Mullocks Specialist Auctioneers & Valuers
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Copyright Notice
Copyright Notice Crown copyright material is reproduced with the permission of the Controller of HMSO and the Queen's Printer for Scotland All material contained in this document was scanned from an original printed copy of Intercom magazine produced by the Directorate of Telecommunications in January 1975. The licence granted by HMSO to re-publish this document does not extend to using the material for the principal purpose of advertising or promoting a particular product or service, or in a way, which could imply endorsement by a Department, or generally in a manner, which is likely to mislead others. No rights are conferred under the terms of the HMSO Licence to anyone else wishing to publish this material, without first having sought a licence to use such material from HMSO in the first instance. Signed Steven R. Cole 29 th February 2004 \ INTERCOM The Journal of the Home Office Directorate of Telecommunications Number 6 January 1975 INTERCOM The Journal of the Home Office Directorate of Telecommunications Number 6 January 1975 INTERCOIVI is published twice each year by the Directorate and is printed for Her Majesty's Stationery Office by Peridon Ltd, 6 Dalston Gardens, Stanmore, Middlesex HA7 1BJ. No article or any part of an article appearing in it may be reprinted or quoted without permission of the Home Office. Opinions expressed in this magazine are not necessarily official views of the Home Office. All enquiries should be directed to the Editor, INTERCOM, Directorate of Telecommunications, 60 Rochester Row, London SW1, England. Telephone Number: 01-828 9848, Extension 739. © Crown Copyright~1975 Contents Communications 74 .......... -
Dragon Magazine
DRAGON 1 Publisher: Mike Cook Editor-in-Chief: Kim Mohan Shorter and stronger Editorial staff: Marilyn Favaro Roger Raupp If this isnt one of the first places you Patrick L. Price turn to when a new issue comes out, you Mary Kirchoff may have already noticed that TSR, Inc. Roger Moore Vol. VIII, No. 2 August 1983 Business manager: Mary Parkinson has a new name shorter and more Office staff: Sharon Walton accurate, since TSR is more than a SPECIAL ATTRACTION Mary Cossman hobby-gaming company. The name Layout designer: Kristine L. Bartyzel change is the most immediately visible The DRAGON® magazine index . 45 Contributing editor: Ed Greenwood effect of several changes the company has Covering more than seven years National advertising representative: undergone lately. in the space of six pages Robert Dewey To the limit of this space, heres some 1409 Pebblecreek Glenview IL 60025 information about the changes, mostly Phone (312)998-6237 expressed in terms of how I think they OTHER FEATURES will affect the audience we reach. For a This issues contributing artists: specific answer to that, see the notice Clyde Caldwell Phil Foglio across the bottom of page 4: Ares maga- The ecology of the beholder . 6 Roger Raupp Mary Hanson- Jeff Easley Roberts zine and DRAGON® magazine are going The Nine Hells, Part II . 22 Dave Trampier Edward B. Wagner to stay out of each others turf from now From Malbolge through Nessus Larry Elmore on, giving the readers of each magazine more of what they read it for. Saved by the cavalry! . 56 DRAGON Magazine (ISSN 0279-6848) is pub- I mention that change here as an lished monthly for a subscription price of $24 per example of what has happened, some- Army in BOOT HILL® game terms year by Dragon Publishing, a division of TSR, Inc. -
40Th Anniversary Primer
200040TH ANNIVERSARY AD PRIMER 40TH INSERT.indd 1 07/02/2017 15:28 JUDGE DREDD FACT-FILE First appearance: 2000 AD Prog 2 (1977) Created by: John Wagner and Carlos Ezquerra ////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////// Judge Dredd is a totalitarian cop in Mega- Blue in a sprawling ensemble-led police an awful lot of blood in his time. City One, the vast, crime-ridden American procedural about Dredd cleaning up crime East Coast megalopolis of over 72 million and corruption in the deadly Sector 301. With stories such as A History of Violence people set 122 years in the future. Judges and Button Man, plus your hard-boiled possess draconian powers that make them Mega-City Undercover Vols. 1-3 action heroes like Dredd and One-Eyed judge, jury, and executioner – allowing them Get to know the dark underbelly of policing Jack, your love of crime fiction is obvious. to summarily execute criminals or arrest Mega-City One with Justice Department’s Has this grown over the years? What citizens for the smallest of crimes. undercover division. Includes Andy Diggle writers have influenced you? and Jock’s smooth operator Lenny Zero, and Created by John Wagner and Carlos Ezquerra Rob Williams, Henry Flint, Rufus Dayglo and JW: I go through phases. Over the past few in 1977, Dredd is 2000 AD’s longest- D’Israeli’s gritty Low Life. years I have read a lot of crime fiction, running character. Part dystopian science enjoyed some, disliked much. I wouldn’t like fiction, part satirical black comedy, part DREDD: Urban Warfare to pick any prose writer out as an influence. -
One Direction Infection: Media Representations of Boy Bands and Their Fans
One Direction Infection: Media Representations of Boy Bands and their Fans Annie Lyons TC 660H Plan II Honors Program The University of Texas at Austin December 2020 __________________________________________ Renita Coleman Department of Journalism Supervising Professor __________________________________________ Hannah Lewis Department of Musicology Second Reader 2 ABSTRACT Author: Annie Lyons Title: One Direction Infection: Media Representations of Boy Bands and their Fans Supervising Professors: Renita Coleman, Ph.D. Hannah Lewis, Ph.D. Boy bands have long been disparaged in music journalism settings, largely in part to their close association with hordes of screaming teenage and prepubescent girls. As rock journalism evolved in the 1960s and 1970s, so did two dismissive and misogynistic stereotypes about female fans: groupies and teenyboppers (Coates, 2003). While groupies were scorned in rock circles for their perceived hypersexuality, teenyboppers, who we can consider an umbrella term including boy band fanbases, were defined by a lack of sexuality and viewed as shallow, immature and prone to hysteria, and ridiculed as hall markers of bad taste, despite being driving forces in commercial markets (Ewens, 2020; Sherman, 2020). Similarly, boy bands have been disdained for their perceived femininity and viewed as inauthentic compared to “real” artists— namely, hypermasculine male rock artists. While the boy band genre has evolved and experienced different eras, depictions of both the bands and their fans have stagnated in media, relying on these old stereotypes (Duffett, 2012). This paper aimed to investigate to what extent modern boy bands are portrayed differently from non-boy bands in music journalism through a quantitative content analysis coding articles for certain tropes and themes. -
2000 AD Series Index
2000 AD Story Index Note: From December 1999 the last programme, or “prog,” of each year was numbered after the imminent New Year, as follows: Prog 2000 came after prog 1173 Prog 2004 came after prog 1370 Prog 2009 came after prog 1616 and was followed by prog 1174 Prog 2005 came after prog 1419 Prog 2010 came after prog 1665 Prog 2001 came after prog 1222 Prog 2006 came after prog 1468 Prog 2011 came after prog 1714 Prog 2002 came after prog 1272 Prog 2007 came after prog 1517 Prog 2012 came after prog 1763 Prog 2003 came after prog 1321 Prog 2008 came after prog 1566 Prog 2013 came after prog 1812 13 1289-1299 Too Many Bams! 273-278 The Kloistar Run 279-285 THE 86ERS Stoop Coop Soup 288-293 Note: Spin-off series from Rogue Trooper On the Dangle 378-386 Touchdown 1480-1485 Strike! 387-400 Interference 1508-1510 The Croakside Trip! 428-433 Walking to Eternity 2007 Whatever Happened To… Ace Grendel 1544-1549 Garp? 451 Under Pressure 1625-1630 The Doppelgarp 452-472 The Garpet Baggers 475-498 ABC WARRIORS 119-139 ACK-ACK MACAQUE Characters first appeared in Starlord no. 1 in Ro-busters Indestructible 2013 The End of Time! (a.k.a. “The 555-566, Prologue story to a novel Black Hole”) 573-581, Story continues from Nemesis The Warlock Book VI (in AGE OF THE WOLF 1700-1708 2000 AD progs 482-487 and 500-504) She Is Legend 1772-1781 The Khronicles of Khaos 750-757, 780-784 AGENT RAT Hellbringer 904-911 Agent Rat first appeared in a Future Shock (prog 213) Hellbringer II 964-971 Roadkill 2000 Trouble on Tree-World 273-274 The Third Element 1234-1236 The Clone Cowboys 1237-1239 A.H.A.B. -
Analyzing Genre in Post-Millennial Popular Music
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Analyzing Genre in Post-Millennial Popular Music Thomas Johnson The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2884 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ANALYZING GENRE IN POST-MILLENNIAL POPULAR MUSIC by THOMAS JOHNSON A dissertation submitted to the Graduate Faculty in Music in partial Fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 THOMAS JOHNSON All rights reserved ii Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson This manuscript has been read and accepted for the Graduate Faculty in music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ ____________________________________ Date Eliot Bates Chair of Examining Committee ___________________ ____________________________________ Date Norman Carey Executive Officer Supervisory Committee: Mark Spicer, advisor Chadwick Jenkins, first reader Eliot Bates Eric Drott THE CITY UNIVERSITY OF NEW YORK iii Abstract Analyzing Genre in Post-Millennial Popular Music by Thomas Johnson Advisor: Mark Spicer This dissertation approaches the broad concept of musical classification by asking a simple if ill-defined question: “what is genre in post-millennial popular music?” Alternatively covert or conspicuous, the issue of genre infects music, writings, and discussions of many stripes, and has become especially relevant with the rise of ubiquitous access to a huge range of musics since the fin du millénaire. -
Northern Ireland
Cover.qxp_Layout 1 22/09/2018 17:29 Page 2 NATIONAL POLICE MEMORIAL DAY Sunday 30 September 2018 Cover.qxp_Layout 1 22/09/2018 17:29 Page 3 NPMD Brochure copy.qxp_Layout 1 22/09/2018 11:34 Page 1 1 NPMD Brochure copy.qxp_Layout 1 22/09/2018 11:34 Page 2 22 NPMD Brochure copy.qxp_Layout 1 22/09/2018 11:34 Page 3 National Police Memorial Day Service Sunday 30 September 2018 Waterfront Hall, Belfast, 3pm 3 NPMD Brochure copy.qxp_Layout 1 22/09/2018 11:34 Page 4 Message from the National Police Chaplain, Canon David Wilbraham olicing is a unique role I consider more of a Each year the National Police Bravery awards recognise vocation than an occupation. It demands much outstanding examples of such behaviour. Sadly, each Pof those on the frontline in all manner of ways year, some colleagues pay the ultimate price of that and requires skill, expertise and real commitment to commitment and give their lives in service. deal with the whole of life that is encountered. Issues of truth, justice, guilt, forgiveness, restitution, peace I reflect when I conduct or attend funerals for those in society, protecting the most officers that in the minds of vulnerable, right/wrong, colleagues attending are two neighbourliness, are a small part of thoughts. Firstly, respect for a the ‘daily round’. Encountering fallen colleague and support for people at their very best and most their loved ones; secondly the inner amazing often in the midst of the acknowledgement ‘it could have most tragic of circumstances is been me’ for I know that each officer done alongside dealing with present would put themselves in the human behaviour at its most place of danger to protect the public. -
Two Day - Militaria, Collectors and Sporting Sale Thursday 03 November 2011 11:00
Two Day - Militaria, Collectors and Sporting Sale Thursday 03 November 2011 11:00 Lawrences Auctioneers (Crewkerne) South Street Crewkerne Somerset TA18 8AB Lawrences Auctioneers (Crewkerne) (Two Day - Militaria, Collectors and Sporting Sale) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 Lot: 6 A DYAK SHEILD. Early 20th C A COURTSWORD. A German painted Dyak shield with intricate courtsword with MOP grips and designs of swirls, faces etc in stirrup hilt, partial leather red/yellow and black etc. scabbard. Triangular blue and gilt Standing 52" high and 17" wide, decorated 29.5" blade, with eagle of classical shape and native in the hilt guard amidst foilage workmanship. and ornate pommel. Estimate: £400.00 - £600.00 Estimate: £70.00 - £100.00 Lot: 2 Lot: 7 A SWORD CANE. A cane A COLDSTREAM GUARDS mounted staff with inset sword SWORD. A Coldstream Guards blade of 29" with 3/4 length fuller, officers sword of the Levee style 50.75" overall length. with light 32" blade lacking its tip. Estimate: £80.00 - £120.00 Battle honours up to South Africa with the initials H E C G etched in the fuller amidst foilage and GV cypher. Leather scabbard lacking chafe, blade stained and some rusting evident. Lot: 3 Estimate: £100.00 - £150.00 A .303 CARBINE. 20.5" barrel with ramp sight, 37.5" overall length. No visible number. Lot: 8 *Rfd/Fac rqd*. A DECORATIVE MUSKET. A Estimate: £60.00 - £100.00 modern copy of a military musket of percussion action, and 29.75" barrel with bayonet fitting. Estimate: £50.00 - £60.00 Lot: 4 A SOMERSET LIGHT INFANTRY TUNIC. -
[730 *‡Sculpture and Related Arts Standard Subdivisions Are Added for Sculpture and Related Arts Together, for Sculpture Alone Class Here Plastic Arts
730 Sculpture[and[related[arts 730 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 [730 *‡Sculpture and related arts Standard subdivisions are added for sculpture and related arts together, for sculpture alone Class here plastic arts Class plastic arts in the sense of all visual arts in 700 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 SUMMARY [731 Processes, forms, subjects of sculpture [732 Sculpture from earliest times to ca. 500, sculpture of nonliterate peoples [733 Greek, Etruscan, Roman sculpture [734 Sculpture from ca. 500 to 1399 [735 Sculpture from 1400 [736 Carving and carvings [737 Numismatics and sigillography [738 Ceramic arts [739 Art metalwork 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 [.01] *‡Philosophy and theory of plastic arts Relocated to 730.1 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 [.02] *‡Miscellany of plastic arts Relocated to 730.2 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 [.03–.08] *‡Standard subdivisions of plastic arts Relocated to 730.3–730.8 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 [.09] *‡Standard subdivisions of plastic arts Relocated to 730.9 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 [.1 *‡Philosophy and theory of sculpture and related arts together, of sculpture alone Class here philosophy and theory of plastic arts [formerly 730.01] 730730 Dewey SculptureiDecima[andliClassification[related[arts 730 [.11 *‡Appreciative aspects Do not use -
Popular Music, Technology, and the Changing Media Ecosystem from Cassettes to Stream
POP MUSIC, CULTURE AND IDENTITY Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Edited by Tamas Tofalvy · Emília Barna Pop Music, Culture and Identity Series Editors Steve Clark Graduate School Humanities and Sociology University of Tokyo Bunkyo-ku, Tokyo, Japan Tristanne Connolly Department of English St Jerome’s University Waterloo, ON, Canada Jason Whittaker School of English & Journalism University of Lincoln Lincoln, Lincolnshire, UK Pop music lasts. A form all too often assumed to be transient, commer- cial and mass-cultural has proved itself durable, tenacious and continually evolving. As such, it has become a crucial component in defining various forms of identity (individual and collective) as influenced by nation, class, gender and historical period. Pop Music, Culture and Identity investigates how this enhanced status shapes the iconography of celebrity, provides an ever-expanding archive for generational memory and accelerates the impact of new technologies on performing, packaging and global market- ing. The series gives particular emphasis to interdisciplinary approaches that go beyond musicology and seeks to validate the informed testimony of the fan alongside academic methodologies. More information about this series at http://www.palgrave.com/gp/series/14537 Tamas Tofalvy · Emília Barna Editors Popular Music, Technology, and the Changing Media Ecosystem From Cassettes to Stream Editors Tamas Tofalvy Emília Barna Department of Sociology and Department of Sociology and Communication Communication Budapest University of Technology Budapest University of Technology and Economics and Economics Budapest, Hungary Budapest, Hungary Pop Music, Culture and Identity ISBN 978-3-030-44658-1 ISBN 978-3-030-44659-8 (eBook) https://doi.org/10.1007/978-3-030-44659-8 © The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2020 This work is subject to copyright. -
FC-BC DURHAM RED-EMPTY SUNS.Indd
Sample file THE EMPTY SUNS DURHAM RED CREATED BY JOHN WAGNER, ALAN GRANT AND CARLOS EZQUERRA P.01-03 (TITLE INDICIA).indd 1 1/10/07 3:00:55 pm THE EMPTY SUNS DAN ABNETT Writer MARK HARRISON g JOHN BURNS g STEVE YEOWELL g FRAZER IRVING g ENRIC ROMERO g STEVE KYTE g CARLOS EZQUERRA Artists Creative Director and CEO: Jason Kingsley Chief Technical Officer: Chris Kingsley 2000 AD Editor in Chief: Matt Smith Graphic Design: Simon Parr & Luke Preece Marketing and PR: Keith Richardson Repro Assistant: Kathryn Symes Sample file Graphic Novels Editor: Jonathan Oliver Designer: Simon Parr Original Commissioning Editor: Matt Smith, Alan Barnes Originally serialised in 2000 AD Progs 1362-1368, 1382-1386 & Judge Dredd Megazine 4.12-4.18. Copyright © 2002, 2003, 2004, 2007 Rebellion A/S. All Rights Reserved. Durham Red and all related characters, their distinctive likenesses and related elements featured in this publication are trademarks of Rebellion A/S. 2000 AD is a registered trademark. The stories, characters and incidents featured in this publication are entirely fictional. Published by Rebellion, The Studio, Brewer Street, Oxford OX1 1QN, UK www.rebellion.co.uk ISBN: 978-1-905437-45-0 Printed in Malta by Guttenberg Press Manufactured in the EU by LPPS Ltd., Wellingborough, NN8 3PJ, UK. First Printing: October 2007 10 9 8 7 6 5 4 3 2 1 A CIP catalogue record for this book is available from the British Library. For information on other 2000 AD graphic novels, or if you have any comments on this book, please email [email protected] To find out -
K-Pop – What’S in a Name?
K-pop – What’s in a Name? ACADEMIC ARTICLE: ROUNDTABLE Ed. Dr. Candace Epps-Robertson Assistant Professor of English and Comparative Literature, University of North Carolina at Chapel Hill (United States) Ed. Katie Hulme Physicist by day, (amateur) poet by night (United States) Introduction What is a “Roundtable”? A rhizome consists of a multitude of interconnected nodes — and while those nodes might have more that connects than divides them, individual nodes don’t always agree. Learning means being in conversation with one another. Our perspectives are often shaped by our immediate networks and personal experiences, and it never hurts to take a step back and invite some voices to the table — especially those we might not otherwise hear, and those that bring wisdom, experience, and specialized knowledge into the conversation. “ ” 양극화 세상에서 가장 추한 꽃 “Polarization, the ugliest flower in the world” (Agust D, 2020) We have all witnessed heated and emotionally charged debates ignited by particular topics, fueled by the anonymity and speed afforded by social media. Discussions can quickly become polarized, and when polarization begins to play, discourse often begins to falter. Slowing down, taking time to pause, engaging with the ideas of others, and listening are essential to growth and creating new knowledge. The most famous roundtable is probably that of the legendary King Arthur, who insisted that his knights sit at a roundtable because such a table has no head — thus no designated leader. The purpose of a roundtable is to invite individuals into a space where the notion of “us” and “them” is temporarily dispelled, and each voice is given an equal platform to articulate itself.