How Did We Survive and How Do We Remain Resilient? Aboriginal Women Sharing Their Lived Experiences And
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Health Care Transition
Albert C. Hergenroeder Constance M. Wiemann Editors Health Care Transition Building a Program for Adolescents and Young Adults with Chronic Illness and Disability 123 Health Care Transition Albert C. Hergenroeder Constance M. Wiemann Editors Health Care Transition Building a Program for Adolescents and Young Adults with Chronic Illness and Disability Editors Albert C. Hergenroeder Constance M. Wiemann Associate Professor, Director of Professor, Chief of Adolescent Medicine Research Section of Adolescent Medicine Section of Adolescent Medicine and Sports Medicine and Sports Medicine Department of Pediatrics Department of Pediatrics Baylor College of Medicine Baylor College of Medicine Texas Children’s Hospital Texas Children’s Hospital Houston, TX, USA Houston, TX, USA ISBN 978-3-319-72867-4 ISBN 978-3-319-72868-1 (eBook) https://doi.org/10.1007/978-3-319-72868-1 Library of Congress Control Number: 2018933347 © Springer International Publishing AG, part of Springer Nature 2018 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. -
AMELIA Or: Who Do Той Think Той Are? Documentary and Identity in Canadian Literature Stephen Scobie
AMELIA or: Who Do Той Think Той Are? Documentary and Identity in Canadian Literature Stephen Scobie A,.LICE MUNRO'S TITLE Who Do You Think You Are? is one of those finely balanced phrases which subtly shift their meanings depending on which of the six words receives the major stress : Who do you think you are? Who do you think you are? Who do you think you are ? Who do you think you are? Who do you think you are? Who do you think you are ? These various emphases transform the phrase from its pejorative use, to crush presumptuousness, into a serious question on the puzzle of identity. Is identity created by external, objective forces — what other people think you are — or by internal, subjective forces — what you yourself think you are? If you decide to alter your identity by thinking yourself into a new role, how do you go about making this new you manifest to the world? Such questions are pervasive in Munro's book, and they surface even at points where the attention might seem to be focused elsewhere. For instance, the story "Wild Swans" is principally about the bizarre and disturbing circumstances of Rose's sexual abuse by a strange man on a train ; yet the last page of the story is almost totally concerned with the puzzle of identity. The man has claimed to be a minister, but is not dressed as one : that is, his assertion of identity is not backed up by any external evidence. "Was he a minister, really," Rose wonders, "or was that only what he said? Flo had mentioned people who were not ministers, dressed up as if they were. -
The Sapphires
Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion. -
Miranda-Tapsell-Full-Article.Pdf
AUGUST 26, 2018 Lance Franklin “As a dad I will be a total pushover” The year of Elyse Knowles Kelly O’Dwyer “I’m happy to be called a feminist” Miranda Tapsell celebrates our second anniversary A SUNBURNT COUNTRY ONE-PAN DISH RECIPES BY MATT MORAN WHEN FOOD IS A DESTINATION MATT PRESTON’S TIPS FOR PERFECT GRAVY STR26AUp001 1 17/8/18 4:31 pm “I might not be tall. I might not be blonde. But I feel beautiful” MIRANDA WEARS Dries Van Noten top, poepke.com; Kenneth Jay Lane earrings, pierre winterfinejewels.com 8 stellar STR26AUG18N008 8 17/8/18 4:57 pm cover To celebrate Stellar’s second anniversary, actor Miranda Tapsell travelled home to the Northern Territory for a photo shoot in Kakadu National Park Photography DAVID MANDELBERG Styling KELLY HUME Interview SIOBHAN DUCK fter years of playing the bridesmaid had planned it all, so I was growing more and more frustrated,” and never the bride, Miranda Tapsell she says. “I was like, ‘What is happening?’ Because I felt has decided it is time to simply knuckle like I was being taken around the mulberry bush. And then down and write her own happily ever when he proposed I felt so terrible.” after. The Logie-winning actor is not Colley was raised in New South Wales and Tapsell is only planning her own real-life from Darwin. Each comes from a tight-knit family but, wedding later this year, but she is due to the nature of their work, they have made a life in about to take the plunge into leading- Melbourne, far from where they respectively grew up. -
Diversity in Australian Media
AUSTRALIANMOSAIC The magazine of the Federation of Ethnic Communities’ Councils of Australia Spring 2016 Telling stories for all Australians Diverse reporting, representation and the transformation of the media Issue 44 Australian Mosaic The magazine of the Federation of Ethnic Communities’ Councils of Australia (FECCA) Print Post Publication No. PP229219/00162 ISSN 1447-8765 EDITOR: Lavanya Kala DESIGN: Kylie Smith Design PRINTING: Elect Printing DISCLAIMER: Any views and opinions expressed within Australian Mosaic are solely those of the individual author, authors, or other information source and do not necessarily represent the opinion of, or any endorsement by, FECCA. ADDRESS: PO Box 344 CURTIN ACT 2605 Telephone: 02 6282 5755 Email: [email protected] www.fecca.org.au © 2016 FECCA No part of this publication may be reproduced without the written permission of FECCA. FECCA received funding from the Department of Social Services to produce Australian Mosaic magazine. contents A MESSAGE FROM THE DIVERSITY IN THE MEDIA FECCA CHAIRPERSON Christian Astourian 04 Joseph Caputo OAM JP 25 ‘A CRUCIAL STITCh’: ROLE OF ETHNIC MICHAEL EBEID ON TV DIVERSITY: AND multicultuRAL MEDIA IN A “WE STILL HAVE A LONG waY TO Go” PLURALISTIC AUSTRALIAN SOCIETY 06 Michael Ebeid 27 Dr Tangikina (Tangi) Moimoi Steen THERE IS A GROWING APPETITE FOR YOUNG WOMEN: TRUSTED INDIGENOUS CONTENT AND SEEN BUT NOT HEARD VOICES IN AUSTRALIAN MEDIA 08 30 Sienna Aguilar Tanya Denning-Orman DIVERSITY at THE ABC: DIVERSITY DRIVES INNOVatiON ON A PUBLIC BROADCASTER FOR AUSTRALIAN -
Gender Matters Launch Graeme Mason Monday 7 December 2015 Sydney Firstly, I Would Like to Begin by Acknowledging the Tradi
Gender Matters Gender Matters launch Graeme Mason Monday 7 December 2015 Sydney Firstly, I would like to begin by acknowledging the traditional custodians of the land on which we meet, the Gadigal people of the Eora Nation, and pay my respects to the Elders both past and present. Screen Australis is thrilled to welcome you here today, to announce a five point, $5 million plan over three years for Gender Matters - a suite of initiatives that will address the gender imbalance within the Australian screen industry. Issues of gender bias have been approached in various ways, by Screen Australia, our predecessor agencies, state agencies and industry guilds over the years. Despite this, the level of women’s participation in this industry continues to track along at the low percentages we saw in the 1970s. And a lot of us are asking why. We see really strong levels of representation in the emerging end of the sector, and have seen huge success of female-led projects, such as The Dressmaker, which has made a strong commercial case for more female-driven content. So, if we know all of this, and we know women have talent, what’s happening? Analysis of Screen Australia figures, back in May, shows that the imbalance is most notable in traditional film with 32% of women working as producers, 23% as writers and only 16% as directors. Our film production funding is provided to producers, writers and directors in direct proportion to applications received, suggesting that initiatives to stimulate projects led by women is key in addressing this issue front on. -
Hear Me Roar
Hear me roar Miranda Tapsell brought Australian TV to a standstill with a blistering monologue on the ABC satire program Get Krack!n. Now the US has come calling. By PHILIPPA HAWKER ‘She just blew us away’. Miranda Tapsell. Picture: Johnny Diaz Nicolaidis From Review April 13, 2019 Miranda Tapsell can do anything, so says the director Wayne Blair. And right now, there’s plenty of proof of that. She stars in Top End Wedding, a romantic comedy she also co-wrote, a movie that had its world premiere at Sundance before it opens in Australia next month. And she’s just played a key role in one of the most memorable moments of recent Australian television, a finale to the ABC series Get Krack!n, in which she delivered a scorching monologue on racism that left viewers grasping for adjectives and superlatives. 2 For Tapsell, these projects have at least one thing in common. The TV appearance was meant to provoke conversations, and so, in a different fashion. is the movie. It’s a romantic comedy — set principally in the Northern Territory where she grew up — that she hopes will resonate with audiences of all kinds. “I want the film to mean something to many people, and I hope that it propels a bigger conversation than the one we’ve been having in this country.” In Top End Wedding, Tapsell plays Lauren, an ambitious young lawyer who has left her Darwin home town to pursue her career. When her boyfriend Toby (Gwilym Lee) proposes to her, she says yes without hesitation, but she’s determined to get married back home among family and friends. -
The Arts- Media Arts
Resource Guide The Arts- Media Arts The information and resources contained in this guide provide a platform for teachers and educators to consider how to effectively embed important ideas around reconciliation, and Aboriginal and Torres Strait Islander histories, cultures and contributions, within the specific subject/learning area of The Arts- Media Arts. Please note that this guide is neither prescriptive nor exhaustive, and that users are encouraged to consult with their local Aboriginal and Torres Strait Islander community, and critically evaluate resources, in engaging with the material contained in the guide. Page 2: Background and Introduction to Aboriginal and Torres Strait Islander Media Arts Page 4: Timeline of Key Dates in the Contemporary History of Aboriginal and Torres Strait Islander Media Arts Page 8: Aboriginal and Torres Strait Islander Media Arts and Artists— Television Page 10: Aboriginal and Torres Strait Islander Media Arts and Artists— Film Page 14: Aboriginal and Torres Strait Islander Media Arts and Artists— Newspaper, Magazine and Comic Book Page 15: Aboriginal and Torres Strait Islander Media Arts and Artists— Radio Page 17: Aboriginal and Torres Strait Islander Media Arts and Artists— Apps, Interactive Animations and Video Games Page 19: Aboriginal and Torres Strait Islander Media Arts and Artists—The Internet Page 21: Celebratory Aboriginal and Torres Strait Islander Media Arts Events Page 22: Other Online Guides/Reference Materials Page 23: Reflective Questions for Media Arts Staff and Students Please be aware this guide may contain references to names and works of Aboriginal and Torres Strait Islander people that are now deceased. External links may also include names and images of those who are now deceased. -
Shari Sebbens Looks at 'The Horrible Side' of the Country in Australia Day Garry Maddox 2 June 2017
Shari Sebbens looks at 'the horrible side' of the country in Australia Day Garry Maddox 2 june 2017 Shari Sebbens is no fan of Australia Day. A Bardi Jabirr Jabirr woman who grew up in Darwin, the Sapphires star thinks of it as Invasion Day and prefers to take time to reflect with her "mob" – family and friends – rather than celebrate. So Sebbens was surprised to hear she had been invited to audition for a new film called Australia Day. Shari Sebbens: "Why would I want to audition for a film called Australia Day?" Photo: Nic Walker "I laughed," she says. "I said 'why would I want to audition for a film called Australia Day?' As an Aboriginal woman, it conjures up that it's going to be some bogan Cronulla riots type thing." But when she read the script, Sebbens was delighted to see the provocative territory the drama was covering – a potent examination of race and identity. "It's taking a look at the horrible side to Australia that people don't like to acknowledge exists, especially on nice summer days when you can just pop on the Hottest 100 and enjoy a tinnie," she says. Sebbens plays an Aboriginal police officer, Senior Constable Sonya Mackenzie, who is caught up in interwoven dramas as three teenagers run away on the national day: a 14- 2 year-old Indigenous girl fleeing a car crash, a 17-year-old Iranian boy running from a crime scene and a 19-year-old Chinese girl escaping sexual slavery. Directed by Kriv Stenders with a cast that includes Bryan Brown, Matthew Le Nevez, Isabelle Cornish and such newcomers as Miah Madden, Elias Anton and Jenny Wu, the topical drama has its world premiere at Sydney Film Festival this month. -
Download Teachers' Tips
September 2020 ISBN 9781760524838 Format: Hardback Recommended for 3-6-year-olds Summary Everyone on the island is getting ready for Aunty’s Wedding. Maningawu puts on her best hat and I can wear a wurrijinga in my hair. Lucky! We all dress up, but I still don’t understand. Why do people have a wedding? A warm family story that celebrates love and culture from actor, activist, writer and Australian sweetheart, Miranda Tapsell, and Joshua Tyler, co-writer of Top End Wedding, lushly illustrated by Samantha Fry. Author style TIPS Aunty’s Wedding is a celebration of many things: the people, culture and language of the Tiwi Islands, the curiosity of children and their joy of discovery, and the rituals of ’ marriage. The story is seen through the eyes of a young girl as she prepares for her Aunty’s wedding, while the girl is guided through the process by the wisdom of Maningawu, her grandmother. There’s no direct speech marks in the text; instead the font and position of the type (left page vs right page) help to orient the reader as to who is speaking. The simple text uses Tiwi language words in a context that makes their meaning clear, although there is also a glossary of pronunciation and translation into English language at the end of the book. Vibrantly colourful illustrations by Samantha Fry incorporate the work of Tiwi artists into the clothing of the characters and provide an extra richness to the reading experience. TEACHERS Visit https://www.allenandunwin.com/resources/for-teachers for free downloadable teachers’ notes, reviews by teachers, extracts and more. -
Fall 2015 the Journal of Kcc Reads
PAIDEIA VOLUME 3 | FALL 2015 THE JOURNAL OF KCC READS EDITORIAL STAFF: EDITOR-IN-CHIEF: Maureen E. Fadem | English SECTION EDITORS: LAYOUT: Irina Pistsov | KCC Graphic Artist ARTWORK: Madeline Sorel | Art PHOTOGRAPHY: Farin Kautz | KCC Graduate, Class of ‘12 Niaz Mosharraf | KCC Graduate, Class of ‘14 Catherine McConney | KCC Graduate, Class of ‘15 ASSOCIATE EDITORS: Jay Bernstein | Library Kevicha Echols | Health JoAnne Meyers | Office of Communications & Gov’t Relations Robert Schacter | Office of the Associate Provost Diana Treglia | Health ASSISTANT EDITORS: Robert Gutenmakher | KCC Student Jamila Wallace | KCC Student EDITORIAL STATEMENT: PAIDEIA: The Journal of KCC Reads is the annual publication of the common reading program at Kingsborough Community College, CUNY. The journal publishes work on adopted common reading texts by students of the college. Given that the program’s first priority is student enrichment, all KCC students are welcome to submit work for publication. We consider any work completed by a student of the college, at any level, as long as it engages the current year’s common reading text in a thoughtful way that contributes meaningfully to the conversation on the book. In the main, work published in Paideia will have been presented at the annual KCC Reads Annual Student Conference, held each year in the Spring semester and featuring scholarship by hundreds of students in various formats and from multiple disciplinary standpoints. KCC Reads is part of the Coordinated Undergraduate Education Initiative (CUE) at Kingsborough, overseen by Associate Provost Dr. Reza Fakhari (room M-386 | 718-368-5029). PAIDEIA The Journal of KCC Reads Volume 3 | Fall 2015 PAIDEIA IS THE ANNUAL PUBLICATION OF KCC READS, THE COMMON READING PROGRAM AT KINGSBOROUGH COMMUNITY COLLEGE | CUNY KCC READS IS PART OF THE COORDINATED UNDERGRADUATE EDUCATION INITIATIVE (CUE) AT KINGSBOROUGH COMMUNITY COLLEGE, OVERSEEN BY ASSOCIATE PROVOST DR. -
Ortega Nadezna R.Pdf
MATRIS TI KINAASINNO/WOMB OF BEING A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN POLITICAL SCIENCE AUGUST 2012 By Nadezna Agcaoili Ortega Thesis Committee: Noelani Goodyear-Ka‘ōpua, Chairperson Sankaran Krishna Aurelio Solver Agcaoili © 2012 Nadezna Agcaoili Ortega All Rights Reserved i TABLE OF CONTENTS Page CHAPTER 1 Pakauna/Introduction I. Introduction …………………………………………………………………………… 1 A. Background ...………………………………………………………………… 3 B. My Position in this Research…………………………………………………. 4 C. Statement of the Problem ...…………………………………………………..10 D. Statement of Objectives ……….....…………………………………………..10 E. Significance ...………………………………………………………………...11 F. Scope and Limitations ...……………………………………………………...11 G. Organization of Study ...…………………………………………………….. 12 II. Review of Related Literature ...………………………………………………………16 A. History: Who has been writing it? ...………………………………………... 16 B. Mapping out the violence experienced by Ilokanos ....……………………… 20 1. Origins and Historiography ....……………………………………….. 20 2. Identity and Consciousness ………………………………………….. 24 3. Migration …………………………………………………………….. 36 4. Language …………………………………………………………….. 41 5. Colonial Education …………………………………………………... 48 III. Methodology/Methods ..……………………………………………………………. 50 A. Knowledge and Stories ...…………………………………………………….51 B. Autoethnography ...………………………………………………………….. 54 1. Autoethnography as a Method ………………………………………. 58 2. Redefining Autoethnography ………………………………………... 62