Eati·E OI•0An JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY ~

Total Page:16

File Type:pdf, Size:1020Kb

Eati·E OI•0An JOURNAL of the AMERICAN THEATRE ORGAN SOCIETY ~ eatI·e OI•0an JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY ~ May / June 2000 ~ I Pro Organo .. Q·.,o P P O ~nQli a leading ·American Q~.gano producer of sacred Pro Organo CD 7051 ·11, ·.· i.o~ouTH~· . :t: Pro 0rgano CD7042 ~-YM1. GAN&.llM. · ~l . classical THE OLD SOUTH 1~//i•,,'.it'tiL~.'.~t OPUS 190 Frederick Hohman organ and BRASS .~ ui i!· ,,;)0 ;~. O~GAN T~MPA".'1I -~\~ Total time: 75:35 • [DDD fully digital] choral & Ji),.J,... ~;; (1 J~ ~:. Recorded: September, 1995 d · Frederick MacArthur, organist ·:J · · .. ·•:::..:.,ij•"'-=...,_J, reCO/< 1ngs... Roger Voisin, conductor - ~:::::~ ~ ..::.!...:..•:tf :::::- ·. Vintage repertoire played upon the Oldest Original and Intact 4-manual Suggests Total time: 75:48 • [DDD] • CD only ~.:t.; ::f 7. ':§.~:? Ernest M. Skinner Pipe Organ (1912) at a few titles Ernest M. Skinner organ (Opus 308, 1921) ~ ..,. ""· ,. 1.lffi fjfg'_ Grand Avenue Temple United Methodist of Old South Church, Boston, Massachusetts H• • - ~ ~----~~-~ Church, Kansas City, Missouri from our Program: The Star-Spangled Banner • The Ride of the Valkyries - Wagner Program: Ernest M. Skinner's Opus 190 Start-Up and Shut-Down Sounds • catalog •Poeme Hero'ique , Dupre• 1812 Overture , Tchaikovsky- arr. Faxon• Carillon Horatio Parker, Festival Prelude • Walter Edward Howe, Hommage a Bonnet de Westminster , Vierne • March Triomphale Centenaire de Napoleon I, (1918] • Alfred Hollins, A Song of Sunshine (1913] • Gaston Dethier , Intermezzo that Offer Vierne • Fanfare , Oliphant Chuckerbutty • Pomp & Circumstance No. 1, Opus (191 OJ•Gordon Balch Nevin, Will o' the Wisp• Felix Borowski, Sonata No. 1 for as much 39, Elgar• The Stars & Stripes Forever , Sousa • Auld Lang Syne - arrange­ Organ • Powell Weaver , The Cuckoo - The Squirrel • Pietro Yon, Speranza • ments for brass, organ and timpani by George Faxon Tchaikovsky, Yearning• Harry Rowe Shelley, Scherzo-Mosaic (Dragonflies) • Louis Vierne, from Organ Symphony No. 3: Adagio & Final ......."theatre" . ... fflU-• as possible, Pro 0rgano CD7018 without LEMARE AFFAIR "II" actually Frederick Hohman being Total time: 72:21 [DDD] CD ONLY "theatre The Reuter (former E. M. Skinner) Original Concert Works by Lemare & friends organ of St. John's Evangelical The Mighty Kotzschmar Memorial (Austin) organ." Lutheran Church, Organ in Portland City Hall, Portland, Maine Allentown, Pennsylvania Why not Total time: 70:31 • [DDD ] • CD ONLY Program : Fantaisie Fugue, Scherzo Fugue, L....S!C:!:!.........:::::===~.....,=::::i try Rhapsody, Marche Heroique and Concert Program: Overture to "Die Meistersinger von Nurnberg" - Fantasia and Variations on "Hanover," Opus 4 - all by Edwin H. Lemare • one or Richa rd Wagner transcribed for organ solo by Edwin H. Lemare "0 Star of Eve" from Wagner 's opera Tannhause r - arr. Edwin Lemare • The more Sonata on the 94th Psalm - Julius Reubke Seraph's Strain and The Carillon - Will iam Wolstenholme • Allegretto Fantasia and Fugue on the Choral "Ad nos, ad salutarem undam" - Grazioso and Morceau de Concert en forme de Valse - Alfred Hollins• The of these? Franz Liszt Question & The Answer -William Wolstenholme Pro 0rgano CD 7116 Pro 0rgano CD 7084 SHADES OF THE SYMPHONIC flobleOrches1rnland0rganWorks GREEN ORGAN Performed on tho Grand Organ <Jlf,111..1,u~,.,1,H•w\ Dorothy Papadakos William K. Trafka l.i'111tll1nNew,YurkCity & Friends Total time: 74:11 [DDD] CD ONLY ~· ' /'~","=••~.:J'""Total time : 55 :10 [DDD] Orchestral and Organ Works -~ Improvisations on the Great Performed on the Grand Organ l><>rutl,.·l'.;1,.ii.tk,~ Organ of The Cathedral of St. at St. Bartholomew's Church «• &.'l:ri,'~ in New York City ;~ -~<---,·f) John the Divine, New York City ,·' & 'iV Program : , a.':'.::.a Program: Come O Great Spirit (Organ -1' Fanfareforthe ~ o.m . ~:I "'"" lmprov with Wind) Dorothy Papadakos • Common Man '-- '---'--- -- -==::....::i~:w.!!:1-.. The Sacred Tree, by Dennis Yerry, Native America Flute, with organ by Aaron Copland (as arranged for O rgan with ~~ Jesus Christ the Apple Tree, sung by Elizabeth Henreckson Farnum, with organ ·.,: , Cedars of Lebanon , played by Steve Gorn , clarinet , with organ Gong and Timpani by William K. Trafka) ::- Banyan at Bodh-Gaya , Pandit Ramesh Mishra, playing the Sarangi , with organ Cantabile from Symphony for Organ in E­ . ,- Carnauba , Raimundo Penaforte , vocal , percuss ion and acoustic guitar and minor by Harold Friedel! .. John LaBarbera , acoustic guitar, with Dorothy Papadakos on piano Grande Piece Symphonique, Op. 17 by Cesar Franck Willow Weep for Me , Theresa Thomason , vocalist with jazz combo Shepherd Boy at Cotopaxi , Dorothy Papadakos live organ improvisation • Pictures at an Exhibition (complete) by Modest Lucis Creator Optima , gentlemen 's choir of St. John the Divine Mussorgsky (transc ribed/performed by Wm.Trafka) $15 each, plus $4 air postage per order to USA/Canada or $12 air postage everywhere else. To order these, or to request a free, complete printed catalog, contact: Zarex Corporation PO Box 8338 South Bend, Indiana 46660-8338 USA telephone (USA/Canada) 800-336-2224 inti 219. 271-9151 • FAX 219. 271-9191 email: [email protected] 0 or order on-line with MasterCard® or Visa® at: www.zarex.com © Copyright 2000 Zarex Corporation . All rights reserved . puss:: ATOS Mii lB•vlS/LIB RARY JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIEIY _M_a_y/_J u_n_e_2_0_00_ • _vo_l_um_ e _4_2,_N_u_m_b_e_r _3 _________________ h_ttp:/ / WWW .atos.org PRESIDENT: Nelson Page EDITOR: Vernon P. Bickel ExECUTIVE SECRETARY: Michael Fellenzer FEATURES DEPARTMENTS Las Vegas: A New Theatre Organ Paradise General Information ........................... 3 Kahara Pave ................................. 7 Members' Forum .............................. 6 The Sounds of Silent Movies The Saga of the Fred Hermes Robert Gates, Associate Editor. .................. 18 "Mighty Wurlitzer" Gary Hanson ............................... 10 For the Records Ralph Beaudry, Associate Editor ................. 20 The Evolution of the Petersen Wurlitzer Our History-Our Heritage ................... 26 Gary Hanson ............................... 11 ORGANizing Popular Music Al Hermanns ............................... 29 The Wurlitzer That Made Hi--Fi Classified Ads ............................... 30 Ralph Beaudry, Associate Editor ................. 45 Chapter News ............................... 3 2 "An Acre of Seats in a Palace of Splendor" Steve Levin, Associate Editor. ................... 50 RegisterNow for The ATOSANNUAL CONVENTION Milwaukee,Wisconsin • July 27 to August2, 2000 I ~=-==--c::::--==i--==- ==--==-~-==-==---==-==---==-==-==--~ Part of what we do in ATOS is These annual gatherings are not only fun, but they also getting together every year for our allow your Board of Directors to conduct the important annual convention. This year Dairy, business of the society and provide the membership with a land Chapter is hosting what looks to be a "wiz bang" of a chance to speak up and let their voices be heard at the convention in Milwaukee, Wisconsin, this July 27th to annual meeting. The annual membership meeting this yea~ August 2nd. I don't know about you, but I've never been to will be conducted at the Pabst Theatre. the city of Milwaukee, let alone to the State of Wisconsin, On a more somber note, it is with deep regret that we but let me tell you I'm thrilled to be able to go and meet our accepted the resignation of Board Member Shirley Obert friends out there for the first time. The line up of artists and upon the death of her husband Dick. Our hearts go out to instruments is impressive and convention Chairperson Bill Shirley at this most difficult time. Her friendship and con, Campbell and his team have spent the last three years tributions to the Board will be missed. toiling to make this a convention to be remembered. Nelson Page MAY/JUNE 2000 • Library of Congress Catalog Number ML 1T 334 (ISSN 0040-5531) Printed in U.S.A. May/June 2000 • Volume 42, Number 3 EDITOR Vernon P. Bickel ATOS COMMITTEES & CHAIRPERSONS 785 Palomino Court AGO LIAISON & AWARDS & RECOGNITION San Marcos , CA 92069-2102 Donna Parker 760/471-6194 • Fax 760/471-9194 PO Box 6103 / Aloha , OR 97007-0103 E-mail: bickel@atos .org 503/642-7009 ; E-mail : donnaparker@webtv .net ARCHIVES/LIBRARY PRESIDENTNelson Page Jim Patak The Galaxy Theatre 152 York Road, Suite 200 7000 Blvd East / Guttenberg , NJ 07093 Elmhurst, IL 60126-2806 201/854-7847 • Fax 201/854-1477 630/782-1800 • Fax 630/782-1802 Chicago Stadium, Barton Console E-mail: page@atos .org E-mail : patak@atos .org Maloof Residence, Las Vegas, NV, 1999 VICE- Bob Maney BYLAWS PRESIDENT229 Ellen Avenue Bob Maney State College , PA 16801-6306 229 Ellen Avenue / State College , PA 16801-6306 814/238-2022 • Fax 814/238-4034 814/238-2022 • Fax 814/238-4034 E-mail : maney@atos .org E-mail: maney@atos .org CHAPTER RELATIONS SECRETARYJack Moelmann Doris Erbe PO Box 25165 4942 Hummelsheim Avenue Scott AFB, IL 62225-0165 St. Louis, MO 63123-4711 618/632-8455 • Fax 618/632-8456 314/481-1840 • Fax 314/481-5885 E-mail: moelmann@atos .org CONVENTION PLANNING Mike Kinerk TREASURERSteve Schnieders 2655 Pine Tree Drive / Miami Beach , FL 33140 7321 Vine Ave./ St. Louis, MO 63143 305/532-9000 • Fax 305/376-3679 314/645-0552 • Fax 314/645-0193 E-mail : kinerk@atos .org E-mail: schnieders@atos .org EDUCATION Connie Purkey PAST Harry Heth 564 E 4050S #9J PRESIDENT1247 Peden / Houston , TX 77006-1130 Salt Lake City UT 84107 713/527-8096 • Fax 713/527-9182 801/265-9794 • Fax 801/265-9794 , *51 E-mail: heth@atos .org E-mail : [email protected]
Recommended publications
  • Step up Your Playing the Teaching Program for Adults in Atos
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JANUARY | FEBRUARY 2016 www.atos.org ATOS JanFeb 58-1 G.indd 1 12/16/15 7:18 PM STEP UP YOUR PLAYING THE TEACHING PROGRAM FOR ADULTS IN ATOS HOSTS: The Atlanta Chapter of ATOS LOCATION: Atlanta, Georgia DATE: Friday–Sunday, March 4–6 ORGANS: Stephenson High School, 4/22 Page; Strand Theatre Allen GW4; McGee Residence Allen TO5; Double Residence Allen GW 4 INSTRUCTORS: Donna Parker; Tom Helms; Ken Double; and a Special Teaching Session with Richard Hills EVENTS: Four teaching sessions; Special Seminar with Richard Hills; Saturday night concert with Richard Hills at the Grande Page; Closing night dinner party. HOTEL: Fairfield Inn and Suites, Vinings/ Atlanta; 2450 Paces Ferry Road; Atlanta, GA REGISTRATION: Just $249 per person includes all-day session with four instructors, concert at Stephenson H.S. with Richard Hills, transportation to all events, a farewell dinner party. The 4/22 Grande Page Pipe Organ; Stephenson High Space is limited to 22 participants. School; Stone Reserve now! Mountain, Ga Contact Jonas Nordwall at [email protected]. Visit atos.org for more information. ATOS JanFeb 58-1 G.indd 2 12/16/15 7:19 PM THEATRE ORGAN JANUARY | FEBRUARY 2016 Volume 58 | Number 1 FEATURES Name the 12 Organs The Empire Wurlitzer 14 50 Years in Metro-Land Western Reserve II 26 2016 Annual Convention Memories of 36 Buddy Cole DEPARTMENTS 3 Vox Humana 5 President’s Message 6 Directors’ Corner 8 News & Notes 9 Retreat Forward 10 For the Records 48 Chapter News 57 Closing Chord 58 Around the Circuit Connor Palace, Playhouse Square Center THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ On the cover: Society, Inc., 7800 Laguna Vega Drive, Elk Grove, California 95758.
    [Show full text]
  • Page 14 Street, Hudson, 715-386-8409 (3/16W)
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY NOVEMBER | DECEMBER 2010 ATOS NovDec 52-6 H.indd 1 10/14/10 7:08 PM ANNOUNCING A NEW DVD TEACHING TOOL Do you sit at a theatre organ confused by the stoprail? Do you know it’s better to leave the 8' Tibia OUT of the left hand? Stumped by how to add more to your intros and endings? John Ferguson and Friends The Art of Playing Theatre Organ Learn about arranging, registration, intros and endings. From the simple basics all the way to the Circle of 5ths. Artist instructors — Allen Organ artists Jonas Nordwall, Lyn Order now and recieve Larsen, Jelani Eddington and special guest Simon Gledhill. a special bonus DVD! Allen artist Walt Strony will produce a special DVD lesson based on YOUR questions and topics! (Strony DVD ships separately in 2011.) Jonas Nordwall Lyn Larsen Jelani Eddington Simon Gledhill Recorded at Octave Hall at the Allen Organ headquarters in Macungie, Pennsylvania on the 4-manual STR-4 theatre organ and the 3-manual LL324Q theatre organ. More than 5-1/2 hours of valuable information — a value of over $300. These are lessons you can play over and over again to enhance your ability to play the theatre organ. It’s just like having these five great artists teaching right in your living room! Four-DVD package plus a bonus DVD from five of the world’s greatest players! Yours for just $149 plus $7 shipping. Order now using the insert or Marketplace order form in this issue. Order by December 7th to receive in time for Christmas! ATOS NovDec 52-6 H.indd 2 10/14/10 7:08 PM THEATRE ORGAN NOVEMBER | DECEMBER 2010 Volume 52 | Number 6 Macy’s Grand Court organ FEATURES DEPARTMENTS My First Convention: 4 Vox Humana Trevor Dodd 12 4 Ciphers Amateur Theatre 13 Organist Winner 5 President’s Message ATOS Summer 6 Directors’ Corner Youth Camp 14 7 Vox Pops London’s Musical 8 News & Notes Museum On the Cover: The former Lowell 20 Ayars Wurlitzer, now in Greek Hall, 10 Professional Perspectives Macy’s Center City, Philadelphia.
    [Show full text]
  • Wagnerskt Orgelbrus
    CG9010 Självständigt arbete, kyrkomusik, 15 hp Kandidatprogram, musiker, kyrkomusik 2021 Institutionen för klassisk musik (KK) Handledare: Incca Rasmusson Ludvig Käll Wagnerskt orgelbrus Att transkribera Richard Wagners musik för orgel Till dokumentationen hör följande inspelning: Morgenpracht inspelad i Sankt Görans kyrka Sammanfattning I orgeltranskriberingens historia så har Richard Wagners musik fått en särställning genom organisten Edwin H. Lemares massiva transkriptionsarbete. I det här arbetet undersöks hur Lemares transkriptionskonst är utformad och hur hans metoder kan appliceras på eget transkriptionsarbete. Lemares och andras transkriptioner jämförs med Wagners originalpartitur för att metoder och verktyg ska kunna observeras. Dessa appliceras på en egen transkription, vars skapelseprocess redogörs för. Detta arbete visar att Lemare använder sig av en metodisk teknik som i stora drag grundar sig på det klangliga resultatets slutliga kvalitet. I det här arbetet beskrivs denna teknik relativt ingående, för att om möjligt bidra med insikter och metoder för den av transkriptioner intresserade. Nyckelord: Wagner, Lemare, transkription, orgel, Parsifal, orkester, Gesamtkunstwerk, opera, musikdrama Innehållsförteckning 1 Inledning och bakgrund ..................................................................................................... 1 5.1 Richard Wagners musik ............................................................................................. 1 5.2 Om Wagner-transkription .........................................................................................
    [Show full text]
  • The Big Picture - Welte’S Instruments, Rolls, Recording, Digital Editing
    The big picture - Welte’s instruments, rolls, recording, digital editing by David Rumsey The Welte Philharmonie - or Philharmonic to most English-speakers - was an ingenious musical instrument. Its origins lay in both the pneumatics and acoustics of the ancient Greeks, to say nothing of their mechanics, hydraulics or music. In the 20th century, both the “Phil”, as it is affectionately known in some circles, and aeronautical engineering, brought human arts and sciences of using air to their zenith. Pneumatic organ actions were then transformed to electric actions although there was a later reaction back to mechanics. For the aviation industry it was seminal: aircraft now replaced steam engines and organs as the most complex technology known to civilisation. The many ages and stages between the ancient Greeks, and Welte’s early 20th century automatic instruments, produced a train of incremental invention. Each epoch found ways of making organs play and sound the way it wanted them to. That changed with every new aesthetic from gothic, renaissance, baroque, “neo- classical” late 18th century, through the romantic era and on to a second, “neo- classical” phase, in the 20th century. It differed from country to country, culture to culture, even language to language: whether French, German, Italian, English or Netherlands, organs were also expressions of national ethos. By the early 19th century, the means of controlling the aesthetic qualities of organ pipes had long been established by empirical means: if it sounded good, then that was the way it was done. Sounding good, of course, differed according to Welte’s original proposal for the appearance of whether you were a medieval Britannic’s Philharmonie on board Netherlander, a renaissance Spaniard, a baroque Saxon, or your language and culture were “classical” French.
    [Show full text]
  • Welton Hall & Organ
    The PipeLine Journal of the YDOA June Edition Patron: Dr Francis Jackson CBE (Organist Emeritus, York Minster) President: Nigel Holdsworth, 01904 640520 Secretary: Renate Sangwine, 01904 781387 Treasurer: Cynthia Wood, 01904 795204 Membership Secretary: Helen Roberts, 01904 708625 The PipeLine Editor, Webmaster and YDOA Archivist: Maximillian Elliott www.ydoa.co.uk The York & District Organists’ Association is affiliated to the Incorporated Association of Organists (IAO) and serves all who are interested in the organ and its music. Contents 1. Introduction ................................................................................ 3 2. YDOA Events ............................................................................... 4 3. The Ebor Organ Album……………………………………………… ............... 5 4. Previous Event ............................................................................ 6 5. Next Event ................................................................................... 8 6. Upcoming Recitals & Concerts…………………………………………………. 9 7. Gallery ...................................................................................... 11 8. Article I ...................................................................................... 12 9. Article II ..................................................................................... 21 10. Organ of the Month .................................................................. 25 11. The Trivia Section ...................................................................... 27 The Caption
    [Show full text]
  • Journal of the American Theatre Organ Society
    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY '_ --~~~ - -- - ·- - -- ~--'- -'. Orbil ID™eeclronic 1yn~e1izer P,UJ ~ -~eo~re01pinel organ equo1... ~e newe;I woy lo mo <emu1ic rromWur ilzec Now with the Orbit III electronic synthesizer from slowly, just as the theatre organist did by opening and Wurlitzer you can create new synthesized sounds in­ closing the chamber louvers. stantly ... in performance. And with the built-in Orbit III synthesizer, this This new Wurlitzer instrument is also a theatre organ, instrument can play exciting combinations of synthe­ with a sectionalized vibrato/tremolo, toy counter, in­ sized, new sounds, along with traditional organ music. A dependent tibias on each keyboard and the penetrating built-in cassette player/recorder lets you play along with kinura voice that all combine to recreate the sounds of pre-recorded tapes for even more dimensions in sound. the twenty-ton Mighty Wurlitzers of silent screen days. But you've got to play the Orbit III to believe it. And it's a cathedral/classical organ, too, with its own in­ Stop in at your Wurlitzer dealer and see the Wurlitzer dividually voiced diapason, reed, string and flute voices. 4037 and 4373. Play the eerie, switched-on sounds New linear accent controls permit you to increase or of synthesized music. Ask for your free Orbit III decrease the volume of selected sections suddenly, or demonstration record. Or write: Dept. T0-1272 WURLilzER® The Wurlitzer Company, DeKalb, Illinois 60115. ha.~the ,vay cover- photo ••• Sidney Torch at the Console of the Christie Organ, Regal Theatre, Edmonton. The glass panels surrounding the keyboards were illuminated by several sets of differently colored lights, controlled by motorized rheostats which created Journal of the American Theatre Organ Society different color effects as the lights were dimmed and brightened - an exclusive English feature! See the interview of Sidney Torch by Judd Walton and Frank Volume 14, No.
    [Show full text]
  • Journal of the YDOA December Edition
    The PipeLine Journal of the YDOA December Edition Patron: Dr Francis Jackson CBE (Organist Emeritus, York Minster) President: Nigel Holdsworth, 01904 640520 Secretary: Renate Sangwine, 01904 781387 Treasurer: Cynthia Wood, 01904 795204 Membership Secretary: Helen Roberts, 01904 708625 The PipeLine Editor, Webmaster and YDOA Archivist: Maximillian Elliott www.ydoa.co.uk The York & District Organists’ Association is affiliated to the Incorporated Association of Organists (IAO) and serves all who are interested in the organ and its music. Contents 1. Introduction ................................................................................ 3 2. YDOA Events ............................................................................... 4 3. Previous Event ............................................................................ 5 4. Next Event ................................................................................... 6 5. Upcoming Recitals & Concerts…………………………………………………. 7 6. Gallery……………………………………………………………………………………. 8 7. Article I ........................................................................................ 9 8. Article II ..................................................................................... 24 9. Organ of the Month .................................................................. 31 10. The Trivia Section ...................................................................... 38 The Caption Competition .......................................................... 38 11. The People Section ..................................................................
    [Show full text]
  • Howe Collection of Musical Instrument Literature ARS.0167
    http://oac.cdlib.org/findaid/ark:/13030/c8cc1668 No online items Guide to the Howe Collection of Musical Instrument Literature ARS.0167 Jonathan Manton; Gurudarshan Khalsa Archive of Recorded Sound 2018 [email protected] URL: http://library.stanford.edu/ars Guide to the Howe Collection of ARS.0167 1 Musical Instrument Literature ARS.0167 Language of Material: Multiple languages Contributing Institution: Archive of Recorded Sound Title: Howe Collection of Musical Instrument Literature Identifier/Call Number: ARS.0167 Physical Description: 438 box(es)352 linear feet Date (inclusive): 1838-2002 Abstract: The Howe Collection of Musical Instrument Literature documents the development of the music industry, mainly in the United States. The largest known collection of its kind, it contains material about the manufacture of pianos, organs, and mechanical musical instruments. The materials include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The collection was created, and originally donated to the University of Maryland, by Richard J. Howe. It was transferred to the Stanford Archive of Recorded Sound in 2015 to support the Player Piano Project. Stanford Archive of Recorded Sound, Stanford University Libraries, Stanford, California 94305-3076”. Language of Material: The collection is primarily in English. There are additionally some materials in German, French, Italian, and Dutch. Arrangement The collection is divided into the following six separate series: Series 1: Piano literature. Series 2: Organ literature. Series 3: Mechanical musical instruments literature. Series 4: Jukebox literature. Series 5: Phonographic literature. Series 6: General music literature. Scope and Contents The Howe Musical Instrument Literature Collection consists of over 352 linear feet of publications and documents comprising more than 14,000 items.
    [Show full text]
  • The Berkshire Organist 2017
    err rg ISSN 0265-1971 2017 be 70 Patron: Gillian Weir DBE President 2015-2017 Jonathan Holl ARCO LRAM ARCM, e Old Dairy Farm, Winkeld Lane, Winkeld, Windsor SL4 4RU tel: (01344) 886700 [email protected] President Elect -vacant Secretary -Harry Russell, 131 Recreation Road, Burgheld Common, Reading RG7 3EN tel: (0118) 983 3547 [email protected] Treasurer -Derek Guy AFCM 14 Wilmington Close, Woodley, Reading, RG5 4LR tel: (0118) 969 3587 [email protected] Programme Secretary -Christine Wells BMus FRCO LRAM Lynton Villa, Pheasants Hill, Hambleden, Henley-on-ames Oxfordshire, RG9 6SD tel: (01491) 571588 Editor: e Berkshire Organist - vacant Editor: e Newsletter - David Pether Publicity O!cer - Harry Russell, 131 Recreation Road, Burgheld Common, Reading RG7 3EN tel: (0118) 983 3547 [email protected] Webmaster - David Pether www.berkshireorganists.org.uk Other Trustees: Andy Baldwin, David Butler, Anthony Hodson, Jill York, Mark Jameson, Ian May Independent Examiner - David Duvall Honorary Fellows - Dr. Francis Jackson, Dr William McVicker Neither the Editors nor the Association accept any responsibility for opinions expressed in this Journal e Berkshire Organist 2016 1 ! e Berkshire Organists Association Table of Contents Page Constitution 4 Recital & AGM 13 May 2017 Andy Baldwin 10 President’s Report to the AGM Jonathan Holl 13 Reading Town Hall Recitals Celebrity Recital Anne Page 19 May 2016 Edward Stans! eld 14 Daniel Cook 17 October 2016 Jonathan Holl 17 Simon Johnson 11 May 2017 Jonathan Holl 19 Lunchtime
    [Show full text]
  • The Organ Music of Edwin H. Lemare – 1) Original Works, 2) Editions, 3) Transcriptions 1) Original Organ Works by Edwin H
    The organ music of Edwin H. Lemare – 1) Original works, 2) Editions, 3) Transcriptions 1) Original organ works by Edwin H. Lemare (211) The 52 pieces without opus numbers have been allocated WoO. numbers, which will be used for identification purposes in the new printed edition from www.trumph.se. Some of these works use melodies by other composers. They are not transcriptions in the sense of being an organ version of the original composers music, but they are free paraphrases by Lemare in the manner of a fantasia or hymn prelude. They have been included here as original works. Two works, the Concert Fantasia on Pleyel's German Hymn WoO. 53 and a March in G WoO. 54 are presumed lost. (Note that sometimes Lemare used the same opus number twice eg. Op. 74, Op. 121, Op. 141 and Op. 153.) Op. Title Date Dedicatee Notes Number Op. 2 Marche Moderne 1884 WoO. 1 Andantino in D-flat 1888 The author has found ten references to performances of this piece by three different organists in two countries Concert Fantasia on Pleyel's WoO. 53 1888 between 1888 and 1909. One programme German Hymn indicated that it was played from manuscript and so this may have been lost. WoO. 2 Andante Moderato in F 1889 date c. 1889 WoO. 3 Allegro Moderato in D 1889 WoO. 4 Concert Fantasia in F 1891 W.S.Hoyte Op. 4 Concert Fantasia on “Hanover” 1892 Mons.A.Guilmant WoO. 5 Pastorale No.1 in E 1892 WoO. 6 Romance in D-flat 1893 WoO.
    [Show full text]
  • View PDF Editionarrow Forward
    THE DIAPASON APRIL 2018 St. Patrick Catholic Church Huntington, New York Cover feature on pages 26–27 www.concertartists.com 860-560-7800 [email protected] PO Box 6507, Detroit, MI 48206-6507 ,Z>^D/>>Z͕WƌĞƐŝĚĞŶƚĐŚĂƌůĞƐŵŝůůĞƌΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ W,/>>/WdZh<EZK͕&ŽƵŶĚĞƌƉŚŝůΛĐŽŶĐĞƌƚĂƌƟƐƚƐ͘ĐŽŵ ANTHONY & BEARD ADAM BRAKEL THE CHENAULTS JAMES DAVID CHRISTIE PETER RICHARD CONTE LYNNE DAVIS ISABELLE DEMERS CLIVE DRISKILL-SMITH DUO MUSART BARCELONA JEREMY FILSELL MICHAEL HEY CHRISTOPHER HOULIHAN DAVID HURD SIMON THOMAS JACOBS MARTIN JEAN HUW LEWIS RENÉE ANNE LOUPRETTE ROBERT MCCORMICK BRUCE NESWICK ORGANIZED RHYTHM RAÚL PRIETO RAMÍREZ JEAN-BAPTISTE ROBIN BENJAMIN SHEEN HERNDON SPILLMAN CAROLE TERRY JOHANN VEXO BRADLEY HUNTER WELCH JOSHUA STAFFORD THOMAS GAYNOR 2016 2017 LONGWOOD GARDENS ST. ALBANS WINNER WINNER 50th Anniversary Season THE DIAPASON Editor’s Notebook Scranton Gillette Communications One Hundred Ninth Year: No. 4, As I write this message, not quite halfway through Lent, I Whole No. 1301 realize that you will likely be reading this shortly after Easter. APRIL 2018 For those of us who are church musicians, I hope that you fi nd Established in 1909 your schedules to be less hectic in the months ahead. This Stephen Schnurr ISSN 0012-2378 morning, I drove my lawn mower to the next town to have its 847/954-7989; [email protected] spring tune-up. Many of us look forward to getting out of the www.TheDiapason.com An International Monthly Devoted to the Organ, house and offi ce as spring approaches. the Harpsichord, Carillon, and Church Music In April, make the commitment to have your own personal created and shared with her students, her congregation, and tune-up, now that we have passed winter’s months.
    [Show full text]
  • Welte's Instruments, Rolls
    David Rumsey THE BIG PICTURE – WELTE’S INSTRUMENTS, ROLLS, RECORDING, DIGITAL EDITING The Welte Philharmonie – or Philharmonic to most The many ages and stages between the ancient English-speakers – was an ingenious musical in- Greeks, and Welte’s early 20th century automatic in- strument. Its origins lay in both the pneumatics struments, produced a train of incremental inven- and acoustics of the ancient Greeks, to say nothing tion. Each epoch found ways of making organs play of their mechanics, hydraulics or music. In the and sound the way it wanted them to. That changed 20th century, both the “Phil”, as it is affectionately with every new aesthetic from gothic, renaissance, known in some circles, and aeronautical engineer- baroque, “neo-classical” late 18th century, through ing, brought human arts and sciences of using air the romantic era and on to a second, “neo-classical” to their zenith. Pneumatic organ actions were then phase, in the 20th century. It differed from country transformed to electric actions although there was to country, culture to culture, even language to lan- a later reaction back to mechanics. For the aviation guage: whether French, German, Italian, English industry it was seminal: aircraft now replaced or Netherlands, organs were also expressions of steam engines and organs as the most complex national ethos. technology known to civilisation. By the early 19th century, the means of controlling the aesthetic qualities of organ pipes had long been established by empirical means: if it sounded good, then that was the way it was done. Sounding good, of course, differed according to whether you were a medieval Netherlander, a renaissance Spaniard, a 64 baroque Saxon, or your language and culture were 65 “classical” French.
    [Show full text]