EXAMINING the PARTHIAN ART and ARCHITECTURE and the IMPACT of GREEK ART and ARCHITECTURE Soha Nabaei1 Elham Alipanahi2
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The Parthians
THE PARTHIANS This volume provides a comprehensive overview of the history and culture of the Parthian Empire, which existed for almost 500 years from 247 BC to 224 AD. The Parthians were Rome’s great opponents in the east, but comparatively little is known about them. The Parthians focuses on the rise, expansion, flowering and decline of the Parthian Empire and covers both the wars with the Romans in the west and the nomads in the east. Sources include the small amount from the Empire itself, as well as those from outside the Parthian world, such as Greek, Roman and Chinese documents. Ellerbrock also explores the Parthian military, social history, religions, art, architecture and numismatics, all supported by a great number of images and maps. The Parthians is an invaluable resource for those studying the Ancient Near East during the period of the Parthian Empire, as well as for more general readers interested in this era. Uwe Ellerbrock has been studying the Parthian Empire for more than 30 years. His book Die Parther, written with archaeologist Sylvia Winkelmann, was published in 2012 (revised edition 2015). PEOPLES OF THE ANCIENT WORLD This series stands as the first port of call for anyone who wants to know more about the historically important peoples of the ancient world and the early middle ages. Reliable, up- to- date and with special attention paid to the peoples’ enduring legacy and influence, Peoples of the Ancient World will ensure the continuing promin- ence of these crucial figures in modern- day study and research. The -
The Figurative Wall Painting of the Sasanian Period from Iran, Iraq and Syria1
Iranica Antiqua, vol. XXXIX, 2004 THE FIGURATIVE WALL PAINTING OF THE SASANIAN PERIOD FROM IRAN, IRAQ AND SYRIA1 BY An DE WAELE (Ghent University) “… nec enim apud eos pingitur vel fingitur aliud, praetor varias caedes et bella.” Ammianus Marcellinus XXIV 6,32 1. Introduction The aim of this article is to provide a full view on our current knowledge of the figurative wall paintings of the Sasanian period from Iran, Iraq and Syria. All possible information has been collected, examined and finally resumed to this study. The themes that will be looked at are: the exact location of the paintings and function of this place; iconography (subject- composition-style); plastering, colour use and painting techniques; dating; and lastly the function of the murals (decorative-ideological/symbolical). As conclusion, they will be compared both with each other and with Sasanian art in general. Likewise, attention will be given to the profession of the painters. I just want to emphasize that only published data, drawings and pho- tographs were used (I have not been able to study the paintings themselves) so no new information will be given. Moreover, it concerns a summary but bibliographic references to more extensive descriptions and analyses will be provided. 1 This article is a summary of a part of my MA-thesis which I finished -under the supervision of Prof. Dr. Ernie Haerinck- in May 2002 at Ghent University and in which I studied the art of wall painting from both the Parthian and Sasanian empires. I owe much gratitude to Professor Haerinck, not only for offering me the opportunity and support to write this paper, but also for adjusting where necessary and for helping achieving my first article. -
The Influence of Greek Aesthetic Characteristics on Parthian Sculpture: a Review on the Evolution of the Parthian Art
Intl. J. Humanities (2015) Vol. 22 (2) : (53-85) The Influence of Greek Aesthetic Characteristics on Parthian Sculpture: A Review on the Evolution of the Parthian Art Alireza Qaderi1, Farhang K. Nadooshan2, Seyyed Mehdi Mousavi Kouhpar3, Javad Neyestani4 Received: 2011/4/14 Accepted: 2012/2/25 Abstract From the middle of the first millennium BC, there witnessed a gradual bilateral relation between Iranians and Greeks. These people to people attachments also resulted in interactive influences between these two cultures and arts. Qualitative and quantitative investigation on these interactions is a basic issue in identifying both cultures. The current paper, among all miscellaneous influences of Hellenism on the culture and the art of the Parthian realm, attempts to analyze only the influences of basics and rules of the Greek aestheticism on the Parthian sculpture and come to a historical conclusion based on an inductive method. Downloaded from eijh.modares.ac.ir at 16:27 IRST on Monday October 4th 2021 Keywords: Greek Influence: Aestheticism; Hellenism, Sculpture, Parthian. 1. PhD Student of Archeology, Faculty of Humanities, Tarbiat Modares University, Tehran. [email protected] 2. Associate Professor, Department of Archeology, Tarbiat Modares University, Tehran. 3. Assistant Professor, Department of Archeology, Tarbiat Modares University, Tehran. 4. Assistant Professor, Department of Archeology, Tarbiat Modares University, Tehran. 53 The Influence of Greek Aesthetic Characteristics on… Intl. J. Humanities (2015) Vol. 22(2) -
Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography
Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2018 Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography Evan J. (Evan Jeffery) Jones Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the History Commons Recommended Citation Jones, Evan J. (Evan Jeffery), "Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography" (2018). WWU Graduate School Collection. 692. https://cedar.wwu.edu/wwuet/692 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography By Evan Jones Accepted in Partial Completion of the Requirements for the Degree Master of Arts in History ADVISORY COMMITTEE Dr. Steven Garfinkle, Chair Dr. Roger Thompson Dr. Tristan Goldman GRADUATE SCHOOL Dr. Gautam Pillay, Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non-exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. I represent and warrant this is my original work and does not infringe or violate any rights of others. -
Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography Evan J
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Western Washington University Western Washington University Western CEDAR WWU Graduate School Collection WWU Graduate and Undergraduate Scholarship Spring 2018 Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography Evan J. (Evan Jeffery) Jones Western Washington University, [email protected] Follow this and additional works at: https://cedar.wwu.edu/wwuet Part of the History Commons Recommended Citation Jones, Evan J. (Evan Jeffery), "Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography" (2018). WWU Graduate School Collection. 692. https://cedar.wwu.edu/wwuet/692 This Masters Thesis is brought to you for free and open access by the WWU Graduate and Undergraduate Scholarship at Western CEDAR. It has been accepted for inclusion in WWU Graduate School Collection by an authorized administrator of Western CEDAR. For more information, please contact [email protected]. Long Distance Trade and the Parthian Empire: Reclaiming Parthian Agency from an Orientalist Historiography By Evan Jones Accepted in Partial Completion of the Requirements for the Degree Master of Arts in History ADVISORY COMMITTEE Dr. Steven Garfinkle, Chair Dr. Roger Thompson Dr. Tristan Goldman GRADUATE SCHOOL Dr. Gautam Pillay, Dean Master’s Thesis In presenting this thesis in partial fulfillment of the requirements for a master’s degree at Western Washington University, I grant to Western Washington University the non-exclusive royalty-free right to archive, reproduce, distribute, and display the thesis in any and all forms, including electronic format, via any digital library mechanisms maintained by WWU. -
Gholamreza F. Assar
ELECTRUM * Vol. 15 Kraków 2009 Gholamreza F. Assar SOME REMARKS ON THE CHRONOLOGY AND COINAGE OF THE PARTHIAN “DARK AGE” A. M. Simonetta, in an interesting contribution to the present memorial volume honour- ing the Late Professor Josef Wolski, once again treats the chronological and numismatic diffi culties of the years 91–55 BC in Parthia. He recommends to examine “the available evidence without any reference to previous opinions”, including his own, and then “try to reach some conclusions”. However, it appears that Simonetta’s primarily objective is to “invalidate” my revised chronology and associated coin attributions that differ from his deductions. I have used elsewhere1 a series of Late Babylonian cuneiform colophons and historical notes to support the sequence of Parthian “Dark Age” drachms and tet- radrachms proposed respectively by D. Sellwood and O. Mørkholm.2 As Simonetta confi rms, I have had the opportunity of reviewing his earlier drafts, detecting and pointing out to him several inconsistencies. Yet, his revised note does not accommodate all of my recommendations. For example, while Simonetta gives Mithra- dates II 30 “annual” Susian bronzes, he claims that I have erroneously assigned to this ruler 28 coins.3 A glance at my work would confi rm that I too have attributed to Mithra- dates II 30 “annual” bronzes,4 not 28, nor even 32 as Le Rider mistakenly does.5 Accord- ingly, and after consultations with the editor of Electrum, it was agreed that to offer the readers the opportunity of assessing Simonetta’s latest work, it would be advantageous if I set out my objections to his preferred solutions in a separate note. -
The Influence of Greek Aesthetic Characteristics on Parthian Sculpture: a Review on the Evolution of the Parthian Art
Intl. J. Humanities (2015) Vol. 22 (4) : (39-64) The Influence of Greek Aesthetic Characteristics on Parthian Sculpture: A Review on the Evolution of the Parthian Art Alireza Qaderi 1, Farhang K. Nadooshan 2, Seyyed Mehdi Mousavi Kouhpar 3, Javad Neyestani 4 Received: 2011/6/22 Accepted: 2012/2/25 Abstract From the middle of the first millennium BC, there witnessed a gradual bilateral relation between Iranians and Greeks. These people to people attachments also resulted in interactive influences between these two cultures and arts. Qualitative and quantitative investigation on these interactions is a basic issue in identifying both cultures. The current paper, among all miscellaneous influences of Hellenism on the culture and the art of the Parthian realm, attempts to analyze only the influences of basics and rules of the Greek aestheticism on the Parthian sculpture and come to a historical conclusion based on an inductive method. Keywords: Greek Influence: Aestheticism; Hellenism, Sculpture, Parthian. Downloaded from eijh.modares.ac.ir at 11:52 IRDT on Monday August 31st 2020 1. PhD Student of Archeology, Faculty of Humanities, Tarbiat Modares University, Tehran. [email protected] 2. Associate Professor, Department of Archeology, Tarbiat Modares University, Tehran. 3. Assistant Professor, Department of Archeology, Tarbiat Modares University, Tehran. 4. Assistant Professor, Department of Archeology, Tarbiat Modares University, Tehran. 39 The Influence of Greek Aesthetic Characteristics on… Intl. J. Humanities (2015) Vol. 22(4) -
Graves, Crypts and Parthian Weapons Excavated from the Gravesites of Vestemin
HISTORIA I ŚWIAT, nr 7 (2018) ISSN 2299 - 2464 Gholamreza KARAMIAN (Central Branch,Tehran Azad University, Iran) Kaveh FARROKH (Langara College, Vancouver, Canada) Mohammad Fallah KIAPI (ICHTO Mazandaran, Iran) Hossein Nemati LOJANDI (ICHTO Mazandaran, Iran) Graves, Crypts and Parthian Weapons excavated from the Gravesites of Vestemin Keywords: Parthian Weapons, Vestemin, Iran, Crypts, Graves, military equipment Introduction This article describes a series of finds of Parthian military items in the graves and crypts of Vestemin in northern Iran. These findings are especially significant as they provide an array of discoveries of military equipment: swords, daggers, spearheads, arrowheads, armor and a possible helmet. This study obliges a revision of Winkelman’s observation that “few finds of weapons have been made inside Iran” with respect to Parthian military equipment. In an overall sense, these findings may prove to be as significant to the domain of Parthian military studies as the well-known site of Dura Europos. The excavations have also discovered a coin of Philip the Arab or his son from the early Sasanian era which has assisted the authors’ dating of the Vestemin site. The site of Vestemin is not exclusively a burial venue as the site also has defense works as well as a fortress dated the later Parthian era c. 1st century BCE to 3rd century CE). The military architecture of Vestemin will be analyzed in a forthcoming study by the authors. Archaeological conditions, geographical and the environmental characteristics of Letsar village of Vestemin Even as historical sources pertaining to Mazandaran during the Parthian era have been scant at best, excavations across the region’s hills, gravesites, and fortresses have revealed a significant cultural and archaeological presence. -
Downloaded for Personal Non‐Commercial Research Or Study, Without Prior Permission Or Charge
Magub, Alexandra (2018) Political and Religious Ideologies on Parthian Coins of the 2nd‐1st Centuries BC. PhD thesis. SOAS University of London. http://eprints.soas.ac.uk/30283 Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this thesis, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", name of the School or Department, PhD Thesis, pagination. 1 Political and Religious Ideologies on Parthian Coins of the 2nd-1st Centuries BC ALEXANDRA MAGUB Thesis submitted for the degree of PhD 2018 Department of Religions and Philosophies, School of History, Religions and Philosophies SOAS, University of London 3 Brief Abstract This thesis examines a key period of change in Parthian coinage, as the rebellious Parthian satrapy transitioned first from a nomadic to sedentary kingdom in the second half of the 3rd century BC, and then into a great empire during the 2nd-early 1st century BC. The research will focus on the iconography and inscriptions that were employed on the coinage in order to demonstrate how Parthian authorities used these objects to convey political and religious ideologies to a diverse audience. -
The Roman View of Parthia in the Early Principate
Defining the alter orbis: The Roman View of Parthia in the Early Principate. by Steven Hill University of Wales, Trinity Saint David Classics Department Under the Supervision of Dr. Kyle Erickson 5th April 2013 1 Master’s Degrees by Examination and Dissertation Declaration Form. 1. This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed… Steven Hill Date 5/04/2013……………………………………………………... 2. This dissertation is being submitted in partial fulfilment of the requirements for the degree of …Master of Arts…………………………………………................. Signed …… Steven Hill…………………………………………………………………. Date 5/04/2013………………………………………………………………..…………... 3. This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged by footnotes giving explicit references. A bibliography is appended. Signed candidate: …Steven Hill…………………………………………….………………. Date: 5/04/2013 …………………………………………………….………………………. 4. I hereby give consent for my dissertation, if accepted, to be available for photocopying, inter- library loan, and for deposit in the University’s digital repository Signed (candidate)…Steven Hill…………………………………….………….…………... Date…5/04/2013……………………………………………….…………….…………….. Supervisor’s Declaration. I am satisfied that this work is the result of the student’s own efforts. Signed: ………………………………………………………………………….. Date: ……………………………………………………………………………... 2 Table of Contents Abstract 4 Introduction 5 Chapter One: Knowledge 11 Chapter Two: Interpretation 24 Chapter Three: Effect 44 Conclusion 56 Bibliography 59 Index of Images 71 3 Abstract During the reign of Augustus the idea of Parthian Empire as an alter orbis was developed. For the Romans of the early Principate, the kingdom of the Arsacids represented the antithesis of their own values, embodying the vices of despotism and licentiousness. -
Parthian Mesopotamia
The dialogue induced by this event originated a process of cultural interaction and led to the creation of a com- mon language that characterized the artistic production for centuries, but the ancient Mesopotamian tradition can be considered as the basis of the complex culture of the region at least until the turn of the common era. Literary and archaeological evidence indicates that this tradition revived after Alexander with the full support of the Seleucid sovereigns – the heirs of the Macedonian conqueror who presented themselves as kings of Babylon PARTHIAN (Sharru Babili), as well as Basileis, and displayed a pro- pitious attitude to local customs –,w1 but its persistence MESOPOTAMIA seems attested well after the Parthian conquest. Extensive layers of occupation, dating to the Hellenistic and Parthian periods, show that ancient Mesopotamian * cities such as Babylon, Uruk, Assur and Borsippa con- Vito Messina tinued to exist as important religious and administrative centres, while ruins of large buildings in the same sites indicate that traditional sanctuaries, built or restored under the direct patronage of the Seleucids, were still in use during the entire Parthian period.2 At Uruk, the main centre of South Mesopotamia, at least The culture of Parthian Mesopotamia is the result of two monumental sanctuaries were built by local gover- mutual contributions and interrelations originated long nors, with the support of Antiochus III, following the before the beginnings of the Parthian period, which traditional Babylonian layout: the Bit Resh, including traditionally spans from the conquest of Mithradates I, the temple dedicated to Anu and Antum, which was in 140-141 BC, to the rise of the Sasanian dynasty, erected close to the ziqqurrat already dedicated to Anu in in AD 224. -
The Origin and Development of Military Architecture in the Province of Parthava in the Arsacid Period
Iranica Antiqua, vol. XLI, 2006 doi: 10.2143/IA.41.0.2004764 THE ORIGIN AND DEVELOPMENT OF MILITARY ARCHITECTURE IN THE PROVINCE OF PARTHAVA IN THE ARSACID PERIOD BY Krysztof JAKUBIAK (Institute of Archaeology, Warsaw University) The conquest of the Achaemenid Empire resulted in Central Asia being put under Hellenistic rule. However, Seleucids did not hold sway in these lands for long. In the second half of the IIIrd. century B.C. the area was occupied by the tribe of the Parni-Dahae, i.e. Iranian nomads who had taken advantage of the decline of Seleucids’ state and crossed the borders of Turkmenistan where they founded an independent state. It is remarkable how two traditions — Achaemenid and Greek — converged in the area of Parthia and influenced the development of forti- fied construction. In the attempt to find visible traces of the influence of Greek tradition on the development of Parthian military architecture we are faced with the following question: did such a short period of Greek rule over later Parthia, affected minds of people enough to alter their architectural ways and methods. We know very well from history that in Central Asia the army of Alexander the Great underwent severe hard- ships while struggling to win with Persians e.g. the siege of Artacoana, and the battle against the army of Bessus were very dramatic episodes (Bivar 1983, p. 182). In addition, the siege of Oxyartes, a mountain fortress in Sogdiana clearly shows that the tradition of fortifying cities and erect- ing strongholds was very old in that part of Persia (Bivar 1983, p.