Review of Parthian Architecture and Influenced the Architecture of Greece
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Sassanid Archaeological Landscape of Fars Region”
Islamic Republic of Iran Iranian Cultural Heritage, Handicrafts and Tourism Organization ICHHTO “Sassanid Archaeological Landscape of Fars Region” for inscription on the World Heritage List (Additional Information) UNESCO World Heritage Convention 2017 1 In the name of God 2 Evaluation of the nomination of the “Sassanid Archaeological Landscape of Fars Region” (Islamic Republic of Iran) for inscription on the World Heritage List This report is submitted in response to the ICOMOS letter of GB/AS/1568-AddInf-1, dated 28September 2017 on the additional information for the nomination of Sassanid Archaeological Landscape of Fars Region. The Iranian Cultural Heritage, Handicrafts and Tourism Organization is grateful to ICOMOS for its devotion to conservation and preservation of historic monuments and sites. The objective of this detailed report is to clarify the issues raised by ICOMOS in the aforementioned letter. Additional information for clarification on: - Serial approach - Risks and Factors affecting the property - Protection - Management - Monitoring 1- Serial approach Could the State Party kindly provide information on the rationale, methodology and criteria (here not referring to the nomination criteria), which guided the selection of the component sites presented in this nomination? Could the State Party kindly outline the contribution of each site component, to the overall Outstanding Universal Value in the substantial, scientific and discernible way, as outlined in paragraph 137b of the Operational Guidelines? For clarifying, the question will be explained in the parts of (1-a) and (1-b) in details: 1-a: Rationale, methodology and criteria which guided the selection of the component sites presented in this nomination: The rationale which guided the selection of the component sites is based on a methodology which takes into account their historical characteristics and at the same time considers their association with the regional landscape. -
Open Dimedio.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF HISTORY THE CHURCH OF THE EAST: RECLAIMING FORGOTTEN CHRISTIAN HISTORY MARIA DIMEDIO SPRING 2016 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in History with honors in History Reviewed and approved* by the following: A. Gregg Roeber Professor of Early Modern History and Religious Studies Thesis Supervisor Michael Milligan Director of Undergraduate Studies Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This thesis explores the unique history of the Christian Church of the East in Syria and Persia in late antiquity. The Church of the East played an important role in the stability of Christianity in the Middle East during the rise of Islam, specifically regarding the Islamic conquests of Sassanid Persia in the seventh century CE. In order to reach this point, this thesis explores the monotheistic traditions in ancient Syria and Persia, beginning with Judaism and pagan cultic practices, followed by the rise of Jesus of Nazareth. It then covers the emergence of unique theological differences between Christians practicing in the East, and the Roman Chalcedonian Church. In doing so, the misconceptions of the Church of the East, frequently referred to inaccurately as the ‘Nestorians,’ are debunked. Following this, political conflicts between the Roman Byzantine Empire and the Persian Sassanid Empire are argued to have forced theological decisions to be made by Eastern Christians in order to avoid persecution. By the Islamic conquests in the seventh century, the Church of the East was stable enough to survive a total political takeover. -
The Beginnings of Christianity in Merv
Iranica Antiqua, vol. XXX, 1995 THE BEGINNINGS OF CHRISTIANITY IN MERV BY G. KOSHELENKO, A. BADER, V. GAIBOV (Moscow Institute of Archaeology) The history of Christianity in Merv is well-known enough beginning with the Sassanian era, thanks to the famous Chronicle of Seert and al- Biruni’s descriptions1. Other sources are unfortunately very often neglected, so one could have the impression that the earliest penetration of Christianity into Merv is only from the IVth century A.D. However, some materials show clearly that a certain presence of Christian religion can be traced in the town of Merv as well as in the area of the Merv oasis (Margiana) already in the Parthian epoch. While describing the famous scene of assignment of peoples and coun- tries for missionary activity among the apostles (by throwing lots), Pseudo-Hyppolytus mentions Parthians, Medians, Persians, Hyrcanians, Bactrians and Margians as the peoples which the apostle Thomas had to baptize. From the same text we learn that (according to Pseudo- Hyppolytus) St Thomas preached in an Indian town Kalamene also, and that he was buried there2. A confirmation of the Pseudo-Hyppolytus’ information seems to be preserved in the Armenian Christian tradition. In an Armenian synaxare under the 12th day of navasardom month (i.e. August, 22) St Thomas is mentioned as the prophet who contributed much to the christianization of India. Unfortunately, other details are lacking of this part of the Armenian 1 E. SACHAU, Die Christianisierung-Legende von Merv, Festschrift für Wolf Wilhelm Grafen von Baudissin, Giessen 1918; G. MESSINA, Al-Biruni sugli inizi del Cristianismo a Merv, Al-Biruni Commemoration Volume, A.H. -
The Parthians
THE PARTHIANS This volume provides a comprehensive overview of the history and culture of the Parthian Empire, which existed for almost 500 years from 247 BC to 224 AD. The Parthians were Rome’s great opponents in the east, but comparatively little is known about them. The Parthians focuses on the rise, expansion, flowering and decline of the Parthian Empire and covers both the wars with the Romans in the west and the nomads in the east. Sources include the small amount from the Empire itself, as well as those from outside the Parthian world, such as Greek, Roman and Chinese documents. Ellerbrock also explores the Parthian military, social history, religions, art, architecture and numismatics, all supported by a great number of images and maps. The Parthians is an invaluable resource for those studying the Ancient Near East during the period of the Parthian Empire, as well as for more general readers interested in this era. Uwe Ellerbrock has been studying the Parthian Empire for more than 30 years. His book Die Parther, written with archaeologist Sylvia Winkelmann, was published in 2012 (revised edition 2015). PEOPLES OF THE ANCIENT WORLD This series stands as the first port of call for anyone who wants to know more about the historically important peoples of the ancient world and the early middle ages. Reliable, up- to- date and with special attention paid to the peoples’ enduring legacy and influence, Peoples of the Ancient World will ensure the continuing promin- ence of these crucial figures in modern- day study and research. The -
The Figurative Wall Painting of the Sasanian Period from Iran, Iraq and Syria1
Iranica Antiqua, vol. XXXIX, 2004 THE FIGURATIVE WALL PAINTING OF THE SASANIAN PERIOD FROM IRAN, IRAQ AND SYRIA1 BY An DE WAELE (Ghent University) “… nec enim apud eos pingitur vel fingitur aliud, praetor varias caedes et bella.” Ammianus Marcellinus XXIV 6,32 1. Introduction The aim of this article is to provide a full view on our current knowledge of the figurative wall paintings of the Sasanian period from Iran, Iraq and Syria. All possible information has been collected, examined and finally resumed to this study. The themes that will be looked at are: the exact location of the paintings and function of this place; iconography (subject- composition-style); plastering, colour use and painting techniques; dating; and lastly the function of the murals (decorative-ideological/symbolical). As conclusion, they will be compared both with each other and with Sasanian art in general. Likewise, attention will be given to the profession of the painters. I just want to emphasize that only published data, drawings and pho- tographs were used (I have not been able to study the paintings themselves) so no new information will be given. Moreover, it concerns a summary but bibliographic references to more extensive descriptions and analyses will be provided. 1 This article is a summary of a part of my MA-thesis which I finished -under the supervision of Prof. Dr. Ernie Haerinck- in May 2002 at Ghent University and in which I studied the art of wall painting from both the Parthian and Sasanian empires. I owe much gratitude to Professor Haerinck, not only for offering me the opportunity and support to write this paper, but also for adjusting where necessary and for helping achieving my first article. -
A Modern Archaeology of the Sasanian Period: Former Limitations and New Perspectives
Newsletter di Archeologia CISA, Volume 7, 2016, pp. 35-88 A MODERN ARCHAEOLOGY OF THE SASANIAN PERIOD: FORMER LIMITATIONS AND NEW PERSPECTIVES Bruno Genito, Università degli Studi di Napoli “L’Orientale” Introduction* It is never easy to handle theoretical and methodological issues arising from a particular scientific topic in a kind of review of studies, which is, in its way, what is being presented here. Studies of the archaeology of the Sasanian period have been the subject of numerous acute and critical comments by distinguished scholars in the past, including Huff (1986, 302-308) and more recently as well (1998-2011). Those issues which have been handled, too, have clearly always somewhat suffered from a complex of inferiority to other periods of the history of ancient Iran which are considered by far, the most formative and important: the Achaemenid and the Islamic eras. And this in spite of the fact that the majority of scholars have looked upon the period in question as a real golden age of Persian culture and art, and that it was quite often mentioned in later Islamic sources (including the Shah-nameh by Firdousi), as in many ways an apogee of the fabulous, formidable and legendary Persian Empires. For many scholars the archaeology of the Sasanian period and also that of the early Islamic period, as Whitcomb rightly has pointed out (2010, 5), has always been considered a part of history, and especially of the history of art. This classification, set in stone, has had a long and respectable tradition so far, but at last it has begun to be seen from a different perspective by a growing number of scholars. -
The Influence of Greek Aesthetic Characteristics on Parthian Sculpture: a Review on the Evolution of the Parthian Art
Intl. J. Humanities (2015) Vol. 22 (2) : (53-85) The Influence of Greek Aesthetic Characteristics on Parthian Sculpture: A Review on the Evolution of the Parthian Art Alireza Qaderi1, Farhang K. Nadooshan2, Seyyed Mehdi Mousavi Kouhpar3, Javad Neyestani4 Received: 2011/4/14 Accepted: 2012/2/25 Abstract From the middle of the first millennium BC, there witnessed a gradual bilateral relation between Iranians and Greeks. These people to people attachments also resulted in interactive influences between these two cultures and arts. Qualitative and quantitative investigation on these interactions is a basic issue in identifying both cultures. The current paper, among all miscellaneous influences of Hellenism on the culture and the art of the Parthian realm, attempts to analyze only the influences of basics and rules of the Greek aestheticism on the Parthian sculpture and come to a historical conclusion based on an inductive method. Downloaded from eijh.modares.ac.ir at 16:27 IRST on Monday October 4th 2021 Keywords: Greek Influence: Aestheticism; Hellenism, Sculpture, Parthian. 1. PhD Student of Archeology, Faculty of Humanities, Tarbiat Modares University, Tehran. [email protected] 2. Associate Professor, Department of Archeology, Tarbiat Modares University, Tehran. 3. Assistant Professor, Department of Archeology, Tarbiat Modares University, Tehran. 4. Assistant Professor, Department of Archeology, Tarbiat Modares University, Tehran. 53 The Influence of Greek Aesthetic Characteristics on… Intl. J. Humanities (2015) Vol. 22(2) -
The Reasons for Drawing Attention to Western Iran (Kermanshah Province) During the Second Half of Sassanian Era
International Journal of Academic Research in Business and Social Sciences May 2013, Vol. 3, No. 5 ISSN: 2222-6990 The Reasons for Drawing Attention to Western Iran (Kermanshah Province) During the Second Half of Sassanian Era Glareh Amiri Kermanshah , Hafez settlements Email: [email protected] Abstract Historically, Iran plateau has nurtured different cultures and due to its natural and geographical characteristics, has linked east cultures to Mesopotamia, so that the civilizations related to this plateau have served considerably humanity for a period of 1000 years. Among these cultures, the ones related to the western part of Iran plateau would play significant roles. Zagros foothills which have stretched from northern to the southern west are replete with green and affluent valleys with a distinguished position for the establishment of various cultures since ancient times. Kermanshah as a region located in such western parts draw the attention of Sassanid kings at the last years of fourth century (AD) (the second half of Sasanian kingdom), and Fars province became secondary to Sassanid s. Kermanshah in this period was a part of Mai or Mad located in Koust Khourbaran area, and later this region was called Kermanshah covering lands from Nahavand to Ctesiphon.There are several reasons to Sassanid kings attention in the second half of the Sassanid era to the western parts of Iran including military factors, religious beliefs, good weather, the existence of Khorasan wide road (Silk Road), tendency to gaining independence from religious centers and also commercial and economic factors. This paper, using historical documents and data and applying historical research techniques, attempts to investigate the geographical and political situation of the central Zagros region and the reasons for Sassanid kings attention to this region. -
Ardasir's Struggle Against the Parthians. Towards A
Iranica Antiqua, vol. XLVI, 2011 doi: 10.2143/IA.46.0.2084420 ARDASIR’S STRUGGLE AGAINST THE PARTHIANS. TOWARDS A REINTERPRETATION OF THE FIRUZABAD I RELIEF BY Maciej GRABOWSKI (Institute of Archeology, Warsaw University) Abstract: The proposed reinterpretation of the Firuzabad I relief is based on the assumption that we deal with a particular iconographic synopsis of the events that occurred during Ardasir’s war against the Arsacids (c. 220-228). The concept of iconographic summary of several historical events may be traced back to the Achaemenid period (Bisotun relief), and may also be observed in the triumph reliefs of Sapur I. It is thus suggested that each of the three equestrian combat scenes depicted on the Firuzabad I relief recalls one of three major stages of Ardasir’s struggle against the Parthians. Information from textual sources combined with iconographic observations permit to develop a hypothesis concerning the identity of some of the depicted personages, and thus to reveal proper historical context of each scene. New terminus post quem for the Firuzabad I relief is also proposed, this being the year 228 which most probably marks the end of the last phase of the war. Keywords: Sasanian rock reliefs, Firuzabad, Ardashir, Artabanus, Shapur. The earliest Sasanian rock sculptures are two reliefs commissioned by Ardasir I (224-240) and carved on the cliffs of the Tang-e Ab gorge, near the town of Firuzabad (Fars Province). The first one (Firuzabad I) depicts an equestrian combat between three pairs of Persian and Parthian knights (Pl. 1, fig. 1), whereas the second (Firuzabad II) shows the so-called “inves- titure” scene. -
Ctesiphon and the Palace of Khosroes Author(S): E
Ctesiphon and the Palace of Khosroes Author(s): E. Heawood Source: The Geographical Journal, Vol. 53, No. 2 (Feb., 1919), pp. 105-108 Published by: geographicalj Stable URL: http://www.jstor.org/stable/1779540 Accessed: 11-06-2016 05:38 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The Royal Geographical Society (with the Institute of British Geographers), Wiley are collaborating with JSTOR to digitize, preserve and extend access to The Geographical Journal This content downloaded from 128.252.67.66 on Sat, 11 Jun 2016 05:38:55 UTC All use subject to http://about.jstor.org/terms CTESIPHON AND THE PALACE OF KHOSROES 105 then to hand, we felt convinced that we would be unlikely to find any inscriptions of real interest or of scientific value. This much is certain, that Al#Bilad was built when the Dhofar sea-coasts supported a larger and more flourishing population of Marwari tribes than may be found in these modern times. We asked them what use they made of the coconut. They roof their huts with the palm-leaves, use the shells for spoons and basins, and weave a little rope for their own use; but they were not alive to the possibilities of trade in copra and coir. -
Silk Road” and Central Asia Time: Tuesdays and Thursdays, 9:30 – 10.45 Am Place: Silver Center for Arts & Science (100 Washington Sq East), Room 520
FALL 18, CORE-UA 500, SESSION 1/SECTION 1: CULTURES & CONTEXTS Title: The “Silk Road” and Central Asia Time: Tuesdays and Thursdays, 9:30 – 10.45 am Place: Silver Center for Arts & Science (100 Washington Sq East), Room 520. Office Hrs: Thursdays, 11:00 am - 12:00 pm, 60 5th Avenue, 8th Floor, Rm. 861A. 1. Course Aims For millennia Central Asia has been a conduit for cultural encounters and transfers between China, India, the Near East and the Mediterranean. In an emblematic way this function is embodied in our image of the far-distance trade caravan, traversing the vast expanses of Central Asia on the “Silk roads” between the Chinese plains and the shores of the Mediterranean Sea. However, it were not only traders that connected the civilizations of the ancient world via Central Asia: with and next to the traders’ caravans traveled diplomats, missionaries, artists, mercenaries, and many more; and vast parts of Eurasia were, again and again, controlled and subsequently connected by confederations and empires ruled by Central Asian nomads. Focusing on the cultural history of Central Asia from the Bronze Age to the days of the Mongol Empire, our class inquires into many of the facets which characterize the resulting network that once span across large parts of the ancient world. To do so we will take a multi-disciplinary approach to the primary evidence at our disposal, ranging from the works of ancient historians in Greece and Han China, over medieval travel reports, to excavated business letters and other spectacular archaeological artifacts. This will familiarize students with the main methods of historical, art historical and archaeological research, enable them to analyze texts and artifacts themselves, and to understand how present-day scholars reconstruct early processes of globalization across the Ancient world. -
EXAMINING the PARTHIAN ART and ARCHITECTURE and the IMPACT of GREEK ART and ARCHITECTURE Soha Nabaei1 Elham Alipanahi2
Periódico do Núcleo de Estudos e Pesquisas sobre Gênero e Direito Centro de Ciências Jurídicas - Universidade Federal da Paraíba V. 9 - Nº 02 - Ano 2020 ISSN | 2179-7137 | http://periodicos.ufpb.br/ojs2/index.php/ged/index 795 EXAMINING THE PARTHIAN ART AND ARCHITECTURE AND THE IMPACT OF GREEK ART AND ARCHITECTURE Soha Nabaei1 Elham Alipanahi2 Abstract: In this article, a brief look at columns attached to the wall. Plaster the history of ancient Iranian art before Vonda colored object of interesting Islam, its characteristics during the architectural elements farthest era of Parthian rule, and the study of the special features. The use of materials and monuments left over from that period, the use of adobe bricks with mortar especially the palaces and the influence gained sharply. Perhaps one of the of ancient Greek architecture on them. advantages of this new material, creating Parthian period, due to the succession of massive arch of the dome is first and then the Seleucids, the Greek and Iranian create a new architectural style were the domination over the Greek culture and architects of the Sassanid indebted. City architecture were widespread in Iran, one maps with Hypoderm been carried out in of the most important periods of the some cities. But the main feature of the history of Iran. The Parthian era culture Parthian city circular design in cities is a culture that tries to dominate the such as Marv, Ctesiphon and Hart seen. remains of Greek civilization and culture to bring Iran to re-establish. Parthian win Keywords: Architecture, Parthian, this battle and inspiring inventions and Greece, Urban.