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Affect, Embodiment, and Ethics in Narratives of Sexual Abuse
Affect, Embodiment, and Ethics in Narratives of Sexual Abuse Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Lindsay A. Martin, M.A. Graduate Program in English The Ohio State University 2016 Dissertation Committee: James Phelan, Advisor Robyn Warhol, Co-Advisor Brian McHale Copyright by Lindsay A. Martin 2016 Abstract In the field of rhetorical narrative theory, the study of affect has been oft- acknowledged but remains undervalued. Even as affect studies has burgeoned in other fields, affect in narrative theory continues to be discussed either as a product of ethical judgments or as a purely physical response that scientific studies can measure. Affect, Embodiment, and Ethics in Narratives of Sexual Abuse expands the vocabulary for affect in narrative theory, in particular focusing on expanding our awareness of the varying potential relationships between ethical judgments and affective dynamics. Turning to narratives that represent sexual abuse and taboo violation in late-twentieth-century American literature—Vladimir Nabokov’s Lolita, Kathryn Harrison’s memoir The Kiss, and Alexander Chee’s Edinburgh—I demonstrate that affective dynamics have a variety of possible relationships with the negative ethical judgments encouraged against the abuser figures and/or taboo violators. Specifically, I argue that in order to attend to affect as it appears in narratives of sexual abuse, we must attend to “embodiment”: the character’s shifting experiences of how closely tied he or she feels mind and body to be. I call this experiential embodiment and chart it by examining representation of characters’ emotions, trauma, and bodily experience. -
Smash Hits Volume 34
\ ^^9^^ 30p FORTNlGHTiy March 20-Aprii 2 1980 Words t0^ TOPr includi Ator-* Hap House €oir Underground to GAR! SKias in coioui GfiRR/£V£f/ mjlt< H/Kim TEEIM THAT TU/W imv UGCfMONSTERS/ J /f yO(/ WOULD LIKE A FREE COLOUR POSTER COPY OF THIS ADVERTISEMENT, FILL IN THE COUPON AND RETURN IT TO: HULK POSTER, PO BOXt, SUDBURY, SUFFOLK C010 6SL. I AGE (PLEASE TICK THE APPROPRIATE SOX) UNDER 13[JI3-f7\JlS AND OVER U OFFER CLOSES ON APRIL 30TH 1980 ALLOW 28 DAYS FOR DELIVERY (swcKCAmisMASi) I I I iNAME ADDRESS.. SHt ' -*^' L.-**^ ¥• Mar 20-April 2 1980 Vol 2 No. 6 ECHO BEACH Martha Muffins 4 First of all, a big hi to all new &The readers of Smash Hits, and ANOTHER NAIL IN MY HEART welcome to the magazine that Squeeze 4 brings your vinyl alive! A warm welcome back too to all our much GOING UNDERGROUND loved regular readers. In addition The Jam 5 to all your usual news, features and chart songwords, we've got ATOMIC some extras for you — your free Blondie 6 record, a mini-P/ as crossword prize — as well as an extra song HELLO I AM YOUR HEART and revamping our Bette Bright 13 reviews/opinion section. We've also got a brand new regular ROSIE feature starting this issue — Joan Armatrading 13 regular coverage of the independent label scene (on page Managing Editor KOOL IN THE KAFTAN Nick Logan 26) plus the results of the Smash B. A. Robertson 16 Hits Readers Poll which are on Editor pages 1 4 and 1 5. -
Gary Numan - Hammersmith Apollo, London - November 28, 2014
1 Gary Numan - Hammersmith Apollo, London - November 28, 2014 by Mireille Beaulieu Original French version © Obsküre magazine - http://www.obskuremag.net http://www.obskuremag.net/articles/gary-numan-live-hammersmith-apollo-londres- 28112014/ Gary Numan’s recent concert at London’s Hammersmith Apollo had long been announced as a major event. This show was the crowning moment of the world tour Numan had undertaken in October 2013, as he was promoting his new album Splinter (Songs from a broken mind ). Undoubtedly one of the artist’s major works, Splinter garnered unparalleled public and critical acclaim. It even entered the UK Top 20 – the first Numan album to do so since Warriors in 1983. Gary Numan started this long tour in the US before visiting the UK, Ireland, Israel, continental Europe (but sadly not Paris), Canada, Australia and New Zealand. Photos: Louise Barnes and Jim Napier © Jim Napier 2 But it was also a “homecoming concert”, a return to his roots for Numan, who currently resides in Los Angeles. For the first time since 1996, he was to take over the Hammersmith Apollo, the legendary UK venue formerly known as the Hammersmith Odeon. This is where David Bowie killed off his Ziggy Stardust character in 1973... Around the same period, a teenage Gary (then still Gary Webb) would often attend gigs there. Then, with the explosion of the Numan phenomenon in 1979, the “Hammy” became for many years the London venue of his choice when he was touring. Gary, who was born in Hammersmith, obviously has a deep connection with the place. -
Martin & Co Denies Receiving Stirling Students' Complaints
Brig | October 2011 Martin & Co denies receiving Stirling sets £27,000 Stirling students’ complaints tuition fee for rest of Aya Kawanishi the UK students News Editor day, Stirling University failed students Zsuzsanna Matyak from disadvantaged backgrounds by etting agency Martin & Co de- News Editor setting its degrees cost at £27,000. We nied that any written formal are fully against tuition fees, and this complaints were received, de- he University of Stirling has decision by Stirling puts degrees there Lspite claims from Stirling stu- become one of the most ex- as expensive as the worst excesses of dents who rented a property from them pensive universities in the the English system.” between 4 August 2010 and 2 August UK after announcing its Professor Gerry McCormac, Prin- 2011. T cipal and Vice-Chancellor of Stirling decision to charge £6,750 per year, Former tenants of 23 Chandlers Court instead of the current £1,800, for stu- University, said they had no choice. Stirling, Dominique Maske and her flat- dents from England, Wales and North- “The University of Stirling has always mate, wrote to the agency on a number ern Ireland from 2012. This makes a believed that access to higher educa- of occasions regarding issues they had four-year degree cost £27,000. tion should be based on ability, not such as the lease document and the con- Hand in hand with the significantly background or the ability to pay. As dition of the flat. increased tuition fee comes a new a result of the new funding arrange- In a statement, Managing Director of range of scholarships and bursaries ments, Scottish universities have no Martin & Co Stirling, Imtiaz Ahmed, for both Scottish and rest of the UK choice but to charge fees for students said that they have “not received a for- (RUK) students, and the encourage- from the rest of the UK. -
Omega Auctions Ltd Catalogue 28 Apr 2020
Omega Auctions Ltd Catalogue 28 Apr 2020 1 REGA PLANAR 3 TURNTABLE. A Rega Planar 3 8 ASSORTED INDIE/PUNK MEMORABILIA. turntable with Pro-Ject Phono box. £200.00 - Approximately 140 items to include: a Morrissey £300.00 Suedehead cassette tape (TCPOP 1618), a ticket 2 TECHNICS. Five items to include a Technics for Joe Strummer & Mescaleros at M.E.N. in Graphic Equalizer SH-8038, a Technics Stereo 2000, The Beta Band The Three E.P.'s set of 3 Cassette Deck RS-BX707, a Technics CD Player symbol window stickers, Lou Reed Fan Club SL-PG500A CD Player, a Columbia phonograph promotional sticker, Rock 'N' Roll Comics: R.E.M., player and a Sharp CP-304 speaker. £50.00 - Freak Brothers comic, a Mercenary Skank 1982 £80.00 A4 poster, a set of Kevin Cummins Archive 1: Liverpool postcards, some promo photographs to 3 ROKSAN XERXES TURNTABLE. A Roksan include: The Wedding Present, Teenage Fanclub, Xerxes turntable with Artemis tonearm. Includes The Grids, Flaming Lips, Lemonheads, all composite parts as issued, in original Therapy?The Wildhearts, The Playn Jayn, Ween, packaging and box. £500.00 - £800.00 72 repro Stone Roses/Inspiral Carpets 4 TECHNICS SU-8099K. A Technics Stereo photographs, a Global Underground promo pack Integrated Amplifier with cables. From the (luggage tag, sweets, soap, keyring bottle opener collection of former 10CC manager and music etc.), a Michael Jackson standee, a Universal industry veteran Ric Dixon - this is possibly a Studios Bates Motel promo shower cap, a prototype or one off model, with no information on Radiohead 'Meeting People Is Easy 10 Min Clip this specific serial number available. -
The Dramatis Personae in Disney's Beauty and The
THE DRAMATIS PERSONAE IN DISNEY’S BEAUTY AND THE BEAST FAIRY TALE BASED ON VLADIMIR PROPP’S THEORY A Thesis In Partial Fulfilment of the Requirements For The Sarjana Degree Majoring American Cultural Studies in English Department Faculty of Humanities Diponegoro University Submitted by: MARWA WULANSARI NIM: 13020114120004 FACULTY OF HUMANITIES DIPONEGORO UNIVERSITY SEMARANG 2018 PRONOUNCEMENT The writer honestly confirms that she compiles the thesis by herself and without taking any results form other researchers in S-1, S-2, S-3 and in diploma degree of any university. The writer ascertains also that she does not quote any material from other publications or someone’s paper except from the references mentioned. Semarang, 30 May 2018 Marwa Wulansari MOTTO AND DEDICATION Whatever you love most in life is your Master as simple as that. Yasmin Mogahed This paper is dedicated to my beloved family, everyone who helped me accompanished this paper and the readers who are interested in children literature especially fairy tales. APPROVAL THE DRAMATIS PERSONAE IN DISNEY’S BEAUTY AND THE BEAST FAIRY TALE BASED ON VLADIMIR PROPP’S THEORY Written by Marwa Wulansari NIM: 13020114120004 Is approved by the thesis advisor On 30 May 2018 Thesis Advisor Retno Wulandari, S.S., MA NIP. 197505252005012002 The Head of the English Department Dr. Agus Subiyanto, M.A NIP. 196408141990011001 VALIDATION Approved by Strata 1 Thesis Examination Committee Faculty of Humanities Diponegoro University On 25 June 2018 Chair Person First Member Arido Laksono, S.S, M.Hum Rifka Pratama, S. Hum., M.A NIP. 197507111999031002 NIP. 199004280115111092 Second Member Third Member Prof. -
Music & Memorabilia Auction May 2019
Saturday 18th May 2019 | 10:00 Music & Memorabilia Auction May 2019 Lot 19 Description Estimate 5 x Doo Wop / RnB / Pop 7" singles. The Temptations - Someday (Goldisc £15.00 - £25.00 3001). The Righteous Brothers - Along Came Jones (Verve VK-10479). The Jesters - Please Let Me Love You (Winley 221). Wayne Cochran - The Coo (Scottie 1303). Neil Sedaka - Ring A Rockin' (Guyden 2004) Lot 93 Description Estimate 10 x 1980s LPs to include Blondie (2) Parallel Lines, Eat To The Beat. £20.00 - £40.00 Ultravox (2) Vienna, Rage In Eden (with poster). The Pretenders - 2. Men At Work - Business As Usual. Spandau Ballet (2) Journeys To Glory, True. Lot 94 Description Estimate 5 x Rock n Roll 7" singles. Eddie Cochran (2) Three Steps To Heaven £15.00 - £25.00 (London American Recordings 45-HLG 9115), Sittin' On The Balcony (Liberty F55056). Jerry Lee Lewis - Teenage Letter (Sun 384). Larry Williams - Slow Down (Speciality 626). Larry Williams - Bony Moronie (Speciality 615) Lot 95 Description Estimate 10 x 1960s Mod / Soul 7" Singles to include Simon Scott With The LeRoys, £15.00 - £25.00 Bobby Lewis, Shirley Ellis, Bern Elliot & The Fenmen, Millie, Wilson Picket, Phil Upchurch Combo, The Rondels, Roy Head, Tommy James & The Shondells, Lot 96 Description Estimate 2 x Crass LPs - Yes Sir, I Will (Crass 121984-2). Bullshit Detector (Crass £20.00 - £40.00 421984/4) Lot 97 Description Estimate 3 x Mixed Punk LPs - Culture Shock - All The Time (Bluurg fish 23). £10.00 - £20.00 Conflict - Increase The Pressure (LP Mort 6). Tom Robinson Band - Power In The Darkness, with stencil (EMI) Lot 98 Description Estimate 3 x Sub Humanz LPs - The Day The Country Died (Bluurg XLP1). -
A Conversation with Gary Numan & John Bergin Mike Ragogna
A Conversation with Gary Numan & John Bergin Mike Ragogna: John and Gary, what brought the two of you together for film From Inside? John Bergin: Gary had just moved to LA and was looking to learn about film scoring. There is no greater place to learn about the world of film music than Lakeshore Records where I am Art Director, so that's where we crossed paths. At the time were preparing From Inside for release after a three year tour playing festivals. When Gary came by to introduce himself, it was perfect timing that we were looking for a final score to the film. For Gary, scoring From Inside was a great way to introduce himself to the process. For me, it was literally a dream come true, having been a long-time fan of his work. Gary Numan: When I first moved to the US I introduced myself to a few people to let them know I was very interested in working on film and TV music. A few days after, I met with Brian McNellis at Lakeshore I had a phone call saying that they were interested in working with me on a special edition of John's From Inside animated movie. It was exactly what I was looking for. John was familiar with my music so it was a low pressure introduction for me into the requirements and skills of film score writing. It seemed to me that I would learn a lot, without somebody screaming at me and beating me with a large stick, which is exactly what happened. -
"Erase Me": Gary Numan's 1978-80 Recordings
Ought: The Journal of Autistic Culture Volume 2 Issue 2 Article 4 June 2021 "Erase Me": Gary Numan's 1978-80 Recordings John Bruni [email protected], [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/ought Part of the Critical and Cultural Studies Commons, Disability Studies Commons, and the Music Commons Recommended Citation Bruni, John (2021) ""Erase Me": Gary Numan's 1978-80 Recordings," Ought: The Journal of Autistic Culture: Vol. 2 : Iss. 2 , Article 4. Available at: https://scholarworks.gvsu.edu/ought/vol2/iss2/4 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Ought: The Journal of Autistic Culture by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. “Erase Me”: Gary Numan’s 1978-80 Recordings John Bruni ary Numan, almost any way you look at him, makes for an unlikely rock star. He simply never fits the archetype: his best album, both Gin terms of artistic and commercial success, The Pleasure Principle (1979), has no guitars on it; his career was brief; and he retired at his peak. Therefore, he has received little critical attention; the only book-length analysis of his work is a slim volume from Paul Sutton (2018), who strains to fit him somehow into the rock canon. With few signposts at hand—and his own open refusal to be a star—writing about Numan is admittedly a challenge. In fact, Numan is a good test case for questioning the traditional belief in the authenticity of individual artistic genius. -
The Guardian, November 1, 1976
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 11-1-1976 The Guardian, November 1, 1976 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (1976). The Guardian, November 1, 1976. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Urtgtjt ^tate (Suarfttan IRoniiau. ^ouonbcr 1,1976 fiaQton. (jH|fo 19ol 13 3BBUS 17 Copies of porno films destroyed BY RON WUKESON here til after it was used in Guardian Staff Writer class." Tettemer noted. When students started coming Videotape copies of commer- to the media services department cial porno films, owned by an and asking if they could borrow unidentified person in the media the videotapes. Tettemer felt the services department and shown copies should be erased. in a Wright State classroom, "1 had one student ask if we were destroyed because they could make a copy if he brought were "probably illegal copies." a (porno film) print to us. I said said Dr Clair Tettemer. director yes. if he would bring us written of telecommunications for the permission. I haven't heard from University library. him since." "There wre about four or five Tettemer said FriU had come of these tapes." Tettemer stated. back to him after the videotapes "(They were) done away with had been erased and "took the about a year or a year and a half attitude of 'where do you get off ago." erasing University property!' But Tettemer added that he had they were never University pro- them disposed of "not because of perty." their pornographic content, but "He (Fritz) has called back more cause they were probably since." Tettemer added, "asking illegal copies." if we'd 'found' the tapes yet. -
As Recorded by Gary Numan I Gg 44 U U U \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
CARS As recorded by Gary Numan (From the 1979 Album THE PLEASURE PRINCIPLE) Words and Music by Gary Numan A Intro Moderate Rock = 130 1 g P I g 4 GtUr I U U T \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ A B 0 (0) (0) 4 g I g U U W T \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\ A B (0) (0) 8va U U U gg I Gtr II 17 (17) (17) T [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[ A B g I g V V V V k c V V V V k c V V V V k c Gtr III V V V V V V T 7 6 7 6 7 6 A 5 7 5 7 5 7 B 0 0 0 0 0 0 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org PDF created with FinePrint pdfFactory trial version www.pdffactory.com CARS - Gary Numan Page 2 of 8 8va 7 g U V V V c I g u V V V W Gtr II (17) 15 T [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[15[[[[[[ [[[[[[[[[[[[[[[[[[[[[[[[[[[ A 16 12 B g V k j c I g V V V V V V V V V V V Gtr III V V T 7 6 4 4 A 5 7 4 5 5 4 5 5 B 0 0 8va 10 g U U U I g 17 (17) (17) T [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[ A B g I g V V V V k c V V V V k c V V V V k c V V V V V V T 7 6 7 6 7 6 A 5 7 5 7 5 7 B 0 0 0 0 0 0 8va 13 g U V V V c I g u V V V W (17) 15 T [[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[[15[[[[[[ [[[[[[[[[[[[[[[[[[[[[[[[[[[ A 16 12 B g V k j c I g V V V V V V V V V V V V V T 7 6 4 4 A 5 7 4 5 5 4 5 5 B 0 0 Generated using the Power Tab Editor by Brad Larsen. -
Michigan's Copper Country" Lets You Experience the Require the Efforts of Many People with Different Excitement of the Discovery and Development of the Backgrounds
Michigan’s Copper Country Ellis W. Courter Contribution to Michigan Geology 92 01 Table of Contents Preface .................................................................................................................. 2 The Keweenaw Peninsula ........................................................................................... 3 The Primitive Miners ................................................................................................. 6 Europeans Come to the Copper Country ....................................................................... 12 The Legend of the Ontonagon Copper Boulder ............................................................... 18 The Copper Rush .................................................................................................... 22 The Pioneer Mining Companies................................................................................... 33 The Portage Lake District ......................................................................................... 44 Civil War Times ...................................................................................................... 51 The Beginning of the Calumet and Hecla ...................................................................... 59 Along the Way to Maturity......................................................................................... 68 Down the South Range ............................................................................................. 80 West of the Ontonagon............................................................................................