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Brochure Kilmersdon
BFFS SOUTH WEST GROUP The Sapphires Cert PG Australia 2012 103 mins Crew Director Wayne Blair Screenplay Tony Briggs Keith Thompson Cinematography Warwick Thornton Film Editing Dany Cooper Cast Deborah Mailman Gail Jessica Mauboy Julie Shari Sebbens Kay Miranda Tapsell Cynthia Chris O'Dowd Dave Lovelace Synopsis Reviews Australia, 1968. A trio of Aboriginal girls Based, incredibly, on a true story, and developed from a successful from a remote mission get a stony stage musical, this is a big-hearted, barnstorming put-on-a-show response to their country and western crowdpleaser. Beneath the spangly exterior, however, it has songs at a talentSynopsis show. But Dave, a surprisingly trenchant things to say about Australian identity and drunken Irish talent scout, thinks they have potential. the bitter legacy of institutionalised racism. Seeing them as Australia's answer to 'The Of course, none of this would really hit home unless we believed in Supremes', he recruits their cousin Kay to The Sapphires as authentic soul sisters, achieved thanks to the group, and convinces them to switch to ‘Australian Idol’ finalist Jessica Mauboy’s sumptuous lead vocals, soul songs. Then he gets the girls their and astute song selections from the Motown, Stax and Atlantic first true gig - singing for the troops in the songbooks. middle of the Vietnam war zone... With rising star O’Dowd in command of both the comic timing and emotional grace notes and beautifully playing off Deborah Mailman as the group’s alpha female, the movie is gutsy and entertaining enough to have us forgiving its occasional credibility glitches and obviously CGI-ed battlefront visuals. -
Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
JULY 2017 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of King Richard II. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve. -
The Sapphires
Waverley Film Society Volume 5 June 2018 Issue 5 June Meeting Waverley Film Society will meet at St John’s Uniting Church, 37 Virginia Street, Mt Waverley on Wednesday, 13th of June. Apologies can be left with Brett on 9807 3426. Visitors are welcome. Bring your friends. This month’s film is The Sapphires. (see page 2 for more information). Next Month Wednesday, July11th: “Tracks” (2013) Tracks chronicles an epic modern ad- venture. Robyn Davidson’s sole trek Posters advertising this through the remote Australian desert screening are available. to the Indian Ocean with her dog Dig- Please post them in com- gity, four camels, and a National Geo- munity spaces. graphic photographer. Last Month’s Film Twenty-eight people attended, including four visitors and two family members. There were six apologies. Mrs Henderson Presents re- corded a rating of 4.4 stars. All raffle books were returned on schedule. Thanks everyone! Classic Cream, Beautiful Black Many members enjoyed Anne Dixon’s A Taste of Blue costume display last year. You may like to visit the Wonthaggi Town Hall for her latest exhibition. June 19 to July 3, 11-4 daily, free entry (the town hall is at 14 Ballieu St East) The Sapphires (2013) (Reference: www.imdb.com) Director Wayne Blair Cast includes: Writing Keith Thompson Chris O’Dowd Dave Lovelace Miranda Tapsell Cynthia Tony Briggs (stage play) Deborah Mailman Gail Music Cezary Skubiszewski Jessica Mauboy Julie Cinematography Warwick Thornton Shari Sebbens Kay Trivia The film premiered at the 2012 Cannes Film Festival where it received a 10 minute standing ova- tion. -
Miranda-Tapsell-Full-Article.Pdf
AUGUST 26, 2018 Lance Franklin “As a dad I will be a total pushover” The year of Elyse Knowles Kelly O’Dwyer “I’m happy to be called a feminist” Miranda Tapsell celebrates our second anniversary A SUNBURNT COUNTRY ONE-PAN DISH RECIPES BY MATT MORAN WHEN FOOD IS A DESTINATION MATT PRESTON’S TIPS FOR PERFECT GRAVY STR26AUp001 1 17/8/18 4:31 pm “I might not be tall. I might not be blonde. But I feel beautiful” MIRANDA WEARS Dries Van Noten top, poepke.com; Kenneth Jay Lane earrings, pierre winterfinejewels.com 8 stellar STR26AUG18N008 8 17/8/18 4:57 pm cover To celebrate Stellar’s second anniversary, actor Miranda Tapsell travelled home to the Northern Territory for a photo shoot in Kakadu National Park Photography DAVID MANDELBERG Styling KELLY HUME Interview SIOBHAN DUCK fter years of playing the bridesmaid had planned it all, so I was growing more and more frustrated,” and never the bride, Miranda Tapsell she says. “I was like, ‘What is happening?’ Because I felt has decided it is time to simply knuckle like I was being taken around the mulberry bush. And then down and write her own happily ever when he proposed I felt so terrible.” after. The Logie-winning actor is not Colley was raised in New South Wales and Tapsell is only planning her own real-life from Darwin. Each comes from a tight-knit family but, wedding later this year, but she is due to the nature of their work, they have made a life in about to take the plunge into leading- Melbourne, far from where they respectively grew up. -
Diversity in Australian Media
AUSTRALIANMOSAIC The magazine of the Federation of Ethnic Communities’ Councils of Australia Spring 2016 Telling stories for all Australians Diverse reporting, representation and the transformation of the media Issue 44 Australian Mosaic The magazine of the Federation of Ethnic Communities’ Councils of Australia (FECCA) Print Post Publication No. PP229219/00162 ISSN 1447-8765 EDITOR: Lavanya Kala DESIGN: Kylie Smith Design PRINTING: Elect Printing DISCLAIMER: Any views and opinions expressed within Australian Mosaic are solely those of the individual author, authors, or other information source and do not necessarily represent the opinion of, or any endorsement by, FECCA. ADDRESS: PO Box 344 CURTIN ACT 2605 Telephone: 02 6282 5755 Email: [email protected] www.fecca.org.au © 2016 FECCA No part of this publication may be reproduced without the written permission of FECCA. FECCA received funding from the Department of Social Services to produce Australian Mosaic magazine. contents A MESSAGE FROM THE DIVERSITY IN THE MEDIA FECCA CHAIRPERSON Christian Astourian 04 Joseph Caputo OAM JP 25 ‘A CRUCIAL STITCh’: ROLE OF ETHNIC MICHAEL EBEID ON TV DIVERSITY: AND multicultuRAL MEDIA IN A “WE STILL HAVE A LONG waY TO Go” PLURALISTIC AUSTRALIAN SOCIETY 06 Michael Ebeid 27 Dr Tangikina (Tangi) Moimoi Steen THERE IS A GROWING APPETITE FOR YOUNG WOMEN: TRUSTED INDIGENOUS CONTENT AND SEEN BUT NOT HEARD VOICES IN AUSTRALIAN MEDIA 08 30 Sienna Aguilar Tanya Denning-Orman DIVERSITY at THE ABC: DIVERSITY DRIVES INNOVatiON ON A PUBLIC BROADCASTER FOR AUSTRALIAN -
Darkemu-Program.Pdf
1 Bringing the connection to the arts “Broadcast Australia is proud to partner with one of Australia’s most recognised and iconic performing arts companies, Bangarra Dance Theatre. We are committed to supporting the Bangarra community on their journey to create inspiring experiences that change society and bring cultures together. The strength of our partnership is defined by our shared passion of Photo: Daniel Boud Photo: SYDNEY | Sydney Opera House, 14 June – 14 July connecting people across Australia’s CANBERRA | Canberra Theatre Centre, 26 – 28 July vast landscape in metropolitan, PERTH | State Theatre Centre of WA, 2 – 5 August regional and remote communities.” BRISBANE | QPAC, 24 August – 1 September PETER LAMBOURNE MELBOURNE | Arts Centre Melbourne, 6 – 15 September CEO, BROADCAST AUSTRALIA broadcastaustralia.com.au Led by Artistic Director Stephen Page, we are Bangarra’s annual program includes a national in our 29th year, but our dance technique is tour of a world premiere work, performed in forged from more than 65,000 years of culture, Australia’s most iconic venues; a regional tour embodied with contemporary movement. The allowing audiences outside of capital cities company’s dancers are dynamic artists who the opportunity to experience Bangarra; and represent the pinnacle of Australian dance. an international tour to maintain our global WE ARE BANGARRA Each has a proud Aboriginal and/or Torres reputation for excellence. Strait Islander background, from various BANGARRA DANCE THEATRE IS AN ABORIGINAL Complementing Bangarra’s touring roster are locations across the country. AND TORRES STRAIT ISLANDER ORGANISATION AND ONE OF education programs, workshops and special AUSTRALIA’S LEADING PERFORMING ARTS COMPANIES, WIDELY Our relationships with Aboriginal and Torres performances and projects, planting the seeds for ACCLAIMED NATIONALLY AND AROUND THE WORLD FOR OUR Strait Islander communities are the heart of the next generation of performers and storytellers. -
By Katie Beckett
Darebin Arts Speakeasy and ILBIJERRI Theatre Company present WHICH WAY HOME By Katie Beckett NORTHCOTE TOWN HALL Wed 24 Aug – Sun 3 Sep 2016 65mins (no interval) CREATIVE TEAM Writer Katie Beckett Production Manager Carly Heard Director Rachael Maza Lighting Designer Nik Pajanti Performers Katie Beckett & Tony Briggs Dramaturge Jane Bodie Set & Costume Designer Emily Barrie Stage Manager Kellie Jayne Chambers Sound Designer Mark Coles Smith Sound Support Steph O’Hara ILBIJERRI Theatre Company Artistic Director Rachael Maza Education & Learning Manager Executive Producer Simeon Moran Kamarra Bell-Wykes Creative Producer Ben Graetz Development & Marketing Manager Iain Finlayson Creative Producer Naretha Williams Company Manager Lauren Bok Associate Producer Damienne Pradier Finance Manager Jon Hawkes DIRECTOR’S NOTE Working with Katie Beckett on her first This production is the perfect antidote. play, WHICH WAY HOME, has been an WHICH WAY HOME depicts an absolute joy. Katie’s generosity, Aboriginal man who is loving, caring, courage, hard work and talent over the funny and ultimately a very good father. last couple of years has finally paid of. This is a universal human story that Now in the rehearsal room I have the transcends race, time and place. Most pleasure of working with both her and everyone can relate to having a father or the glorious, equally multi-talented Tony a child. Briggs. It’s experiences like this that afrm why I love what I do! I’d like to acknowledge the extraordinary creative team: Katie Beckett (Writer and Although this journey started a couple Actor), Jane Bodie (Dramaturge), Emily of years ago, WHICH WAY HOME Barrie (Set and Costume), Mark couldn’t be more timely. -
Gender Matters Launch Graeme Mason Monday 7 December 2015 Sydney Firstly, I Would Like to Begin by Acknowledging the Tradi
Gender Matters Gender Matters launch Graeme Mason Monday 7 December 2015 Sydney Firstly, I would like to begin by acknowledging the traditional custodians of the land on which we meet, the Gadigal people of the Eora Nation, and pay my respects to the Elders both past and present. Screen Australis is thrilled to welcome you here today, to announce a five point, $5 million plan over three years for Gender Matters - a suite of initiatives that will address the gender imbalance within the Australian screen industry. Issues of gender bias have been approached in various ways, by Screen Australia, our predecessor agencies, state agencies and industry guilds over the years. Despite this, the level of women’s participation in this industry continues to track along at the low percentages we saw in the 1970s. And a lot of us are asking why. We see really strong levels of representation in the emerging end of the sector, and have seen huge success of female-led projects, such as The Dressmaker, which has made a strong commercial case for more female-driven content. So, if we know all of this, and we know women have talent, what’s happening? Analysis of Screen Australia figures, back in May, shows that the imbalance is most notable in traditional film with 32% of women working as producers, 23% as writers and only 16% as directors. Our film production funding is provided to producers, writers and directors in direct proportion to applications received, suggesting that initiatives to stimulate projects led by women is key in addressing this issue front on. -
Oedipus Schmoedipus
Presented by Arts House, Belvoir and post post Oedipus Schmoedipus Arts House, Warning: Violence, blood, death and suicide scenes, loud noises, strobe lighting and coarse language. North Melbourne Town Hall Suitable for ages 16+ Oedipus Schmoedipus has been supported by the Australian Wed 6 – Sun 10 May 2015 Government through the Australia Council for the Arts, its arts funding and advisory body; Belvoir; Performing Lines; and the 1hr 10min, no interval City of Melbourne through Arts House. Post-Show Q&A Thu 7, 8.50pm artshouse.com.au postpresentspost.com Creative Team post Written by post Zoë Coombs Marr, post‘s work often deals with the political; Mish Grigor & Natalie Rose it attempts to engage with issues of control, after Aeschylus, Anon, Barrie, Behn, gender, identity and politics in ways that Boucicault, Büchner, Chekhov, Euripides, are funny, engaging and accessible (but not Gogol, Goldsmith, Gorky, Hugo, Ibsen, always). post are concerned with the moment Jonson, Marlowe, Mayakovsky, Molière, of theatre, live connection and the truly Pirandello, Plautus, Racine, Seneca, absurd, drag, imposters, impressions, bad Shakespeare, Sophocles, Strindberg, Voltaire, acting, boy genii, The Biggest Loser, birth, Wedekind, Wilde et al death, auditions, shamans, epitaphs, avatars, and those nightmares where you have to give Directors Zoë Coombs Marr & Mish Grigor a speech, but haven’t got any pants on. Set & Costume Designer Robert Cousins Lighting Designer Matthew Marshall post’s works include Oedipus Schmoedipus Lighting Realiser/Head Electrician -
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdic- Tions and a Strategy for Growth
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned From Selected Jurisdic- tions and a Strategy For Growth PREPARED FOR SUBMITTED BY imagineNATIVE Maria De Rosa 401 Richmond St. West, Suite 446 Marilyn Burgess Toronto, Ontario M5V 3A8 Communications MDR 503 Victoria Avenue Westmount, Québec H3Y 2R3 www.communicationsmdr.com December 5, 2018 1 Pathways to the International Market for Indigenous Screen Content Contents ACKNOWLEDGEMENTS ............................................................................................... 2 FOREWORD ................................................................................................................... 3 INTRODUCTION ............................................................................................................. 4 I. THE NEW CONTEXT: A RISING TIDE OF INDIGENOUS PRODUCTION ................. 6 II. SUCCESS STORIES: CASE STUDIES OF CANADIAN AND INTERNATIONAL FILMS, TELEVISION PROGRAMS AND DIGITAL MEDIA .......................................... 14 III. LESSONS LEARNED FROM THE SUCCESS OF INTERNATIONAL INDIGENOUS SCREEN CONTENT ..................................................................................................... 43 IV. PATHWAYS TO THE INTERNATIONAL MARKET FOR CONSIDERATION BY THE INDIGENOUS SCREEN SECTOR IN CANADA ................................................... 57 ANNEX 1: SELECTED BIBLIOGRAPHY ..................................................................... 71 ANNEX 2: SUMMARY OF RESULTS OF ON-LINE QUESTIONNAIRE -
Hear Me Roar
Hear me roar Miranda Tapsell brought Australian TV to a standstill with a blistering monologue on the ABC satire program Get Krack!n. Now the US has come calling. By PHILIPPA HAWKER ‘She just blew us away’. Miranda Tapsell. Picture: Johnny Diaz Nicolaidis From Review April 13, 2019 Miranda Tapsell can do anything, so says the director Wayne Blair. And right now, there’s plenty of proof of that. She stars in Top End Wedding, a romantic comedy she also co-wrote, a movie that had its world premiere at Sundance before it opens in Australia next month. And she’s just played a key role in one of the most memorable moments of recent Australian television, a finale to the ABC series Get Krack!n, in which she delivered a scorching monologue on racism that left viewers grasping for adjectives and superlatives. 2 For Tapsell, these projects have at least one thing in common. The TV appearance was meant to provoke conversations, and so, in a different fashion. is the movie. It’s a romantic comedy — set principally in the Northern Territory where she grew up — that she hopes will resonate with audiences of all kinds. “I want the film to mean something to many people, and I hope that it propels a bigger conversation than the one we’ve been having in this country.” In Top End Wedding, Tapsell plays Lauren, an ambitious young lawyer who has left her Darwin home town to pursue her career. When her boyfriend Toby (Gwilym Lee) proposes to her, she says yes without hesitation, but she’s determined to get married back home among family and friends. -
BY THORNTON WILDER DIRECTED by LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021
our town BY THORNTON WILDER DIRECTED BY LEE LEWIS Jimi Bani, Colin Smith Welcome to 2021. It is so exciting to be back embarking on a season of theatre, with some much-loved plays and others unknown. Amanda Jolly Executive Director And what better work massive. Like reaching out to return with than this to a neighbour. Taking a great American classic moment for a colleague — directed by our own who’s struggling. Calling Artistic Director, Lee Lewis a distant friend. And and featuring a cast of 16 above all, spending time outstanding Queensland with family. We craved actors. You’ll find some togetherness, and meaning, familiar faces and discover and hope. some rising stars of Our Town celebrates all tomorrow — a village of of this and more. With its artists. simplicity and heart, it When the coronavirus reminds us of the power of pandemic forced us all theatre and how much we indoors last year, we have all been missing this eventually came to realise shared experience. Enjoy. what has been most — Best wishes, important all along. It turned Amanda out to be the little things, the things we had been too busy for, the things so tiny that they’re actually Queensland Theatre would like to acknowledge the Jagera and Turrbal people who are the Traditional Custodians of this land. We pay our respects to their Elders both past and present, and to all Aboriginal and Torres Strait Islander peoples. QUEENSLAND THEATRE IS ASSISTED BY THE AUSTRALIAN GOVERNMENT THROUGH THE AUSTRALIA COUNCIL, ITS ARTS FUNDING AND ADVISORY BODY.