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Sydney Uni Musos Struttin' at Australian Fashion Week USU
SEMESTER 1 WEEK 10 12 MAY, 2010 Tuning In Sydney's Community Radio in Crisis Arts Hole SPECIAL: Sydney Uni Musos USU Elections: Twits on Twitter Struttin' at Australian Fashion Week Soundtrack to the Women's Issue 2 This Week's: Smoke-free days: five. Swedish snack most likely to tear the editingCONTENTS team apart: Salt Sill Original With more quokkas Worst/bestthan question asked by an editor this week: “Sibella, will your recreational libraries HONI SOIT, EDITION 9 cater to the boom in 3D movies?” - Joe Smith-Davies, Manning Soapbox 12 MAY 2010 ever before. Most divisive pun: “Rob Chiarella learns that good art cums on small packages.” Thing that’s not as awesome as it sounds: turning off a computer with a hammer. The Post 03 The Arts-Hole 10 Letter rip, potato chip. SPECIAL EDITION: Jess Stirling, Jacinta Mulders, Bridie Connellan and Joe Payten catch up with our uni’s finest The Uni-Cycle 04 musical exports to talk sounds, Sydney and Zahra Anver thinks the answer is fairly obvious. the spotlight. Rob Chiarella learns that good art comes on small packages. The Mains 12 AA makes Oli Burton go AAAAAH! Daniel Zwi pricks his ears to a crisis in Tom Clement goes AAAAAH regarding AA. community radio. Carmen Culina thinks something’s fishery. To market, to market, for Chelsea Tabart. 05 The Lodgers 14 Ted Talas keeps it fResh. David Mack and Naomi Hart deliver 06 Women’s Honi was music to Joe Payten’s Honi’s final election rumours (and have the ears. decency to publish their names). -
Fashion's Influence on Garment Mass Production
Fashion’s Influence on Garment Mass Production: Knowledge, Commodities and the Capture of Value Sally Weller A thesis submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy Centre for Strategic Economic Studies Victoria University, Melbourne AUSTRALIA October 2003 ABSTRACT In affluent communities, it is difficult to think about clothing without considering issues of fashion. Yet, in analyses of the garment industries, fashion is rarely considered in detail, and is certainly not analysed as a structuring force over the configuration of garment production industries. Yet through fashion, garments as commodities are complexly embedded in social and cultural processes and in the specificities of place. Although the structures of the global garment production industries have been the subject of numerous studies from a variety of theoretical perspectives, none hitherto have addressed the influence of fashion on the structures and locations of garment production. This thesis begins with the idea that fashion is a complex and influential form of knowledge. It explores the effects of fashion ideas on the global garment system through a case study of the ideas and commodity flows that bring fashions and garments to the Australian market. It traces the interconnections between global knowledge flows and global commodity flows in a manner attuned to the relationships between knowledge, power, industrial organisation and the capture of surplus value from the production system. The analysis highlights how Australia’s position in garment production is framed by its geographical position on the periphery of the fashion world. Fashion knowledge is a complex form of knowledge with four interrelated expressions. -
Eyan-Allen-For-Asia-Tatler.Pdf
WHO’S THE BOSSWITH CREATIVE DIRECTOR EYAN ALLEN AT THE HELM, THE FUTURE IS BRIGHT FOR HUGO BOSS WOMENSWEAR. HE TALKS TO HELEN RUSSELL ABOUT CREATIVITY, COMMERCIAL PRESSURE AND DOING IT HIS WAY slash of red sashays down the runway as model Kasia Struss shows o! the clean lines and bold cut of this season’s new cocktail dress. Metal coloured jackets formed from layers of bonded silk look sculptural but are soft to touch. Laminated wool takes the place of leather for outerwear, while evening wear is embellished with embroidered holes that show a hint of "esh through thick wools and silks. A seriously sexy collection in metal, cream and red… it’s a masterclass in tailoring. Showing their appreciation from the front row are a smattering of celebrities – Renée Zellweger, Edward Norton, Eddie Redmayne and Pixie Geldof among others – "anked by 800 of the biggest names in fashion. The autumn/winter 2013 show at Mercedes-Benz Fashion Week in Berlin marks Hugo’s 20th birthday and kicks o! the brand’s anniversary year. Titled ‘Re"ection’, the new collection holds up a mirror to Hugo’s luxury tailoring past as well as signposting an assured vision for its future. The brand has every reason to be con#dent right now. Under ceo Claus-Dietrich Lahrs, the German fashion house saw sales up 10 per cent for 2012, double that of the rest of the market. The label, named after its founder, has grown from a small clothing workshop to an international lifestyle group with a sales presence in 110 countries worldwide. -
Photographs of Great Rarity and Quality at Christie’S London in May
For Immediate Release Tuesday, 10 April 2012 Contact: Hannah Schmidt +44 (0) 207 389 2964 [email protected] Alex Deyzac +44 (0) 207 389 2265 [email protected] PHOTOGRAPHS OF GREAT RARITY AND QUALITY AT CHRISTIE’S LONDON IN MAY London – Christie’s Photographs sale on Wednesday 16 May features over 100 works with estimates ranging from £3,000 to £120,000. The sale brings the story of photography closer to the present with some of the most recognisable contemporary practitioners: a diptych by Andreas Gursky, who currently holds the auction record for the medium, entitled Schiesser, Diptych, 1991 (estimate: £80,000– 120,000, illustrated above); Hiroshi Sugimoto’s Guggenheim Museum, New York, 1997 (estimate: £70,000– 90,000, illustrated on page 2) and Helmut Newton’s large format Self-Portrait with Wife and Models ‘Vogue’ Studios, Paris 1980, measuring 139.7 x 144.8 cm (estimate: £70,000–90,000, illustrated bottom left). This is an opportunity to acquire some of the most important works of the history of photography, with works by 19th century masters, and a strong focus on post-war and fashion photography, led by the work of Irving Penn, Helmut Newton and Peter Beard. The incredible roll call of subjects captured includes Picasso, Greta Garbo, Andy Warhol, Francis Bacon, Marilyn Monroe, Christy Turlington, Naomi Campbell and Barack Obama. Important and rare post-war works include a photograph by Constantin Brancusi from the series Bird in Space, 1923, (estimate: £6,000–8,000), which depicts one of the most expensive sculptures ever sold at auction (Christie’s New York, 2005). -
The Hat Magazine Archive Issues 1 - 10
The Hat Magazine Archive Issues 1 - 10 Issue No Date Main Articles Workroom Process ------------------------------------------------------------------------------------------------------------------------ Issue 1 Apr-Jun 1999 Luton - Ascot Shoot - Sean Barratt Feathers - Dawn Bassam -Trade Shows - Fashion Museums & Dillon Wallwork ------------------------------------------------------------------------------------------------------------------------ Issue 2 Jul-Sep 1999 Paris – Marie O’Regan – Royal Ascot Working with crinn with - Student Shows – Geoff Roberts Frederick Fox ------------------------------------------------------------------------------------------------------------------------ Issue 3 Oct-Nov 1999 Hat Designer of the Year ’99 - Block Making with Men in Hats, shoot – Trade Fairs Serafina Grafton-Beaves ------------------------------------------------------------------------------------------------------------------------ Issue 4 Jan-Mar 2000 Mitzi Lorenz – Philip Treacy couture Working with sinamay (1) show Paris – Florence – Bridal shoot with Marie O’Regan Street page – Trades Shows ------------------------------------------------------------------------------------------------------------------------ Issue 5 Apr-Jun 2000 Coco Chanel – Trade Fairs Working with sinamay (2) Dagmara Childs – Knits Shoot with Marie O’Regan Street page - Trade Shows ------------------------------------------------------------------------------------------------------------------------ Issue 6 Jul-Sep 2000 Luton shoot – Royal Ascot Working with -
Christy Turlington Burns Hopeful for Change in U.S. Maternal Health
CANADIAN PRESS, MAY 14, 2011 Christy Turlington Burns hopeful for change in U.S. maternal health TORONTO — Former supermodel Christy Turlington Burns says statistics on maternal mortality in the U.S. are "quite shocking," but she's hopeful new legislation will improve the situation. Turlington Burns has become an advocate for better global maternal health care in recent years, after a complication with the delivery of her first child prompted her to explore the cause and make the documentary "No Woman, No Cry". The film follows at-risk pregnant women in several parts of the world, including the U.S., where — according to the documentary — two women die each day from a pregnancy-related complication, and one in five women of reproductive age has no health insurance. Turlington Burns, who's also spearheading the Every Mother Counts campaign, says she's hopeful the Maternal Health Accountability Act introduced in the U.S. House of Representatives last month by Rep. John Conyers of Michigan will improve the situation. "That has the potential to, I think, make a big difference," she said Friday in an interview before the Canadian public premiere of the doc, which marks her directorial debut, at Bell Lightbox. "In the United States, it's such an enormous country, as is Canada, and it's very hard to collect data and consolidate data so that people really understand how deaths are happening and why they're happening and really understand what's happening, state-by-state review boards and whatnot. So it has the promise to do that," she said. -
Imaginary Aesthetic Territories: Australian Japonism in Printed Textile Design and Art
School of Media Creative Arts and Social Inquiry (MCASI) Imaginary Aesthetic Territories: Australian Japonism in Printed Textile Design and Art Kelsey Ashe Giambazi This thesis is presented for the Degree of Doctor of Philosophy of Curtin University July 2018 0 Declaration To the best of my knowledge and belief this thesis contains no material previously published by any other person except where due acknowledgment has been made. This thesis contains no material which has been accepted for the award of any other degree or diploma in any university. Signature: Date: 15th July 2018 1 Acknowledgements I would like to sincerely express my thanks and gratitude to the following people: Dr. Ann Schilo for her patient guidance and supervisory assistance with my exegesis for the six-year duration of my candidacy. To learn the craft of writing with Ann has been a privilege and a joy. Dr. Anne Farren for her supervisory support and encouragement. To the staff of the Curtin Fashion Department, in particular Joanna Quake and Kristie Rowe for the daily support and understanding of the juggle of motherhood, work and ‘PhD land’. To Dr. Dean Chan for his impeccably thorough copy-editing and ‘tidying up’ of my bibliographical references. The staff in the School of Design and Art, in particular Dr. Nicole Slatter, Dr. Bruce Slatter and Dr. Susanna Castleden for being role models for a life with a balance of academia, art and family. My fellow PhD candidates who have shared the struggle and the reward of completing a thesis, in particular Fran Rhodes, Rebecca Dagnall and Alana McVeigh. -
Media Guide 1 Contents
Tuesday 19th - Saturday 23rd June 2018 MEDIA GUIDE 1 CONTENTS WELCOME TO ROYAL ASCOT FROM HER MAJESTY’S REPRESENTATIVE 4 VISITOR INFORMATION 5 RACING AT ROYAL ASCOT 6 RECORD PRIZE MONEY OF £13.45 MILLION AT ASCOT IN 2018 7 ROYAL ASCOT 2017 REVIEW 8 ROYAL ASCOT 2018 ORDER OF RUNNING AND PRIZE MONEY 10 ROYAL ASCOT GROUP I ENTRIES 12 A GLOBAL EVENT: ROYAL ASCOT’S RACE PROGRAMME MILESTONES 14 THE WEATHERBYS HAMILTON STAYERS’ MILLION 16 FOUR BREEDERS’ CUP CHALLENGE RACES TO BE HELD AT ROYAL ASCOT IN 2018 17 WORLD HORSE RACING LAUNCHES THE ULTIMATE DIGITAL RACING EXPERIENCE 18 CUSTOMERS INVITED TO BET WITH ASCOT 19 2018 GOFFS LONDON SALE GIVEN A NEW LOOK AT SAME ADDRESS 20 THE ROAD TO QIPCO BRITISH CHAMPIONS DAY 21 THE BELL ÉPOQUE 22 VETERINARY FACILITIES, EQUINE AND JOCKEYS’ FACILITIES 26 CHRIS STICKELS, CLERK OF THE COURSE 27 BROADCASTERS AT ROYAL ASCOT 28 NEW AT ROYAL ASCOT 30 COMMONWEALTH FASHION EXCHANGE 31 ASCOT RACECOURSE SUPPORTS 32 SCULPTURES 34 SHOPPING: THE COLLECTION 39 PARTNERS & SUPPLIERS 42 ASCOT’S OFFICIAL PARTNERS 43 ASCOT’S OFFICIAL SPONSORS AND SUPPLIERS 46 FASHION & DRESS CODE 50 ASCOT LAUNCHES THE SEVENTH ANNUAL ROYAL ASCOT STYLE GUIDE 51 THE HISTORY OF FASHION AT ROYAL ASCOT - KEY DATES 52 THE ROYAL ASCOT MILLINERY COLLECTIVE 2018 54 ROYAL ASCOT DRESS CODE 56 FINE DINING AT ROYAL ASCOT 58 FINE DINING AT ROYAL ASCOT CONTINUES TO DIVERSIFY AND DELIGHT 59 ASCOT HISTORY 66 ASCOT STORIES AND OTHER PROMOTIONAL FILMS 67 ROYAL ASCOT - THE ROYAL PROCESSION 68 THE BOWLER HAT AND ASCOT 71 ROYAL ASCOT FACTS AND FIGURES 72 ASCOT RACECOURSE -
Hammer Museum Summer 2012 Non Profit Org
For additional program information:For additionalprogram 310-443-7000 Wilshire Boulevard California LosAngeles, 90024USA10899 Hammer MuseumSummer2012 www.hammer.ucla.edu BEGINNING JUNE1 Saturday & Sunday 11am–5pm &Sunday Saturday MUSEUM HOURS Tuesday–Friday 11am–8pm Tuesday–Friday Closed Mondays NEW Los Angeles, CALos Angeles, Permit no.202 Non Profit Org. Profit Non US Postage PAID IN. IN. 4 ⁄ 1 X 8 16 ⁄ 11 , 2012 (DETAIL). DIGITAL PHOTOGRAPH. DIGITAL , 2012 (DETAIL). 2011 (DETAIL). GRAPHITE AND ACRYLIC ON PAPER. 11 ON PAPER. GRAPHITE AND ACRYLIC 2011 (DETAIL). Summer 2012 Calendar Summer 2012 MOUNTAINS DWARF THE CITY, DWARF MOUNTAINS . CHARACTER PORTRAIT (ISABELLA BLOW, MARIO TESTINO VERSION) (ISABELLA BLOW, CHARACTER PORTRAIT . SCOLI ACOSTA MICHELE O’MARAH COVER: FRONT: COVER: FRONT: AND GALERIE LAURENT GODIN, PARIS. SCOLI ACOSTA COURTESY GUNEWARDENA. (29.7 X 21 CM). COLLECTION OF FRANK ESCHER AND RAVI BACK: WEDEMEYER. PHOTO BY ROBERT THE ARTIST. COURTESY DIMENSIONS VARIABLE. NEW MUSEUM HOURS 2 3 BEGINNING JUNE 1 HAMMER NEWS Tuesday–Friday 11am–8pm, Saturday & Sunday 11am–5pm, Closed Mondays news director the 1 HIGHLIGHTS FROM RECENT ACQUISITIONS L.A.-based artist Charles Gaines works with various mediums, including photography, drawing, text, and video, relying on existing and invented systems to generate his from A MESSAGE FROM THE DIRECTOR works. Numbers & Trees VI, Landscape, #4 (1989) is part of a body of work in which Gaines transformed photographic images within a series of prescribed operations. Made in L.A. 2012 is finally here! For nearly two years of the Tate’s Turner Prize and the Whitney Museum of the staffs at the Hammer and LA><ART have worked at American Art’s Bucksbaum Award. -
REPEAL ASSOCATION..Wps
REPEAL ASSOCATION. Detroit-25 th July, 1844 To Daniel O’Donnell, Esq. M.P. Sir--The Detroit repealers beg leave respectfully to accompany their address by a mite of contribution towards the fine imposed on you, and solicit the favour of being allowed to participate in its payment. They would remit more largely, but are aware that others will also claim a like privilege. I am directed therefore to send you £20, and to solicit your acceptance of it towards the above object. We lately send 100/., to the Repeal Association, and within the past year another sum of 55/. Should there be any objection to our present request on your part or otherwise, we beg of you to apply it at your own discretion. I have the honour, Sir, to be your humble servant. H.H. Emmons, Corrres. Sec. Detroit Repeal Association. Contributers to the £20 send. C.H.Stewart, Dublin. Denis Mullane, Mallow, Co. Cork. Michael Dougherty, Newry. James Fitzmorris, Clonmel. Dr. James C. White, Mallow. James J. Hinde, Galway. John O’Callaghan, Braney, Co. Cork, one of the 1798 Patriots. (This could be Blarney). F.M. Grehie. Waterford. Michael Mahon, Limerick. George Gibson, Detroit. Christopher Cone, Tyrone, John Woods, Meath. Mr. and Mrs Hugh O’Beirne, Leitrim. James Leddy, Cavan. John Wade, Dublin, Denis O’Brien, Co. Kilkenny. James Collins, Omagh, Tyrone. Charles Moran, Detroit. Michael Kennedy, Waterford. Cornelius Dougherty, Tipperary. Thomas Sullivan, Cavan. Daniel Brislan, Tipperary. James Higgins, Kilkenny, Denis Lanigan, Kilkenny, John Sullivan, Mallow. Terence Reilly, Cavan, John Manning, Queens County. John Bermingham, Clare. Patrick MacTierney, Cavan. -
Translating the Fashion Story: Analyzing Fashion Captions in Two Women's Magazines Ehimwenma O
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2013 Translating the fashion story: analyzing fashion captions in two women's magazines Ehimwenma O. Vosper-Woghiren Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Human Ecology Commons Recommended Citation Vosper-Woghiren, Ehimwenma O., "Translating the fashion story: analyzing fashion captions in two women's magazines" (2013). LSU Master's Theses. 831. https://digitalcommons.lsu.edu/gradschool_theses/831 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. TRANSLATING THE FASHION STORY: ANALYZING FASHION CAPTIONS IN TWO WOMEN’S FASHION MAGAZINES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Science in School of Human Ecology Department of Textiles, Apparel Design and Merchandising by Ehimwenma ‘Yuwa’ Vosper-Woghiren B.A., Loyola University New Orleans, 2004 December 2013 © 2013 Copyright Ehimwenma Vosper-Woghiren All Rights Reserved ii I would like to dedicate my thesis to my grandfather, the late Joseph Henry Tyler, Sr. Throughout my life, my grandfather always stressed the importance of looking your best despite your social status. Growing up in the rural and segregated South, my grandfather did not have many opportunities. -
Body Beautiful: Diversity on the Catwalk Teacher and Adult Helper Notes
Body Beautiful: Diversity on the Catwalk Teacher and adult helper notes Contents Page 1 Visiting the exhibition 1 2 Exhibition content 2 3 Curriculum links 9 4 Suggested activities within the exhibition 9 5 Activities and resources to use in class 11 6 Questions or feedback? 11 1 Visiting the Exhibition Important information • Food and drink are not permitted. • There are three items you cannot take photographs of within the exhibition. These are clearly signposted. • The exhibition contains nudity. • You will enter and exit via the same door. Please be aware of other visitors who may be entering/exiting the gallery. • Timeslots for visiting the exhibition are 30 minutes, unless otherwise stated on your booking. Please adhere to your time slot. • Parts of the exhibition are quite dimly lit. Please remind your pupils to take their time when moving around the space. • The exhibition has a background music, sound, flashing lights, and moving images throughout. 1 2 Exhibition content The exhibition begins with a display outside the gallery space, followed by an introduction. It is then split into 5 sections: • Disability • Race • LGBTQIA+ • Size • Age Below, we have outlined the key messages and designers from each of these sections. Outside the exhibition We are showing four works from Edinburgh College of Art students. The Edinburgh College of Art Diversity Network was formed in collaboration with All Walks Beyond the Catwalk, an initiative challenging the fashion industry’s dependence on unhealthy body ideals. It strives to teach students – as future stakeholders of the fashion industry – the importance of celebrating diversity within their approach to design and image-making.