Korean DVD Acquisitions List
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D2492609215cd311123628ab69
Acknowledgements Publisher AN Cheongsook, Chairperson of KOFIC 206-46, Cheongnyangni-dong, Dongdaemun-gu. Seoul, Korea (130-010) Editor in Chief Daniel D. H. PARK, Director of International Promotion Department Editors KIM YeonSoo, Hyun-chang JUNG English Translators KIM YeonSoo, Darcy PAQUET Collaborators HUH Kyoung, KANG Byeong-woon, Darcy PAQUET Contributing Writer MOON Seok Cover and Book Design Design KongKam Film image and still photographs are provided by directors, producers, production & sales companies, JIFF (Jeonju International Film Festival), GIFF (Gwangju International Film Festival) and KIFV (The Association of Korean Independent Film & Video). Korean Film Council (KOFIC), December 2005 Korean Cinema 2005 Contents Foreword 04 A Review of Korean Cinema in 2005 06 Korean Film Council 12 Feature Films 20 Fiction 22 Animation 218 Documentary 224 Feature / Middle Length 226 Short 248 Short Films 258 Fiction 260 Animation 320 Films in Production 356 Appendix 386 Statistics 388 Index of 2005 Films 402 Addresses 412 Foreword The year 2005 saw the continued solid and sound prosperity of Korean films, both in terms of the domestic and international arenas, as well as industrial and artistic aspects. As of November, the market share for Korean films in the domestic market stood at 55 percent, which indicates that the yearly market share of Korean films will be over 50 percent for the third year in a row. In the international arena as well, Korean films were invited to major international film festivals including Cannes, Berlin, Venice, Locarno, and San Sebastian and received a warm reception from critics and audiences. It is often said that the current prosperity of Korean cinema is due to the strong commitment and policies introduced by the KIM Dae-joong government in 1999 to promote Korean films. -
The Front Line Korean Movie English Subtitles Download Language
1 / 5 The Front Line Korean Movie English Subtitles Download Language With Ha-kyun Shin, Soo Go, Seung-su Ryu, Chang-Seok Ko. A drama centered on the Korean War's final battle that will determine the border ... Chang-Seok Ko in The Front Line (2011) The Front Line (2011) Ok-bin Kim in The Front Line ... South Korea's official submission to the Best Foreign Language Film category of the .... Tamil 720p Hd Movies Download Aashiqui 2.. Pthc Collection 2013. トーク ... the front line korean movie english subtitles download language.. Total 602 Korean Movies with Myanmar Subtitle. Enjoy the ... Keywords: subtitle, download, subs, subtitles, the orhanage english subtitles. 9GAG is ... Learn American English with English language lessons from Voice of America. ... In the life-or-death frontline he met four soldier comrades who later became his best friends.. TV Show subtitles. downloads, and DVD titles are shown in Russian with ... Watch free Russian Movies & TV Series online / English subtitles Russia has quite the ... from show Watch Korea shows with subtitles in over 100 different languages Get ... for FRONT NEW RUSSIAN 8 EPISODES WWII TV SERIES DVD ENGLISH .... Along with students' rising demand to learn about Korea, the number of Korea-related courses beyond language and history has also increased. I am a political .... Movie: The Front Line; Revised romanization: Gojijeon; Hangul: 고지전; Director: Jang ... Best Film-Movie of the Year; Distributor: Showbox; Language: Korean ... of the Korean War an uneasy ceasefire is ordered, but out on the Eastern front line ... Ko Soo and Shin Ha-Kyun are in love with each other and then Lee Je- Hoon ... -
Showboxatcannes 2011
SHOWBOX AT CANNES 2011 CONTACT IN CANNES LERINS R3-S2 T +33 (0)4 92 99 33 26 EXECUTIVE ATTENDEES Judy AHN Head of Int’l Business • Sales & Acquisitions M +33 (0)6 76 22 89 41 E [email protected] SooJin JUNG General Manager • Sales M +33 (0)6 88 02 04 61 E [email protected] Sonya KIM Manager • Sales & Festival M +33 (0)6 08 50 72 51 E [email protected] June LEE Manager • Acquisitions M +33 (0)6 72 64 91 26 E [email protected] Eugene KIM Int’l Marketing M +33 (0)6 74 61 63 95 E [email protected] HIGHLIGHTS THE YELLOW SEA Genre Action, Thriller Running Time 140 min (International Version) Release Date Dec 23, 2010 Directed by NA Hong-jin (THE CHASER) Starring HA Jung-woo (THE CHASER / TAKE OFF) KIM Yun-seok ( T H E C H A S E R / W O O C H I ) Co-presented by Showbox / Mediaplex Fox International Productions On the Chinese side of Chinese-Russian-North Korean border, there is a region where North Korea, China and Russia meet is known as Yanbian Korean Autonomous Prefecture. The film tells a story of a man from here, who embarks on an assassination mission to South Korea in order to pay off his mounting debt. He is only given some money in advance and takes on the job without knowing much about his target. However, he is endangered by a FESTIVAL / MARKET SCREENINGS series of conspiracy and betrayal, and eventually realizes that he is TO BE ANNOUNCED tricked into a vicious trap. -
Film Im Vergleich Der Kulturen
Barbara Colette Zitturi Film im Vergleich der Kulturen Masterarbeit zur Erlangung des akademischen Grades eines Master of Arts der Studienrichtung Soziologie an der Karl-Franzens-Universität Graz Begutachter/in: Dr. Stephan Moebius Institut: Soziologie Graz/04/2012 Ehrenwörtliche Erklärung Ich erkläre ehrenwörtlich, dass ich die vorliegende Arbeit selbständig und ohne fremde Hilfe verfasst, andere als die angegebenen Quellen nicht benutzt und die den Quellen wörtlich oder inhaltlich ent- nommenen Stellen als solche kenntlich gemacht habe. Die Arbeit wurde bisher in gleicher oder ähnli- cher Form keiner anderen inländischen oder ausländischen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Die vorliegende Fassung entspricht der eingereichten elektronischen Versi- on. Datum: Unterschrift: 2 Danksagung Some may think I did it on my own But that’s just not true, I would not have been able Without you by my side. Ich möchte mich bei allen bedanken, die mich beim Verfassen dieser Arbeit, auf unterschiedlichsten Ebenen unterstützt haben. Allen voran bedanke ich mich bei meinem fachlichen Betreuer Stephan Moebius, der mir während des Anfertigens der Arbeit zur Seite stand. Besonders bedanke ich mich bei meiner Familie und meinen Freunden, die meine Momente der Ver- zweiflung, aber auch meine kleinen Freuden miterleben mussten. Allen voran gilt mein Dank meiner Mama und Jo, die sowohl fachlich als auch freundschaftlich immer für mich da waren und mich wäh- rend aller Höhen und Tiefen unterstützt haben. Ich bedanke mich bei meinen Freunden in Europa und Asien, die sich für mich und meine Fragen Zeit genommen, mich auf Ideen gebracht und mir immer wieder weitergeholfen haben. Hier sind vor allem Kyung-jun und Jollok zu nennen, die mich auf die technischen Einzelheiten von Filmen aufmerksam gemacht und mich, wie viele andere, auf das Thema dieser Arbeit gebracht haben. -
Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’S Corporate World
Ranks & Files: Corporate Hierarchies, Genres of Management, and Shifting Control in South Korea’s Corporate World by Michael Morgan Prentice A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in The University of Michigan 2017 Doctoral Committee: Associate Professor Matthew Hull, Chair Associate Professor Juhn Young Ahn Professor Gerald F. Davis Associate Professor Michael Paul Lempert Professor Barbra A. Meek Professor Erik A. Mueggler Michael Morgan Prentice [email protected] ORCID: 0000-0003-2981-7850 © Michael Morgan Prentice 2017 Acknowledgments A doctoral program is inexorably linked to the document – this one – that summarizes the education, research, and development of a student and their ideas over the course of many years. The single authorship of such documents is often an aftereffect only once a text is completed. Indeed, while I have written all the words on these pages and am responsible for them, the influences behind the words extend to many people and places over the course of many years whose myriad contributions must be mentioned. This dissertation project has been generously funded at various stages. Prefield work research and coursework were funded through summer and academic year FLAS Grants from the University of Michigan, a Korea Foundation pre-doctoral fellowship, and a SeAH-Haiam Arts & Sciences summer fellowship. Research in South Korea was aided by a Korea Foundation Language Grant, a Fulbright-IIE Research grant, a Wenner-Gren Dissertation Fieldwork Grant, and a Rackham Centennial Award. The dissertation writing stage was supported by the Rackham Humanities fellowship, a Social Sciences Research Council Korean Studies Dissertation Workshop, and the Core University Program for Korean Studies through the Ministry of Education of the Republic of Korea and Korean Studies Promotion Service of the Academy of Korean Studies (AKS-2016-OLU-2240001). -
Abl25thesispdf.Pdf (2.788Mb)
THE HOPE AND CRISIS OF PRAGMATIC TRANSITION: POLITICS, LAW, ANTHROPOLOGY AND SOUTH KOREA A Dissertation Presented to the Faculty of the Graduate School Of Cornell University In Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy by Amy Beth Levine May 2011 © 2011 Amy Beth Levine THE HOPE AND CRISIS OF PRAGMATIC TRANSITION: POLITICS, LAW, ANTHROPOLOGY AND SOUTH KOREA Amy Beth Levine, Ph.D. Cornell University 2011 This dissertation demonstrates how the urgent condition of crisis is routine for many non-governmental (NGO) and non-profit organization (NPO) workers, activists, lawyers, social movement analysts, social designers and ethnographers. The study makes a contribution to the increasing number of anthropological, legal, pedagogical, philosophical, political, and socio-legal studies concerned with pragmatism and hope by approaching crisis as ground, hope as figure, and pragmatism as transition or placeholder between them. In effect this work makes evident the agency of the past in the apprehension of the present, whose complexity is conceptualized as scale, in order to hopefully refigure ethnography’s future role as an anticipatory process rather than a pragmatic response to crisis or an always already emergent world. This dissertation is based on over two years of fieldwork inside NGOs, NPOs, and think tanks, hundreds of conversations, over a hundred interviews, and archival research in Seoul, South Korea. The transformation of the “386 generation” and Roh Moo Hyun’s presidency from 2003 to 2008 serve as both the contextual background and central figures of the study. This work replicates the historical, contemporary, and anticipated transitions of my informants by responding to the problem of agency inherent in crisis with a sense of scale and a rescaling of agency. -
Orientalism and the Fantasy of Brotherhood in South Korean Cinema’S North Korean Action Hero Films
Vol. 1 Journal of Korean and Asian Arts SPRING 2020 Orientalism and the Fantasy of Brotherhood in South Korean Cinema’s North Korean Action Hero Films Kelly Y. Jeong / University of California at Riverside 【Abstract】 In the past decade there have been several popular South Korean action genre films that focus on North Korean spies or government agents. In these films, the North Korean protagonist has superhuman physical strength and combat capacity, as well as a kind of purity of ideology and integrity, while his Southern counterpart is older, wiser, and with more human frailties. I call this category of action sub-genre films North Korean action hero films. In this essay I argue that such films reflect the cultural unconscious of South Korea’s Orientalist fantasy about North Korean masculinity (and society), which especially manifests in the films’ plot as an intense focus on the North Korean action hero’s perfect, strong body, combined with a nod towards the ultimate superiority of his Southern counterpart. Further, the paper shows the centrality of biopolitics in the films’ plot, as both regimes subject the protagonists to neoliberal practices in order to intervene and manage their bodies and futures. The two protagonists often bond, in fact, via their anti-neoliberal characteristics. The paper will then conclude by examining the current South Korean action genre cinema in light of its use of female characters and diegetic time. 【key words】 South Korean action genre cinema, North Korean action heroes, Orientalism, Neoliberalism, Biopilitics, Gender Introduction n the past decade South Korean cinema has produced several popular action I genre films that focus on North Korean spies or government agents. -
Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Hybrid Korean Screen Cultures in the Mid-2000S Films a Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005)
Concentric: Literary and Cultural Studies 46.2 September 2020: 217-245 DOI: 10.6240/concentric.lit.202009_46(2).0010 The North on Southern Screens: Hybrid Korean Screen Cultures in the Mid-2000s Films A Bold Family (2005), Over the Border (2006), and Welcome to Dongmakgol (2005) Bonnie Tilland East Asia International College Yonsei University Mirae Campus, Korea Abstract South Korean films that address North Korean themes have changed in the decades since South Korea’s democratization. Whereas films in the 1990s presented North Koreans as villains, by the 2000s most films took a more nuanced approach, presenting North Koreans as complex people with the potential to adapt in South Korean society. This paper analyzes three films from the mid-2000s dealing with North Korean issues (A Bold Family [2005], Over the Border [2006], and Welcome to Dongmakgol [2005]) in the context of the South Korean political landscape and North-South relations at the time. The paper argues that mid-2000s films represent a transitional point in the filmic depiction of North Koreans in South Korean film, opening up possibilities of hybridity in Korean identity. These films exhibit an almost ethnographic impulse to document everyday life, and as such contribute broadly to a visual anthropology of North-South Korean relations. Keywords South Korea, North Korea, film, family, visual anthropology 218 Concentric 46.2 September 2020 A grandfather on his death-bed watches home videos of Korean reunification on TV, and heals unexpectedly at the prospect of visiting his northern hometown . A video camera captures moments of village merrymaking through song and dance as the Korean War rages all around . -
The Agent-CP
THE AGENT Réalisé par RYOO Seung-wan (The Berlin File) Avec HA Jung -woo, HAN Suk-kyu, RYOO Seung-bum, GIANNA JUN Berlin, de nos jours. Impliqué dans un vaste trafic d’armes pour le c ompte de la Corée du Nord, un " agent fantôme" se retrouve pris en chasse par les services secrets internationaux ; mettant en péril sa mission et son pays. Face à cet échec, il est soupçonné par son propre camp d’être un agent -double. Pour le faire parler, ils kidnappent sa femme, ne lui laissant que peu de choix : il devra trahir les siens ou sa patrie… POUR SAUVER LES SIENS, IL DEVRA TRAHIR SON PAYS Dans la lignée des Jason Bourne et Taken , THE AGENT est un nouveau poids lourds du genre ! Spectaculaire et haletant, ce thriller sur -vitaminé conjugue avec talent scènes de combats impressionnantes, intrigue brillante et mise en scène ultra soignée. Après City of Violence, le réalisateur RYOO Seung-wan impose THE AGENT comme un film incontournable , repoussant les limites du film d’espionnage, où action et suspense s’alternent à un rythme effréné. Le 4 D écembre 2013 en DVD, Blu-ray & VOD Matériel promotionnel disponible sur demande - Images et visuels disponibles dans l’Espace Pro via www.wildside.fr COMPLÉMENTS (communs aux 2 éditions) - Making -of - Préparation des scènes d’action - Entretien avec l’équipe du film - Repérage dans Berlin - Scènes coupées - Bande -annonce + la Copie Numérique du film à télécharger CARACTÉRISTIQUES TECHNIQUES DVD CARACTÉRISTIQUES TECHNIQUES Blu -ray Format image : 1.85, 16/9 ème comp. 4/3 Format image : 1.85 - Résolution -
FIFF-PROGRAMME-2017-WEB 2.Pdf
#programme #films #events #emotions www.fiff.ch #fiff17 Souvenirs Achetez des souvenirs du FIFF Un bout de FIFF à la maison : à partir du 16.03.17, des produits dérivés du FIFF sont disponibles aux points de vente du Festival. Vous serez aussi chic que le Festival ! Holen Sie sich die FIFF 2017 Merchandise-Artikel Ein Stück FIFF für Zuhause: Ab dem 16.03.17 sind diverse FIFF- Artikel an den Verkaufsstellen des Festivals erhältlich. Sie werden festival-chic aussehen! Get Your FIFF 2017 Merchandise now! A piece of FIFF at home: As from 16.03.17, FIFF merchandise is available for purchase at the Festival’s points of sale. You’ll look festival-chic! 1 Souvenirs Festival International de Films de Fribourg Internationales Filmfestival Freiburg Fribourg International Film Festival Sommaire | Inhaltsverzeichnis | Contents #introduction #parallel #sections Souvenirs 1 Cinéma de genre Genrekino | Genre Cinema 65 Index des films Histoires de fantômes Filmverzeichnis Gespenstergeschichten Index of Films 6 Ghost stories Index des réalisateurs/trices Décryptage Verzeichnis der RegisseurInnen Entschlüsselt | Decryption 89 Index of Directors 8 Cabinet de curiosités cinématographiques Messages 12 Ein filmisches Kuriositätenkabinett A cinematic cabinet of curiosities Comité d’honneur Unterstützungskomitee Diaspora 109 Board of Honour 24 Myret Zaki et l’Egypte Myret Zaki und Ägypten Membres des jurys Myret Zaki and Egypt Jurymitglieder Jury members 27 Hommage à… 119 Freddy Buache Nouveau territoire #official #selection Neues Territorium | New Territory -
Instructions
MY DETAILS My Name: Jong B. Mobile No.: 0917-5877-393 Movie Library Count: 8,600 Titles / Movies Total Capacity : 36 TB Updated as of: December 30, 2014 Email Add.: jongb61yahoo.com Website: www.jongb11.weebly.com Sulit Acct.: www.jongb11.olx.ph Location Add.: Bago Bantay, QC. (Near SM North, LRT Roosevelt/Munoz Station & Congressional Drive Capacity & Loadable/Free Space Table Drive Capacity Loadable Space Est. No. of Movies/Titles 320 Gig 298 Gig 35+ Movies 500 Gig 462 Gig 70+ Movies 1 TB 931 Gig 120+ Movies 1.5 TB 1,396 Gig 210+ Movies 2 TB 1,860 Gig 300+ Movies 3 TB 2,740 Gig 410+ Movies 4 TB 3,640 Gig 510+ Movies Note: 1. 1st Come 1st Serve Policy 2. Number of Movies/Titles may vary depends on your selections 3. SD = Standard definition Instructions: 1. Please observe the Drive Capacity & Loadable/Free Space Table above 2. Mark your preferred titles with letter "X" only on the first column 3. Please do not make any modification on the list. 3. If you're done with your selections please email to [email protected] together with the confirmaton of your order. 4. Pls. refer to my location map under Contact Us of my website YOUR MOVIE SELECTIONS SUMMARY Categories No. of titles/items Total File Size Selected (In Gig.) Movies (2013 & Older) 0 0 2014 0 0 3D 0 0 Animations 0 0 Cartoon 0 0 TV Series 0 0 Korean Drama 0 0 Documentaries 0 0 Concerts 0 0 Entertainment 0 0 Music Video 0 0 HD Music 0 0 Sports 0 0 Adult 0 0 Tagalog 0 0 Must not be over than OVERALL TOTAL 0 0 the Loadable Space Other details: 1.