18. Internationales Kurzfilmfestival
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December 2016
Donnerstag 01.12.2016 Tür 20 Uhr, Start 21 Uhr Freitag 09.12.2016 Start 24 Uhr Finest Friday Freitag 16.12.2016 Start 24 Uhr Finest Friday Freitag & Samstag 23. & 24.12.2016 Geschlossen! Frohes Fest! Sonntag 01.01.2017 Start 01 Uhr Silvester 2016 Berghain Panorama Bar Panorama Bar – Aus Music Berghain A. G. Cook Danny L Harle easyFun Cassy aus music Leo Küchler aura.karma Ron Bacardi karlovak Redshape LIVE present Ben Klock klockworks DVS1 hush Etapp Kyle klockworks felicita Hannah Diamond Lil Data Spinee George FitzGerald domino Will Saul aus music Youandewan aus music Sonntag 25.12.2016 Start 24 Uhr Finest Weihnachten Fiedel mmm Kobosil ostgut ton Somewhen unterton Zu dieser Finest Friday-Party wird es neben Cassys Set gleich zwei Panorama Bar-Premieren Das Freak Pop-Kollektiv PC Music veröffentlicht seit drei Jahren unwirklich überzuckert wir- Will Saul weiß, wie man ein erfolgreiches und kredibles House-Label führt. Seit zehn Jahren Panorama Bar Panorama Bar kende Songs in ironisierter 90er Jahre-Plastikästhetik. Acts wie der Gründer A. G. Cook geben. Der in Wien lebende Leo Küchler hat sich in den vergangenen Jahren vor allem in sei- ner ehemaligen Heimatstadt München einen guten Ruf als ehemaliger Resident und Wildstyle- veröffentlicht er Platten, die sich immer an der Speerspitze des jeweiligen zeitlichen Kontextes Carlos de Brito Jo Nathan Pet Shop Bears Efdemin dial Margaret Dygas perlon Muallem oder der PC Music-Superstar Hannah Diamond wollen aber nicht nur verstörend glattpolierte behaupten können – und das mit einer sehr britischen Ausgewogenheit aus musikalischer Pop-Songs für Millennials schreiben, sondern sich dabei auch mit unserer schnelllebigen, DJ der Vicious Circle-Partyreihe im Club Bob Beaman erspielt, der von Disco, Techno, House Unsere übliche Klubnacht fällt an diesem Wochenende zwar aus Gründen aus, dafür gibt es Nick Höppner ostgut ton Nitam unterton Roi Perez bis Pop alles spielt, was ihm gefällt. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
World Music Reference
The Music Studio http://www.themusicstudio.ca [email protected] 416.234.9268 World Music Reference Welcome to The Music Studio’s World Music Reference! This is meant to be a brief introduction to the greater world of musical styles found in cultures around the globe. This is only the smallest sampling of the incredible forms of music that can be found once you leave the comfort of your own playlist! Dive in, explore, and find a style of music that speaks to you in a way might never have heard otherwise! North America Blues https://www.youtube.com/watch?v=N-KluFB9A8M The Blues is a genre and form of music that started out in the Deep South of the United States sometime around the 1870s. It was created by African Americans from roots in African musical traditions, African American work songs, and spirituals – an oral tradition that imparted Christian values while also describing the terrible hardships of slavery. Early blues often took the form of a loose story or narrative, usually relating to the discrimination and other hardships African Americans faced. The Blues form, which is now found throughout jazz, rhythm and blues, and rock and roll, is characterized by a call-and-response pattern, the blues scales, and specific song structure – of which, the 12-bar blues has become the most common. The Blues is also characterized by its lamenting lyrics, distinctive bass lines, and unique instrumentation. The earliest traditional blues verses used a single line repeated four times. It wouldn’t be until the early part of the 20th century that the most common blues structure currently used became standard: the AAB pattern. -
Fizzy Drinks and Sufi Music: Abida Parveen in Coke Studio Pakistan
Fizzy Drinks and Sufi Music: Abida Parveen in Coke Studio Pakistan By Zainub Beg A Thesis Submitted to Saint Mary’s University, K’jipuktuk/Halifax, Nova Scotia in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Theology and Religious Studies. December 2020, Halifax, Nova Scotia Copyright Zainub Beg, 2020 Approved: Dr. Syed Adnan Hussain Supervisor Approved: Dr. Reem Meshal Examiner Approved: Dr. Sailaja Krishnamurti Reader Date: December 21, 2020 1 Fizzy Drinks and Sufi Music: Abida Parveen in Coke Studio Pakistan by Zainub Beg Abstract Abida Parveen, often referred to as the Queen of Sufi music, is one of the only female qawwals in a male-dominated genre. This thesis will explore her performances for Coke Studio Pakistan through the lens of gender theory. I seek to examine Parveen’s blurring of gender, Sufism’s disruptive nature, and how Coke Studio plays into the two. I think through the categories of Islam, Sufism, Pakistan, and their relationship to each other to lead into my analysis on Parveen’s disruption in each category. I argue that Parveen holds a unique position in Pakistan and Sufism that cannot be explained in binary terms. December 21, 2020 2 Table of Contents Abstract ................................................................................................................... 1 Acknowledgements ................................................................................................ 3 Chapter One: Introduction .................................................................................. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
The Role of the Beatles in Popularizing Indian Music and Culture in the West Rodrigo Guerrero Faculty Advisors: Dr
32 The Role of The Beatles in Popularizing Indian Music and Culture in the West Rodrigo Guerrero Faculty Advisors: Dr. Charles Brewer, Dr. Sarah Eyerly, and Dr. Douglass Seaton College of Music Abstract: The Beatles were responsible for several long-lasting innovations that shaped the history of pop music and Western culture in general. As a British rock band that dominated the popular music scene during the 1960s, they made one of their most significant, yet sometimes overlooked, contributions through the incorporation of elements from Indian culture in their music and lyrics. This essay discusses the role that the Beatles played in introducing and popularizing certain features of Indian culture, and specifically Indian music, in the Western hemisphere. I first describe their relationship with Indian culture. In this section, I bring forth questions, such as why they became interested in this culture, why they decided to go on a spiritual retreat to India, and how the trip influenced their thoughts about foreign culture. After that, this essay analyzes the influence of Indian culture and Indian music on the Beatles’ lyrics and music, respectively. Finally, I will illuminate the lasting effect that this cross- fertilization had in subsequent years. he 1960s was a decade of experimentation in popular music. The Beatles, the British rock band that dominated the popular music scene Tduring this decade, was responsible for long-lasting innovations that would shape the history and style of pop music and Western culture. One of their most significant, yet overlooked, contributions to Western culture was the incorporation of Indian musical elements into their songs. -
Hindi Film Songs in the Post-Mtv Era: Analyzing the New Lyricism
International Journal of Humanities and Social Sciences (IJHSS) ISSN(P): 2319-393X; ISSN(E): 2319-3948 Vol. 4, Issue 2, Mar 2015, 13-20 © IASET HINDI FILM SONGS IN THE POST-MTV ERA: ANALYZING THE NEW LYRICISM MIHIR BHOLEY Associate Senior, Faculty National Institute of Design PG Campus, Gandhinagar, India ABSTRACT Songs, dance and melodrama are idiosyncratic to Hindi Cinema which has a formidable presence in South Asia. Over the years both Hindi cinema and songs have crossed their native boundary and become a global cultural product. In recent years aggressive marketing of Hindi cinema in Europe and America and their easy access through internet have earned Hindi songs new popularity in the western world too. However, there’s also a perceptible qualitative change in the lyrics over the last few decades. The lyrical, poetic, aesthetic and emotional type songs of yesteryears are being overshadowed by a large number of songs which sound trivial in comparison. This phenomenon may also be a concern of ethnomusicology. Principal objective of this paper is to examine the changes in the lyrical quality of Hindi film music in the post-MTV era through a comparative analysis of the songs over the decades and to explore the change in their lyrical and musical quality. KEYWORDS: Cinema, Ethnomusicology, Lyrics, Music, MTV, Natyasastra INTRODUCTION Summary It’ll be naïve to judge Indian popular cinema without songs. They’ reconsidered essential to the creative genre called cinema in India. Film songs or filmi geet in India are both the creator and product of popular culture. Considering creation of rasa (sentiment) and bhava (emotion) essential for natya (drama) in the classical Indian tradition, popular cinema, the modern avatar of natya banks heavily on songs to achieve that; albeit not entirely in conformity with the classical treaties of Natyasastra (composed circa 200 BCE and 200 CE) . -
Articulating the Dancefloor Examining Site, Interaction and Participation in Club Culture Through Interdisciplinary Creative Practice
Articulating the Dancefloor Examining site, interaction and participation in club culture through interdisciplinary creative practice. Barnaby Jack McNeill Adams PhD by Composition University of York Department of Music October 2020 ABSTRACT This folio of creative works is comprised of a set of installations and fixed-media audio works composed between January 2017 and December 2019. The works in the folio take inspiration from a variety of ideas in club cultures and visual arts that are hybridised to form my approach to creative practice. The motivation behind the creative work is to closely examine the similarities between club culture and the visual arts, particularly in relation to notions of site, interaction and participation. The resulting works employ a variety of materials and disciplines in their creation, including techniques from artistic practices and material gathered from participants, collaborators and sources of personal inspiration in music and the visual arts. The submitted work aims to create work that is not for the club, but about the club, through the lens of my own embodied experiences and those of participants in club spaces and club culture. 2 Table of Contents ABSTRACT ...................................................................................................................................................... 2 ACKNOWLEDGEMENTS .................................................................................................................................. 4 DECLARATION ............................................................................................................................................... -
Popular and Urban Dance: from Bollywood to Breakdance - (DAN020X356A) Or (DAN020X356S) | University of Roehampton
09/30/21 Popular and Urban Dance: From Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S) | University of Roehampton Popular and Urban Dance: From View Online Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S) Aftab, Kaleem (2002) ‘Brown: the new black! Bollywood in Britain’, Critical Quarterly, 44(3), pp. 88–98. doi: 10.1111/1467-8705.00435. Amin, Tushar A. (2010) Bollywood themes. Noida: Brijbasi Art Press. A.R, D. (2007) ‘Beyond the Silver Screen: Bollywood and Filmi Dance in the UK’, South Asia Research, 27(1), pp. 5–24. doi: 10.1177/026272800602700101. Beyond the Boundaries of Bollywood: The Many Forms of Hindi Cinema (no date). Bhansali, Sanjay Leela (2004a) ‘Devdas : part 1.’ London: Channel4. Bhansali, Sanjay Leela (2004b) ‘Devdas : part 2.’ [U.K.]: Channel4. ‘Bollywood star: Parts 1 and 2’ (2004). [U.K.]: Channel4. ‘Bollywood star: Parts 3 and 4’ (2004). [U.K.]: Channel 4. ‘Bollywood: the casting couch’ (2005). [U.K.]: BBC. Booth, Gregory D. (2008) Behind the curtain: making music in Mumbai’s film studios. New York: Oxford University Press. Bose, Derek (2005) Bollywood uncensored: what you don’t see on screen and why. Delhi: Rupa. Bose, Mihir (2007) Bollywood. New Delhi: Lotus Collection, Roli Books. Chatterji, Shoma A. (1998) Subject, Cinema; Object, Woman: A Study of the Portrayal of Women in Indian Cinema. Parumita Publications. Counterculture UK - A Celebration (2015). Twickenham: Supernova Books. Cresswell, Tim and Strohmayer, Ulf (2000) Urban culture. London: Arnold. Dehn, Mura (2008a) ‘The spirit moves: Part 1: Jazz dance from the turn of the century to 1950.’ [USA]: Dancetime Publications. Dehn, Mura (2008b) ‘The spirit moves: Part 1: Jazz dance from the turn of the century to 1950.’ [USA]: Dancetime Publications. -
SANGAM, a CONFLUENCE Aditya Yogesh Desai, Masters of Fine Arts
ABSTRACT Title of Thesis: SANGAM, A CONFLUENCE Aditya Yogesh Desai, Masters of Fine Arts, 2012 Thesis Directed by: Professor Howard Norman Department of English Sangam, Sanskrit for “confluence,” is a novel set across three storylines, all connected by a single ghazal poem, the evolution of which spans the lives and times of three men. In medieval India, Sufi poet Amir Khusrow arrives at the ruins of an ancient Hindu Temple, seeking inspiration and revival for his work; centuries later, at the turn of India’s independence from Britain, young lawyer Jayant finds his idealism tested in against the nation’s messy beginnings; in the present day, a young Indian-American disc jockey navigates the night club scene, hoping to become the modern music star. The novel is meant to mimic how music is sampled, re-appropriated, and remixed over time. In the same way songs are matched by a DJ for beats and melody, so too are the themes and emotional arcs of each man’s story line meant to echo one another, and resonate as a whole. SANGAM, A CONFLUENCE by Aditya Yogesh Desai Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Masters of Fine Arts 2012 Advisory Committee: Professor Howard Norman, Chair Professor Maud Casey Professor Gerald Gabriel Table of Contents Chapter 1 .................................................................................................................................... 1 Chapter 2 ................................................................................................................................ -
18Th International Short Film Festival
18th International Short Film Festival FILM CATALOG 2021 NOTE INTERACTIVE PDF WELCOME Some contents in this catalog are linked to external sources, such as our website To the eighteenth VIENNA SHORTS! This year’s festival edition has kept us on our toes (viennashorts.com) or various movie trailers (e.g., vimeo.com). The links are displayed as for the entire year, while our elbow room has been severely limited: no festival trips, no buttons and can be found in the texts or in the footer. The footer also functions as a path, new impressions, no vivid exchange when the credits roll and the audience leaves the showing the currently active level of the catalog. theater—instead, we were stuck in a digital world between lackadaisical work meetings, Zoom panels, and pajama-heavy jury deliberations. Please allow your PDF reader to access the internet upon request in order to use this helpful feature. Yet while we’re still yearning for the energy of in-person meetings, the world has grown a bit smaller almost unnoticed—and our elbow room has expanded considerably. We’ve found close and trusted allies across Europe with whom, it seemed, we spent more e.g. Footer: e.g. Trailer: time than with our roommates and partners. We’ve strengthened our productive festival friendships with Diagonale in Graz and Crossing Europe in Linz and reached a comple- tely new audience with our revamped online film portal and the platform THIS IS SHORT. SELECTION FIDO FIDO 6 TRAILER After so many months of uncertainty, it is great to see that working from home, in that triangle of bed–fridge–desk, has yielded some inspiring certainties as well: for instance, that you don’t have to go very far for the most amazing journeys—maybe just to the nearest cinema.