarinet, ists and he's equally adept at a straight organ. in a stirring presentation. It was evident Bourdon 16', and Diaphone 16'. The that Millie enjoyed the Wurlitzer, using solo chamber has the Tubahorn, Tibia, When it was ascertained that Mildred everything it could give including the Kinura, Vox humana, Ophicleide 16', Alexander, the distinguished organist recently installed piano, but certainly Xylophone, Chimes, Harp, Glocken­ from California, would be in Toronto no more than we did listening to her spiel, Sleigh bells, plus all the traps, earlier this year, it was decided by the perform. An open invitation is ex­ relays and switches. The piano is out­ Toronto Theatre Organ Society to tended to Millie to visit us on her next side the chambers near the console. have a weekend organ crawl to coincide trip to Toronto, which cannot be The chambers speak out into the with Miss Alexander's appearance. too soon. music room which is 25' by 30' with More than a month of planning, which We would up the crawl with some finished hard walls. The console is included radio and newspaper adver­ tunes by Colin Corbett (unfatigued by finished in off-white and gold, flood­ tising went into this endeavour. a long morning concert) and more lighted in colour. It is on a platform There were three concerts over the played by Miss Ling Kong Chan and which is moveable up to 20'. Gold and weekend; Saturday evening at the youthful Andrew Jarosik, who plays black velvet drapes help to set off the Metropolitan United Church that has the Riviera 3/11 Wurli "South of the decor of the music room which is a 5/ 105 Casavant organ. Horace Lapp, border" in North Tonawanda. It was presided at the console with an out­ quite a crawl. Music room and console - From the solo standing diversified program. I have a Gottfried French Horn chamber grille. Sunday morning, Colin Corbett gave and Wurlitzer Trumpet which I hope to a brilliant performance at the 3/ 19 add in the near future to round out the Hillgreen-Lane at the Odeon Carleton organ. Of course - my wife said Theatre where he has been resident "That's enough" and I think she means organist for a number of years. Colin's it this time. I noticed she wasn't organ recital consisted of popular smiling, when she said it! Never-the-less, tunes and the background music to a I think I would like to - (Barn!!!) - A hilarious Buster Keaton movie. 000-000-000-00 ! ! Sunday afternoon a large number (Er - Mr. Venus is temporarily turned out at the Venus residence to indisposed. Ed. □

APRIL, 1972 THEATRE ORGAN YJEIJE YJEID)JMIJEYN §TORY by Lloyd E. Klos

Ted Meyn, a theatre organist whose work took him to several areas of the United States, was born in 1901 in Kansas City, Kansas. From his debut in show business in 1907 until his retirement in the sixties, his life was one adventure after another, but all so interesting that Ted agreed to work with the writer in preparing his biog­ raphy for publication in "THEATRE ORGAN." Ted Meyn's introduction to en­ tertainment began at the tender age of six, on the stage of one of his father's six nickelodians. It was not at a piano or organ, but as a participant in an amateur night, and in the most daring fashion. Tom Daley, a tight-wire acrobat and escape artist, attempted to dem­ onstrate his skill with a machete in splitting a potato atop a volunteer's head. Having seen the performer prac­ tice this feat on a block of wood, Ted leaped to the stage. The potato was placed on his head, the audience sat Ted Meyn at the console of his one-man-trio instrument with which he made appearances throughout the east in the late fifties and early sixties. Third manual controls the Wurlitzer in deathly silence, until one swish of electric piano. - (Meyn collection) the blade split the potato. Ted bowed to the audience which went wild over butcher, selling peanuts, popcorn, stead of "Hearts and Flowers " while his bravery. Daley got first prize, a Cracker Jack, and chewing gum, up little Eva was dying, he would have $5 gold piece, but Ted merely got a and down the aisles. become a target for over-ripe fruit , pulled ear from his reprimanding In the meantime, he was given for showing such heartless disrespect mother. lessons on the piano. Since his three for a dying female. In 1909, Ted helped his father by brothers were cranking the Edison It mattered not whether the pianist "bicycling" the re_els of film from one projectors, and a sister was selling were an accomplished musician, an ear showplace to another. When one reel tickets, it was felt that he could join player , or faker, as long as he could was finished at the Phototorium, he the family at work by playing for the express the emotions and tempos prop­ would deliver it on his bicycle to the silent films . erly. When a drummer was added , Liberty, 7 blocks away. Then he'd In 1911, to gain experience, Ted the pianist's status did not change. race back for the second, while inter­ would relieve the regular pianist during But, when a violin , cello (which could mission at the Phototorium was tak­ the supper hour; the time of day when really draw the tears) , flute , cornet ing place. The patrons either would the audience was smallest - mostly etc. were added, only an accomplished have to pay another 5¢ or leave, a drunks sleeping it off. However, this pianist could qualify. bouncer being employed to evict re­ experience soon taught him that music Ted Meyn, at 12, was far from luctant ones. Thus, Ted's father had could set any mood called for on the being an accomplished musician - one the advantage of double-booking at screen, and he, the musician, became who could sight-read rapidly . Even the cost of one film. as much a medium for the success of though he could by improvising, make "Bicycling" was eventually elim­ the movie as the players themselves. a silent picture live and breathe with inated by the film distributors. When All were at his mercy. However, if he emotion , he was out of business for this occured, Ted became a candy had played "Turkey In the Straw" in- several years.

THEATRE ORGAN APRIL, 1972 7 Then Wurlitzer , the world's greatest maker of carousel organs and saloon bandboxes, began making devices called Duplex Orchestras, consisting of an upright piano with a large box on each side. One box contained flute pipes , the other , drums, bells and sound effects. The pipes were played from the keyboard; the drums and sound effects by striking the feet on a series of piano pedals. There was also a roll player. Now, Ted was a one-man orchestra, and he did such creditable work that Wurlitzer offered him a job as dem­ onstrator of their several models. So, he advanced to this position , perform­ ing after school and on Saturdays in the Wurlitzer showrooms on McGee Street near Twelfth in Kansas City , Mo. Small theatre owners, for whom the instrument was intended, came from miles around to hear its possibilities . Many were sold, and Ted Meyn became a "boy wonder" in this field. When his schedule permitted , he played the Ted Meyn at Loew's Jersey 4 / 23 Robert Morton, one of the five "Wonder Mortons" opened in the 1929-1930 period in the New York Metropolitan area. Ted played all of them. opening program in theatres which (Meyn collection) had installed the instruments. A doctor in St. Joseph, Mo. pur­ horse hooves, train bell etc. A 6' x 12' Feeling that the young musician chased an instrument for a small theatre x 1O' chamber housed the pipes, and could handle a Wurlitzer 285, Famy he operated. Knowing Ted's father, he the ranks were Flute , String , Vox had two openings. One was in the got permission to keep Ted as a player Humana and Trumpet. Royal Theatre in Sydney, Australia ·, for a week . The doctor , also a col­ Ted had the instrument mastered two preformances a day , Sunday off, lector of antiques , provided room and within a day , and it was imperative at $ 75 a week. The second job was in board, and to Ted's surprise , was that he learn quickly because the Paramount's Missouri Theatre in St. privileged to sleep in a room , com­ motion picture owners of Kansas de­ Louis , where Stuart Barrie was leaving pletely furnished with Jesse James ' scended on the city for a convention , for the nearby Capitol Theatre. memorabilia - his bed, his wash basin, especially to hear the new instrument. Not wanting to go to Australia, Ted his comb and brush , yes , even the pot A dozen were sold , which rewarded went to St. Louis. The Wurlitzer store under the bed. What young man Ted with grand openings of these manager arranged for a tryout , and wouldn't leap to take advantage of devices. while passing thru town, C. Sharpe Jesse James' pot in those days? The As he was eager to progress as a Minor, one of the leading showman memory of that famous outlaw was musician , he accepted an offer to play organists of all time, stopped at the still fresh in the region. the 2/6 Moller at the Orpheum Theatre store and gave Ted some advice in At that time , Wurlitzer had in­ in Leavenworth , Kansas. In a few handling the Missouri 's 285 . "Be sure stalled only two Hope-Jones organs weeks , Fred Broder , Wurlitzer store to take notice of how Stuart Barrie in the Kansas City area. One was in manager , engaged Ted , at double wages , employs second touch. He plays the the Isis Theatre in Kansas City, Mo., to play the converted band-box at the melody on second touch, the accom­ and played by Carl Stallings , the Mayflower Theatre in Florence, Kansas, paniment on first touch, both on the greatest ever , in Ted's opinion . The and then a similar instrument in the first manual with the left hand, thus other was in a theatre in Manhattan , Kansas Theatre in Wichita, this theatre leaving his right hand free to play Kansas , played by Gene Moore. being converted from a shoe store . any of the other three manuals with Whether or not the territory was In less than a year, having quit his variations and such. The guy is the ready for Wurlitzer to install a Hope­ job in Wichita, Ted was back in Kansas best in the business with that trick." Jones unit orchestra in its Kansas City City, determined never to play a band­ Stuart Barrie introduced Ted to the showrooms, was debatable. What they box again. Since there were no theatre 285 the night before Ted's audition. did install was a converted saloon organs installed since he had left town , This occured after the last show, and band-box. It consisted of an upright he was advised to write Famy Wur­ Ted, upon taking his place on the piano with full keyboard , a second litzer in North Tonawanda , N.Y., who organ bench , "almost died from fright!" keyboard to play the pipes , a full was known for placing organists. He There were six swell pedals, dozens compass of organ pedals, a swell pedal. wrote Ted that he had been highly of toe studs, combination pistons, and and a knee-operated arm to effect recommended , and that "there is no rows of stop tabs which "seemed to piano sustain. There were buttons to question that Wurlitzer owes you run from coast to coast." The third control a train whistle , bird whistle , something." and fourth manuals seemed too far

8 APRIL, 1972 THEATRE ORGAN to reach. What were they there for? until 2 A.M., sharing the "Night paid off. Song pluggers, traveling out When the big moment for his au­ Hawks" program with the Kuhn­ of Chicago, talked about Paul Ash, the dition arrived, the Missouri was packed, Sanders orchestra, emanating from Master of Ceremonies at the McVickers the management stood by critically, the Muehlebach Hotel grill room. The Theatre, who with long, wavy hair, and Krazy Kat jumped onto the screen. announcer was Leo Fitzpatrick, known was standing them outside in lines Ted froze in sheer terror, so confused as the "Merry Old Chief." Ted is four a breast. was he. In a flash, Barrie was at his credited as being the first to play an Ted says: "The permanent wave side, Ted eased off the bench to let organ over radio. machine was introduced for the first the master take over. Broadcasting from the theatre, Ted time in Kansas City at Woolf Bros., an Ted was heart-broken; he had failed, had only one line to the station thru exclusive men's store, which,· with the but it was not because he wasn't made a pick-up mike. He employed ear­ introduction of the machine, hoped to for playing the big organ. It was phones of a crystal set, using the brass attract the patronage of women. The simply that he had not the experience rail around the orchestra pit for an store was having no luck with the necessary to handle the large instru­ aerial. Requests from listeners through­ women, who were more modest then, ments. He returned to Kansas City, out the middle west poured in, which (You've come a long way, baby!). went into seclusion, but not for long. resulted in many personal appearances. "Working with the theatre and store The 1500-seatDoricTheatreon Wal­ It was at the Pantages where Ted managements, I let my hair grow until nut Street had closed because of bad Meyn conceived the idea of the "organ­ I was ready for the machine. Photo­ business caused by the theatre chains' logue", a live illustration of the song graphers from the Star and Times hogging the best pictures. The Doric being featured. When "Moonlight and were present, three attendants worked had a 3/20 Kimball, and Ted persuaded Roses'' was introduced, a long ladder, over me. The resulting publicity in the the management to allow him to prac­ coupled to a railroad baggage truck, press, plus my statement that 'I wanted tice on it as much as he pleased. This was employed in a crude version of a hair like Frederic Chopin', was like was the training ground so necessary to boom device. An electrically-lighted a sensation. Theatre patrons stormed his future success. Here, he could work quarter moon hung from the boom, the Pantages in droves to see and hear out combinations, blend voices, prac­ and inside sat a girl with an armful of Ted Meyn." tice Barrie's second touch trick, employ roses. Everything else was blacked out During this run of good fortune, the toy counter and traps. He admits for the effect. As the device was drawn the director of stage presentations of that the failure in St. Louis was the across the stage, the girl threw roses to Loew's Theatres, Louis K. Sidney, best thing which could have happened the audience. called on Ted, saying: "Get a haircut, to him - it gave him time to stop, Ted's organlogues were so successful join Loew's, grow with us, and I take inventory of himself. that Pantages cut an act in his theatres promise you that one day, you'll play While his training sessions were and replaced it with this feature. Ted the organ in New York's Capitol going on, various persons were tipped also ran community singing, termed a Theatre." off as to the young man's growing songfest, not a sing-along. Whether Bill Dalton was premier organist artistry. One day, Walter Finney, man­ he were the first to do this is un­ in Columbus, Ohio. Sidney wanted ager of the Pantages Theatre, sat in on certain, but some old song pluggers him to open Loew's Ohio, but Dalton one of Ted's practice periods. Con­ insist that he was. wanted too much money. He had vinced that what he had heard was Toward the end of Ted's fifth year "to be cut down to size", was how true, Finney offered Ted a job at the at the Pantages, competition with other Sidney phrased it. Sidney planned to Pantages, which he accepted. theatres drastically increased. The New­ open the Ohio's 4-manual Robert The Pantages, a 2,800-seat house, man installed a 3-manual Wurlitzer. Morton with Henry B. Murtagh, and was a combination picture and vaude­ The Main Street had a 3-manual Kim­ Ted Meyn at Loew's Broad 3-manual ville theatre, housing a 2/ 18 Robert ball, its console on an elevator. Two Kimball. "That will put Mr. Dalton Morton . The organ was installed be­ neighborhood houses put in Wurl itzers. right smack between the two greatest neath the stage, because Alexander The plush, 4,000-seat Loew's Midland novelty men in the business. I'm willing Pan tages believed all music should was being constructed, a place which to match whatever expense you've come out of the orchestra pit. So, a would "glow in the mid-west as a required in the past, and that's what smaller console had to be installed in flower in a weed patch, so beautiful I told Murtagh. I'll be needing you in the meager space provided. and large would it be." It was to house Cleveland in 10 weeks, but I'll get The back of the chamber faced a a 4/19 Robert Morton, its console on Dalton, one way or the other." Ted hall, along which were the actors' and a rotating elevator. P. Hans Flath, accepted this most generous offer. musicians' dressing rooms. Joe Jackson, organist and director of Wichita's Miller Before heading east, Ted had lunch famous pantomimist, appearing Theatre, was signed to play it. one day in the Nance Cafe with a man on stage the same week as "What Business at the Pantages was off, who was destined to be world famous. Price Glory", a World War I picture, simply because the chain houses were He was the artist at the Newman remarked "Ted sure knows how to getting all the good pictures . The Theatre, painting beautiful lobby dis­ give an example of what Sherman booking agents were saying: "There play posters and drawing art for news­ said: 'War is Hell'. Another week of ain't enough people out there to keep paper advertising. The man's name: this, and we'll all be shell-shocked!" themselves warm if they bundled Walt Disney. Ted remained at the Pantages for together." Walt sensed the importance behind 6 years. Radio station WDAF, owned Publicity stunts became common, the introduction of sound movies, by the Kansas City Star and Times, and if the stunt were original and big starting about 1928. "You realize," broadcast him nightly from midnight enough to hit the papers, it always said Walt, "tha t sound is going to put

THEATRE ORGAN APRIL, 1972 9 a lot of people out of work, especially in Brooklyn, it was a flop. Sound was attempt later to get him back, but the musicians. But, the guy who goes with in full bloom, and Loew's pulled the Cleveland office wouldn't release him. sound is going to stay in business.'' stage shows and went for pictures By the spring of 193 2, the depres­ Walt explained that he was heading only. With the musicians' contract in sion had set in. The era of the live for the west coast soon, to produce a force, the orchestra was kept, but to theatre musician was fast bowing out. sound cartoon of a mouse caricature, play only the overture. P. Hans Flath Loew's cut vaudeville, orchestras and and in time, other features. "That is turned to radio, Ted was called for, organists; everything in theatres be­ where you come in, Ted. I want but the Midland remained a white came mechanical. In May 193 2, he sound effects. Anybody who can elephant. heard from Louis Sidney with two produce organ sound effects for Krazy J. R. Vogel, managing director of all propositions. Because of his loyalty Cat as you do, can supply such ability Loew's Theatres, and Louis Sidney (two big salary cuts), the brass liked to the background for any caricature. asked the Midland's manager what him. Ted was offered a job in Denver's Are you interested?" could be done to make it a success. Paramount, but if he could afford to Ted hesitated a moment, but re­ "Take the gold braid off the ushers, take a vacation, he could become plied in the negative. He had his ticket takers and footman, forbid the solo organist in Loew's Jersey sights set for the east, and that's where musicians from wearing formal dress, in September. he thought the opportunities lay. get some cow manure from the stock The latter was his choice, and fol­ That was the last time Ted saw yards and spread it about. You'll do lowing vacation in Kansas City, he Walt Disney in person. Carl Stallings, big," was his reply. opened at Loew's Jersey, featuring the Kansas City Isis' organist, went The Midland, years later, became songfests. As there was sound, he west and became director and com­ a most beautiful repository for bowling would pass the microphone around poser of sound effects for Looney­ alleys. so vocalists could hear themselves sing. Toon cartoons. Bill Livernash, organist At the end of the musicians' con­ Among those were Monk Berkewitz, of the Warwick Theatre in Kansas tract, Ted went east again, this time to John Ryan, and a sliver of a kid named City, also went west. "If Disney took Jersey City to open Loew's Jersey, a Frank Sinatra. Monk eventually was him, he took the greatest," says Ted. 3 ,200-seat house, with sound pictures, featured as a singing guitarist with Also from Kansas City, Leo Forb­ hourse orchestra with director Don Meyer Davis' society orchestra; Johnny stein, orchestra director of the New­ Albert, Master of Ceremonies Teddy became affiliated with Sammy Kaye's man Theatre, went to Los Angeles to Joyce, stage shows direct from New band; and everyone knows what hap­ join Paramount. His brother, Louis, in York's Capitol Theatre, a line of 24 pened to "Frankie". a similar post at the Royal Theatre Chester Hale girls. The organ was a After Pearl Harbor, New York's and later in the Saenger Theatre in 4/23 Robert Morton. Times Square really boomed. The New Orleans, directed orchestras in Occasionally, Albert, Joyce, and Paramount and Strand featured name west coast studios. Lou helped compose Meyn were sent to perform as a bands, the Roxy had a stage show and direct the score for "Gone With trio in Loew's 175th in Manhattan, the built around Paul Ash. Loew's, cautious the Wind." Eddie Dunstedter, wonder Paradise in the Bronx, the Valencia in at first, eventually featured live bands organist from Minneapolis, joined the Jamaica and the Pitkin and the Kings at the Capitol; Tommy and Jimmy studios on the west coast as did Oliver in Brooklyn. Readers will recognize Dorsey, Paul Whiteman, Horace Heidt, Wallace, organist in Seattle's Liberty the "Wonder Theatres" in this array. Gene Krupa, Sammy Kaye, Guy Lom­ Theatre, composer of "Hindustan" and The time is now 1930; the effects bardo, Xavier Cugat and others. "Der Fuehrer's Face", found the studio of the October 1929 stock market It was decided to raise the Capitol's doors open to him. He wrote the crash are being felt. Ted, for over a orchestra elevator to stage level. What score to Disney's "Fantasia", among year, had done very well playing the about the Estey organ console? "Cut others. Loew's houses in metropolitan New the cable and throw the damn thing Ted played 10 weeks at Loew's York. Suddenly, he was transferred out into the spillway," said Louis Broad in Columbus. Lou Sidney even­ back to the State in Cleveland. Dick Sidney. And that is exactly what they tually got Bill Dal ton after both com­ Leibert, transferred from Loew's Penn did on the spot. A junk dealer carted promised on salary. Murtagh, Dalton in Pittsburgh, to the State, was being it away. and Ted used to meet at the College brought east to Loew's Jersey. Lester B. Isaac replaced Sidney, Inn nightly following the final show, On the night of his final show at who joined M.G.M. He sent for Ted, for a friendly get-together and mid­ the Jersey, a 70-piece high school saying he was wanted at the Capitol night snack. band paraded down the aisles with Ted as an organist - a Hammond organist. Next came Ted Meyn's tenure at spotlighted on the Howard seat. A Ted was shocked, fearing the thing Loew's Park, a 3300-seat theatre in complete surprise, this was arranged would be a laughing stock compared Cleveland at 105th Street and Euclid by hundreds of fans. with those instruments in the Music Ave. The house had a Wurlitzer 235 Upon his return to Cleveland, he Hall, Paramount, and Roxy. "No one on an elevator, and Ted presided over was given a welcome night, which was will notice the difference", said Isaac. it for a year, until in 1929, he was featured by the delivery of a 4' x 8' "The console will be placed high to transferred to Loew's State, playing postcard from Jersey City, with hun­ the right of the pit, the carpenters will a 2/ 18 Wurlitzer, the console also on dreds of signatures wishing him luck. build a coat around it so it will look an elevator. At the same time, a scroll of signatures like a huge pipe organ." In the meantime, Loew's Midland was sent to 1540 Broadway in New Still with misgivings, Ted opened in Kansas City opened, but like the York, Loew's home office, demanding on the highly amplified Hammond on Mastbaum in Philadelphia and the Fox his return to Jersey City. There was an July 24, 1944, after 14 years at the

10 APRIL, 1972 THEATRE ORGAN Jersey. He lasted at the Capitol until credit for having guts; you have to feel Latin with one hand, Greek with the 1955, at which time, Loew's was break­ sorry for him, because it seems that other, kicking a wild cat in the tail ing up into two companies by anti­ it is the only way he can make a living with one foot, and mad dog with the trust action. in the music business. The first un­ other, all at the same time." He was given six months' pay, a written rule of yesterday's musician And so, we come to the end of the lump sum from the pension fund, and was 'never take a drink on the job'. Ted Meyn story, We have seen that a note that his 27 years with Loew's That rule still stands, but narcotics for over 55 years, the man devoted had terminated. The latter years of his have been added to it." his life to entertaining others. Now, Capitol tenure made Ted the only live "Other unwritten rules? My father with retirement, it is hoped he and attraction in a Times Square motion gave this one to me: 'He who resorts Mrs. Meyn will enjoy many years of picture theatre. to smut for laughs, or the flag for relaxation which retirement is designed He was 54 now, had spent 43 years bows, is no showman' ". to assure. □ in the theatre. What next? He didn't Ted Meyn and his wife, Helen, will want to teach, and there were no have celebrated their 50th wedding more theatre jobs. anniversary in July 1971 ; both are Lester Isaac contacted him. Isaac 70 years young. They are planning had left Loew's to direct the pres­ a European trip which may become a

THEATRE ORGAN APRIL, 1972 11 ~HUFfLE Off T 0 BUFFAL

The Niagara Frontier Chapter has scheduled a great weekend of Theatre Organ music - June 17th and 18th - two full days of fun and fellowship. Larry Ferrari, popular east coast re­ cording artist , will be featured at the Riviera Theatre , and Frank Olsen , well­ Frank Olsen-Riviera console North Tonawanda, N.Y., 3 / 12 Wurlitzer. known British recording artist , to be featured at the Hollywood Theatre. Also at the Hollywood will be a Cameo performance by Luella Wickham, the Chapter's "Sweetheart."

PROGRAM June 1 7 - afternoon Thomas and Sieben home instal­ lations. June 17 - 8 :00 P.M. Riviera Theatre. Admission $1.50 per person. June 18 - 9-11 A.M. Open console time at the Riviera. June 18 - 2:30 P.M. Hollywood Theatre, Admission Free. June 18 - evening Hontz and Gilbert home instal­ lations.

Riviera Theatre , 67 Webster St. , North Tonawanda, N.Y. , 3/ 12 Wur­ litzer with Posthorn . Hollywood Theatre, Gowanda, N.Y., 2/6 Wurlitzer, small in size but not LUELLA WICKHAM in sound. Joe and Laura Thomas , 3534 Bowen Rd. , Lancaster, N.Y., Phone : 683-3488. 3/7 Wurlitzer - Marr & Colton. Robert Sieben , Fix Rd. , Grand Island, N.Y. , 2/ 3 Sieben Special. Harold Hontz, 612 Hopkins Rd., Williamsville, N.Y. , Phone : 633-8925. 3 / 10 Wurlitzer. Earl Gilbert, 2289 Hopkins Rd., Getzville, N.Y. , Phone: 689-8683. 2/9 Wurlitzer. There are a great many motel's and hotels in the area , and an excellent one, The Packet Inn, is just a few steps from the Riviera Theatre. Early arrivals may contact Chapter Chairman Randy Piazza at 834-2712, Thomas Studio console Lancaster, or Laura Thomas at 683-3488. N. Y ., 3/7 Wurlitzer-Marr & Colton.

12 APRIL, 1972 THEATRE ORGAN SALUTE TO WEST PENN DurYoungest Chapter

A PICTORICAL REVIEW OF THE

WEST PENN THEATRE ORGAN SOCIETY PITTSBURGH, PENNSYLVANIA If. J.ID.® . ~.

One of the youngest chapters of ATOS has become one of the most active due to the dedicated efforts of the officers and members. The chapter began its official life on July 2, 1971 when the signed Charter from National ATOS was re­ ceived. The chapter officers were : Chairman, John Bagiensky, Vice-chair­ man, Herman Knell, and Secretary­ treasurer, Lawrence Schwartz. Bob Mitchell was selected as Program chair­ man. Since there are no pipe organs remaining in the theatres of Pittsburgh and surrounding area, program chair­ man Mitchell used considerable in­ genuity in developing interesting pro­ grams to maintain a high level of enthusiasm. .. \ I' I" J t,,JJ

KEITH FLOWERS UNLEASHES A PINK PANTHER LUNCHEON AT HOLIDAY INN, FREDERICK, MD.

In June (before the charter was the Wurlitzer 260 Special owned by to dealers of Wurlitzer products . official), the West Penn group toured member Guenther Hille. Incidentally, A highlight of 1971 was the trip the Moller factory as the guest of this instrument was once installed in to visit the fantastic Dick Kline home Moller. The tour wa s under the the Colfax Theatre , South Bend , installation. (See T.O. June 1970) guidance of Moller V.P. , Mr. John Indiana. It is a late model Wurlitzer , ATOS charter member Dick Kline, Hose. complete with French style console , hosted the chapter. Rey Galbraith The following month the member­ a rare beauty . This console was featured was the f ea tu red artist. ship traveled to Canfield, Ohio, to hear on posters recently distributed Another highlight in 1971 was a

BAGIENSKY AT THE 1826 HALL TRACKER ORGAN MR. HOSE VOICES A DIAPASON PIPE GUENTHER AND JOE RECEIVE WPTOS AWARD JOE GATELARO PLAYS THE "MIGHTY THOMAS"

trip to the Arden Trolley Museum, Thomas electronic to entertain mem­ retary, Rey Galbraith, and Treasurer, Washington, Pennsylvania. Since many bers, and tapes were heard from Fran Veri. Program chairman is again members of the West Penn chapter previous meetings. Bob Mitchell. have been active with the Pennsylvania Later in the year (1971) nominees Several home installations, both Railway Museum Association, this trip for 1972 were selected, and the 1972 classic and theatre are in work. It was a "natural". Although this trip slate was elected in December. They is projected that the West Penn The­ was basically railway, organ music was are: Chairman, Harold Meinhardt,Vice­ atre Organ Society will become a big not ignored. Bob Jordan brought his chairman, Lawrence Schwartz, Sec- factor in the future of ATOS.

MOLLER VICE PRESIDENT JOHN HOSE JOE GATELARO AT THE HILLE "260 SPECIAL" CLANG! CLANG! CLANG! GOES THE TROLLEY BOOOAARD!

Remembercarried Father and Grandfather to and From beyond Pittsburgh have come the great days when countless trolleys from their daily work or on weekend several cars from other parts of Penn­ thronged the streets of almost every pleasure trips. sylvania ... and from New Orleans city and town throughout the country? Trace !~story of car development the famous "Desire" car of theatrical Or perhaps your memory brings back back past the turn of the century. See and movie fame. one favorite trolley line somewhere. a streamliner similar to those on most These cars share a unique dis­ Whatever your recollections, a visit modern trolley lines ... the familiar tinction: they are "broad gauge." This to Arden Trolley Museum will bring yellow cars that served Pittsburgh by track, 6 inches wider than standard back many fond memories. See the the many hundreds before the days of railroad track, was common on many cars and recapture some of the thrill the streamliners ... a high-floored car Pennsylvania lines, but was seldom of riding them. Give the children a that was new in 1905 ... a four-wheel used elsewhere despite the many odd glimpse of the big electric cars that car from the 1890s. gauges at various places. □

GUENTHER FINDS A SICK REED PIPE PRES. MEINHARDT NEEDS A FIREMAN 'GREAT WESTERN REGIONAL'

by Hal Steiner - Photos by Stu Green

To say that it was an ambitious the rare Lee ts 3 / l 2 organ in the West undertaking would be understatement, Culver Baptist church. On hand to especially in view of the loss of two play the Wurlitzer-like instrument was showcase instruments, the Rialto The­ Dwight Beacham , a veteran of the atre's augmented Style 216 by fire 1968 L.A. convention, whose selections and Harvey Heck's 4/27 Wurlitzer by ranged from classical ("Trumpet Tune", sale. Yet, two brilliant new instruments and "Forest Green " by Purvis) to "Hoo ­ appeared to replace the loss. It was ray for Hollywood" and "Cabin in the such timeliness, good luck and much Sky." The concert session was follow­ hard work which made the Los Angeles ed by a chamber tour and then be­ Chapter's Great Western Regional cause the group was behind schedule, ATOS Convention an unqualified Stu Green was asked to empty the success. house. A couple of minutes of his best Registrations numbered 3 29, yet Former Chapter Program Chairman Dwight playing had the crowd aboard the Beacham played the kickoff concert on the three buses pronto. one of the concerts open to the public Leet organ in the Culver City Baptist Church.

and peanuts "on the house." Many organists were heard briefly during 1 the 3½ hour session, including Gene Ir 1r .. ')r-'1 . · ~ Roberson, Lyle Knight, Mike Ohman,

tr 1. , Donna Parker and Dick Schrum. Gay­ I;>'··....·.··..····.··.·.. ·. VI7 .. lord Carter, suffering from the effects of having tried to use his thumb for !:,;¥I I i i ' a beer can opener: understandably cut his performance time to a one minute , • I I :"'l version of his radio theme, "Perfect

. .. ! /I'···.-···,..•.···\ Song" - all quarter notes. -l.I /: ~II ' .,, Next morning at daybreak (9: 00 I AM) the buses left for Culver City where Ross Farmer's pride and joy is

Buses transported conventioneers to a 11 Bill Field and Bill Coffman pose with one events. They maintained a tight schedule of the visible blacklighted Diaphones of under the direction of Bill Exner who their Old Town Music Hall Wurlitzer. handled similar duties during the 1968 ATOS Convention in Los Angeles. The next stop was the Old Town attracted nearly four times that number. Music Hall in El Segundo where old After many months of planning by L.A. pro 's Bill Coffman and Bill Field Chapter officials, which included bus provided fast moving entertainment transportation to all events, activities of their 4/24 Wurlitzer. Introducing started on Thursday (Feb. 10) with "My Old Flame," Coffman confided registration at the convention HQ, the that Mae West was never discussed in his venerable but very presentable Alex­ very proper home and he didn't learn andriaHotel in downtown Los Angeles. about her until he ran away from In the evening there was an "open home - "at the age of 30!" Their house" at Joe Koons' Motorcycle Shop sure-fire routine included a slide-ac­ in nearby Long Beach where Joe's companied sing-along and Fields cue­ 22-rank mostly Wurlitzer showed off ing Laurel and Hardy 's "Hog Wild" Closeup of Dwight and the Leet console, which left the group laughing while its new Wurlitzer 3-deck console for which appears to be 'straight.' However, the first time, with soft drinks , beer the sound is theatrical. they boarded the hotel-bound buses.

THEATRE ORGAN APRIL, 1972 17 to play the dedicatory concert on the L.A. chapter's newly installed 3/ 16 Wurlitzer (transplanted from the Brook­ lyn Albee theatre). Lyn's entry, as the shiny white console climbed the white beam of light , caused a ripple - due to his appearance. The handsome young organist has apparently "metamor­ phosed " back to his original image

Man of the Hour was Neal Kissel. He was warmly lauded by San Gabriel's attractive gal mayor Helen Kennedy during the ded­ ication for his work in securing the organ and overseeing the installation from start to finish.

Conventioneers leaving the Harold Lloyd Lyn Larsen then went into Part residence stroll toward waiting buses. II which included the theme from the The afternoon event was a guided film "Summer of '42" and closed with The Mission Theatre's illuminated sign his familiar "Satyr Dance." His encore tour of the fabulous Harold Lloyd hawked these stellar attractions. At some 16½-acre estate in Beverly Hills, where Mission concerts there were three San was stopped short - by a Great manual conventioneers saw the still neatly­ Gabrielites for each registered ATOSer. cipher (middle C sharp). Lyn ex­ kept grounds, the film vault containing pressed thankfulness that it didn't - full dress suit and "establishment" happen earlier. An so to bed - after haircut. A far cry from his "Who Am a half hour bus ride. I?" period and he is many pounds lighter. But never handsomer. His program offered a wide range of music , from a Jessified "Stars are My Windows of Heaven" to "War March of the Priests" (Mendelssohn) from a recent horror film, starring Vincent Price at a musty console.

Stan Kann talks about his antique vacuum cleaner collection during his WilternTheatre concert. On Saturday morning the "people carriers" ( each supplied with a "keeper" to keep the inmates informed) dis­ gorged their eager cargoes at the Wiltern theatre where Stan Kann was about Mike Ohman breaks up while coaxing pretty to make his Los Angeles debut. tunes from the 32 -rank Aeolian player organ In the lobby we approached a in the Harold Lloyd living room. maroon-coated usher and asked how Lloyd's priceless negatives , the play­ to get to the Parterre. The "usher" ground with kid-size buildings , dozens gave us a scathing look and replied of fountains , water cascades between "I dunno - I'm new around here. rows of stately trees, an old Rolls­ Just got in from St. Louis." It was Royce and the late comedian's huge Lyn Larsen played the dedication concert Stan Kann, and I learned I wasn't the home. Mike Ohman presided at the at San Gabriel. first to mistake his garb for an usher's. L.A. chapter-restored Aeolian 2/32 During intermission San Gabriel's Stan is a showman /musician and residence organ in the living room. mayor , Helen Kennedy, had nice things his patter is as compelling as his music. Ohman brought out it's best qualities ; to say about ATOS, the L.A. Chapter He provided some nostalgia ("Valse no easy task. and especially about Neal Kissel who Bluette"), selections from "the Jewish Back to the hotel to grab a bite , is largely responsible for making the Oklahoma" as he called "Fiddler on rest a bit and catch the bus for San "Wurlitzer-in-a-public building" a the Roof," a Duke Ellington medley, Gabriel where Lyn Larsen was ready reality. a sultry silent movie "vamp" theme

18 APRIL, 1972 THEATRE ORGAN ("The Birth of Passion"), a memorable ing "Sabre Dance ," a misty "Foggy great movie chases, Harold Lloyd's "When the Parade Passes By" and a Day ," a "Night they Invented Cham­ race (from "Girl Crazy") via a dozen thrilling "Knightsbridge March." Stan pagne" with more than a hint of comandeered modes of transportation Kann was a solid hit with his audience. hiccups and a "Rhapsody in Blue " to stop his girl's marriage to an already Back to the Alexandria, some lunch which brought the audience to a stand­ married villain. The ingenuity of Lloyd and then off to an umbelievable adven­ ing position in toto. For one group in devising sight gags and the musical ture; the antique auto and automatic Rex closed with a reading of a patriotic skill of Carter in heightening those musical instrument museum of J.B. medley he arranged for a tour of the gags with skilfully applied music were Nethercutt - San Sylmar. This private Salvation Army Band, all the old flag wonders to behold. museum is in the process of con­ wavers in new colors , including the After intermission Gaylord cued struction, and even partially completed counterpointing of "Dixie" with Lloyd's feature "Why Worry?" which it's incredible. Our point of interest "Battle Hymn of the Republic ." detailed how to win a revolution in was one of the upper floors of the six We forgot to mention that the a banana republic with the aid of a story windowless structure , the floor conventioneers were divided into "A" beholden giant and continual sight with the 3/ 26 Wurlitzer. Builder Dick and "B" groups for locations which gags. Wonderful fun. Back to the Alex­ Villemin and his able assistant, Gordon couldn't accomoda te them all at once. andria via bus. Belt (now on the museum staff) hurried The staggered system required organ­ Sunday morning it was on to the the installation to meet convention ists to play two performances. Wiltern to hear Jonas Nordwall, a dates. The combination of finely reg­ young man who knocks off a real ulated pipework, the live acoustics of dirty "By Jingo" or "Baby Face." the incomplete room and the arresting not to mention a very orchestral musicianship of Rex Koury added up transcription of Sibelius' "Valse to a unique musical experience , Rex , Triste." "Didn't We" :'Rainbow Round . whose artistry was, until this per­ my Shoulder" and "For All We Know " formance , largely unfamiliar to ~.A. were typical of the pops Jonas played but it was the First Movement of Mendelssohn's "Italian Symphony" which gave some indication of the NordwaJl musical prowess. For an encore he mixed a Bach-type fugue with "Irish Washerwoman.' ' That re­ quires imagination plus digital skill.

Gaylord Carter takes the audience into his confidence during his San Gabriel concert .

Saturday night was "Gaylord night " in San Gabriel and the local citizenry out-numbered ATOSers 3-to-1 in the Mission theatre (the only concerts Rex Koury created a sensation at the J.B. open to non-members). The musi­ Nethercutt Museum 3 / 26 Wurlitzer. The cian/entertainer was in particulary fine instrument will be enlarged to circa 50 form. Relying sometimes on film clips , ranks. Gaylord celebrated the completion of hobbyists, took care of that deficiency 50 years as a theatre organist by in one fell swoop. Rex found the cueing a wild silent comedy entitled reed-rich Wurlitzer "his type" of organ, "Lizzies of the Field. " He offered and he demonstrated with an electrify- Jonas Nordwall talks to his audience during m'.!sical themes from radio and silent his concert at the Wiltern Theatre 4 / 37 movie days, then cued one of the Kimball.

1<.EMEMSER COPY DEADLINE FOR THEATRE ORGAN MAGAZINE

All material to be published must be received at P.O. Box 2329, Livonia, Mich. 48154 By the Fl RST of the month PRECEDING publication

Saturday Banquet at the Alexandria Hotel. Stan Kann (lower right) is the center of Copy for June Issue must be in by May 1st. attention at his table.

THEATRE ORGAN APRIL, 1972 19 LOS ANGELES PROFESSIONAL ORGANISTS STAGE 'EXTENSION' TO ATOS BASH

by Elmer Fubb

Although the mini-convention ended with the Bill Thomson concert on Sunday afternoon, conventioneers were intrigued by an announcement made during several of the concerts; organ enthusiasts were cordially invited to An ATOS-laden bus noses up to the San a Monday night concert at the Pipe & Gabriel Mission Theatre for the only daytime concert held there. Pizza pasta emporium, sponsored by the Los Angeles Organists Breakfast The final concert was at the San Club, that fun-loving association whose Gabriel Mission theatre on Sunday members play for money - on any afternoon , with Bill Thomson playing night but Mondays. the 3/ 16 Wurlitzer. Bill's program was The Pipe & Pizza, sampled briefly typified by such selections as by conventioneers, was jammed to the "Jalousie ," J obim 's"Meditation," "Hol­ gun'ls by 7:30 PM Monday , and among iday for Strings, " "Just One of Those the musician pizza · chompers was a Things" and DeFalla's "Ritual Fire generous sprinkling of conventioneers Dance." The organ developed some enjoying a "convention extension." Donna Parker played a cameo spot during minor ciphers but Bill ignored them a Convention luncheon at the Alexandria The first artist was 15-year old Hotel but she really sparkled during her while Neal Kissel's cipher hunters Donna Parker who had been seen and portion of the Monday night concert at the pulled the pipes. The squeakers weren 't 'Pipe & Pizza" staged by the L.A. Organists' heard in cameo appearances during Breakfast Club. prominent enough to mar Bill's per­ the convention . Donna was defying formance . He closed with a Lehar a 103° "flu " temperature but she gave medley and the convention was over. a fine performance on the 2/ 10 Wur­ litzer and also on a model 650 Conn loaned for the occasion. In the audience was Woody Wise, who revealed he had invited Donna to play a cameo spot during the July convention. Next on the bill was popular Leroy Davidson, who also played both in­ struments and included a Stu Green tune to mark Stu and Peg Nielsen's first wedding anniversary. Then staffer Bob Garretson intro­ duced the piece-de-resistance, music

and clowning by veteran theatre organ­ Like Donna, Leroy Davidson played both ists Arlo Hults and Lloyd del Castillo, the 2/ 10 'Pipe & Pizza' Wurlitzer and the aided and abetted by a real , live Conn model 650 shown here . soubrette. The theme was "St. Val­ Always popular Bill Thomson played the entine's day," and the corn was deep closing concert of the mini-convention on the San Gabriel Wurlitzer . and green as the two hammed it up with duets which always included at­ The master of ceremonies for all tempts to throw each other off by events was a personable 'young man abrupt and unexpected key changes. named Jerry Vogel. Jerry not only Del scraped a semblance of music handled the intros with skill but also from a battered fiddle and was attack­ took delight in mystifying his audience ed at the console by the show girl on with card and rope tricks. At 19, Jerry whom he planted a buss and a bear is a professional magician. hug embrace. The 2½ hour concert The Los Angeles mini-convention closed with a well performed duet of was a triumph for all personnel in­ Tchaikowsky's "March Slav" by the volved , especially for its organizers. talented pair. Chapter Chairman Chick Landers has The session provided conventioneers a talent for assigning tasks to those Pizza parlor staffer Bob Garretson (center) an opportunity to observe California's hosted the Pro Organists' bash as he did best equipped to handle them. The southland "pro's" at play as well as to earlier for the ATOS conventioneers. He is results set a standard which would sample the music of organists not heard flanked by veteran theatre organists Lloyd Del Castillo (left) and Ario Hults, who be difficult to follow . during the ATOS bash. □ clowned for the pro's.

20 APRIL, 1972 THEATRE ORGAN 49 YEARS AGO ...

RocLester Hosts Convention

by Lloyd E. Klos In August 1923, many of the coun­ Many papers were read, and round­ mittee, greetings from representatives try's leading theatre, concert and table discussions were held, with the of various organist groups, among them church organists descended upon Roch­ sessions open to the public . The event the Society of Theatre Organists, rep­ ester, N.Y. for the sixteenth annual was well-publicized in the daily press, resented by its president, Robert J. convention of the National Association and the writer will strive to bring out Berentsen. Of note was a greeting of Organists. The five-day affair used the more interesting aspects, with prime from David J. Marr, founder of the the Eastman Theatre and adjacent emphasis on theatre organ activity. Marr & Col ton Organ Co., and rep­ Kilbourn Hall for its headquarters, and The convention began on Monday resenting the Organ Builders Asso- the city hasn't seen the likes of such evening, August 27 with an informal ciation. an event since, or will it ever. get-together in the corridor of the Following lunch, was a reading of An adjunct group to the NAO was Eastman School of Music. On Tuesday a paper by Hamilton C. MacDougall of the Society of Theatre Organists , which morning, registration was held, follow­ Wellesley College on "The Country held sessions in conjunction with the ed by addresses of welcome by Major Organist", a recital in Kilbourn Hall parent organization. This group was Clarence D. Van Zandt and Dean by S. Wesley Sears of St. James Church organized in 1921, and existed solely Hoeing of the University of Rochester. in Philadelphia , and winding up with "for the purpose of advancing the A business meeting was held prior to a demonstration of the Eastman The­ ideal of motion picture accompani­ lunch, reports from officers, com­ atre organ by Robert Beren tsen. ment. " mittees and state presidents , and elec­ At 8 P.M. a festival concert was The convention registry list was a tion of nominating and resolutions held in the Eastman Theatre with veritable Who's Who in the organist committees. Vladimir Schavitch conducting. Artists profession; T. Tertius Noble of St. Tuesday afternoon was devoted to included Frank Steward Adams, Eric Thomas Church in New York and two recitals. The first was in Kilbourn DeLamarter , Guy Fraser Harrison, Fir­ president of the NAO; Eric DeLamarter Hall where Harold Gleason performed min Swinnen and Palmer Christian. of the Chicago Symphony ; Palmer works on the 4-manual Skinner. The On Thursday morning, the Society Christian of Chicago; Dr. Healey Willan second was held in the Eastman The­ of Theatre Organists took over the of Toronto; Vera Kitchener and Frank atre on the 4-manual Austin Organ, scene which was held in the Eastman Stewart Adams of New York; Robert Vera Kitchener, STO, the soloist. Theatre to give members an oppor­ J. Berentsen of Brooklyn; Firmin Swin­ Following supper, the conventioners tunity to use the organ and have nen of Philadelphia; and Harold Glea­ returned to Kilbourn Hall where the pictures shown to illustrate how the son, John Hammond and Guy Fraser NAO president, T. Tertius Noble , pre­ true theatre organist adapts his music Harrison of Rochester were heard in sented a program of selected works. to the themes of the screen stories. recitals, motion picture demonstrations Wednesday morning was devoted Following the address of welcome by and discussions. to a meeting of the Executive Com- the theatre manager, William Fait, a survey of the STO for 1922-23 was read by Mr. Berentsen, the president. He said that this society "was three years old, had 75 members, and that mighty few of them think that the wage scale is most important." Frank S. Adams played an organ sketch adapted to the comedy "The Apartment House." He gave an ex­ ample of the many humorous, highly comical, even side-splitting possibilities of the up-to-date motion picture organ. A demonstration of the Eastman Theatre organ by John Hammond endeavored to "show the technique of the profession and bring to the attention of the public the tremendous strides which the theatre organist has made. Few people realize the amount of musical knowledge which a really first-class theatre organist must possess, and the public was well paid for at­ The Eastman Theatre was the site of National Association of Organists 16th annual convention in 1923. Motion picture studio for students training was located on the top floor. tending this session of the convention."

THEATRE ORGAN APRIL, 1972 21 Philadelphia, Mrs. Bruce S. Keator of Asbury Park, New Jersey and Dr. Francis Hemington of Chicago; Sec­ retary and Director of Publicity, Willard Irving Nevins of Brooklyn; Treasurer, John Doans of New York; Chairman of the Executive Committee, Reginald L. McAll of New York. Several people were introduced at the banquet. Senator Emerson Richards of New Jersey, designer of the Atlantic City Auditorium organ, told the guests that, speaking for the New Jersey delegates, he would say that "it was simply a marvel how they had been surrounded by the home atmosphere in Rochester. This was true even to the mosquitoes."

A very rare photo of the former Motion Picture Organ Studio of the Eastman School of John Hammond, Eastman Theatre Music, located on the sixth floor of the Eastman Theatre. Here, aided by a 2 -manual Wurlitzer organist, told the members of the organ, a screen, projection equipment, and a library of 70 silent films, covering a wide range association that he wanted them to of subjects, comedy, drama, romance, tragedy and current events, the student learned how to accompany the silent pictures. The instructor shown in this June 1924 photo is Robert know how greatly the Association of Berentsen. - (L.Klos collection) Theatre Organists appreciated their backing. Hammond then played the music requires big memory, sense of humor, "We have had your support from to the feature picture "The Primitive common sense and other important the first", he went on to say. "We need Lover", in which he exemplified all qualities. Humanizing of the intimate the encouragement more than you that is highest in playing a picture . He touch between the player and the know. The theatre organist is so apart specified three themes , partly from audience is needed. from the people's hearing him play Puccini's "Girl of the Golden West" . He paid a warm tribute to Mr. that he doesn't know what his audi­ A general discussion period followed. George Eastman's vision in this magnif­ ences are thinking. Once in awhile, Hammond then demonstrated the icent building, devoted exclusively to someone goes to the box office and resources of the Eastman organ with educational and moving picture pur­ tells the manager that he or she wishes a comedy entitled "Toonerville Trol­ poses. Dr. Russell believes the public that the organist would play some ley" and a feature "Fruits of Faith ". wants artistic pictures , combined with jazz. He explained to his hearers that there music of similar character. "I don't mean that we should play are two separate blowers and motors Following the program, the audience from Bach's "Fugue in E Minor" to the organ ; a second touch is some­ was invited to inspect the studio where when there is a comedy being shown; what of a novelty ; the so-called traps students were trained in the art of that wouldn't be good, but I wish they and unusual shifts attracted attention ; motion picture accompaniment. (See would encourage better music. I feel the pipes over-stage and above the photo). With the aid of a 2/8 Wurlitzer that the day is coming when they will, center chandelier are all hidden from organ , complete motion picture pro­ but it will come much sooner if we the listener ; most remarkable is it jection equipment , a library of 70 have the co-operation of the church that this complicated large instrument , films of every description, and the and concert organists. " in use from 1 to 11 o'clock daily, most competent instructors, many One of the most heartily applauded should remain in such good condition. students were graduated from the East­ when he rose to speak was Mr. Skinner, T. Scott Buhrman, editor of "The man School as competent theatre organ­ of the Skinner house of organ builders. American Organist" was scheduled to ists. The studio was of great interest to His was one of the best talks given. appear with a paper entitled "Progress all those who inspected it. He said he would rather be an organist of the Theatre Organist". However , The remainder of the convention than anything else if he were not an his place was taken by Dr. Alexander was devoted to discussion and recitals, organ builder. Russell of the Wanamaker Auditorium with emphasis on church and concert Frank S. Adams, acknowledged to and Princeton University. He said that work. The affair wound up in a spirit be the humorist of the association, ten to fifteen million people see pic­ of gayety on Friday when more than and an ideal player of comedies on the tures daily , and their musical tastes 300 organists and guests gathered at screen, told stories. are much influenced, sometimes even Newport on beautiful Irondequoit Bay And so, a most successful con­ formed , by what they heard played. for a picnic and banquet. Several trips vention of organists was held in the When the Wanamaker Auditorium was about the bay on a steamer were taken Flower City. Today, it is a far cry loaned to the Society of Theatre before supper. from those days , as concert and church Organists for a public demonstration Of interest were the names of those organists have their own convention, of ideals in picture playing , he was elected officers for the coming year: and it is a rarity when someone of gratified to note that truly cultured President , T. Tertius Noble; Vice Pres­ the theatre organ vein is asked to and refined people attended. Playing isdents , Harold Gleason , teacher at the perform in a special program before a picture is a remarkable thing , for it Eastman School, Henry S. Fry of church and concert organists. D

22 APRIL, 1972 THEATRE ORGAN ,-.,.J-

Gee, Dad ... it's a computer! Arena provides a perfect setting for Convention headquarters is the "Jenii" will make her debut at the what many consider to be the richest spacious and convenient Twin Bridges 17th annual convention of the Amer­ theatre organ sound in the nation. Marriott Hotel on route l and I-95, ican Theatre Organ Society July 10-14 Spectacular is also the word for a few minutes from Washington via in the Washington, D.C. area. Dick Kline's beautifully restored and the 14th Street Bridge, and almost Jenii is a computer -operated Wur­ augmented 4/28 Wurlitzer which was as close to the Virginia Theatre. This litzer, created by convention co-chair­ the last in-theatre instrument to be will be the scene of the banquet on man Marvin Lautzenheiser. It will heard in Washington. It is from Loew's Wednesday, July 12. never replace the live organist, but Capital (now a book store). The setting There will be a convention store for it would take eighty fingers to match for the organ is a huge two-story high the sale of albums and other pipe organ its capabilities. studio ajoining Dick's home. It over­ related items. (See separate story.) Host for this year's national con­ looks a picturesque quarry, and the Certainly a new star will be born, vention is the Potomac Valley Chapter scenery matches the sound. The studio with the premier performance by Jenii, of ATOS, which is the center of one is every bit as large as many theatres of the computerized Wurlitzer. of the nation's most active areas in the the day. Marvin Lautzenheiser conceived the theatre organ revival. Dick Kline is also the man who plan five years ago, bought materials There are five in-theatre installa­ helped bring the Tivoli's 2/8 Wurlitzer four years ago, and heard her make the tions, four of them in their original back to life. This Frederick, Maryland first recognizable sounds this January. locations. And, there are well over theatre is like stepping back in time. He invented a new computer lan­ twenty home and studio locations, It is maintained in like-new condition, guage called "musictran", which trans ­ many of which will be open for con­ from the marquee to the stage. lates a score into a number and letter ven tioneers. The WXLN studio theatre 2/ 11 scheme. These punch cards are read Organists include such well known Moller is probably the only radio in­ into a magnetic tape reader, which concert and recording artists as Rosa stallation used for daily live pipe organ controls 500 functions and handles up Rio, Lee Erwin, Eddie Weaver. Ray music in the nation. The station to 80 activities at one time. Bohr, Tiny James, Everett Nourse, features "the Golden Age of Radio" Everything on the pipe organ is Jimmy Boyce, Dick Smith, Ray Bru­ with drama, comedy, music from the under Jenii's control, including all three bacher and John Steele. 30's and 40's and the daily 90-minute manuals, all stop tabs, swell pedals and A major highlight of the convention show with ATOS member Doug Bailey, percussions. It can change keys and will be a trip to nearby Richmond, who owns the organ. There will be a switch manuals and octaves between Virginia, which has three working in­ live convention broadcast from the any two measures. The metronome struments in theatres: Loew's 3/13, organ, and ATOS members can keep speed is continuously variable. It does the Byrd's 4/ 17 and the Mosque's up with what's going on with regular more than eight organists could do, 3/ 17 Wurlitzers. All are used regularly news coverage of the convention. since all of its "fingers" are working for the public as well as ATOS. Rich­ George Merriken's 3/22 Wurlitzer at the same time. mond has never been without live (formerly at Warner Brother's Tivoli Unlike a player-organ, there is no theatre pipe organ music. Eddie Weaver in Washington) is in a barn in suburban human performance involved at any is probably the area's best known Maryland that is filled with theatre time. personality in show business, and his memorabilia; Stump Miller's 2/ 12 Wur­ The name "Jenii" has many der­ brilliant career goes all the way back litzer is in a home filled with a spec­ viations. The word relates to "music to the silents. tacular collection of antique clocks; generator", "genius", the fabled Jenii Home base for many convention George Johnson's 2/7 Wurlitzer was from the bottle who could work mir­ events is Woody Wise's 3 / 11 Barton. once in the Richmond Theatre in acles, and Marvin's wife, Jean. She'll It fits so perfectly into the Virginia Alexandria; and Lem Keller's 4/17 is be playing a concert during the con­ Theatre, it looks as though it was an original instrument that is a great vention, but is limited to ten fingers originally installed there, although it example of creative expertise. Marvin and two feet, although she does very began life in the Norfolk area . Since Lautzenheiser's3/13 Wurlitzer will also well. being transplanted to the Virginia The ­ play as a conventional instrument, as "Also," explains Marvin, "I needed atre, it has received public support well as performing with the computer. a girl's name for the computer, since through regular screenings of silent For early birds, there will be a pre­ I spend so much time with her." films, and is used nightly for inter­ convention concert at the Alexandria Advance registration forms have mission concerts. Arena on Sunday, July 9 at 5:30 P.M. been enclosed with this issue of THE­ The biggest organ in the convention There will be workshops and ATRE ORGAN. This affords a dis­ is Jimmy Boyce's spectacular 4/34 seminars, with Lloyd Klos and others, count price for both registration and Wurlitzer in the Alexandria Arena. It and ample opportunity to tour the air-conditioned bus transportation. was originally in the now-gone Center Nation's Capital. Certainly there is no Rooms can also be reserved now. Theatre, which was the sister of the better chance for sight seeing than While this is not required, it is recom­ Radio City Music Hall. The spacious that afforded by this year's convention. mended. D

THEATRE ORGAN APRIL, 1972 23 the Votomac Valley Chapter­ hosts the ...

REGISTER NOW AND SAVE!! $17.00 per person, plus (optional) bus transportation to all events for $10.00. (Regular registration at the door is $19.00 and $11.00 for transportation.) (See the handy order form as an insert to this issue.)

JULY 10 thru 14 1 1972 -WASHINGTON 1 D.C. our- fun•pack.ed convention schedule ..• MORNING AFTERNOON £V£NING

REGISTRATION VIRGINIA THF:ATRE ALEXANDRIA ARENA MON. 1 :00 - Dick Smith JULY Marriott Twin 2:45 - Jean Lautzenheiser 8:00 P.M. - Ray Bohr Bridges Hotel 10 ALEXANDRIA ARENA 4: 15 - Jimmy Boyce

SEMINARS - 10 A.M. 12:30 P.M. - buses leave DICK KLINE STUDIO TU£. for Frederick, Md. Thurmont, Md. JULY Lloyd Klos and others 5:30, 6:45 and 8:00 P.M. TIVOLI THEATRE, Frederick how-to-do-it lectures, three concerts - John Steele II discussions 2:00 P.M. - Ray Brubacher

HOME TOURS HOME TOURS (continued) MARRIOTT TWIN BRIDGES W£D. 9 A.M. - 4 P.M. HOTEL Special trips to many un- Including 12:30 - 2 P.M. 6:30 P.M. - cocktails JULY usual home organs. live broadcast, WXLN 7:30 P.M. - banquet 12 Also: open console, studio pipe organ. VIRGINIA THEATRE

SIGHTSEEING VIRGINIA THEATRE VIRGINIA THEATRE THUR. 1 :00 P.M. - Don Thompson JULY Free time to tour 2 - 4 P.M. - Cameos 8:00 P.M. - Rosa Rio the Nation's Capital. MASONIC TEMPLE spectacular 13 3:30 - Ray Brubacher

7 :30 A.M. - buses leave for LOEW'S THEATRE, Richmond MOSQUE RICHMOND FRI. Richmond, Va. 11 :30 A.M. - Doug Bailey JULY BYRD THEATRE - Richmond 8 P.M. - Eddie Weaver Finale 9:30 - Everett Nourse MOSQUE, Richmond 10 P.M. - Buses return to 14 and Tiny James 3:00 P.M. - Lee Erwin Washington area. IN TUNE FOR YOU IN '7Z!

24 APRIL, 1972 THEATRE ORGAN §ee and hea~ the§e beautiful o~aan§!

THE VIRGINIA THEATRE 3/11 BARTON will be the center for many convention events, including the kick-off concert with Dick Smith, and a stage spectacular with Rosa Rio. This recently reinstalled organ is located in a beautifully appointed theatre which is the scene of many pipe organ events for the general public as well as ATOS. Jean Lautzenheiser and Don Thompson will also be featured .

• THE MOSQUE 3/17 WURLITZER in Rich­ mond creates a mammoth sound in this 5,000 seat auditorium. Lee Erwin will be at the console, as will Eddie Weaver for the big finale.

THE BYRD 4/17 WURLITZER in Richmond.~ Virginia boasts unique top-of-the-proscenium chambers in a mint-condition, newly renovated theatre. Everett Nourse and Tiny James will ride the lift (but not together!)

~ DICK KLINE'S 4/28 WURLITZER in Thur­ mont, Maryland has what many consider to be the most imposing home installation in the country in a room as large as many theatres. John Steele will play this very beautifully re­ stored and augmented instrument.

LOEWS 3/13 WURLITZER in Richmond, .. Virginia kept daily pipe organ music going way into the 1950's, and looks like new in 1972. Doug Bailey (probably the only organist playing live daily radio pipes in the country) will perform.

THE TIVOLI 2/8 WURLITZER in Frederick, Md., defies its size by sounding like a much bigger instrument. The last remaining pipe organ in a theatre in the state of Maryland will be played by Ray Brubacher .

JIMMY BOYCE'S 4/34 WURLITZER in the .. Alexandria Arena was once located in the sister theatre to Radio City Music Hall, the now-gone Center. You'll never hear a richer, bigger sound. Jimmy Boyce and Ray Bohr will share the spotlight in two concerts.

ALSO - many unique home installations in one of the nation's most active areas for the pipe organ revival ... and the 2/11 Moller at radio station WXLN, which will also broadcast some concerts, present interviews, and serve as the news center for the convention. All of this plus the first demonstration of a computer operated pipe organ, created by Marvin Lautzenheiser.

THEATRE ORGAN APRIL , 1972 25 THE Los Angeles Chapter of ATOS did itself proud with the installation, renovation and dedication of the 3/20 Wurlitzer in the San Gabriel Civic auditorium. Organists Carter, Larson and Thomson (see other stories) were brilliant. Directed by Lyle W. Nash ~ COMMENTS, contributions and questions will be welcomed to P.O. Box 113, Pasadena, California, 91102. MAIN TITLE - Mary Beth Hughes inscribed in the Boulevard Walk of □ entertains nightly at a Hollywood Fame. But CC has been honored be­ restaurant . . . Florence Lake and fore. In 1927-28 Chaplin was nom­ Arlene Harris do TV stints from time inated for an Oscar for acting in the AT CONVENTION HOTEL to time ... Laura La Plante now lives "Circus", for comedy direction of the near Indian Wells in the Palm Springs same film and then given a statuette area ... Margarita Fischer , who was in for general genius of producing films from 1913-1928, lives at 440 "Circus. " In 194 7 CC was again nom­ Ye Olde Ocean View Drive , Vista , California , inated for an Oscar for his screenplay 92083. Margarita played in Universal 's "Monsieur Verdoux." Musick Shoppe "Uncle Tom's Cabin " in the first two versions . . . Unchecked reports say ATOS recording artists will have Leslie Fenton was living in the Carmel the opportunity at the '72 convention (California) area . . . James Cagney KING VIDOR mini-interview: to sell their album and/or tapes on visited Las Vegas recently and was "Films are in another transitional stage consignment. mostly unrecognized ... Jean Parker ... College kids do things we were The Potomac Valley Chapter's store, and Virginia Fox were not forgotten not permitted to do in the silent days "Ye Olde Musick Shoppe," will open by the autograph fans at a recent ... I enjoyed 'Blowup' . .. There are for business , Sunday afternoon, July Hollywood happening. not too many entertaining films to see at the moment . " 9th, in the Registration Center at the ~ Twin-Bridges Marriott Motor Hotel, the convention's home base . PRINT piracy grows bolder. Now ~ Proprietors for the "shoppe" are the MGM classic "Dinner at Eight " "MARY ASTOR: A Life on Film" Potomac Valley Chapter members, Ray is offered by film bootleggers for a is a magnificent book about her 45- Mays and Jean Fairbank. mere $250. year Hollywood career . She explains Because of limited space, the store the technical details of movie making is limiting its album sales to the first as never before and how she under­ 50 people, including record companies, CALIFORNIA organist and law­ stood her role as an actress. You feel who request sale of albums on con­ maker Frank Lanterman recalls the as if you are on the movie set. It is signment only. 1927 trade preview of the MGM pic­ beautifully illustrated and has an index Inquiries should include name of ture "Student Prince" this way: "The of Miss Astor's 109 films. Excellent person or company, name of album(s), film had its production problems and reading. suggested number of sale-on-consign ­ the night of the showing I was told not to play the regular score. But just ment on each album, wholesale price before the start of the picture a studio and suggested retail price. Information should include a "will ship" or a "will chief said 'play it like it should be.' SELECTED SHORTS - Hollywood bring". I did. The crowd loved it. I used much hears that Ben Lyon and Marion Nixon will marry this spring . . . MGM says of the fine original score. The Alex Address inquiries to: "Ben Hur" theatre in Glendale was the place. its had the most ( 452) speaking parts of any movie ... In MGM did a lot of previewing there." Raymond Mays the depression year of 1931 a movie 3850 Tunlaw Road, N.W. ~ mogul solemnly predicted:" 'Cimarron' Washington, D.C. 2007 is the last film ever to cost a million IN 1931 the Women 's Clubs of Phone: (202) 337 -7447 America declared: "Smut in the talkies dollars." must go." What smut and what do they If recording companies wish to say now about X & R (for replusive) comply with the sale-on-consignment films ? MAYBE the secret of Walt Disney arrangement, they are urged to con­ films is that most of them contain tact Mays for written agreement . "enduring cinema values " as the pro­ Potomac Valley Chapter of ATOS fessor would say. "Fantasia" is a choice will not be responsible for any albums BY the time you read this Charlie example. Al though over 30 years old, left over. Artists or recording com­ Chaplin will have been honored with a it is a big hit with the mod generation panies will have to make own arrange­ Hollywood Oscar and had hi star of today . ments for return of unsold albums. □

26 APRIL, 1972 THEATRE ORGAN Street" enjoys generous applications This recording, except for the press­ of both color and solo reeds. Ann's ing, is a product of DTOC. Ann Leaf digital skill with " South of the Border " would be first to credit organ tech­ rhythms is ably demonstrated during nicians Dave Brewer and Ben Levy for "Minute Samba" and the same applies the high polish on the instrument Far to "Quiet Nights," but with a greater during recording. And recording tech­ emotional impact. "Nights" is pre­ nicians Ted Amano, Frank LaPerriere, The sented in a quite different garb, lei­ Richard Little and Walter Plumhoff surely in pace but penetrating. It's a deserve much credit for placing micro­ ReEards field day for the bright reeds during phones in the most advantageo us posi­ Morton Gould's "Pavanne." "Gypsy tions and maintaining the balance and Dance " is from the opera "Carmen" levels for such a satisfying result. The (remember "Beat out that Rhythm sum and total is sheer delight. on a Drum "?) and it serves as a pallette of many hues throughout the ever­ growing frenzy of Bizet 's compelling SPECTACULAR, LYN LARSEN AT music. Ann makes the scene come THE WURLITZER THEATRE PIPE alive. "Jamaican Rhumba " is also music ORGAN. Played on the Bob Carson which conjures visions of frenetic 3/26 Hollywood residence organ. No. dancers through Ann's magic, but ERS-1010 (stereo). Available postpaid Manufacturers, distributors or indi­ viduals sponsoring or merchandising "Love Story " is purely romantic music at $5.50 from Essential Records, Box theatre pipe organ records are en­ with the Tibia holding forth until re­ 3544, Glendale, Calif. 91201. couraged to send pressings to the placed by a huge string section which Record Reviewer, Box 3564, Granada is later absorbed by color reeds. "Ode Lyn Larsen wrote his own jacket Hills, California 91344. Be sure to to a Man About Town" for some notes for this production and described include purchasing information, if it as a "Heinz 57'' concoction. It's applicable, and if possible a black that, all right - something to please and white photo which need not everyone. With each recording , Lyn 's be returned. playing becomes ever more orchestral and his selection of material more discriminating in behalf of those who NOTES FROM DETROIT, Ann Leaf, seek the more unusual in organ music, America's First Lady of the Organ. whether by tune title or treatment. Played on the Detroit Theater Organ For example , "Flight of the Bumble­ Club's 4/34 Wurlitzer in the Senate bee " has been recorded many times Theatre. No.CR-0097 (stereo) available - but never before , to our knowledge, from Concert Recording, Box 531, in "ping pong" stereo. One almost Lynwood , California 90262 at $4.85 instinctively dodges that divebombing postpaid. varmint! We can overlook that flippancy for The combination of Ann Leafs the fine work Lyn does during "Love musicality and the DTOC 's finely Story " which features the grand piano balanced Wurlitzer should be enough played from the console, an instrument bait for the seasoned buff. He won't be disappointed . Rarely have the talents of orchestrally-minded Ann been turned loose on an instrument so well­ equipped to meet her stringent de­ ANN LEAF mands. The result is her most orchestral recorded playing in recent years. One reason seems to describe Ted Knight , gets the impression that Ann is in the scatterbrained newscaster on the control at all times and is making the Mary Tyler Moore TV show ; it's " big huge beast jump through the fiery city" music . "Ca diz " is a leisurely hoop on cue, and that just about tells intermezzo with interplay between the story - a very satisfying story. Tibia and reeds; silent movie music Ann Leaf devotes all the time to a depicting a Spanish atmosphere. There's selection which she feels is required to an electrifying chorus of strings during tell the musical story. Thus seven of "Love is Blue " and effective use of the eleven selections run well over solo brass. three minutes, with "Love is Blue " We've hit only highlights in Ann's one second short of five minutes. fast changing array of tonalities and A few highlights: Exciting "Belita" rhythms , else we'd run out of ad­ is marked by an arresting rhythm and jectives. It must be heard, over and many color changes. "Green Dolphin over. LYN LARSEN

THEATRE ORGAN APRIL, 1972 27 enhanced by several degrees of "touch " before settling down for a slow move­ both Sheen discs there is one tune, control. A specialty of Lyn 's is con­ ment based on an old English folk which we feel stands out above all juring up impressions of the "roaring song ("Cherry Ripe ," if memory serves others ; on the Renwick label it's "Mr. '20s," an effort given much impetus me well) , and then more energetic Goldstone" (from "Marne") played as by the tune , "Thoroughly Modern passages depicting a lively part of the a march. This time around it's a beguine Millie," a delight for the nostalgia city . It's Lyn Larsen at his best ; and by Percy Faith, "Souvenir", alternately buffs. Recollections of Tom Jones' that 's saying a lot. on untrem'd Strings , Tibia mutations overblown "Delilah " are pictured ef­ and Solo Clarion. Both sum up the fectively (get that Clarion frippery!) , sensitivity and rnusicabty of Tom Sheen better than words. followed by a delightful tone picture , BRINGIN' DOWN THE HOUSE, Tom "Sylvan Idylle," by Richard Purvis . Sheen at the 2/9 Wurlitzer in the Joe Tom starts his program in console­ It sets a bucolic scene , perhaps a Spurr Studio, Chicago. No. CR-0098 riser style with an upbeat "Another summer afternoon enjoying the wood­ (stereo). Available postpaid at $4.85 Op'nin ' Another Show", then into a lands of say, the early l 900's, with from Concert Recording, Box 531, low-key "It Might as Well be Spring" clouds viewed through pines swaying Lynwood, Calif. 90262. which includes an attractive massed gently in warm breezes (that 's what Strings bridge. "When My Sugar Walks it said to this reviewer). Lyn takes a Down the Street " is often carried by different approach to "As Time Goes a brassy Posthorn, then again by Glock By"; it's replete with bumps and grinds pecks. "Overture" to the Musical "Milk executed by an undulating "Gypsy & Honey" is melodically attractive Rose" clutching clusters of fans - or with lively showtunes. balloons, if preferred. Side II opens with more show tunes A very sentimental "Coco" is follow­ of a different genre, "Diamonds are a ed by that serenade of an egoist to Girl's Best Friend " and "Bye Bye himself, "My Way, " with large doses Baby ", which conjure l 950 's memories of self admiration administered via of Jane Russell and Marylin Monroe cloying Tibias punctuated with icy who sang the songs in "Gentlemen Glockenspiel pecks and occasional Pref er Blondes. " spine-tingling Harp glissandos. "Weep No More" is a Dave Brubeck Side II opens with a high kicker tune of great appeal in the mood of played in authentic '20s style, "I Want Kern 's "Yesterdays ", beautifully per­ to Be Happy", then a very in­ formed. Tom turns off the trerns for dividual arrangement of "76 Trom­ " Bugler's Holiday", allowing the Post­ bones" made fresh with a touch of horn to stand in for the bugle. But Sousa and an overdubbed obligato it 's the understated string passages played on the organ piccolo. "Stanley " which pack the appeal here. "Donkey is a Larsen original, and one which , to TOM SHEEN Serenade" is pretty much pedestrian our way of thinking, deserves special but "I've Got a Crush on You" is a enshrinement. Lyn dashed it off to It 's a long time between theatre masterwork in understatement through­ accompany a silent film tribute to organ records for Tom Sheen . Just 10 out , a love song in slow drag tempo. Laurel & Hardy presented by the noted years ago Dick Loderhose hit the organ It brings out the finest qualities of the film historian Robert Wade Chatterton record market with his Renwick label , instrument. The closer is a bit of slam­ at the Avenue theatre awhile back. and the initial release was played by a bang inspired by the Peggy Lee or It caught on and audiences often call young man named Tom Sheen on the Lena Horne versions of "Love." It's a it out as a concert encore. It 's an ode Loderho se behemoth. It was a fine gasser for its entire 1 minute and 46 to innocence, the inept but well-mean­ recording from all aspects , but there seconds. ing resignation indicated by Stan's was no followup. Until now. Instead This recording may have technical upturned palms when a bristling, frus­ of the Loderhose then 4 /38 Wurlitzer , faults but the unquestioned artistry of trated Ollie blurts, "Why Don't You Tom works here with a much smaller Torn Sheen makes it worthwhile. Do Something to Help Me?" instrument ; his musicianship has obvi­ Lyn usually manages to include ously grown but we are not certain the something of lasting value in his selec­ 2/9 installation and attendant problems RICK SHINDELL playing the 3/11 tion of tunes to be recorded. We have permit him to express it adequately. Marr & Colton organ in the State witnessed his discovery of the music The close miking results in a pel­ Theatre, Toledo, Ohio. No. CR-0114 of Grieg and Borodin; now he had lucidity close to stridency on many (stereo). Available from Concert Re­ found the wonderful descriptive music selections. Echo has been added to cording, Box 531, Lynwood, Calif. with which composer Eric Coates further confound a fault. Much of this 90262 at $4.85 postpaid. described his beloved England. We have objection can be overcome by juggling all heard "Knightsbridge March" over playback tone controls to decrease From the evidence supplied by and over, but Lyn has selected "Covent high frequency range . This removes this recording we can state that Rick Garden" from that same "London some of the music but makes what 's Shindel] is definitely a "corner." The Suite," a much more symphonic work left more listenable. first exhibit is the organ; before the (Coates scored for a large orchestra) Despite technical drawbacks, Sheen record could be taped, the organ had which bristles with melodic activity) presents some irresistible stylings. On to be roused out of 25 years of

28 APRIL, 1972 THEATRE ORGAN slumber. Rick and his buddies managed we had the strong feeling that Rick impudent and persistent piano. Surf to make it sound like new, perhaps Shindell is actually a picture-playin' laps the console throughout "Eb b better, because one of builder David movie organist born out of his era. Tide," and even the piano sounds a Marr's faults was a lack of under­ little waterlogged. Then the wind howls standing of tremulants (a 12-rank in for a sou'wester which nearly drowns M&C organ might have only two) . ENCORE, LARRY FERRARI AT out the RCMH chorus . It all finally Marr often placed the strings, Tuba or THE MIGHTY WURLITZER PIPE simmers down to a tranquil scene with Diapason on the same chest (and ORGAN. No. 708 (stereo). Available the organ 's bird adding its glycerin­ trem) as the Tibia! Thus if the trem from Sure Music Co., Box 94, Broom­ tremulated chirp. "Onward Christian was adjusted to put the proper chirp all, Penna. 19008. Price not stated. Soldiers" is given full military ban d in the Tibia, the Strings , Tuba and treatment as the drums go bang and Diapason were "overchopped. " Prob­ the fanfares blast forth, lea ding up to lems which Rick seems to have over­ the full organ chorus. "Bill Bailey" is come, or at least minimized , some­ beckoned home with a fast rhythm times by playing minus trems. treatment rich in reedy punctuation. Exhibit two is Rick's handling of This one should not only please the M&C. His style is youthful , loaded the fans but should go far toward with enthusiasm and his own innova­ making Larry a raft of new friends. tions. The result may be a little un­ The DTOC crew has maintained a high seasoned but it may be a harbinger of quality level in taping the music, which great things in the offing . is available in tape and cassette form Rick opens with a full blown "I as well as on disc. Want to be Happy " then settles into a swinging "Caravan " which stars the - THE PLUG-IN CORNER M&C Kinura, the raspiest color reed ever developed for theatre organ use WHO? THE KEY MASTERS - Franke and so distinctive it makes a useful Denke (piano) and Everett Nourse solo instrument. The repeated har­ (Rodgers 36E organ). Doric stereo monic pattern used during the second No. 1402. $5.50 postpaid from Doric chorus adds interest , even when the LARRY FERRARI Records Sales Co. , Box 605 , Alamo , chording isn't entirely satisfying. Calif. 94507 . One criticism of the Marr and Colton This Larry 's second record session Remember those piano/organ radio organ is that it 's ranks are chiefly with the Detroit Theater Organ Club 's programs which graced the airwaves solo-oriented , with little attention given 4/34 Wurlitzer , an event bound to in the '30s? Nourse and Denke have to ensemble sound . However true that spark a celebration among members of recreated another slice of nosta lgia may be (and we suspect it is), Rick his fan club in the Philadelphia area for us with their sprightly stylings of has found a particularly beautiful where his frequent concerts , broad­ such favorite standards as "Limehouse String /Vax combination on which to casts and eight record albums have Blues," "Lulu's Back in Town," "La float "Softly, as in a Morning Sunrise. " made him something of a musical Rosita ," "Valencia," "Caravan" (a la "Those Were the Days" is played in a institution . This one is bound to please Frank Stitt!), "Sweet Georgia Brown" bombastic style then back to sweet them ; it has something for all tastes. and others to total 12. Arrangements balladry and "Serenade in Blue" with The opener is the romantic ballad are well thought out and a light moo d the fine String /Vax ensemble , a bridge "More" which enjoys an offbeat har­ is maintained throughout. D ewey played solo on the Tuba Sonora and a monic tre atment among reed-rich com­ Cagle's jacket notes provide biographies binations before the Tamborine and brief interlude on flutey mutations. of both artists. □ Rick knows how to use a "sting " Posthorn chorus. Then to the big emphasis , too. "This Can't be Love " majestic Radio City Music Hall full gets the "big organ" treatment , com­ organ finale . "Love Story" provides ~ ~ plete with percussers clopping . This an opportunity for fan dubbers to mode carries over into a rather frenetic shed a sympathetic tear , at least until IY Welcome -~ "How the West Was Won ", then to the Tamborine solo , which precedes TO OURNEWEST CHAPTER Strings and mutations for a particularly the big RCMHchorus. beautiful "As Long as He Needs Me" The Strauss medley ("Blue Danube", with Harp punctuation , until the full "Voices of Spring" , and "Tales from organ segment . Next a haunting 3 :49 Vienna Woods ") is out-of-the-ordinary WEST minutes of "Charade " played with for a waltz medley because it is played great subtlety throughout. The same in tempo rubato, often lacking the applies to the first chorus of "On a firm 3/4 rhythm characteristic of Vien­ nese waltzes. Larry instead lingers over PENN Clear Day" and all of "Spanish Eyes." the melodic values involved in nicely Local pride is expressed in a peppy P IT TSB UR G H , P E NN SYL VANIA march, "We're Strong for Toledo ", orchestr ated phrasings and some de­ for which Rick conjures a brass band viations from melodic line . (see pag es 13 - 16 ) with slide whistle and Klaxon punc­ The Posthorn provide s jazz riffs ~ tuation. Throughout this review session during "St. Louis Blues ," sassing an

THEATRE ORGAN APRIL, 1972 29 Aug. 1924 (Met.) Organist at Liberty COURTNAY, Scotish organist and fav­ - First class musician. Picture player orite of the Prince of Wales, opened NUGGETS and soloist of exceptional ability, ex­ the new 3/13 Wurlitzer in Rochester's from the perience, reputation. Union man. Good Piccadilly Theatre. HUGH J DODGE GOLDEN library. Play any standard make organ. and J. GORDON BALDWIN are house Good instrument and salary essential. organists on the dual-console instru­ ARTHUR EDWARDS JONES, Hotel ment. Loretta, Atlantic City, N.J. Sep. 1924 (Local Press) JOHN GOLD DUST: 2/23 DR. PERCY HAMMOND, recently at Rochester's J. STARNES AND RALPH BRAIN­ Eastman Theatre, has become organ­ ARD, Strand, and J. VAN CLEFT ist at New York's Piccadilly Theatre. COOPER, Rivoli in New York ... 3/23 The Piccadilly's $60,000 Marr & Colton FRANK STEWART ADAMS, Rivoli, will be featured in a recital every noon. N.Y.; HERBERT BIRCHALL, Regent HAROLD OSBORN SMITH, who was Wurlitzer, Dunkirk, N.Y.; CARL WISE­ organist at the Brooklyn Strand for MANN opened the organ in Ft. Wayne's two years, succeeds Mr. Hammond in Majestic ... 4/23 HERBERT SISSON, Rochester. Rialto, N.Y .... 8/23 H. ST. JOHN Prospected by Lloyd E. Klos Oct. 1924 ( J) DR. MELCHIORRE NAFTEL at the Capitol's 3-manuaJ MAURO-COTTONE presides at the Warren in Winnipeg; GEORGE H. 4-manual illuminated-stop Estey at the LATSCH, Capitol, Atlantic City; D. This time, we have a sort of "pot Capitol Theatre in New York, backing KENNETH WIDENOR, Rialto,Omaha; luck" column with no theme in mind. the 75-man symphony orchestra. HERMAN F. SIEWERT at the Bach­ References were American Organist Nov. 1924 (D) HARRY H. COREY , man's Austin, Winter Park, Fla .... (AO), Diapason (D), Jacobs (J) , Melody organist of the Mt. Prospect Theatre 10/23 GEORGE LEE HAMRICK at (M) and Metronome (Met.) magazines. in Newark, N.J., makes a feature of Jacksonville's Arcade Theatre Wur­ organ solos. The programs are printed litzer; HUGH MC AMIS, Criterion's July 1923 (D) Because of the great and mailed weekly to as many as 3/45 Austin, Oklahoma City; WILL­ demand by organists who can 't get to 5,000 patrons, who are asked for IAM ROCHE, Casino, Halifax; HER­ New York for theatre organ coaching, their requests. BERT VOGES AND BRUCE MET­ SIDNEY STEIN HEIMER , of the Frank Jan. 1925 (M) HARRY NORTON, CALFE at the Kimball in Cleveland's Miller Lyceum, has begun a corre­ organist at the Washington Theatre in Loew's Allen; LYNWOOD WILLIAM­ spondence course for motion picture Boston, has more than 20 years of SON, NationaJ in Greensboro, N. Car.; work. service, making him the dean of Boston JAMES E. DURKIN at the Green­ Oct. 1923 (D) JESSE CRAWFORD theatre organists. wood (Miss.) Theatre's Robert Morton returned September 16 to the organ Apr. 1925 (M) GRANT LINN is at . . . 12/23 EDWARD NAPIER at the in the Chicago Theatre where he gave the Wurlitzer at Washington's new Atlantic, New York ... 1/24 DR. C.A. the first of a series of fall and winter Park Theatre. His wife plays the piano J. PARMENTIER, Fox, Philadelphia; recitals, aJternating with the symphony as part of a duet feature. LESTER HUFF at the Ohio Theatre's orchestra. Aug. 1925 (M) STANLEY RHO­ $30,000 M&C, Imdianapolis, E. H. Dec. 1923 (AO) Theatre Organists ADES is organist at the Ocean Grove, GORDON has left Montgomery's may practice at 60¢ an hour without NJ. Auditorium, playing "one of the Strand for a position in Cincinnati; screen and $2.50 an hour with special biggest organs in the world." It was STANLEY ANSTETT in Kenosha's private use of the screen in the Amer­ installed by Robert Hope-Jones. Butterfly Theatre; F. V. Stump in ican Conservatory 's theatre organ Sep. 1925 (D) CLAUDE B. BALL, Canton, Ohio; FREDERICK MARR­ school under FRANK VAN DUSEN Chicago teacher of Movie players, has IOTT in Chicago's Adams ... 2/24 March 1924 (D) JOSEPH A. MAL­ placed his 500th student in a theatre EDMOND FITCH, Chicago's Stratford OTTE , for many years assistant man­ position. A pioneer unit organ player, Kimball; MERLE J. ISSAC in Chicago's ager of the organ department of Wur­ he has 8 organs at his disposal for Wilson ... 3/24 D. KENNETH WIDE­ litzer in Cincinnati, has been made teaching and practice. NOR at the 3-manual Kimball in sales manager of the Page Organ Jan. 1927 ( Local Press) HARRY G. Philadelphia's 69th Street theatre; ED­ Company. SULLIVAN and HERBERT HENDER­ WARD A. HANCHETT, Rialto Moller Apr. 1924 ( Local Press) Rochester's SON are the organists in Rochester's in Camden, Ark.; JAMES E. DURKIN, Murray Theatre Wurlitzer was ded­ Strand Theatre. Mr. Sullivan formerly Alamo, Vicksburg; W. LEE WOOD. icated by TOM GRIERSON, who was played the Gordon and Piccadilly here, Belvedere, Tuscaloosa, Ala .... 4/24 released from his Strand Theatre posi­ and Mr. Henderson was formerly chief HAROLD RAMSBOTTON, Rivoli, tion for the evening. organist at New York's Warner Theatre. New York ... 5 /24 CARL McKINLEY, June 1924 (D) A 2/8 Marr & Colton Sep. 1927 (J) The Wurlitzer Co. associate organist in N.Y.'s Capitol organ was opened in Mante's new appears to be the leading installer of ... 12/24 GEORGE CEIGA, Capitol theatre in Irwin, Pa. on April 21 . The organs in the New York area. The Wur­ in Whiting, Ind.; HAROLD COBB, organ has orchestra bells, a harp of litzer Organ School has been training Burke in Kenosha, Wisc. 49 bars , and various traps. ROBERT players to meet the demand. CHESTER That should do it until next time. WILSON ROSS PLAYED for the ded­ H. BEEBE is the director . So long, sourdoughs! ication. Sep. 1928 (Local Press) JACK LLOYD & JASON

30 APRIL, 1972 THEATRE ORGAN the Coliseum Theatre, designed by B. Marcus Priteca. Both he and his initial work are still on the Seattle scene. It has been suggested that the city buy the Coliseum. and convert it to a legitimate theatre, thereby pre­ serving the last of the Priteca-deisgned houses. The Pantages fell to make a parking lot; the Orpheum deferred to the Washington Plaza Hotel, and the Metropolitan fell to provide an addition to the Olympic Hotel, recent con­ vention headquarters of ATOS .

~ Readers are encouraged to submit in­ Organist Doc Bebko, reporting on teresting sidelights on the organ hob­ the annual Christmas show at the by (exclusive of chapter news items) material they believe will be of general Radio City Music Hall, informs us that interest about local organ activities the usual Nativity Scene, using orches­ and installations and the people who tra and "Grand Organ" , was the main work at the hobby. We know "there's bill of fare on stage. For the final VOX POPS in them there chapters" act , the twin consoles were exposed and it only requires a 6t postcard to get it to VOX POPS Editor, Box with Donald Duck on the left and Ralph Bartlett - (John D. Sharp Photo) 3564, Granada Hills, California 91344. Mickey Mouse on the right , going According to Ralph Bartlett, per­ If the contributor can afford an Bt through the motions of playing. Even­ ennial secretary of England 's Theatre stamp, why not include a black and tually, Jack Ward emerged to take Organ Club, the Compton Organ Co., white photo which need not be over. Mickey graciously relinquished returned. one of the most respected Briti h the bench, both exchanging bows in builders of theatre organs, did not the process with nary a beat missed. come into its own until circa five Conducted by Stu Green Doc states, "Of all the playable years the end of the silent movie era. theatre organs, this one certainly must True , there were organs with Compton have the most awe-inspiring pedal tones nameplates playing for silent films in Dewey Cagle sent us an enlightening of all. That rebuild a few years ago British theatres , but these were not clipping about San Francisco "Chron­ surely did wonders in that depart­ built in Compton 's factory. Until icle" columinst Stan Delaplane en­ ment. " Business at the Music Hall was around 1933 order for cinema organs during a cruise to Central America. tremendous during the holiday season were farmed out by Compton to other Stan described his stop at the El with endless lines outside . Reserve builders . From 1933 more and more Panama Hotel in Panama City thusly: seats are a must for out-of-towners organs were built in the Compton "The bar has an old theatre organ during Christmas and New Years' weeks. factory and the firm 's finest work is - 'the mighty Wurlitzer' - that used apparent in instruments built between to play background music for silent 1936 and 1938. Most all of these were drama. Organs put me in a mood for Organist Esther Higgens reports the equipped with Melotones , the elec­ weddings and funerals - both sobering recent death of Sam Fox, founder of tronic tonal supplement which blends events. But Panama is very proud of the Sam Fox publishing Co., in San so beautifully with pipes. Develop­ the organ. It's one of two left in the Francisco at the age of 89. His passing ment ceased with lengthening war world' said the tourist board lady marks the last of a triumvirate of shadows. ... The Mighty Wurlitzer began to publishers who specialized in silent groan and huff and puff. The bar had movie cue music in the '20s. Fox, a bunch of seamen. A few mellow­ along with Walter Fischer of Carl Arlo Hults sometimes f orgets how skinned hustlers sat on stools - waiting Fischer Inc. and Gustav Schirmer of many electrical gadgets he has rigged in for Mr. Right - Mr. Right Away." G. Schirmer, founded the Standard his Sherman Oaks, Calif hom.e. He Panama has gone us one better. Publishers Group of ASCAP in 1924. was sharply reminded when the Feb. Grandpa tells us that all the hustlers Fox was the publisher of many John 1971 earthquake hit. The ex-silent of his day had for musical inspiration Philip Sousa compositions and for film organist was awakened by the was the tinkling of a ragtime piano. J.S. Zamecnik, who turned out an in­ lurching ho.use and crashing crockery, credible 1500 titles tailored mainly and decided the ·safest place would be ~ for cueing silent movies. under his bed. He made a dive f or the Anyone wonder where the first Fox was the publisher for the 20th sub-Beautyrest safety spot and en­ honest-to-goodness movie palace in Century Fox Film Co. in the '30s and route his hand hit a bank of switch es the United States was built ? If one '40s. He remained active in the publish­ on his night table. Whatever terror believes a writer for one of the Seattle ing firm until recent years and was he experienced was transformed to newspapers, that northwest city gave Chairman of the Board at the time of laughter a moment later when a tape birth to this now vanishing American his death. recorded voice broke into "Strangers art form in 1916. The building was in the Night. "

THEATRE ORGAN APRIL, 1972 31 It is said that the hobbies or second­ Approximately 1300 members and line work of musicians are more in­ guests of the Rochester Theatre Organ teresting than their main occupa,tions. Society heard John Ferguson at the For example, Billy Nalle. He is as Auditorium Theatre 's Wurlitzer on De­ prodigious at a 4/44 IBM typewriter cember 28. This is the John Ferguson as he is at a 4/28 Wurlitzer. Recogniz­ who is teaching at Kent State Uni­ ing this, the AGO, before whom versity and working toward his master's Billy has performed several times, has degree from the Eastman School of approached him for a regular column Music. There are two other John Fer­ in the AGO publication "Music ". It gusons, both organists, just to con­ is expected that by the time you read fuse things. John's program showed these lines, Billy will be covering the his "straight" organ leanings, as he theatre organ front for that periodical. presented considerable Christmas mu­ Another barrier successfully assaulted! sic, augmented with a sing-along. A On the west coast, Helen Dell, "trip around the organ" with very concert artist , recording star, and exec­ ample dissertation in which he acted utive of Malar Recordings, spends her the part of a teacher instructing his spa.re time making glamorous dresses "class" as represented by the audience, was well received. Family member­ ship of RTOS now totals 750.

~ JOHN DEMELLO

Lowell Angell (Alpha Chapter) re­ ports from the 50th state that staff theatre organist John DeMello was asked not to play for some Waikiki Theatre intermissions recently. It seems that there were such large crowds for the new James Bond film, "Diamonds are Forever", that the new show patrons couldn't get seats because the earlier patrons wouldn't leave after the show was over. They wanted to Helen Dell - (Stufoto) hear John at the Robert Morton organ, JOHN MURI which she wears at her concerts, there­ and were creating a "traffic jam". Detroit organist John Muri was so by upholding her title as "The Dainty But, fortunately for theatre organ busy in December that he didn't have Miss". Incidentally, Helen was in St. buffs, John is back on his regular time to address Christmas cards. His Louis in December to supervise the Friday and Saturday night schedule newsletter, sent later, describes the Malar label taping of Stan Kann at the now. The DeM ello story will be pre­ activity of this busy man. Besides his 4/36 Fox . sented in these pages shortly. his concerts in the east, he is teaching in three colleges; he has made a half­ Audience reaction to a 15-minute hour educational TV film for the program on Channel 21 January 8 University of Michigan; and two re­ and repeated the following evening cordings made on the Detroit Fox and concerning the Rochester , N.Y . The­ Dr. C.A.J. Parmentier, who per­ Senate Wurlitzers are ready for pressing. atre Organ Society and its 4/22 Wur­ formed at New York's two largest Wayne State University awarded him litzer, was most encouraging. The show, theatres, the Roxy and the Music Hall, his second master's degree for work sponsored jointly with the Rochester is still active and plays concerts "when­ in James Joyce Studies, and on top of Arts Council, featured former RTOS ever the fee is satisfactory." In talking that, he purchased a 20-acre farm near program chairman Don Hall narrating about the death of ex-Roxy organist, Lakeport, Michigan. His biography is a visual trip around the organ, a George Epstein, Dr. Parmentier says, slated for THEATRE ORGAN shortly. "George and I were very close at one summation of RTOS concert and ed­ ~ ucational programs , as well as its plans time , but I only learned of his demise to install a 3/8 Wurlitzer on Rochester by reading it in the Local 802 magazine, Returning for his third appearance Museum property in a few months. which news is sometimes a couple under RTOS auspicies , Lyn Larsen Coordinator for RTOS was Joahn Fox, months old (Epstein died in Novem­ received a standing ovation from 1200 educational committee chairman. Pub­ ber.)" Dr. Parmentier says he phoned enthusiastic Rochester theatre organ licity like this is priceless in advancing Epstein's widow, but was told the addicts on January 25 at the Audi­ the theatre organ cause. Yet it's usually house at Brighton Beach was sold and torium Theatre, following a program free to clubs who ask for it. she had moved to Florida, address of semi-classics and popular numbers. unknown. Of special interest was the two-foot pedaling throughout the concert which

32 APRIL, 1972 THEATRE ORGAN The Sacramento Union on Decem­ ber 4, ran an interesting item in its tabloid section, giving publicit y to the Sierra Chapter ATOS. The occasion was a recent program of silent fibn fare with organist George Seaver's playing the accom panim ent to the Buster Keaton epic "The General " at Grant Union High School. Seaver, who played during the silent era, suggested a horror film for the next program to be held in about six months.

Rosa Rio during a recent concert at the The Granada Organ Loft Club was Waterbury (Conn.) State Theatre 2 / 10 Wur ­ the subject of an ex cellen t article in litzer. - (Photo, Art Oietle) the Seattle Times on January 16. The fall was playing a plug-in for the history of this club , which was organ­ hilarious antics of Wally Ballew, Mary ized in February 1963 for the showing Magoon and musical chairs game. In­ Lyn Larsen - Ephatpic of silent movies with organ accom­ ciden ta I ly, Convention Chairman proves that the 26-year-old Californian paniment , was given, as was a discus­ Woody Wise has informed us that is no "left-foot" organist. After several sion of the public's taste in nostalgia . Lloyd Klos will present his Seminar years on the concert circuit, Lyn has The non-profit organization has grimly on Promotion and Publicity during hung on through several adversities. now developed his own brand of the convention. musicianship . According to Times­ When a profit is realized, it is pumped into a scholarship fund for piano and Union reviewer George H. Kimball , Don R obinson, maestro of the "judging by the reception Lyn re­ organ students. If there was a short­ coming in the article, it was the failure "Organ Loft" radio program in Utica, ceived, and his own spoken wish, N. Y., reports that the program will (this appearance) won 't be his last." to mention the periodic concerts by leading organists. The Granada was have observed its tenth birthday on the site of a memorable concert by April 23, which probably makes it the Jonas Nordwall during the 1971 ATOS longest-running pipe organ program in Convention. the country. Don also reports that the Wurlitzer, once housed in the Stanley Theatre in Utica, is in its final phase of rebuilding. The group engaged in this With the nostalgia binge in full work, of which Don is a member, will swing, one never knows when reference to a theatre organist will pop up. Old begin installation of the instrument in Prospector Klos was twirling a radio a high school very shortly. dial January 14 while having a night­ ~ time snack (milk and pretzels!) when he came to a Chicago station which was presenting an o]d-time burlesque LUELLA WICKHAM of a quiz show, starring Bob & Ray . Veteran Syracuse, N. Y. organist "Play the next song, Rosa Rio" , said Luella Wickham was honored by the the MC.Yes , the vivacious occupant of Niagara Frontier Chapter one Tuesday the house beside a Connecticut water- night in February with a "This is Your Life" - type of testemonial at the No . Tonawanda Riviera theatre. That Luella, now 80 but still making music, has made a lot of friends along the way was indicated by the "Standing Room Only" sign in the lobby, the floral gifts on stage and the bales of Shirley Hannum - No batteries. congratulatory telegrams - not to mention the friends from her musical Organists playing theatre intermis­ past who ca.me in person to pay their sions on pipes are accustomed to the respects. Said beaming Luella, "It was confusion of the young when con­ a sell-out. The SRO sign went up at fronted with theatre pipes for the 7:45 P.M.; it was about the most first time, usually resulting in the fantastic thing that ever happened to question "Where are the speakers on me!" this crazy Hammond?" But Shirley Old Prospector Klos - Shorn. - (Stufoto) Hannum, who keeps intermissions live-

THEATRE ORGAN APRIL, 1972 33 ly at the Lansdowne Theatre Kimball organist Carleton James finally re­ i11 Landsdowne, Penna., recently con­ ceived his first standing ovation - and fronted with a different question: liked it. Playing the same 3/ 11 Wur­ "Where are the batteries?" And Shirley litzer he used to play in Syracuse N.Y. wasn't even using the stylus! Keith's Theatre, James cued "Four Horsemen of the Apocalypse" for a group in ESTMIM's Harriet Mills build­ ing on New York State Fair grounds. Youthful organist Dolton McAlpin "I put my best playing in the accom­ still denies that the leggy girl whose paniment and for the first time in my likeness is spread across the 2/6 Baton life I got a standing ovation . It was Rouge Paramount Morton console for such a surprise - the whole audience the cover photo on his Concert Re­ standing and applauding!" Concerto at 37,000 feet. Enroute to a cording release, "Hey Look," is actually midwest concert engagement via American TV star Sandy Duncan before she Airlines Astrodome, Bill Thomson enter ­ made it big. If not, it's a very good tains his fellow passengers with ditties played on the firmly battened-down piano. likeness. On other subjects he's more revealing. Dolton reports from Oxford, most elaborate (and expensive) elec­ Miss. that over in Laurel, Jeff Seale tronic theatre organ had an oppor­ has added a Wurlitzer Tuba and Clarinet tunity to sample the pipelike voices of to his little 2-deck Morton making the instrument under the guida,zce of Thomson and Larsen. Many in the audiences expressed wonderment at the realistic tonalities after hearing both popular and standard organ works played. So much interest was generated that Larsen a11d Thomso11 are con­ sidering a second concert 011 the "3/ 14," perhaps during the summer, which is okay with Bob and Alice Power. Those interested in attending may obtain further information by sending a self addressed 8¢ stamped envelope to Lift Records, Box 884 Woodland Hills, Calif 91364. Replies will be delayed until firm dates are set. JEFF ' S 'WURLIMORTON.' it a rare "Wurlimorton," ow Jeff After playing silent film accom­ is shopping for a 3-deck console. Looks paniments, concerts, sing-alongs and BOB EBY as though he has come down with the spotlight solos since the early '20s, syndrome which hits so many buffs . Our old friend, Bob Eby, has a - "Expansionitus." slew of available goodies listed in his Newport Organs bulletins. Bob, who originated the do-it-yourself kit organ ( "all you need is a screwdriver, pliers Due to the ever increasing public and a prayer"), has expanded his interest in his one-of~a-kind "stJ le present service to include consignment 260" Rodgers theatre organ, owner sales of available pipe organs in ad­ Bob Power listened to the proposition dition to a fascinating array of custom made jointly by organists Bill Thomson electronics, many of them trade-ins and Lyn Larsen. The result was a week­ which were assembled with "TLC" by end of organ music at the Power enthusiastic soldering iron welders. Camarillo, Calif home open to all All are listed and illustrated in Bob's who could crowd into the lim,ited brochures, along with the individual seating space. To avoid overcrowding tone generators, filters, percussion strict limits to ticket sales were ob­ boxes, manuals and consoles needed served. Over two weekend days (Feb. to build a plug-in from scratch at a 26 a11d27), more than 350 auditioners considerable saving. Send a large self­ peopled the folding chairs set up i11 addressed, 8¢ stamped envelope for the the Power patio for four co11certs, bulletin: Newport Organs, 846 Produc­ two by each organist. Thus a segtne,zt tion Place, Newport Beach, Calif of those interested in the world's Car I eta n James. - (Alvah Finch Photo) 92660. Great browser bait. □

34 APRIL, 1972 THEATRE ORGAN liminary conversation. One should never mistake aberration for "musical temperament." Surely the teacher ought to be able by John Muri to play as well as the student hopes to Selecting a teacher of theatre organ key of C, buried in a pop-tune. play after a few years' practice. The is a process offering a number of If the student wants to do serious student will have to learn to keep his alternatives and problems for students. work, he should associate himself with ears and brains open. He must listen To begin with, the student must have a teacher of some reputation and to his teacher in several different ways. some idea of his own talents and of perhaps some academic background, Does the teacher frequently play wrong his willingness to work. The latter can which is to say that the teacher should notes? I know one teacher of electronic be easily determined, for interest and have credentials from a music school organ who can't play pedals even with motivation usually impel the talented or university music department. Many his left foot, and he has made his living student to successful achievement in fine teachers do not have credentials, teaching organ for the past thirty years. spite of his natural inertia and apathy, and some very bad teachers do have I have heard of another teacher who while the former is often over-rated credentials; but, generally speaking, plays only two pedal notes, C and and sometimes under-rated. The pro­ teachers who have certified training C sharp. Sometimes the notes fit the spective student should decide early are to be preferred. Legitimate music music. which level of achievement he hopes schools (that is, schools that are in I find it hard to believe that good to reach. Is he willing to learn to read business to teach music and not to teachers of theatre , church , and con­ music fluently? Is he willing to practice sell musical instruments) are most cert organ are very far separated musi­ cally in anything other than the kinds the scales and exercises that he must likely to have a number of superior of music they play in public. I have make a part of his being if he is ever instructors who are disciplinarians of heard more than one classical specialist to play with ease? How much practice high standards. They are excellent for swing out with popular tunes at re­ time is he able and willing to give? the self-taught players who have been hearsals and organ try-outs ; they seem Finally, what exactly is to be the careless of rhythm, harmony, fingering, end-result of all the training? A certain to enjoy it as much as the rest of us. and phrasing. After a thorough work­ Likewise, good theatre organists have amount of self-knowledge is essential out with such a teacher, one may con­ collected and used libraries of pieces in making a wise choice of a learning sider moving to other instructors who that included much of the so-called program, particularly if the student is specialize in styling and interpretation. high-class music. Passages from sym­ a self-taught player with a lot of bad One should not hesitate to quit study­ phonies, operatic selections , and light musical habits. To engage a teacher ing with a teacher; you have to quit concert pieces made up the major just to have fun learning to play an sometime anyway. Those who plan part of their scores for dramatic movies, organ might not be the worst way on to move upward beyond the level of for you couldn't play such f i Im s earth to spend money and time, but it elementary playing should plan to using only popular music. They will end fairly soon in some questions study with at least two good in­ spent much time looking over new being asked about one's progress and structors. More than two would be music of all kinds and were occasionally its value. quite in order. An adequate teacher can usually be serious students of harmony and tech­ found without much effort; but the The beginner should be wary of nique. It took years to accumulate a more-than-adequate or superior teacher teachers who teach in neighborhoods, fine library of music suitable for the­ will require some searching-out. Such going from house to house , professing atre work, and there has never been a a teacher is sensitive to student needs to teach all instruments. They can be shortage of new titles to add to a col­ and development. He is able to analyze really bad. These teachers often accept lection. A good teacher is familiar with deficiencies and prescribe effective very low fees. It is well to keep in most of the theatre organ repertory teaching devices (and I'm not talking mind that a fee less than five dollars has it in his Ubrary, and can make about special visual aids, pointer sys­ per half-hour is too low and that there valuable recommendations. Obviously tems, and play-time games.) He will is probably something wrong some­ the remaining old pros of the theatre certainly try to keep his pupil in­ where. Sometimes teachers affiliated organ are the most competent in this terested, but he will do more than with music schools will operate in­ area. that. He will see that the pupil gets dependently and try to get commis­ To summarize, the choice of a something from each exercise, lesson, sions selling organs without the stu­ teacher depends upon what one wants or piece that can be used afterward in dent's being aware of the financial to do in music. If all that is desired is other playing. I favor the early learning tie-up. The free-lessons deal with the the fun of amateur playing, almost of scales and arpeggios and in the purchase of an organ is generally to be any teacher will serve, provided he development of full control of both avoided, although one may get some enjoys the same kind of playing that hands and feet as soon as possible. idea in a few sessions about one's the student does. On the other hand, Such development can be the center potential in organ-playing. Especially such a student won't have much fun of attention for serious students, but to be avoided by all serious students going to a teacher who believes in a since many do not care to achieve high are the teachers who use pointer sys­ solid foundation of technique; but if musical proficiency, the teacher must tems ( devices that show you where to the student hopes ever to be able to try to make every lesson-experience place your fingers) and teachers with study independently without a teacher , contain elements of lasting value, if it major character disorders. The latter he'll have to go through the program be only a right-handed scale-run in the may often be discovered in a pre- that all good players have undergone. □

THEATRE ORGAN APRIL, 1972 35 SAN FRANCISCO PARAMOUNT Montclare Theatre, Avenue Theatre, Iceland Amphitheatre, 7133 W. Grand 2650 San Bruno Ave. 8041 Jackson 3/10 Barton. Occasionally. 3/19 Wurlitzer. Regularly. 3/14 Wurlitzer. Oriental Theatre, Friday evenings. RESEDA 20 W. Randolph Cinema 21, Pipes'n Pizza, 4/20 Wurlitzer. Occasionally 2141 Chestnut St. 7500 Reseda Blvd. 2/6 Robert Morton. 2/10 Wurlitzer. Patio Theatre, Occasionally. Nightly except Monday. 6008 W. Irving Pk. Lost Weekend, SAN DIEGO 3/1 7 Barton. Occasionally. 1940 Taraval Fox Theatre, WGN Studios, 2/10 Wurlitzer. Nightly 720 B Street 2501 Bradley Pl. Orpheum Theatre, 4/31 Robert Morton. 3/10 Wurlitzer-Kimball. Sundays. 1192 Market St. Monthly. CRYSTAL LAKE 4/21 Robert Morion. Occasionally. COLORADO Martinetti's Restaurant, 6305 NW. Highway Thisis a reasonablyup-to-date listing SAN LORENZO 2/8 Wicks w/percussions. Nightly. ALAMOSA andschedule of use of theatreorgans Ye Olde Pizza Joynt, in the UnitedStates. Additions, cor­ 1951 Hesperian Rd. Rialto Theatre ELMHURST rections or deletions should be re­ 3/13 Wurlitzer. 2/7 Wurlitzer. Nightly. Elm Skating Club, ported to Lloyd E. Klos, 104 Long Nightly except Monday Roosevelt Rd. and Route 83 and Tuesday. Acre Rd., Rochester, N. Y. 14621. LOUISVILLE 4/24 Hybrid. Daily. Remember: we cannot keep this SAN RAFAEL Three Coins Restaurant, JOLIET Main St. S. list as up-to-dateas possible if in­ Marin Pizza Pub, Rialto Theatre 526 Third St. 3/13 Wurlitzer. Nightly. formation is not sent to the above 4/21 Barton. Saturday evening:,. address. 3/13 Morton. Nightly except Monday. CONNECTICUT LA GRANGE CALI FORNI A (North) SANTA CLARA Lyons Township High School THOMASTON Capn's. Galley No. 1 3/21 Moller. Occasionally. 3581 Homestead Rd. Opera House. BURLINGAME NORRIDGE 3/12 Wurlitzer. 3/10 Marr & Colton. Often. Encore Theatre, Nightly except Monday. Hub Roller Rink, 1157 California St. 4510 Harlem Ave. 3/11 Wurlitzer. Occasionally. SANTA ROSA DELAWARE 3/10 Wurlitzer. Daily. CAMPBELL California Theatre, 431 B St. WILIMINGTON PARK RIDGE Capn's. Galley No. 3 2/7 Wurlitzer. Occasionally . John Dickinson High School. Pickwick Theatre, 1690 S. Beacon 5 S. Prospect 3/19 Kimball. Often . 3/26 Wurlitzer/Morton. VALLEJO 3/11 Wurlitzer. Occasionally. Nightly except Monday. Rudy's Supper Club, FLORIDA ROCKFORD COURTLAND 2565 Springs Rd. 2/6 Wurlitzer . Coronado Theatre River Mansion, -Nightly except Monday . Steamboat Slough. DUNEDIN 4/1 7 Barton. Occasionally. 3/10 Morton. Regularly. Kirk of Dunedin 2686 U.S. Alt. 19. CALIFORNIA (South) FREMONT 3 /19 Wurlitzer. Often. INDIANA House of Pizza, EL SEGUNDO 20 Fremont Ctr. GEORGIA 2/7 Morton. Weekends. Old Town Music Hall, EAST CHICAGO 146 Richmond ATLANTA Indiana Theatre, FRESNO 4/20 Wurlitzer . Regularly. 3458 Michigan Fox Theatre, Wilson Theatre, 3/10 Wurlitzer. Occasionally. 1455 Fulton GARDENA 660 Peachtree St. NE. 3/11 Wurlitzer. Weekends. Roosevelt Memorial Park, 4/42 Moller. Weekends. FORT WAYNE 18255 S. Vermont Embassy Theatre, LOS ALTOS 4/17 Wurlitzer . Regularly. HAWAII 121 W. Jefferson Melody Inn , 4/15 Page. Weekends, 233 Third Ave. GLENDALE HONOLULU September thru May . 4/20 Wurlitzer. Whitney Recording Studio Nightly except Monday. 4/34 Wurlitzer /Morton. Often. Waikiki Theatre, IND!ANAPOLIS Lalakava Ave. Rivoli Theatre, MARTINEZ LONG BEACH 4/14 Robert Morton. 3155 E. Tenth Friday and Saturday nights. Bella Roma, Koon 's Motorcycle Shop, 3/14 Uniphone. Daily. 4040 Alhambra Ave. 1350 E. Anaheim 3/15 Hope-Jones Wurlitzer. 3/22 Wurlitzer. WHITING Daily. ILLINOIS Saturday evenings. Hoosier Theatre, 1335119th. St. REDWOOD CITY LOS ANGELES CHICAGO 3/11 Wurlitzer. Occasionally. Capn's. Galley No. 2 Elk's Lodge, Aragon Ballroom, 821 Winslow St. 607 S. Parkview Ave. 1106 W. Lawrence 4/18 Wurlitzer. 4/61 Robert Morton. Often . 3/10 Wurlitzer. Occasionally. Nightly except Monday. Tubes Inc., Warehouse Chicago Stadium, MARYLAND SACRAMENTO 2/15 Wurlitzer. Often . 1800 W. Madison Carl Greer Inn, 6/62 Barton. Often. 2600 Auburn Blvd. Wiltern Theatre, FREDERICK 4/16 Robert Morton. 3790 Wilshire Blvd. Downer's Grove High School Tivoli Theatre Nightly. 4/37 Kimball. Monthly. 3/10 Wurlitzer. Periodically. 2/8 Wurlitzer. Occasionally.

36 APRIL, 1972 THEATRE ORGAN MONTAGUE MICHIGAN OHIO UPPER DARBY Montague Roller Rink Tower Theatre, DETROIT 2/8 Rober t Morton. Daily. AKRON 69th and Market Fox Theatre, Civic Center 3/1 7 Wurlitzer. Weekends. Woodward Ave. OCEAN GROVE 3/13 Wurlitzer. Periodically. Ocean Grove Auditorium 4/36 Wurlitzer. Occasionally. TENNESSEE 4/12 Hope -Jones. Occasionally. CANTON Redford Theatre, Lahser Rd. PITMAN Palace Theatre KNOXVILLE 3/9 Kilgen. Weekends. 3/10 Barton. Frid ay evenings, Broadway Theatre Tennessee Theatre, September thru May. 604 Gay St. 3/8 Kimball. Sundays. CINCINNATl 3/14 Wurlitzer. Weekends. Senate Theater, RAHWAY Shady Nook Restaurant, 6424 Michigan Ave . Route 27 between MEMPHIS Rahway Theatre Milville and Oxford 4/34 Wurlitzer. Monthly . Malco Theatre 2/7 Wurlitzer. Often. 4/25 Wurlitzer. Nightly 3/13 Wurlitzer. Sundays. FLINT except Monday . SURF CITY Capitol Theatre Surf City Hotel, COLUMBUS UTAH 3/11 Barton. Weekends. Long Beach Island. Ohio Theatre GROSSEPOINTE FARMS 3/15 Wurlitzer. Nightly, 4/20 Robert Morton. Occasionally. SALT LAKE CITY May thru September. Punch & Judy Theatre, The Organ Loft, LORAIN 3331 Edison St. Kercheval Ave. TRENTON 2/5 Wurlitzer . Friday evenings, Palace Theatre 5/42 Wurlitzer-Morton. Often. Lincoln Theatre September thru May. 3/10 Wurlitzer . Occasionally. 3/15 Moller. Periodically. VIRGINIA LANSING OLMSTEAD FALLS WANAQUE Michigan Theatre Lamplighter's Inn, ALEXANDRIA Suburban Restaurant 3/10 Barton . Sunday nights . 7068 Columbia Rd. Alexandria Skating Arena, 3/1 7 Wurlitzer. Nightly . 3/18 Kimball. Wed., Fri. and First Street ROYAL OAK Sat. Nites. 4/34 Wurlitzer. Nightly. Royal Oak Theatre, 318 W. Fourth Street OKLAHOMA Virginia Theatre, 3/10 Barton . Friday and Saturday NEW YORK First St. evenings, September thru May. MIAMI 3/11 Barton. Nightly. Coleman Theatre RICHMOND MINNESOTA BINGHAMTON 3/7 Wurlitzer. Often. Byrd Theatre, Roberson Center, Cary St. MINNEAPOLIS 30 Front TULSA 4/1 7 Wurlitzer. Diamond Jim's 3/17 Link . Monthly . Christan Crusade Auditorium, Nightly except Sunday. 2808 S. Sheridan 2/7 Wurlitzer. Nightly BROOKLYN 3/10 Robert Morton w/traps. Loew's Theatre, MOORHEAD Loew's Kings Theatre Sunday. 6th and Grace. 4/23 Morton. Periodically. 3/13 Wurlitzer. Bud's Roller Rink, Nightly except Sunday. 2120 First Ave. N. OREGON Long Island University 3/7 Barton-Johnson. Weekends. 385 Flatbush Ave. Mosque Auditorium COOS BAY 4/26 Wurlitzer. Often. 3/17 Wurlitzer. Occasionally. MISSOURI Egyptian Theatre NEW YORK CITY 4/12 Wurlitzer. Saturday evenings. WASHINGTON KANSAS CITY Beacon Theatre, Broadway and 7 4th. St. OAKS PARK Russell Stover Auditorium 4/19 Wurlitzer . Periodically. Oaks Park Roller Rink 3/8 Wurlitzer. Occasionally. FEDERAL WAY Radio City Music Hall, 4/17 Wurlitzer. Daily. Big Bob's Pizza, POINT LOOKOUT Rockefeller Center 31406 S. Pacific Hwy. School of the Ozarks, 4/58 Wurlitzer. Daily. PENNSYLVANIA 2/5 Robert Morton. Nightly. Highway 65 3/15 Wurlitzer. Often. United Palace, SEATTLE 175 th. St. BROOKLINE Granada Organ Loft, ST. LOUIS 4/23 Robert Morton. Occasionally. 5011 California Ave. Brookline Theatre Fox Theatre , 4/30 Wurlitzer. Weekends. N. Grand and Washington NORTH TONAWANDA 3/16 Kimball. Weekends. 4/36 Wurlitzer. Daily. Riviera Theatre, Ridge Skating Rink, 67 Webster HERSHEY 620 N. 85th 3/12 Wurlitzer . Monthly . Hershey Community Theatre, 2/7 Wurlitzer. Nightly. NEW JERSEY off Chocolate Avenue ROCHESTER 4/45 Aeolian-Skinner. Occasionally, Seattle Center Food Circus ASBURY PARK 3/8 Wurlitzer. Daily. Auditorium Theatre, LANSDOWNE Convention Hall 875 Main E. Lansdowne Theatre, SOUTH TACOMA 3/7 Kilgen. Occasionally. 4/22 Wurlitzer. Monthly, Lansdowne Ave. September thru May. Steve's Gay Nineties ATLANTIC CITY 3/8 Kimball. Daily except Sunday. 3/8 Wurlitzer. ROME Fri. and Sat. nights. Convention Hall KENNETT SQUARE Capitol Theatre 7 /455 Midmer-Losh. Occasionally. Longwood Gardens 3/7 Moller . Weekends . 4/200 Aeolian w/percussions. WISCONSIN Convention Hall Ballroom SYRACUSE Sunday during winter months. 4/42 Kimball. Occasionally. State Fair Grounds PHILADELPHIA MILWAUKEE 3/11 Wurlitzer. Monthly. EATONTOWN Wanamaker Store, Center Theatre, September thru June Wisconsin Ave. and 2nd St. Mahns Bros. Bicycle Shop. and during State Fair Week 13th and Market 2/18 Robert Morton. Occasionally. in August. 6/452 Organ. Daily. 3/28 Kimball. Fri. and Sat. Nights .

THEATRE ORGAN APRIL, 1972 37 ATOS CLapter CLairin.en and Secretaries

ALOHA (40) EASTERN MASS. (1) NORTHERN CALIF. (4) ST. LOUIS (15) Phil Walters, Chm. Carl W. Getz, Jr., Chm. Warren P. Lubich, Chm. Joe Barnes, Chm. 1519 Nuuanu Avenue 7 Nimrod Drive 1427-25th Ave. 822 Limoge Drive King Tower 1 76 Concord, Mass. 01 742 San Francisco, Calif. 94122 Manchester, Missouri 63011 Honolulu, Hawaii 96817 Francois Lambree, Sec'y. Mrs. Gerry Haynes, Sec'y. Edgar T. Kline, Sec'y. Mrs. Grace Jenkins, Sec'y. 4 Royal Oak Drive 4032 Archery Way 12090 Fleetwood Place 1001 Wilder Ave. No. 1004 Nashua, N.H. 03060 El Sobrante, Calif. 94803 Bridgeton, Missouri 63042 Honolulu, Hawaii 96822 HEART OF AMERICA (25) OHIO VALLEY (10) SIERRA (29) BEEHIVE (31) No response from chapter George V. Eaglin, Chm. Bob Longfield, Chm. Eugene E. Breinholt, Chm. 16 E. Walnut Street 4800 Auburn-Folsom Rd. No. 49 144 7 Roosevelt Avenue LAND O'LAKES (9) Southgate, Kentucky 41071 Loomis, Calif. 95650 Salt Lake City, Utah 84105 Don Peterson, Chm. Glenn E. Merriam, Sec'y. Cathy Zeller, Sec'y. Mrs. Maxine Russell, Sec'y. 3308 Zarthan Ave. P.O. Box 222 5223 Glancy Drive 2570 Commonwealth Ave. Minneapolis, Minn. 55416 Cincinnati, Ohio 45202 Carmichael, Calif. 95608 Salt Lake City, Utah 84109 Lawrence Crawford, Sec'y. OREGON (20) SOONER STATE (34) CEDAR RAPIDS (39) Route 5 Jonas Nordwall, Chm. Ron Willfong, Chm. Charles G. Albrecht, Chm. Osseo, Minnesota 55369 823 S.E. Nehalem Street 282 - 34 Street S.E. Portland, Oregon 97202 1205 S. Indian Cedar Rapids, Iowa 52403 LOS ANGELES (3) Tulsa, Oklahoma 74127 Charles H. Lander, Chm. Mrs. Nancy Nordwall, Sec'y. Pat Marshall, Sec'y. Mrs. Edna Green, Sec'y. 18240 Erwin Street 823 S.E. Nehalem St. 3020 Circle Dr., N.E. Rt. 13 Box 529 Reseda, California 91335 Portland, Oregon 97202 Cedar Rapids, Iowa 52402 Tulsa, Oklahoma 7 4107 Robert L. Stratton, Sec'y. CENTRAL INDIANA (26) PIEDMONT (18) 4362 Hornbrook Ave. SOUTHEASTERN (14) Thomas L. Hawkins, Chm. Claude F. Cansler, Chm. Baldwin Park, Calif. 91706 Tommy Teaver, Chm. R.R. 3, Box 190-E 1312 - 5th Ave. S.W. Hickory, N. Carolina 28601 1206 Peachtree St., N.E. Greenfield, Indiana 46140 Ml D-AMERICA (28) Atlanta, Georgia 30309 Ruth Kirkpatrick, Sec'y. David E. Dillon, Chm. Mrs. Larry Hoke, Sec'y. 1441 Knollwood Drive 3266 Thurston Drive 1938 Marion Road SOUTH FLORIDA (32) Indianapolis, Indiana 46224 Wichita, Kansas 67216 Burlington, N. C. 27215 Steve Fitzgerald, Chm. 592 E. 52nd St. CENTRAL OHIO (30) PINETREE (21) Dorothy M. Rork, Sec'y. Hialeah, Florida 33013 Ed. Lawrence, Chm. Route No. 6 No response from chapter 1313 Highland View Dr. Wichita, Kansas 67216 George W. Gerhart, Sec'y. Rural Route POTOMAC VALLEY (7) Box 245 Powell, Ohio 43065 MOTOR Cl TY (24) Mrs. Jean Lautzenheiser, Miami, Florida 33138 Claude H. Sheridan, Chm. Chm. Paul S. Noblitt, Sec'y. WESTERN RESERVE (16) 2464 Mulberry Road East 7216 Newman St. 4642 Musket Way Bloomfield Hills, Mi. 48013 Springfield, Va. 22150 Richard L. Geyser, Chm. Columbus, Ohio 43228 4 79 South Rocky River Dr. Donald G. Lockwood, Sec'y. Mrs. Marjorie L. Lane, Sec'y. CHICAGO AREA (13) Berea, Ohio 4401 7 P.O. Box 671 13901 Castaway Drive William Reiger, Chm. Dearborn, Michigan 48121 Rockville, Maryland 20853 Marjorie F. Jentz, Sec'y. 6244 W. Eddy St. 11806 Miles Avenue Chicago, Illinois 60634 Cleveland, Ohio 44105 NEW YORK (17) PUGET SOUND (12) Douglas Christensen, Sec'y. Arthur M. Cox, Jr., Chm. Margaret Sabo, Chm. WEST PENN. (41) 301 W. Goebel Dr. 24 Kensington Terrace 10141 N.E. 64th Harold Meinhardt, Chm. Lombard, Illinois 60148 Maplewood, N.J. 07040 Kirkland, Washington 98033 301 Grand Ave. Aliquippa, Pa. 15001 CONNECTICUT VALLEY (11) Allen W. Rossiter, Sec'y. Thelma Barclay, Sec'y. Frank B. Manion, Chm. P.O. Box 1331 10228 N.E. 24th Robert Jordan, Sec'y. 52 Mark Drive Passaic, N.J. Bellevue, Washington 98004 8791 Casa Grande Dr. Wapping Connecticut 06074 Pittsburgh, Pa. 15237 RED RIVER (27) Paul N. Taylor, Sec'y. NIAGARA FRON Tl ER (8) 12 Byron Road Randorf A. Piazza, Chm. Lance E. Johnson, Chm. WOLVERINE (22) 1324 S. 23rd St. Manchester, Conn. 06040 230 Jewett Avenue David Voydanoff, Chm. Buffalo, New York 14214 Moorhead, Minnesota 56560 1796 Burns DAIRYLAND (36) Carol Sma by, Sec'y. Detroit, Mich. 48214 Fred Hermes, Chm. Elwyn Guest, Sec'y. 321 - 20th Ave. N. 616 Sixth Street 19 Center Street Mary Harrison, Sec'y. Fargo, North Dakota 58102 Racine, Wisconsin 53403 Angola, N.Y. 14006 210 E. Mount Hope Ave. Lansing, Mich. 48910 DELAWARE VALLEY (2) NORTH TEXAS ROCKY MOUNTAIN (23) Joseph E. Elicker, Chm. John Beck, Chm. B.C. Johnston, Chm. See ... 422 Woodbine Ave. 6032 Linden Lane 6875 E. Iliff, Apt. 323 WASHINGTON, D.C. Narberth, Pa. 19072 Dallas, Texas 7 5 23 0 Denver, Colorado 80222 in the summer Mrs. Roger Bloom, Sec'y. Mrs. Doxie Jackson, Sec'y. Mrs. Charles Rowe, Jr. Sec'y. • 70 Old Kings Highway 915 Wisteria Way 6957 Carr Ct. come to Our Downingtown, Pa. 19335 Richardson, Texas 75080 Arvada, Colorado 80002 ATOS CONVENTION

38 APRIL, 1972 THEATRE ORGAN sound of Chopin's Fantasy-Impromptu . But was it John Seng or Ashley Miller? Nevertheless, the audience was treated to an admirable tribute from one great musician to another. (John gra­ ciously acknowledged that he was in­ spired by Ashley's famous arrange­ ment.) With the right hand console sitting in its twin performance perch we just about guessed what John had up his sleeve as he respectfully in­ troduced Lee Erwin who joined him in an effective dialogue of "It's Been A Long Time." Each of John's numbers had some­ thing special to off er the audience. This writer, however, finds it difficult to resist revisiting each one in detail, as would be fitting in a review. In­ stead of a lengthy commentary of each piece as to the stylistic and musical approach I would say this. To all his numbers John exercised good judgement in handling the organ as much as an orchestral mu si ca I instrument as possible. At the time John was using individ­ ual ranks to achieve orchestral realism, the organ seemed quite faint in that NEW YORK CHAPTER HOSTS large room. I feel that this, however , is the essence of the organ and was well worth throwing my ears for. I think this treatment revealed to New JOHn senG AT Yorkers, and to us, that this instrument is more than just an intermission filler. With John Seng and John Jackson, RADIO CITY music HALL The New York Chapter will do well to repeat this one. □ by Allan Day

On Sunday morning February 13 John brought out beautiful solo voices LEN CLARKE that are too often rendered undis­ Radio City Music Hall saw an audience TO HEAD ATOS ADVERTISING collected of New York chapter faith­ tinguishable in fuller registration. fuls plus organ-minded out of towners. During the intermission the Good Leonard R. Clarke , former man­ Certainly, for anyone who is familiar Will Ambassador of the Music Hall ager for organist Arsene Siegal, has with the brilliant musicianship of John stage, RCMH Vice President, John H. been appointed advertising manager Seng and the fame of the Music Hall Jackson, revealed much of the magic for THEATRE ORGAN magazine, ef­ Organ this was one attraction worth of the "behind-the-scenes" mechanisms fective March I, 1972. A member of traveling for. that make each show a wonder of the Chicago Area chapter, Len will Following a warm greeting from entertainment even to l 972's sophis­ assume the duties of Dick Schrum Claud Beckham, John began his pro­ ticated audiences. who asked to be released as advertis­ gram with "Tonight" from West Side John Jackson has been a good ing manager, a position he has held Story using registration most charac­ friend of ATOS through association since 1970. teristic of the Music Hall Wurlitzer. with prominent members such A purchasing agent for The Schwinn Next was an interesting arrangement as Richard Simonton and the I ate Bicycle Company, Len Clarke wrote of LeRoy Anderson 's "Sleigh Ride" Ben M. Hall, whose memory the audi­ Pipe Dreams, Chicago, U.S.A ., a feature boasting Sengian harmonic treatment ence reflected upon in silent tribute article about radio station pipe organs, that lent an effective spirit to this as requested by Mr. Jackson. Arthur for the June, 1969 issue of THEATRE standard. The three numbers which Cox, New York Chapter Chairman, ORGAN. followed; namely "Summer of 42' " , presented on behalf of the N.Y.T.O.S. Advertising correspondence for Wachet Auf' by J.S. Bach and the Board of Directors an honor to Mr. THEATRE ORGAN magazine should suite from "The Nutcracker" , made Jackson in the form of an Honorary be directed to: ATOS Advertising, use of the organ in a manner that was Membership in ATOS and the chapter. 2231 North Burling Street, Chicago, most colorful and orchestral. Here Our ears were then filled with the Illinois 60614. □

THEATRE ORGAN APRIL, 1972 39 BLACKOUTAT CLAPHAMJUNCTION but the Or!!anPlayed on!

by Lee Haggart

The effect of the recent electrical lights were cut off and a spotlight was power shortage in Great Britain on centered on the console position. The organ enthusiasts is revealed in this organ lift brought David Sheppard communique from across the "pond. " and the three-manual Wurlitzer up. When the lift attained solo position A new high in devotion to the art and stopped, the organ blower was of theatre organ must have been set started, not before. recently by the members of the Theatre Ralph Bartlett, acting master of Organ Club of England. On Sunday ceremonies, using the public address February 13, 1972 the concert at the system explained the house lighting They's somethin kinda interestin Granada Theatre, Clapham Junction, arrangement in one word : "none!" goin on lately that takes me way London, presented three favorite the­ The spotlight and public address were back pratically to The Berth of a atre organists under the most dif­ turned off and the program proceeded Nation. What I mean is they've started ficult of conditions. The coal miners' with nothing but the fire exit lights to show the old silent pictures all over strike and the resulting shortage of glowing. John Mann and Ray Bains again, and then they get the organ electrical power made the concert were each introduced by momentary players to play the music for them date doubtful due to the rotation use of the spotlight and the P.A. just like they used to back in the shutdown of electrical power in the Organists exchanged posit"ion with the twenties. I can remember back to them various sections of Metropolitan lift in solo position. The program old silent movie theyters when all they London. closed with a spotlight on the last had at first was a piano player and A good attendance, most unex­ organist as the lift went down. Then sometimes a drummer to put in all the pected in view of the chance of black­ the work lights came on to allow the sound effecks. Then pretty soon they out with only a five minute warning, audience to depart. ln the words of started puttin in them theayter organs encouraged the general secretary and Ralph Bartlett as he made the first which they called Unit Orkestr as on the organists to put the program on as introduction "you came to hear the acct. they had all kinds of different announced. After a hasty consultation organ and the management is making sounds on them which was suppose with the theatre manager and his staff that possible - but no lights." to sound like a orkestra. So then the the program was allowed to proceed. Most of the audeince seemed to like piano players had to rassle with these The theatre auditorium lights were the opportunity of hearing the organ organs. Sometimes they tried usin not used. All seating of the large alone without the trimmings, giving church organ players but -that didnt audience was done using two "work each artist excellent support. work so good on acct. the church lights," 500 watt "clear" bulbs mount­ As we said: Surely this must be a organ players wasnt hep to the kind ed on top of a seven foot standard. record of some kind for devotion to of music they needed for pictures. With the audience seated the work the theatre organ. D So the piano players got in with both feet as you might say, except they just used there left feet for the pedals so they got to be called left-footed THE organ players. Not havin a tin ear they say I got so I could tell whether the organ HOOSIER players was good at there jobs or not. Auditorium Theatre A lot of them would just kinda dribble through a picture without usin any Whiting, Indiana music. Some feller in the know about presents exclusively harmonics I guess you call them said that a organ player could play a whole adventure picture just usin what I DICK SMITH think he called diminishin sevenths whatever they are. They had little Featured Artist at the forthcoming tunes they used for different kinds of 1972 Theatre Organ Convention in Washington, D.C. scenes. One of them was called mis­ teriosos and it was in the miner and it went dum , dum , dum , dum, da-a-a-a, WEDNESDAY, MAY 3RD - 8:00 P.M. dum. Then they was another one for edgitatos an d that was in miner too The FinestSelection of YourPopular Music at the Mighty Wurlitzer only it went faster like this - daddladd­ lum, daddladdlum. I guess they was

40 APRIL, 1972 THEATRE ORGAN other ones too but that's all the ones I remember. Then they was the kind of organ players who could read good and they got out a lot of music they got the names of from what they called cue sheets. All the music depts. of the movie companies would make up these cue sheets with the place in the picture they was to use called cues, like for eHAPTERNOTE~ instance Man leaps on horse, and then it would say Hurry No. 8 by Lake and then give how long it was suppose to last, and then maybe the cue sheet would have two or three main themes ruary 20th at the Hawaii Theatre drew for the different carakters to be use all ALOHA over 200 fans of the theatre organ. through the picture. They was com­ Since our last "Aloha", the Chapter George played for a very receptive posers like this Mr. Lake and Mrs. has been keeping quite active. audience for nearly an hour, touching Savino and Mr. Zamecnik and a lot Back in December , the first public upon many different styles of music. of other riters who didnt do nothin concert was presented on the recently As if one organ concert wasn't but rite these things they called mood completed Hawaii Theatre installation. enough for George, the following week music and the only trouble is that The former Princess Theatre 4/16 he played a repeat performance at a it was a kind of phony music that Robert Morton was given it's public meeting of one of the local electronic could start and stop most any place, debut jointly by local staff theatre organ clubs. When queried about his so that when the organ player sees organist John DeMello and fellow mem­ preference, George said he definitely the next cue on the screen he can ber George Krecji. Over 130 people liked the pipes better ... don't we jump to the next piece of music and were present for this premiere con­ all? no bones broke as you might say. cert and were also witness to a little While all the details haven't been And then finally they was the real "sur prise ". John DeMello had just worked out yet, the chapter has sched­ good players somethin like Mr. Gay­ finished a musical trip across the U.S.A. uled its second concert of the year for lord Carter who is now called Mr. and was ready for George to take over Sunday, March 19th featuring frequent Flicker Fingers on acct. he has been the second half of the program, when isle visitor and theatre organist Elbert makin a lot of jack goin around the Aloha Chapter's Roger Angell walked LaChaille. country and playin the organ for the onstage and, on behalf of the chapter, And finally, a reminder to all ATOS old Harold Lloyd pictures , and fellers presented John with an Honorary Life members to be sure and look us up like him and Mr. Lew White and Mr. Membership in the Aloha Chapter. It when you visit the islands. Aloha! John Hammond and Mr. Velazco and was in gratitude for his many years of LOWELL ANGELL Mr. Oliver Wallace and a lot like that devoted work and dedication in the could impervise real good so it sounded promotion and preservation of the like good music and they had a good theatre organ in Hawaii. Judging by CENTRAL OHIO memory for pieces from the classick the many friends John has gained Three concerts are scheduled in composers that would fit the action over the years while at the console in Columbus on the Ohio Theatre's just right and it was a pleasure to hear the islands, the award was well-de­ Mighty 4/20 Morton. Longtime staff them play. Mr. Carter he made up a served. Roger confided to the audience organist Roger Garrett will return for meddley he calls The Chase and it goes during the presentation how difficult the fourth time on March 11 followed lickety-scat and it has every fast piece it was to lure John away from chapter by Gaylord Carter in his third ap­ you ever heard of all rolled into one meetings on two occasions so the pearance on April 29 and Dennis long piece and whenever he plays award could be discussed without his James on May 19. Gaylord will present it I can just see those crazy old autos knowledge. Needless to say, John was his special 50th anniversary show plus tearing along until they go over the deeply appreciative of the honor. accompanying "The Winning of Barbara cliff and turn over and burst into Following the second half of the Worth". Dennis , in his first appearance flames. So we still got some of those concert, the Aloha Chapter held a at the Ohio , will be presenting a couple guys around like Mr. Koury and Mr. reception for members and guests in of silent goodies including Laurel & Castillo and Mr. Muri and Mr. Erwin our newly-decorated chapter room Hardy and Charlie Chaplin. who can make them organs sit up and backstage at the theatre. COTOSmember Tom Hamilton and talk and make those old silent pictures This year's activities began with the Rodgers Organ Co. will be scoring seem about twicet as good as they are. □ an "Aloha" concert featuring member a first with the unveiling in May of George Krecji. "Aloha" in Hawaiian Tom's fabulous Rodgers-Morton organ ~ can mean either "welcome" or "good­ in his home. Rodgers design engineers something to CROW abou~ bye", and in this case it meant both; have been working closely with Tom THE ATOS ••~ welcoming the New Year and bidding for several months to come up with a NATIONAL CONVENTION goodbye to George, who'll soon be considerably modified Rodgers 340 leaving the islands. built into a Morton 3 manual console. JULY 10 thru 14, 1972 The concert, Sunday morning, Feb- The new hybrid will feature an equiv-

THEATRE ORGAN APRIL, 1972 41 alent 10 ranks , more than 200 stop to its restoration, Paul Noblitt, COTOS by the E.M. Johnson family in their tabs , second touch , electronic and secretary , explained the operation and beautiful North Dallas residence for Morton traps including piano, equiv­ made an appeal for a permanent home our annual Christmas program. alent 4 manual performance with for this fine instrument. Mr. E.M. Johnson acquired the 3/ 11 separat e Solo and Orchestra divisions , FRANK BABBITT Wurlitzer from the First Presbyterian transferable to the same manual by Church in Corpus Christi, Texas in means of a tab , plus many more CHICAGOAREA April 1960, then put it in storage features . while building a home for it and their Tom used a Howard seat, from the The first event of the 1972 calendar family. Moving time was August 1961 Ohio Theatre Morton , as a pattern was an open house at the Downers and the giant roared into action in to have a local foundry cast two Grove North High School in January August 1966 . The organ originally more, Borrowing this was no problem with members and guests taking turns had two Diapasons, but Mr. Johnson since Tom and fellow COTOS member at the console of the well-prepared found a Wurlitzer Harmonic Tuba for Carlos Parker jointly own the Ohio 3/10 Wurlitzer. the solo chamber. The only rank not Morton. Carlos is also the manager of In February members congregated Wurlitzer is the Orchestral Oboe in the Ohio . Willard Ebner , who is one at the Patio Theatre and heard a Mini­ the solo chamber. of the key men on the restoration of Concert by Ron Bogda, assistant organ­ We were surprised by the young COTOS' 3/ 16 Wurlitzer from the RKO ist at the Chicago Stadium. After organ student from T.C.U. by the Palace , did the machine work on both Ron finished, the 3/17 Barton console name of Lew White. He took command castings. One seat will wind up on the was turned over to those who had of the instrument as though he had Rodgers-Morton and the other on the signed up for a chance to play . The been playing it forever. Along with a Wurlitzer. truly Golden-voiced Barton at the friendly smile, he joined our Dallas The COTOS Wurlitzer was an item Patio is now under the care of Andy Chapter though he lives in Ft. Worth. on a local TV station this month for Haban and his crew. We had no business meeting, how­ the second time. This came as a progress The last echo of the Theatre Organ ever February will have all in order. report on an earlier documentation Era in Chicago was the sound of the EDWARD O'NEAL STONE of the restoration work being done Chicago Theatre Wurlitzer with Arsene on this organ. Several minutes on the Siegal at the four manual console. LOS ANGELES 11 :00 pm news were devoted to shots Things were pretty quiet until CATOE The Los Angeles Chapter's 1972 of the organ and the people devoted got organized and gradually most of lead-off concert, scheduled for Sunday the still existing theatre organs in the morning, Jan. 9, was to have been the Chicago Area came under CATOE care, long-awaited return of Tom Hazleton but not the Chicago Theatre Wur­ to the Wiltern Kimball. All arrange­ litzer. For many years many people ments had been made, publicity had had tried to obtain the opportunity been sent out, and everything was all to restore this organ without success . set, except for one detail: an unplay­ Somehow succeeding where all others able organ! had failed, Bill Rieger finally obtained One week before the scheduled con­ an official O.K. - and currently cert Leonard Worne and his mainte­ CATOE members are at work preparing nance crew gathered at the Wiltern on the organ for a show which is planned Sunday, morning, prepared to tackle the for later this year. problems of final touch-up and tuning. The chapter's newest project, a Instead, they found to their horror 3/ 10 Barton at the Genessee Theatre that the roof, which had been re­ in Waukegan got started in February paired following the February 1971 with George and Joan Geyer heading the crew. As we wondered what to do about ASSEMBLE THIS ORGAN an almost pipeless Wurlitzer in the Aurora Paramount, theatre manage­ Save 50% . Buy direct, in kit form. Enjoy your favorite music on a beautiful ment decided for us by selling it. Newport electronic organ. You will enjoy constructing a full-size (32-note pedal) Luckily it went to CATOE member organ for your home or church. No special Terry Kleven who plans to use the tools or skills are required. Complete in­ structions supplied. All solid-state circuitry. gorgeous waterfall console along with Newport is a multi-set, independent oscil­ previously obtained Wurlitzer pipework lator organ with tonal quality approaching AT THE ATOS a large pipe organ. Start with a console and to set up an organ for a limited mem­ NATIONAL CONVENTION add as time and funds are available. Sev­ bership club to be patterned after the eral models to choose from . Make money in JULY 10 thru 14, 1972 your spare time custom-building Newport very successful DTOC. organs or adding accessories to organs . WASHINGTON, D. C. Send $2.00 for a complete book and TONY TAHLMAN catalog , "Organ Building for Fun and Profit" by Robert L. Eby, inventor of the kit organ . • DALLAS REGISTER NOW The folks of the Dallas Chapter of FOR THE ATOS CONVENTION ~?,;¥. .c:?!!.~~~~the American Theatre Organ Society YOU'LL SAVE MONEY! Newport Beach, California 92660 • (714) 645-1530 and their guests were warmly greeted

42 APRIL, 1972 THEATRE ORGAN earthquake, had sprung another leak, particulary in a working theatre where Taken all together, Jan uary was a and the main chamber was thoroughly access to the organ is necessarily pretty wild month for the Los Angeles soaked. The principal damage was limited. Fortunately we had lots of Chapter. But somehow we survive d, to the main switch stack: magnets, skilled and willing help, or the job and when the many guests for the primaries, valves, and secondaries -- never would have gotten done. To list Great Western began to arrive an d 150 switches completely wiped out. here the names of everyone who enjoy themselves it made all the work Additional casualties included a Tibia pitched in to help would be out of and effort seem very much worth­ treble offset chest, one Vox chest, the question, but the L.A. Chapter while. four Diaphones, part of the English is sincerely grateful to every one of BILL EXNER horn and Tibia main chests, one trem­ them. ulant, and numerous odds and ends. Simultaneously with all the ruckus On a 37-rank organ you can have and blood -shed at the Wiltern, Neal MOTORCITY a few things not working and still Kissel and his crew were putting the The Punch and Judy Theatre's 2/5 play a good concert, but the main finishing touches on the new San Wurlitzer was heard on Saturday morn­ switch stack is definitely not one of Gabriel Wurlitzer, getting it ready for ing, January 15, in a program presented those things. After a hastily called con­ its dedication as part of the convention . by the Detroit Association of Film ference of Board members and main­ Finishing and regulation were under Teachers. Ken Edgington, of Blan ­ tenance experts, we had to face the the direction of member Gordon Kib­ chester, Ohio, was guest organist for fact that, except possibly through bee, assisted by Ken Kukuk. Per­ the program which featured an hour ­ Divine intervention, there was abso­ fectionist Kibbee insists that there is long concert, including a sing-along. lutely no way the Kimball could be still more finishing to be done before Following intermission, we found our­ patched up in time for the concert. he will be completely satisfied, but selves viewing Peter Bogdanovich's Minor Miracle Department: Minor those who attended the dedication "The Last Picture Show, "a film which Miracle No. 1 consisted of getting concert will agree that any further had not been released commercially 4020 cancellation announcements improvement to the sound will have in our area, but has since been nom ­ printed, addressed, and in the mail to be in the area of "lily-gilding". inated for "Best Picture of the Year" soon enough to prevent a riot of Meanwhile, in nearby Long Beach, by the Academy of Motion Picture enraged customers outside the Wiltern Joe Koons and his assistants were Arts and Sciences. at concert time the following Sunday. working day and night at the famous On January 20th the Motor City Somehow we did it. Only 11 people motorcycle shop, completing the in­ Theatre O rgan Society presented showed up at the door, and thanks to stallation of the new three-manual Thomas M. Kuras, F.A.G.O. in recital Chairman Chick Lander's on-the-spot console for his 22 rank Wurlitzer ­ at the 4/79 Casavant Freres pipe organ salesmanship two of these ended up Welte - also in preparation for the in the Detroit Institute of Arts Audi ­ joining ATOS. convention. torium. Mr. Kuras, Blessed Sacrament Minor Miracle No. 2 consisted of And right along with all this tech­ Cathedral Organist, chose selections getting all the water damage repaired nical activity Chick Lander and his by Franck, Vierne, Durufle and Du pre in time for the Great Western Con­ Convention Committee were madly to illustrate the instrument's capa­ vention starting Feb. 11. (See complete at work on the thousand-and-one pre­ bilities. The Institute is encouraging coverage of the Great Western else­ convention preparations which only Motor City Chapter members to use the where in this issue.) One month is those who have survived the hosting 45-year old organ, which is owned and simply not much time to repair that of a major convention can properly maintained regularly by the City of much damage and re-tune a big organ, appreciate. Detroit, as a practice instrument.

''STAN KANN in ST. LOUIS~~

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THEATRE ORGAN APRIL, 1972 43 John Muri played "train -music " to console session at the pretty Holly­ Lang Syne" while "Wicky" brushed accompany the film Pacific 231 as wood Theatre in Gowanda, N.Y. Myrna away a tear. part of his January 25th program at Crowley, Elwyn Guest, Andy Jarosik, Back to the show and Doc Bebko the Redford Theatre for students of Jim Myeres, Earl Garlock, and others who gave his tribute to Luella by the Holcomb Elementary School in provided some good music while the playing the themes of many famous Detroit. The following letter of ap­ rest of us just relaxed and enjoyed the organists of that bygone era. He also preciation, from the school principal, sounds of the 2/6 Wurlitzer housed accompanied a Harry Langdon silent seems to epitomize the ultimate goal there. movie. of ATOS: Frank Olsen's presentation to the 80-year-young Mrs. Wickham included Dear Mr. Muri, a lovely poem to our guest of honor On behalf of the students, staff and parents of the Holcomb School , written by Leah Wright, one of our may I express our thanks to you members. and to the local chapter of the Finally, Luella herself took com­ American Theatre Organ Society for mand of the organ and gave a dazzling the truly thrilling entertainment you provided us on Tuesday, January 25, showing at the 3/12 Wurlitzer. Then 1972 at the Redford Theatre. We she was presented with a bouquet of were extreme ly grateful for this most roses from the NFTOS, and well as unusual opportunity which provided other bouquets from Mr. and Mrs. a fine educational experience for our Stillman Rice, our President and Sec­ children. Aside from this, an all­ retary, and other friends and admirers. school walking trip of several blocks L to R - Andy Jarosik , House Organist, on such a cold morning was rather Riviera; Frank Olsen; Luella Wickham ; Yet, it was Luella Wickham's night, an adventure too. Harvey Elsaesser and the one and only indeed. Each person there paid his Many thanks again for your time "Doc" Bebko. own tribute to this wonderful woman, and efforts in our behalf. On February 15, Luella Wickham and Luella thanked everyone by taking Sincerely, the console to rest with a most ap­ Morton G. Bates, Principal of Syracuse, N.Y., was the honored propriate "Thanks for the Memory." An estimated 1,000 chapter mem­ guest at the Riviera as 4 top local artists paid tribute to this great lady And what a memory it was. bers, friends and guests nearly filled SHIRLEY COLE the main floor of the Royal Oak of theatre organ. Mrs. Wickham was Theatre to hear Lew Betterly at the introduced to the audience from her 3/10 Barton pipe organ on Sunday, seat in the front row and was presented OREGON with a lovely corsage from Mr. and February, 20th. Certainly it was the The December meeting was held at largest crowd yet to assemble for a Mrs. Joseph Thomas. Riviera house organist Andy Jarosik Benson High School in Portland, and Sunday morning chapter event. The featured a concert by Jerry Gregorius center of attention was Lew Betterly , with his youth and talent made his public debut. Interspersed through­ on the Kimball pipe organ. Jerry former organist at the Royal Oak , presented a fine program which was who was presenting his second pro­ out the evening were readings of tele­ grams to the star of the evening from warmly received by the members. gram for the Motor City Theatre Organ Following the concert a pot luck din­ Society. Lew's program included a many of her following from Syracuse, many friends, fans, and admirers, ner was served on the stage of the great many selections which took us auditorium. back to the days when he was playing including Eddie Osborne , Stu Green, On Sunday February 20th. the chap­ at the Royal Oak regularly, and in­ and Mr. Farny Wurlitzer himself! ter met at the Memorial Coliseum to cluded an ever-popular sing-along. Second on the agenda was Harvey hear Jonas Nordwall play the Rodgers DON LOCKWOOD Elsaesser's presentation of music to the standing-room-only audience. Sev­ organ in the vast arena of the building. This huge facility is the home of the NIAGARA FRONTIER eral chosen tunes and a sing-along were his contribution. professional Portland hockey and Riviera newcomer Nick Snow of Following Intermission, Luella was basketball teams, and, it was very Butler, Pa., gave a smooth and melo­ escorted onstage and was given another interesting to hear the room accept dious concert on January 19. He corsage. Chairman Randy Piazza then the organ without the sounds of crowds presented many seldom-heard tunes read the words on a beautiful plaque usually in the building. Jonas played as well as a lot of favorites. One which the Chapter was presenting to an outstanding concert, featuring pop number he played was a cute and its Sweetheart: standards, new contemporary songs, catchy tune written by a gal named and some light classics. This is one Margaret Brown for her dad William Presented to Luella Edwards of the very first Rodgers organs to be upon his acquiring a pipe organ. The Wickham at the Riviera Theatre, installed in a public building. It was in air is entitled "Pipe Organ Willie" and February 15, 1972, Recog­ recorded in the early 60's by Don nition of Many Years of Pleasure has never been presented anywhere Baker for Capitol, under the title of She has brought to the Theatre before (another Riviera First!). It was 94 Speakers. Following the morning Organ World with her Artistry a fabulous program that brought the concert, members met at Farrell's Ice enthusiastic listeners to their feet as at the Console by the Niagara Cream Parlour Restaurant for lunch Nick performed an encore. Frontier Theatre Organ Society. and business meeting. An informal On February 9, about 40 club After this recitation, Dr. Edward jam session followed on the 3/ 11 members and guests attended an open Bebko broke into the strains of "Auld Wurlitzer in the Robert Burke home.

44 APRIL, 1972 THEATRE ORGAN PIEDMONT Erwin Young in 1959. "We all 15 Bailey, programmer of the new AM signed the charter letter and some­ Radio Station WXLN in Rockville, Piedmonters had a busy December. one sprinkled a little 'holy water' Maryland faded after announcing"Let's On Sunday afternoon, December 5, and the Potomac Valley Chapter was listen in to what Jean Lautzenheiser chapter members gathered at the Holly born." This meeting was Ted Brown's Chairman of the Potomac Valley Chap~ Hill Mall in Burlington to hear Larry first public appearance on pipes in ter of the American Theatre Organ Keisler play a program at the new many years. Society, is telling the members as­ three-manual Allen theatre organ in­ During the business meeting '72 sembled in the broadcasting studio of stalled in the Grand Concourse. Both Convention Chairman Woody Wise WXLN." chapter members and the general public gave a progress report , the Barton This was the cue for us to go "on crowded the concourse for the pro­ crew George Johnson, Dow Evelyn, air'' with the first live broadcast of.a gram, which followed a dinner for and Howard Murphy was recognized meeting in the history of the chapter. chapter members, the guests of the and thanked and an open console Even with many roads still blocked Mall management. invitation was accepted by members following the winter's worst snow­ Chapter member J. Marion Martin Doug Bailey, Howard Murphy, David strom , 55 ATOSers, includ .ing new presented a complete theatre program Johnson , and Lee Prater. members, the Gossards from Penn­ as it might have been done 45 years sylvania, managed to get to Doug 's ago, on December 14, at Southeastern Community College in Whiteville, studio, north of Washington, for the live second portion of his February where he is head of the Chemistry 20th special theatre organ hour-long Department. In addition to selections program. from "No, No, Nanette" and the The first half, previously taped, famous Noonday Club's Organlogue described historical events of the the­ - "Vocal Gymnastics ," Martin pro­ atre organ from the time of Hope­ vided musical accompaniment for J ones up through the silent movies, Laurel and Hardy's "You're Darn into the demise of live music in the Too tin'." This was a new entertain­ 30's and finally, into the theatre organ ment experience for most of the col­ revival era now in progress. lege youth that filled the auditorium Sitting on the organ bench of the to capacity. gold-edged creamy white Moller, Jean Paul Abernethy was host for our took her cue. Listeners everywhere annual Christmas business meeting at heard her explain the highlights of his beautiful Cathedral of Music in the July 1972 Convention to be held Burlington on Sunday , December 19. in the Washington area. Cheers and J. Marion Martin presided at the 2/8 Chairman Jean Lautzenheiser presents out ­ going Chairman George Johnson with a congratulations were given to Jim Robert Morton and as part of his plaque for outstanding service. Cetta on his recent acquisition of a program, played "Lilac Time," a 1926 3/ IO Marr & Colton theatre organ to arrangement by Heneretta Kameron, New York Fifteen members and be installed in his garage near Alex­ organist at Loew's 83rd Street Theatre. guests took advantage of the rare andria, Virginia. opportunity to hear John Seng present The live portion of the program a superb organ concert in a splendid concluded with a jam session with POTOMACVALLEY setting at Radio City Music Hall members Ray Brubacher, Charles Sunday, January 9th Potomac Val­ February 13th. Through the courtesy Affelder and Ronnie Pedley at the ley Chapter featured charter member of New York Chapter officers Allen console of the 2/11 Moller theatre Ted Brown at the Virginia Theatre Rossiter and Art Cox, Potomac Valley organ which at one time resided at in Alexandria playing the music and Chairman Jean Lautzenheiser was given Washington's Shoreham Hotel. Ray style of the golden age of the theatre a few minutes of their valuable time Brubacher plays the majestic instru­ organ on the 3/ 11 Grande Barton. to report on plans for the Convention. ment on the air every Sunday morning. The Barton was purchased by Woody Chapter member Lucien Phinney ar­ The WXLN-Doug Bailey Moller is Wise, moved from the Paramount The­ ranged the trip via Amtrak taking believed to be the only radio studio atre in Newport News , Virginia, and advantage of special low weekend fares pipe .organ in the country now being installed in the Virginia Theatre as a ... would you believe $15 .75 round used for daily live programming. The club project in 1968-69. Ted was trip, Washington to New York? Lucien organ is heard daily on "The Parker and prevailed upon to entertain us with made sure that we didn't lose any­ Bailey Show" at 95 on the AM dial. some interesting anecodotes related to body as the entourage included many The show features a format of radio his theatre organ career from his debut who were experiencing their first train drama, music from the 40's and 50 's at age fourteen on a 2/5 Reuter in ride, first time in a subway , first trip and other nostalgic specialties , plus Texas through the period of almost to New York and the tremendous contemporary adult music. total disappearance to theatre and thrill of seeing the Radio City stage Both the Virginia Barton and the radio studio pipe organs leading to show. The most frequent comment WXL Moller will be important fea­ his retirement from active music work since has been, "When can we do it ture<; of the 17th Annual Convention about 1939. He concluded with rem­ again?" and will be "lN TUNE FOR YOU iniscences of the organizing and charter­ "Shhhhh ... " IN '72". ing of our chapter at the home of The voice of ATOS member, Doug JEAN FAIRBANK 45 THEATRE ORGAN APRIL, 1972 PUGET SOUND February 18, 1972 to elect officers Tacoma was the scene of the No­ for the coming year. vember 14th meeting. The double bill Following the election the chapter started in the morning at the Temple enjoyed a concert played at the Maddys Theatre, with well known Tacoma "Mighty Wurlitzer" by Bob Castle. organist Frank Chidester. His wide Bob also keeps the organ in the variety of music from the 20's through Paramount Theatre, Denver, Colorado the 40's was well done . Frank 's con­ in great shape and plays it every cert was followed by a good jam Sunday between shows . session with many fine players in Refreshments were served after attendance. Bob's enjoyably prepared program. He Next stop was Steve's Gay 90's then played several requests from the Restaurant in South Tacoma. First 25 chapter members present. off, we all dug into "Steve's Deluxe Some of the members then demon­ Dinner Buffet Supreme " and deluxe strated their skill at the keyboard. and supreme it was. The business The Maddy 's installation is unique in that the master console is located in meeting went as all good business Brian I ngoldsby during his concert at Steve's meetings should go. Then it was time Gay 90's. - (Photo, Mike Koons) the living room and a slave console to hear from the 3 /11 Wurlitzer. is located in the basement enabling day veteran Seattle organist Mahon duets to be played. This proved to be Tullis. Mahon mentioned that his pro­ somewhat of a surprise to some mem­ gram would be primarily nostalgic. bers who had never been in the base­ Many oldies were heard, everything ment. While playing the console up­ from "Fine and Dandy " to the stairs , someone would accompany them "Oceanic Roll". The chapter's 3/8 on the slave console from downstairs. Wurlitzer, Marr & Colton was in great Duane Searle, past chairman, re­ shape. ported on the status of the Wicks organ in the Aladdin Theatre and the Wurlitzer in the Denver Theatre . The Aladdin Theatre has had a change in management and may be interested in a restoration project. The Denver Theatre is to be re­ Tacoma organist Jane McKee, 1971 con­ vention artist, and Brian I ngoldsby, at Steve's modeled into a twin theatre with one Gay 90's. - (Photo, Mike Koons) program downstairs and another up­ stairs from the balcony. This will First on the program was Jane leave the console in the downstairs McKee. Jane presented a well prepared theatre and the loft openings in the concert of pop tunes, old and new . Her upstairs theatre . An effort is being thoughtful registration was appreciated made to move the console upstairs too. In short she is a real musician. Puget Sound Officers so the organ may be used. A re­ Brian Ingoldsby came next, owner Back row L to R - Don Meyer, Thelma building job may be in the future for Barclay, Mahon Tullis, Margaret Sabo, and installer of the organ. Brian played Charles Chartrand. Front row L to R - our chapter. a brief and enjoyable concert much Tom Solberg, Les Lawrence, Bob Anderson, Wish us luck in preserving this fine in the style of Portland organist, Don Erma Gain. Board member Marge Klein not pictured. - (Photo by M. (Martha) Lake) instrument. BETTY ROWE Simmons. He also took advantage of the many unenclosed percussions and After the business meeting there ST. LOUIS traps, installed throughout the dining was an open console session . At the Virgil Fox, who has probably played room. same time there was a tape and slide before more people in concert than [t must also be mentioned that the show in the large basement area. Many any organist in this country, and pos­ organ is very well regulated . The Wur­ slides were shown of ATOS Con­ sibly the world , was the center of at­ litzer Post Horn (borrowed on a long ventions spanning all the way back to tention one sunny March day in St. term basis) really makes the organ 1962. The tapes included everything Louis. Fox was appearing with the St. come alive! Brian and crew must be from broadcasts of George Wright Louis symphony at Powell Symphony congratulated on a fine installation. from his famous studio, to a rare and Hall playing the Rodgers touring organ. December 19th was the chapter exciting recording of John Seng 's 1969 His reputation is international and Christmas party, held at Haller Lake Chicago Convention concert his spans all the major countries of the Improvement Club. The console was Mundelein Seminary auditorium Wur­ world. His ability to command an opened to the members and guests. litzer. EDDIE ZOLLMAN , JR . immediate rapport with his audiences Punch bowls and pot luck dinner were and hold the rapt attention of even provided. ROCKY MOUNTAIN the most "layman" of listeners with Our February 6th meeting was also The Rocky Mountain Chapter of his playing technique and great imag­ held at Haller Lake. Program Chairman ATOS met at "Bit O' Sea" , the lovely ination is known far and wide. Don Myers presented the artist of the home of Beck and Edith Maddy on To begin the New Year , the January

46 APRIL, 1972 THEATRE ORGAN meeting was held in the home of Earl try their hands ... " mostly "pop" music being played. To and Jackie Hyde who have a Baldwin The January meeting, held at f. my knowledge, only one brave soul, theatre organ. The highlight of the home of J. Calvin Jureit, set J. Harlan Ayers, (AGO) dared accost

evening was the program given by for this chapter. The joint AG0 1, _ i OS the big Wurlitzer with a straight "clas­ member Michael Winter. Mike's suc­ meeting was successful in bridging sical" piece, Henry Purcell's Trumpet cessful program given with "flair", the gap between classical organ Tune, to the delight of everyone yet great care musically, is indicative "purists" and theatre organ "upstarts". present. After all who cared to had a of the hard work put forth in his Most ATOS'ers were rather tickled turn at the console, Mr. John Steele, organ and piano study. His playing at when some of the most disciplined the featured artist , climbed up on age fourteen, I'm sure made some of of the local church organists proved the spotlighted bench and burst forth us who have been playing somewhat quite proficient in the T.O. idiom. with forty minutes of delightful "the­ longer, think of looking to our laurels (Not surprising really, since many carry atre-styled" music. John played ex­ for a change! Jackie's "groaning board" memberships in both the AGO and tremely well and his medley from was un-erringly guarded by yours truly ATOS.) "Snow White" was the hit of his program. who only wanted to make sure that The atmosphere was congenial with STEVE FITZGERALD everyone got his "fair share". February was hosted by Ray and Clarice Reome. Open console was held after the meeting led off by our m,e m­ CLASSIFIED ADS ber just back from Vietnam, John Classifiedads are carried at 20 cents per word, per insertion. No chargefor first ten words for members. Crowley. The Reome's Wurlitzer elec­ tronic was still chirping far into the FOR SALE - 8 rank Moller, no console, FOR SALE - Spencer Orgablo - 2 H.P., night. During this session members Deagan percussions. 3 manual Kimball relay 1800 RPM, 110 or 220 Volt single phase, got to veiw the proofs of the club's and switches. Best offer over $800.00 Robert 350 C.F.M. at 12" static , w ith D.C . generator . beautiful new .letterhead and "jazzy" P. Evans, 32 Highland St., Pawtucket, R. I. $200. Crating Extra. E. Borowiec, 4965 new newsletter masthead, both de­ 02860, (401) 724-6545. Crofton Dr ., Rockford, Ill. 61111. signed by St. Louis artist Jerry Thomas. FOR SALE - 3/5 Kimball. Bob Davidson, FOR SALE - 20 rank Austin church organ. Stan Kann just returned from Los 4145 Continental , Indianapolis, Indiana All or parts. Fred Nitzschke, 52 Clark St. , Angeles where he played concerts at 46227. Brooklyn, N. Y. 11201. the Wiltern and the San Diego Fox. Malar Records president, Bob Carson, FOR SALE - Complete relay and switches, FOR SALE - L ink theatre organ (1928) all Reisner magnets, for 3/13 Wurlitzer with 2/4 completely restored. 2 tuned percus ­ took the opportunity at the Wiltern to cable. Exact Wurlitzer duplicate in Mahog ­ sions, full assortment of noisemakers and introduce Stan's new record on this any. $800.00. Would accept Wurlitzer Kinura traps. Very compact. Fits under 7'9" ceiling same label which he said recorded as partial payment. See or write Marvin A. in space 6'x15'. Organ set up and playing . "Live and in Color" at the St. Louis Bruno, 608 Bertram Drive, Everett , Wash. Send SSAE for full details. $5200 . B.E. 98204 or phone Lee Bauscher (206) P.A. Fox 4/36 Wurlitzer. The record is LeBarron, Am ity Road , Bethany, Conn. 3-5661. 06525 , Phone : (203) 393-3838 . excitingly done by Stan with the help of recording engineer Bruce Martin FOR SALE - Wurlitzer 2/4 complete plus HELP WANTED - Organist for sales train­ who captured the sound of the Wur­ three extra ranks and accessories. Nearly ing. Victor Pianos & Organs, 300 N.W. 54th litzer so beautifully. Certainly a better everything to make a 2/7. S.P. Steen, 788 St. Miami , Florida 33127 (305) 751 -7502. River Rd., Chatham, N.J. 07928, 201- thing couldn't happen to a nicer guy. 635-5753. HELP WANTED - Pipe and electronic Another concert is planned locally organ technicians to assemble , restore, in­ stall and service. Send resume and pix. by Stan at the Baccine Theatre in FOR SALE - 3 rank Wurlitzer black cap to : Newport Organs, 846 Production Pi., Roxana, Illinois in April. Stan will string chest 61 notes each. $300.00; Skinner Newport Beach , Cal if. 92660 (714)645-1530 . play an hour concert which will be 61 note metal bar Harp ; Musette 61 notes Dennison $400.00; Kimball Spitz Flute followed by his accompaniment of WANTED - 3 manual late model, ornate the Douglas Fairbanks picture "The Celeste 2 ranks; Spencer Orgoblow 1 ½ hp. theatre style Wurlitzer or Page console. 6½" static , 3 phase $50 .00 Joseph P. H. Morch, 127 Bellmore Rd ., Bellmore , Matrimaniac". Sammut, 432 Chestnut Avenue, San Bruno, JOHN FERGUSON N.Y. 11710 . California 94066 . WANTED - Wurlit zer Solo scale Tibia SOUTH FLORIDA FOR SALE - Allen Positiv, used only in including 16' octav e, and Tuba M irabilis . There is a record series entitled concert. $5990. Victor Pianos and Organs. WANTED - "P izza" organist for Phosnix's "Pardon My Blooper" which came 300 N.W. 54 Street, Miami, Florida 33127. "Organ Stop" , to op en early summer with Phone : (305) 751-7502. to mind while reading the South 4/27 Wurlit zer. Florida Chapter Notes in the February FOR SALE - $5500 Allen Theatre 15 FOR SALE - 3 H.P., Orgoblo and 7½ issue of T.O. To Those people who Organ with 2 speakers and rhythm $3500. H.P., Kinetic, 15" pressure. Pipework from Heck organ : Pencil strings, Dulciana, metal know Betty Lee Taylor , there would Mint antique Steinway Square grand 100% rebuilt $4500. Victor Pianos & Organs, Harmoni c Flute , Car Ang lais, and Solo string . be no "perhaps" that she coaxed music 300 N.W. 54 Street, Miami, Florida, Phone : Wurlitzer styles 260 and 185 relays and from the big Wurlitzer. For all others, (305) -751-7502 switch stacks. Bill Brown, 7243 N. Central, (and my salvation) the sentence should Phoenix, Az . 85020, Phone : (602) 943-9532 , have read: "Perhaps it was the ease FOR SALE - Wurlitzer 2/8 complete ex­ cept blower, 2 extra two rank chests included Will buy or trade Organ tapes - opera. with which Betty Lee Taylor coaxed plus many extras F.O.B. $3,500.00. Dennis Have 5000 hrs. misc . Especially need Craw ­ music from the big instrument which Awe, 20 Sarina Drive, Cammack , L. I., ford-Dunstedter - and old timers. Rouse, encouraged the more timid souls to N. Y. 11725, (516) 864-4215. 1126 N. St. Clair St., Pittsburgh , Pa. 15206.

THEATRE ORGAN APRIL, 1972 47 Live a Little

cu_stom 340

Specifications

Pedal Accompaniment Great Solo 16' Trumpet 81 Post Horn 16' Post Horn 16' Post Horn 16' Diaphone 8 1 Trumpet 16 ' Trumpet 16' Trumpet 16' Tibia Clausa 8' Diapason 16 ' Tibia Clausa 16 ' Tibia Clausa 16' Bass Str ing 8' Tibia Clausa 16 ' Clarinet (TC} 16' Vox Humana (TC) 16 ' Bourdon 8' Clarinet 16 ' Bass String 8' Post Horn 81 Tibia Clausa 8' Str ing 16' Vox Humana (TC) 8' Trumpet 8 1 Clarinet 8' Concert Flute 8 1 Post Horn 8' Tibia Clausa 8 1 Flute 8' Vox Humana 8' Trumpet 8' Clarinet 81 Susta in Bass 4' Octave 8' Diapason 8' Kinura 4 ' Piccolo (Tibia) 8' String Accompaniment to Pedal 8' Tibia Clausa 4' String 8' Concert Flute Solo to Pedal 8' Clarinet 4' Flute 8' Vox Humana Bass Drum 8' Kinura 4' Vox Humana 8' String 4' Piccolo Wood Block 2' Tibia Piccolo Cymbal 8' Piano 8' Concert Flute 8' Vox Humana 4' Piano 8' Piano Voices On Toe Studs Harp 5-1/ 3' Tibia Qu int Chrysoglott Bass Drum on Toe Stud Chrysoglott 4' Piccolo Glock Sforzando on Toe Stud Chinese Block 4' String Chimes · (Optional) Crash Cymbal on Toe Stud Snare Drum 2-2 / 3' Tibia Twelfth 2' Tibia Piccolo Tambourine Voicing Trems Cymbal 1-3/ 5' Tibia Tierce Tibia Fife Post Horn FF Main Vibrato 1' Trumpet Accompaniment FF Main Trem 8' Piano Diapason 2nd Touch FF Flute Solo to Great Sub Tibia FF Vox Humana 8' Post Horn Clarinet FF Tibia 8' Trumpet General String FF 8' Tibia Clausa Flute FF Solo to Great Pizz Computer Capture 8' Solo to Accompaniment Vox Humana FF (Except Chrysoglott) Combination Action 4 ' Great to Accompaniment Piano FF 4 Pistons per division Great Sostenuto 3 Pedal Toe Studs Pedal (Optional) 6 Independent Celeste Off General Pistons 1 General Cancel ORGAN COMPANY 1300 N. E. 25th Avenue , Hillsboro , Oregon 97123 1 SET Piston ~