DOCSLIB.ORG

Charles A. Whitaker Auction Co. Fall Couture & Textiles October 31 & N

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Charles A. Whitaker Auction Co. Fall Couture & Textiles October 31 & November 1 1 LOT of FABRIC SAMPLES, 19th and EARLY 20th C. All warp printed samples, mostly on silk. Approximately 100 + bags oF multiple samples. Good-excellent. $100 - 300 2 LOT of FABRIC SAMPLES, 19th and 20th C. Cotton, wool and silk, all with ethnographic designs. Fair-excellent. $100 - 300 2.1 LOT of FABRIC SAMPLES, 19th and EARLY 20th C. Mostly French silk jacquards, some with metallic elements. Good-excellent. $100 - 300 3 LOT of FABRIC SAMPLES, 19th and EARLY 20th C. Mostly all printed cotton in small scale designs, many quilt squares. Several hundred pieces. Good-excellent. $200 - 300 4 LOT of FABRIC SAMPLES, 19th and 20th C. Silk Florals, some chiFFons, mostly carded samples, some scarves. Several hundred samples. Good-excellent. $100 - 300 5 LOT of FABRIC SAMPLES, 19th - 20th C. Mostly all cotton plaids. Several hundred samples. Good-excellent. $100 - 200 6 LOT of FABRIC SAMPLES, 19th and 20th C. All carded woven silk plaids and stripes. 100 + sheets with multiple samples. Good-excellent. $200 - 300 6.1 LOT of FABRIC SAMPLES, 19th and EARLY 20th C. French silk jacquard samples, stripes, Florals and geometrics. Large lot 1000 + samples. Good-excellent. $200 - 400 7 LOT of FABRIC SAMPLES, 19th and 20th C. Carded silk and cotton, loose samples, scarves and garments, mostly with dotted or polka dot designs. Several hundred samples. Good-excellent. $100 - 300 8 LOT of FABRIC SAMPLES, 19th and 20th C. Carded samples of various woven silk striped designs. Several hundred samples. Good-excellent. $100 - 200 8.1 LOT of FABRIC SAMPLES, 19th - EARLY 20th C. All silk jacquard ribbon samples. Good-excellent. $100 - 300 9 LOT of FABRIC SAMPLES, 19th and 20th C. Woven noirs in velvet and brocade, all with designs. Approximately 100 + bags oF multiple samples. Good-excellent. $100 - 300 9.1 LOT of FABRIC SAMPLES, 19th - EARLY 20th C. Mostly silks and silk brocade, some yardages. Fair-excellent. $100 - 300 10 LOT of FABRIC SAMPLES, 19th and 20th C. All black and white designs, mostly prints. Approximately 100 + bags of multiple samples. Good-excellent. $100 - 200 11 LOT of FABRIC SAMPLES, 19th and 20th C. Mostly carded woven plaid designs in silk and cotton. Approximately 100 + bags oF multiple samples. Good-excellent. $100 - 300 12 LOT of FABRIC SAMPLES, 19th and 20th C. Mostly all woven silk stripes. Approximately 60 bags oF multiple samples. Good-excellent. $100 - 300 12.1 LOT of FABRIC SAMPLES, 19th and 20th C. Mostly silks in solids and tone on tones. Fair-excellent. $100 - 200 13 LOT of FABRIC SAMPLES, 19th and 20th C. Mostly all cotton Florals oF small scale, many 19th C quilt squares. Approximately 100 + bags oF multiple samples. Good-excellent. $200 - 400 14 LOT of FABRIC SAMPLES, 19th and 20th C. Mostly all warp printed silks, some cottons, ribbon samples and ethnic designs. Approximately 100 + bags of multiple samples. Good-excellent. $100 - 300 15 LOT of FABRIC SAMPLES, 19th and 20th C. Mostly printed cotton Florals oF small scale, many 19th C quilt top squares. Approximately 100 + bags of multiple samples. Good-excellent. $100 - 300 16 LOT of FABRIC SAMPLES, 19th - 20th C. Silk plaids and stripes, many quilt squares. Approximately 100 + bags of multiple samples. Good-excellent. $100 - 300 17 LOT of FABRIC SAMPLES, 19th - 20th C. Mostly cotton stripes and plaids. Fair-excellent. $200 - 300 18 LOT of FABRIC SAMPLES, 19th - 20th C. Mostly printed cottons. Fair-excellent. $100 - 200 19 LOT of PRINTED COTTON FABRIC, 20th C. Including juveniles, conversationals, comic strips and Faux patchwork designs. Good-excellent. $100 - 200 Charles A. Whitaker Auction Co. Fall Couture & Textiles October 31 & November 1 20 LOT of DRESS YARDAGE, MID 20th C. Mostly printed rayons. Good-excellent. $100 - 200 21 LOT of PRINTED FABRIC SAMPLES, 20th C. Mostly cotton Florals, some good yardages. Good-excellent. $100 - 200 21.1 LOT of FABRIC SAMPLES, 1900 - 1960. All printed designs, mostly on cotton. Fair-excellent. $100 - 200 22 LOT of FABRIC SAMPLES, MOSTLY 20th C. All with paisley designs in silk and cotton, many silk scarves. Approximately 100 + bags oF multiple samples. Good-excellent. $100 - 300 23 LOT of FABRIC SAMPLES, 20th C. Conversational samples in silk and cotton including scarves. Approximately 80 bags of multiple samples. Good-excellent. $100 - 300 24 LOT of FABRIC SAMPLES, 1930s - 1980s. Cotton, silk and rayon samples with nautical or aquatic themes, including some scarves. Good-excellent. $100 - 200 25 LOT of FABRIC SAMPLES, 1930s - 1950s. Home Furnishing designs in cotton and linen For the juvenile market. Good-excellent. $100 - 200 26 LOT of FABRIC SAMPLES, 20th C. All Foliage or leaF designs, some carded, mostly silk scarves, some designer. Several hundred pieces. Good-excellent. $100 - 300 27 LOT of FABRIC SAMPLES, 20th C. Mostly silk Florals oF medium scale, some cotton and rayon. Good-excellent. $100 - 300 28 LOT of FABRIC SAMPLES, 20th C. Mostly all silk scarves with abstract designs. Several hundred pieces. Good-excellent. $100 - 300 29 LOT of FABRIC SAMPLES, 20th C. All abstract prints, mostly silk scarves. Several hundred pieces. Good-excellent. $100 - 300 30 LOT of FABRIC SAMPLES, 20th C. Floral silks, mostly scarves. 100 + samples. Good-excellent. $100 - 300 31 LOT of FABRIC SAMPLES, 20th C. Large-scale Florals and tropical designs on silk and rayon, including scarves. Good-excellent. $100 - 300 32 LOT of PRINTED SCARVES / FABRIC SAMPLES, 20th C. Mostly silk, assorted designers and designer style. Approximately 75 pieces. $100 - 200 33 LOT of FABRIC SAMPLES, 1900-1980. All Foulard prints and tie silk swatches. Good-excellent. $100 - 200 34 LOT of FABRIC SAMPLES, 1900-1990. Cotton plaids, silk, cotton and rayon geometric designs. Several hundred samples. Good-excellent. $100 - 300 35 LOT of JAPANESE FABRICS, 20th C. Mostly silk brocade obi and obi Fabrics. Together with a short brocade jacket. Excellent. $100 - 300 36 LOT of FABRIC SAMPLES, 1900-1990. Home Furnishing Floral prints and jacquards. Large lot. Good-excellent. $100 - 300 37 LOT of COLORWAY FABRIC SAMPLES, 20th C, Meridian Textiles synthetic prints, mostly jerseys and chiFFons. Excellent. $250 - 350 38 LOT of CARDED FABRIC SAMPLES, 19th and 20th C. Including open weaves, laces, ribbons, printed silks and cottons, etc. Good-excellent. $100 - 300 39 LOT of FABRIC SAMPLES, 19th and 20th C. All carded samples, mostly silk prints in abstract designs. Good-excellent. $100 - 300 40 LOT of FABRIC SAMPLES, 20th C. All Floral home Furnishing prints. 2 boxes. Good-excellent. $100 - 200 40.1 LOT of FABRIC SAMPLE BOOKS, 19th and EARLY 20th C. Including silk dress jacquards, ribbons and woolens. 8 volumes. Books Fair, samples good-excellent. $200 - 400 41 LOT of FABRIC SAMPLES, MOSTLY EARLY - MID 20th C. Cotton shirting in stripes and plaids. 2 boxes, several hundred samples. Good-excellent. $200 - 400 Charles A. Whitaker Auction Co. Fall Couture & Textiles October 31 & November 1 42 LOT of FABRIC SAMPLES, 1900-1960. All home Furnishing Floral prints mostly on cotton or linen. Large lot, 2 boxes. Good-excellent. $200 - 400 43 LOT of FABRIC SAMPLES, 1890-1930. All woven wool suitings and coat cloth, some constructions, large lot. Good-excellent. $100 - 300 43.1 FABRIC SAMPLE BOOK, 19th C. Large Format French book with woven jacquard dress Fabrics. 1000 + samples. Book Fair, samples good-excellent. $300 - 400 44 FABRIC SAMPLE BOOKS, 1900 - 1930. Cotton shirtings, woven, printed and painted designs. Three volumes Levy and Goldberg Collection. Approximately 2000 pieces. Good-excellent. $300 - 500 44.1 LOT of FABRIC SAMPLE BOOKS, 1910-1927. Medium Format books with tie silk swatches. 7 volumes. Book papers poor, swatches excellent. $200 - 400 45 LOT of FABRIC SAMPLE BOOKS, 1930s. All woven cotton plaids, some Flannels. Three large Format books with large samples. Books poor, samples good-excellent. $200 - 300 45.1 LOT of FABRIC SAMPLE BOOKS, 1908-1927. Medium Format books with tie silk swatches. 9 volumes. Book papers poor, swatches excellent. $200 - 400 46 LOT of FABRIC SAMPLE BOOKS. Small notebooks of swatches, mostly woven textures, some shirtings and suitings. Six books. Approximately 500-800 pieces. Excellent. $100 - 300 46.1 LOT of FABRIC SAMPLE BOOKS, 1908-1935. All woven cotton shirtings, mostly stripes including Flannels, some prints. 8 volumes. Books Fair, samples good-excellent. $200 - 400 47 LOT of FABRIC SAMPLES, 1900 - 1970. Carded and loose swatches, mostly cotton plaids and wovens. 4 boxes. Approximately 2500 samples. Good-excellent. $200 - 300 48 LOT of FABRIC SAMPLES, 1930 - 1950. All loose home Furnishing designs in prints and wovens, mostly cotton. Four boxes. Approximately 1000 pieces. $200 - 300 49 LOT of FABRIC SAMPLES, 1850 - 1960. All carded cotton samples in plaids and stripes. Ten File boxes, 4000 + samples. Excellent. $300 - 500 50 LOT of MISCELLANEOUS TEXTILE SAMPLES, 20th C. Brocades, needlework, toweling, automotive Fabrics, Eliel Saarinen samples, etc. Three boxes. Excellent. FIT. $100 - 200 50.1 LOT of COLLEGIATE TEXTILES, MID 20th C. Sweaters, pennants, gloves, athletic paraphernalia etc. Fair-good. $100 - 200 51 LOT of FABRIC SAMPLES, 1930 - 1960. Mostly printed cotton and linen. Larger samples From Cyrus Clark. Excellent. $100 - 300 52 LOT of FABRIC SAMPLES, 1930s - 1960s. Including 1930s printed silk crepes, printed linen, cotton and silk. Two boxes. Excellent. FIT. $300 - 500 52.1 LARGE LOT of EYELET SAMPLES, EARLY-MID 20th C. Including collars, garment and linen Fragments, trim, etc. Fair-excellent. $100 - 200 53 LARGE LOT of FABRIC SAMPLES, 1930s - 1960s. Mostly EverFast Co. printed designs on cotton and linen. Two boxes larger samples. Excellent. FIT. $200 - 300 54 LOT of FABRIC SAMPLES, 20th C. French and Italian hand printed designs, mostly cottons, some interesting paisley and batik designs.
Recommended publications
  • Communication ... Or Confusion? $7.00

    Communication ... Or Confusion? $7.00

    ( __,) The Gender Conmun1ty's News & Information Monthly #58 $7.00 COMMUNICATION ... OR CONFUSION? SEX= BIOLOGY, GENDER = SOCIOLOGY CO/TS: NOT ONE BIG COMMUNITY POLITICAL ACTIVISM TRAVELING AS YOUR FEMME SELF HOW TO USE THE INTERNET LABELS AND OTHER NONSENSE NEWS .•• INFORMATION ... COMMENTARY ... HUMOR nm INTERNATIONAL FOUNDATION FOR GENDER EDUCATION TV(TSTaP,estry :Journal for all persons interested in Crossdressing & Transsexualism 150+ pages ofinformational articles by peers and profession­ als and updated listings on conventions, hotlines, counsel­ ing groups, Medical and Psychological referrals, and other helping professionals. .L I Y.l IMAGINE! 2 years of 'lVfl'STapestry Journal , 8 s;IE !Sf#fll IV issues for only $9.00 each. Save$$ ($24. 00 offthe newstand price) with this special 2-year :mbscrip­ 111111 tion cost of $72.00. Remember, as a subscriber to 'lVfl'STapestry Journal you can place a personal listing with its discreet mail-forwarding service. Ifthat deal isn't enough of a bargain, for allmited time, we will throw in a 1-eize-fits-all "LOVE SEES NO GENDER" Stonewall commemorative shirt (puts new meaning into the name "T"-Shirt), while supply lMts. Support IFGE in its efforts by taking advantage of this special offer. SUBSCRIBE NOW! DON'T MISS OUT!! ----------------------------------~----~ 0 What a deal! Please enter my subscription for two years of 'lVfl'STapestry Journal for only $72.00 and, if there are any left, please send me a "LOVE SEES NO GENDER" T-Shirt. 0 Send me a "LOVE SEES NO GENDER" T-Shirt for the coat of$10.00 C+ $1.50 s&H> NAME ADDRE~S~S;------------------------------------------------- VISNMasterCard # Exp.
  • Cora Ginsburg Catalogue 2015

    Cora Ginsburg Catalogue 2015

    CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework 2015 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] NEEDLEWORK SWEET BAG OR SACHET English, third quarter of the 17th century For residents of seventeenth-century England, life was pungent. In order to combat the unpleasant odors emanating from open sewers, insufficiently bathed neighbors, and, from time to time, the bodies of plague victims, a variety of perfumed goods such as fans, handkerchiefs, gloves, and “sweet bags” were available for purchase. The tradition of offering embroidered sweet bags containing gifts of small scented objects, herbs, or money began in the mid-sixteenth century. Typically, they are about five inches square with a drawstring closure at the top and two to three covered drops at the bottom. Economical housewives could even create their own perfumed mixtures to put inside. A 1621 recipe “to make sweete bags with little cost” reads: Take the buttons of Roses dryed and watered with Rosewater three or foure times put them Muske powder of cloves Sinamon and a little mace mingle the roses and them together and putt them in little bags of Linnen with Powder. The present object has recently been identified as a rare surviving example of a large-format sweet bag, sometimes referred to as a “sachet.” Lined with blue silk taffeta, the verso of the central canvas section contains two flat slit pockets, opening on the long side, into which sprigs of herbs or sachets filled with perfumed powders could be slipped to scent a wardrobe or chest.
  • Volume 2, Issue 3, Autumn 2018

    Volume 2, Issue 3, Autumn 2018

    The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit.
  • Marciano.Pdf

    Marciano.Pdf

    MAN SPRING SUMMER 2020 CONTEMPORARYTROPIC-ALL VISION STYLING MATTERS . prints . details . curated and confident URBANDISCOVERER . saffron accent . MATERICMATERIC STYLING MATTERS . prints . details . curated and confident TRAVELLEREXPLORE TEXTURES EXCLUSIVE leather . natural handfeel . FUNCTIONAL EXPLORE earthy brownish greenish DESIGN DETAILS DETAILED military . spirit EVERGREEN OF TAILORED MENSWEAR CLASSIC NEEDS elegance . classic tailored . values SUITING KNIT ELEGANCE TEXTUREKNITTED BASICS ADDED VALUE . knitted polo T-SHIRTS AND KNIT TOPS ACTIVEWEAR 1ST DELIVERY 0GH6006949Z RAGLAN T-SHIRT 7 1ST DELIVERY 0GH5906958Z ROUND NECK FLEECE 27 0GH6006949Z RAGLAN T-SHIRT 6 0GH5936962Z ROUND NECK FLEECE 26 0GH6016826Z COLD DYE T-SHIRT 8 0GH5936963Z ROUND NECK FLEECE 28 0GH6026950Z S/S HENLEY 12 0GH6026954Z S/S HENLEY 13 2ND DELIVERY 0GH5916959Z TIE DYE HOODED FLEECE 30 0GH6116957Z FACE T-SHIRT 5 0GH5926960Z ROUND NECK FLEECE 29 0GH6126957Z MARCIANO LOGO T-SHIRT 5 0GH6196404Z VN SS T-SHIRT 4 SWEATER 0GH6256404Z CN SS T-SHIRT 3 0GH6616956Z TECH SS POLO 9 1ST DELIVERY 0GH5015573Z C/N SWEATER 33 0GH6626949Z S/S POLO 6 0GH5035577Z C/N SWEATER 34 0GH6646900Z ALL-OVER PRINT S/S POLO 10 0GH5065504Z C/N JACQUARD SWEATER 35 0GH6666827Z SS POLO 11 0GH5075578Z BLAZER SWEATER 37 0GH5085577Z S/S POLO SWEATER 34 0GH5095573Z V/N SWEATER 33 2ND DELIVERY 0GH6036965Z SS T-SHIRT 20 0GH5105573Z C/N ALLOVER PRINTED SWEATER 36 0GH6046770Z TIE DYE T-SHIRT 15 0GH6056770Z DEGRADE T-SHIRT 16 2ND DELIVERY 0GH5025574Z SLUB YARN SWEATER 38 0GH6066898Z SS T-SHIRT 21 0GH5045576Z
  • LCSH Section L

    LCSH Section L

    L (The sound) Formal languages La Boderie family (Not Subd Geog) [P235.5] Machine theory UF Boderie family BT Consonants L1 algebras La Bonte Creek (Wyo.) Phonetics UF Algebras, L1 UF LaBonte Creek (Wyo.) L.17 (Transport plane) BT Harmonic analysis BT Rivers—Wyoming USE Scylla (Transport plane) Locally compact groups La Bonte Station (Wyo.) L-29 (Training plane) L2TP (Computer network protocol) UF Camp Marshall (Wyo.) USE Delfin (Training plane) [TK5105.572] Labonte Station (Wyo.) L-98 (Whale) UF Layer 2 Tunneling Protocol (Computer network BT Pony express stations—Wyoming USE Luna (Whale) protocol) Stagecoach stations—Wyoming L. A. Franco (Fictitious character) BT Computer network protocols La Borde Site (France) USE Franco, L. A. (Fictitious character) L98 (Whale) USE Borde Site (France) L.A.K. Reservoir (Wyo.) USE Luna (Whale) La Bourdonnaye family (Not Subd Geog) USE LAK Reservoir (Wyo.) LA 1 (La.) La Braña Region (Spain) L.A. Noire (Game) USE Louisiana Highway 1 (La.) USE Braña Region (Spain) UF Los Angeles Noire (Game) La-5 (Fighter plane) La Branche, Bayou (La.) BT Video games USE Lavochkin La-5 (Fighter plane) UF Bayou La Branche (La.) L.C.C. (Life cycle costing) La-7 (Fighter plane) Bayou Labranche (La.) USE Life cycle costing USE Lavochkin La-7 (Fighter plane) Labranche, Bayou (La.) L.C. Smith shotgun (Not Subd Geog) La Albarrada, Battle of, Chile, 1631 BT Bayous—Louisiana UF Smith shotgun USE Albarrada, Battle of, Chile, 1631 La Brea Avenue (Los Angeles, Calif.) BT Shotguns La Albufereta de Alicante Site (Spain) This heading is not valid for use as a geographic L Class (Destroyers : 1939-1948) (Not Subd Geog) USE Albufereta de Alicante Site (Spain) subdivision.
  • The Morgue File 2010

    The Morgue File 2010

    the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves.
  • PDF File Generated From

    PDF File Generated From

    OCCASION This publication has been made available to the public on the occasion of the 50th anniversary of the United Nations Industrial Development Organisation. DISCLAIMER This document has been produced without formal United Nations editing. The designations employed and the presentation of the material in this document do not imply the expression of any opinion whatsoever on the part of the Secretariat of the United Nations Industrial Development Organization (UNIDO) concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries, or its economic system or degree of development. Designations such as “developed”, “industrialized” and “developing” are intended for statistical convenience and do not necessarily express a judgment about the stage reached by a particular country or area in the development process. Mention of firm names or commercial products does not constitute an endorsement by UNIDO. FAIR USE POLICY Any part of this publication may be quoted and referenced for educational and research purposes without additional permission from UNIDO. However, those who make use of quoting and referencing this publication are requested to follow the Fair Use Policy of giving due credit to UNIDO. CONTACT Please contact [email protected] for further information concerning UNIDO publications. For more information about UNIDO, please visit us at www.unido.org UNITED NATIONS INDUSTRIAL DEVELOPMENT ORGANIZATION Vienna International Centre, P.O. Box 300, 1400 Vienna, Austria Tel: (+43-1) 26026-0 · www.unido.org · [email protected] RESTltlCTED IP.III>/Sm.A/1061 26 SeptaltJer 1988 f 10b~-E aaGniU.: :oG.ISH URGENT ASSISTANCE 'l'O THE ARGENTIRE \IOOL INDUSTRY SI/ARG/86/836/11-03 THE ARGENTINE REPUBLIC -· Technical report: Finishing of wool and wool blends* Prepared for the Governaent of the Argentine Republic by the United N•tions Industrial Development Organization.
  • Catalogue of the Famous Blackborne Museum Collection of Laces

    Catalogue of the Famous Blackborne Museum Collection of Laces

    'hladchorvS' The Famous Blackbome Collection The American Art Galleries Madison Square South New York j J ( o # I -legislation. BLACKB ORNE LA CE SALE. Metropolitan Museum Anxious to Acquire Rare Collection. ' The sale of laces by order of Vitail Benguiat at the American Art Galleries began j-esterday afternoon with low prices ranging from .$2 up. The sale will be continued to-day and to-morrow, when the famous Blackborne collection mil be sold, the entire 600 odd pieces In one lot. This collection, which was be- gun by the father of Arthur Blackborne In IS-W and ^ contmued by the son, shows the course of lace making for over 4(Xi ye^rs. It is valued at from .?40,fX)0 to $oO,0()0. It is a museum collection, and the Metropolitan Art Museum of this city would like to acciuire it, but hasnt the funds available. ' " With the addition of these laces the Metropolitan would probably have the finest collection of laces in the world," said the museum's lace authority, who has been studying the Blackborne laces since the collection opened, yesterday. " and there would be enough of much of it for the Washington and" Boston Mu- seums as well as our own. We have now a collection of lace that is probablv pqual to that of any in the world, "though other museums have better examples of some pieces than we have." Yesterday's sale brought SI. .350. ' ""• « mmov ON FREE VIEW AT THE AMERICAN ART GALLERIES MADISON SQUARE SOUTH, NEW YORK FROM SATURDAY, DECEMBER FIFTH UNTIL THE DATE OF SALE, INCLUSIVE THE FAMOUS ARTHUR BLACKBORNE COLLECTION TO BE SOLD ON THURSDAY, FRIDAY AND SATURDAY AFTERNOONS December 10th, 11th and 12th BEGINNING EACH AFTERNOON AT 2.30 o'CLOCK CATALOGUE OF THE FAMOUS BLACKBORNE Museum Collection of Laces BEAUTIFUL OLD TEXTILES HISTORICAL COSTUMES ANTIQUE JEWELRY AND FANS EXTRAORDINARY REGAL LACES RICH EMBROIDERIES ECCLESIASTICAL VESTMENTS AND OTHER INTERESTING OBJECTS OWNED BY AND TO BE SOLD BY ORDER OF MR.
  • NEW YORK, 650 5TH AVE @ 52ND ST BOSTON, COPLEY PLACE Fashion

    NEW YORK, 650 5TH AVE @ 52ND ST BOSTON, COPLEY PLACE Fashion

    NEW YORK, 650 5TH AVE @ 52ND ST BOSTON, COPLEY PLACE Fashion. Beauty. Business. DEC 2015 No. 2 FOLLOW US FOLLOW SHOP AT LANDSEND.COM AT SHOP ’Tis the Season! The fashion insider’s holiday gift guide, wish lists, books, retailer picks and party style. (And the time Salvador Dalí threw a mink- lined bathtub through Bonwit’s window.) WE BELIEVE IN YOU Edward Nardoza EDITOR IN CHIEF Pete Born EXECUTIVE EDITOR, BEAUTY Bridget Foley EXECUTIVE EDITOR James Fallon EDITOR Robb Rice GROUP DESIGN DIRECTOR ’Tis the Season! 46 To shine brightest in the evening, dress up with the John B. Fairchild most festive of accoutrements. 1927 — 2015 MANAGING EDITOR Peter Sadera MANAGING EDITOR, Dianne M. Pogoda Billy Reid’s bow tie, FASHION/SPECIAL REPORTS $125, billyreid.com EXECUTIVE EDITOR, EUROPE Miles Socha DEPUTY MANAGING EDITOR Evan Clark Ben Sherman’s leather NEWS DIRECTOR Lisa Lockwood hip flask gift set, $20, DEPUTY EDITOR, DATA AND ANALYSIS Arthur Zaczkiewicz Ben Sherman New SITTINGS DIRECTOR Alex Badia H SENIOR EDITOR, RETAIL David Moin York SENIOR EDITOR, SPECIAL PROJECTS, Arthur Friedman TEXTILES & TRADE Cartier’s Rotonde de SENIOR EDITOR, FINANCIAL Vicki M. Young Cartier Chronograph BUREAU CHIEF, LONDON Samantha Conti watch, $9,050, Cartier BUREAU CHIEF, MILAN Luisa Zargani BUREAU CHIEF, LOS ANGELES Marcy Medina stores ASIAN EDITOR Amanda Kaiser BUREAU CHIEF, WASHINGTON Kristi Ellis Brooks Brothers knot ASSOCIATE EDITOR Jenny B. Fine stud set, $325, Brooks SENIOR EDITOR, SPECIALTY RETAIL Sharon Edelson Brothers stores and E SENIOR PRESTIGE MARKET Julie Naughton BEAUTY EDITOR brooksbrothers.com. SENIOR FASHION FEATURES EDITOR Jessica Iredale ACCESSORIES MARKET DIRECTOR Roxanne Robinson FASHION MARKET DIRECTOR Mayte Allende EYE EDITOR Taylor Harris MEN’S SENIOR EDITOR Jean E.
  • Wwd0906web.Pdf

    Wwd0906web.Pdf

    CH_WWD_BornIn1928_CoverWrap_14.75x10.75_Mech_Final.indd 1-2 8/30/13 11:18 AM CH_WWD_BornIn1928_CoverWrap_14.75x10.75_Mech_Final.indd 3-4 8/30/13 11:19 AM RAW FOOD GO-TO VIDEO JUERGEN TELLER BRINGS HIS UNMISTAKABLE STYLE MAKEUP ARTIST BOBBI TO PHOTOGRAPHING THE BROWN IS LAUNCHING A CUISINE AT THE LEGENDARY YOUTUBE CHANNEL AIMED ITALIAN HOTEL IL PELLICANO. AT MILLENNIALS. PAGE 14 PAGE 22 EXCLUSIVE Kering Buys Stake In Joseph Altuzarra By JESSICA IREDALE NEW YORK — Joseph Altuzarra is the latest emerg- ing designer to be brought into the Kering portfolio. WWD has learned that Kering, previously PPR, has taken a minority stake in Altuzarra. The deal closed Thursday, two days before the designer shows his FRIDAY, SEPTEMBER 6, 2013 ■ $3.00 ■ WOMEN’S WEAR DAILY spring collection in New York. At his Howard Street studio Thursday afternoon, as he was in the midst of WWD fi ttings, he was excited but admittedly tired. “It’s been a superexciting week because [the Kering deal] was all coming together and the collection came in,” said Altuzarra, wearing a T-shirt and camoufl age pants, as Vanessa Traina and various design assistants went through the racks of the spring collection. The designer declined to disclose Kering’s percent- age interest in his company, but emphasized that “it was very important for me to keep [Kering] a minority stake at this point and for us to keep control of Altuzarra. They were incredibly supportive of that decision and Building really understanding of it, and that was also very rare.” “We are delighted to invest in Altuzarra to ac- company the development of this promising fash- ion house,” said Alexis Babeau, managing director, Kering Luxury division.
  • Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques

    Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques

    SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California.
  • Frankfurt 2012:1 6/9/12 15:12 Page 1 Yale Frankfurt 2012

    Frankfurt 2012:1 6/9/12 15:12 Page 1 Yale Frankfurt 2012

    Rights Guide 3rd Frankfurt 2012:1 6/9/12 15:12 Page 1 Yale frankfurt 2012 INDEX ART (blue sheets) Stephen Bann Distinguished Images Spring 2013 Prints and the Visual Economy in Nineteenth‐Century France Ivan Brunetti Aesthetics Spring 2013 A Memoir Kaira M. Cabañas The Myth of Nouveau Réalisme Spring 2013 Art and the Performative in Postwar France Caroline Evans The Mechanical Smile Spring 2013 Modernism and the First Fashion Shows in France and America, 1900‐1929 Tatiana Flores Mexico’s Revolutionary Avant‐Gardes Spring 2013 From Estridentismo to ¡30‐30! Kate Irvin and Artist/Rebel/Dandy Spring 2013 Laurie Brewer (eds) Men of Fashion Sarah E. James Common Ground Spring 2013 Photography in Germany during the Cold War Ellen G. Landau Mexico and American Modernism Spring 2013 Sarah Blake McHam Pliny and the Artistic Culture of the Spring 2013 Italian Renaissance The Legacy of the “Natural History” Alex Potts Experiments in Modern Realism Spring 2013 World Making in Postwar European and American Art Diane Radycki Paula Modersohn‐Becker Spring 2013 The First Modern Woman Artist Valerie Steele and Shoe Obsession Spring 2013 Colleen Hill AUTOBIOGRAPHY & BIOGRAPHY (pink sheets) Saul Friedländer Franz Kafka Spring 2013 The Poet of Shame and Guilt Raphael Lemkin and Totally Unofficial Spring 2013 Donna‐Lee Frieze (ed) The Autobiography of Raphael Lemkin Yehudah Mirsky Rav Kook Spring 2013 Everything is Rising Arvind Sharma Gandhi Spring 2013 A Spiritual Biography Denys Turner Thomas Aquinas Spring 2013 A Portrait BUSINESS & ECONOMICS (pale blue sheets) Timothy Beardson Fading Giant Spring 2013 Why China Will Not Replace America as the World Superpower Anupam Chander The Electronic Silk Road Spring 2013 How the Web Binds the World Together in Trade Stephen D.