<<

09/30/21 Popular and Urban Dance: From to Breakdance - (DAN020X356A) or (DAN020X356S) | University of Roehampton

Popular and Urban Dance: From View Online Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S)

Aftab, Kaleem (2002) ‘Brown: the new black! Bollywood in Britain’, Critical Quarterly, 44(3), pp. 88–98. doi: 10.1111/1467-8705.00435.

Amin, Tushar A. (2010) Bollywood themes. Noida: Brijbasi Art Press.

A.R, D. (2007) ‘Beyond the Silver Screen: Bollywood and Filmi Dance in the UK’, South Asia Research, 27(1), pp. 5–24. doi: 10.1177/026272800602700101.

Beyond the Boundaries of Bollywood: The Many Forms of Cinema (no date).

Bhansali, Sanjay Leela (2004a) ‘Devdas : part 1.’ London: Channel4.

Bhansali, Sanjay Leela (2004b) ‘Devdas : part 2.’ [U.K.]: Channel4.

‘Bollywood star: Parts 1 and 2’ (2004). [U.K.]: Channel4.

‘Bollywood star: Parts 3 and 4’ (2004). [U.K.]: Channel 4.

‘Bollywood: the casting couch’ (2005). [U.K.]: BBC.

Booth, Gregory D. (2008) Behind the curtain: making music in Mumbai’s film studios. New York: Oxford University Press.

Bose, Derek (2005) Bollywood uncensored: what you don’t see on screen and why. Delhi: Rupa.

Bose, Mihir (2007) Bollywood. New Delhi: Lotus Collection, Roli Books.

Chatterji, Shoma A. (1998) Subject, Cinema; Object, Woman: A Study of the Portrayal of Women in Indian Cinema. Parumita Publications.

Counterculture UK - A Celebration (2015). Twickenham: Supernova Books.

Cresswell, Tim and Strohmayer, Ulf (2000) Urban culture. London: Arnold.

Dehn, Mura (2008a) ‘The spirit moves: Part 1: dance from the turn of the century to 1950.’ [USA]: Dancetime Publications.

Dehn, Mura (2008b) ‘The spirit moves: Part 1: Jazz dance from the turn of the century to 1950.’ [USA]: Dancetime Publications.

1/6 09/30/21 Popular and Urban Dance: From Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S) | University of Roehampton

Dehn, Mura (2008c) ‘The spirit moves: Part 2: Savoy Ballroom of Harlem, 1950s.’ [USA]: Dancetime Publications.

Dehn, Mura (2008d) ‘The spirit moves: Part 3: Postwar era.’ [USA]: Dancetime Publications.

‘Desi DNA: Part 7’ (2008). [London]: BBC2.

Dimitriadis, Greg (2009) Performing identity/performing culture: hip hop as text, pedagogy, and lived practice. Rev. ed. New York: P. Lang.

Dodds, Sherril (2001) Dance on screen: genres and media from Hollywood to experimental art. Basingstoke: Palgrave. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9780230509580&uid=^u.

Dodds, Sherril (2009) ‘Dancing across film, television and the digital screen’, International Journal of Performance Arts and Digital Media, 5(2&3), pp. 71–73.

Dodds, Sherril (2011) Dancing on the canon: embodiments of value in popular dance. Basingstoke: Palgrave Macmillan. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9780230305656&uid=^u.

Dudrah, Rajinder Kumar (2006) Bollywood: sociology goes to the movies. Delhi: SAGE.

Dudrah, Rajinder Kumar (2012) Bollywood travels : culture, diaspora and border crossings in popularHindi cinema: 55. New York: Routledge.

Dudrah, Rajinder Kumar and Birmingham City Council Library & Archive Service (2007) Bhangra: Birmingham and beyond. Birmingham: Birmingham City Council Library & Archive Service.

‘Fascinatin’ rhythm’ (2001). [UK]: BBC.

Forsyth, Bruce and Ball, Zoe (2006) ‘Dancing in the street.’ [London]: BBC1.

Frith, Simon (1998) Performing rites: evaluating . Oxford: Oxford University Press.

Gehlawat, A. (2015) Twenty-first century Bollywood. Abingdon, UK: Routledge.

Gopal, Sangita and Moorti, Sujata (2008a) Global Bollywood: travels of Hindi song and dance. Bristol: University Presses Marketing [distributor].

Gopal, Sangita and Moorti, Sujata (2008b) Global Bollywood: travels of Hindi song and dance. Bristol: University Presses Marketing [distributor].

Hall, Stuart, Jefferson, Tony and University of Birmingham (1976) Resistance through rituals: youth subcultures in post-war Britain. London: Hutchinson in association with the Centre for Contemporary Cultural Studies, University of Birmingham.

2/6 09/30/21 Popular and Urban Dance: From Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S) | University of Roehampton

Hargreaves, Jennifer (no date a) Urban dance styles and self-identities: the specific case of bhangra. London: Roehampton Institute London.

Hargreaves, Jennifer (no date b) Urban dance styles and self-identities: the specific case of bhangra. London: Roehampton Institute London.

Hebdige, Dick (1979) Subculture: the meaning of style. London: Routledge. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10035308.

Hebdige, Dick (1988) Subculture: the meaning of style. London: Routledge.

Hill, C. V. (2015) ‘Nostalgia and All That Tap (Seventies)’, in Tap dancing America: a cultural history. New York, NY: Oxford University Press, pp. 215–244. Available at: https://contentstore.cla.co.uk/secure/link?id=fff59353-9a60-e611-80c6-005056af4099.

Hodkinson, Paul and Bennett, Andy (2012) Ageing and youth cultures: music, style and identity. London: Berg.

‘How to make a Bollywood movie’ (2000). London: Channel 4.

Huq, Rupa (2004) Beyond subculture: pop, youth and identity in a postcolonial world. London: Routledge.

Hyder, Rehan (2004a) Brimful of Asia: negotiating ethnicity on the UK music scene. Aldershot: Ashgate.

Hyder, Rehan (2004b) Brimful of Asia: negotiating ethnicity on the UK music scene. Aldershot: Ashgate.

Israel (2002) ‘The freshest kids: a history of the b-boy from the boogie down Bronx and beyond.’ [Europe]: QD3 Entertainment.

Johnson, E. Patrick (2003) Appropriating blackness: performance and the politics of authenticity. Durham, N.C.: Duke University Press.

Kabir, Nasreen Munni (2003) ‘Bollywood dancing.’ [London]: BBC2.

Kaul, Gautam (1998) Cinema and the Indian freedom struggle: covering the subcontinent. New Delhi: Sterling Publishers.

Kaur, Raminder and Sinha, Ajay J. (2005) Bollyworld: popular Indian cinema through a transnational lens. London: SAGE.

LaChapelle, David and , Thomas (2005) ‘Rize.’ [London]: Lionsgate UK.

Lepecki, Andre (2004) Of the presence of the body: essays on dance and performance theory. Hanover, N.H.: Wesleyan University Press.

Mader, E. (2015) SRK and the global Bollywood. edited by Elke Mader, Rajinder Dudrah, Bernhard Fuchs. New Delhi: Oxford University Press.

3/6 09/30/21 Popular and Urban Dance: From Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S) | University of Roehampton

Majumdar, Neepa (2009) Wanted cultured ladies only!: female stardom and cinema in , 1930s-1950s. Urbana, [Ill.]: University of Illinois Press.

Malnig, Julie (2008) Ballroom, boogie, shimmy sham, shake: a social and popular dance reader. Chesham: Combined Academic [distributor].

Marion, Jonathan S. (2008) Ballroom: culture and costume in competitive dance. English ed. Oxford: Berg.

McCarthy, Cameron (2007) Globalizing cultural studies: ethnographic interventions in theory, method, and policy. New York: Peter Lang.

McMains, Juliet E. (2006) Glamour addiction: inside the American ballroom dance industry. Middletown, CT: Wesleyan University Press.

Oliver, Paul (1990) Black music in Britain: essays on the Afro-Asian contribution to popular music. Milton Keynes: Open University Press.

‘Once upon a time in New York: the birth of Hip Hop, Disco and Punk’ (2007). [London]: BBC4.

Osumare, Halifu (2002) ‘Global Breakdancing and the Intercultural Body’, Dance Research Journal, 34(2), pp. 30–45. Available at: http://www.jstor.org/stable/1478458.

Peña Ovalle, Priscilla (2009) Aurally, Visually, Virally: Choreographing Race From Fosse to Beyoncé / University of Oregon | Flow. University of Oregon: Flow TV. Available at: http://flowtv.org/2009/04/aurally-visually-virally-choreographing-race-from-fosse-to-beyonc e-priscilla-pena-ovalle-university-of-oregon/.

Perkins, William Eric (1996) Droppin’ science: critical essays on rap music and hip hop culture. Philadelphia: Temple University Press.

Pillai, Meena T. (2010) Women in Malayalam cinema: naturalising gender hierarchies. New Delhi: Orient BlackSwan.

Rai, Amit (2009) Untimely Bollywood: globalization and India’s new media assemblage. Durham [NC]: Duke University Press.

Rajagopalan, Sudha (2008) Leave alone!: Indian cinema and Soviet movie-going after Stalin. New Delhi: Distributed by Foundation Books.

Ratnam, Mani (2000) ‘Dil se.’ London: Channel 4.

Richardson, Niall (2010) Transgressive bodies: representations in film and . Farnham: Ashgate.

Rizzo, Bob and Russell, Gregg (2003) ‘Bob Rizzo’s hip hop fuzion: with Gregg Russell.’ New York, NY.: Riz Biz Productions.

Rose, Tricia (1994) Black noise: rap music and black culture in contemporary America. Hanover, N.H.: University Press of New England.

4/6 09/30/21 Popular and Urban Dance: From Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S) | University of Roehampton

Roy, Anjali Gera (2010) Bhangra moves: from Ludhiana to London and beyond. Farnham: Ashgate.

Schloss, Joseph Glenn (2009) Foundation: b-boys, b-girls, and hip-hop culture in New York. New York: Oxford University Press.

Shresthova, Sangita and ebrary, Inc (2011) Is it all about hips?: around the world with Bollywood dance. New Delhi: SAGE Publications. Available at: http://site.ebrary.com/lib/roehampton/Doc?id=10523512.

Smith, William E. (2005) Hip hop as performance & ritual: biography & ethnography in underground hip hop. Victoria, B.C.: Trafford.

Srinivasan, Priya (2011) Sweating saris: Indian dance as transnational labor. Philadelphia, Pa: Temple University Press. Available at: https://roe.idm.oclc.org/login?url=http://www.vlebooks.com/vleweb/product/openreader?id =Roehampton&isbn=9781439904312&uid=^u.

Storey, J. (2015) Cultural theory and popular culture: an introduction. 7th edition. Harlow: Pearson.

Strinati, Dominic (2002) An introduction to theories of popular culture. 2nd ed. London: Routledge.

Strinati, Dominic and Wagg, Stephen (1992) Come on down?: popular media culture in post-war Britain. London: Routledge.

‘The hip hop years: [1]: Close to the Edge’ (1999). [UK]: Channel 4. Available at: https://bob.roehampton.ac.uk/programme.php?archive=8874&view=flash_player.

‘The hip hop years: [2]: The new rock “n” roll’ (1999). [U.K.]: Channel 4.

‘The hip hop years: [3]: Hip hop nation’ (1999). [U.K.]: Channel 4.

‘The history of the pop video’ (1999). [U.K.]: Channel 4.

Thomas, (1993) Dance, gender and culture. London: Macmillan.

Thomas, Helen (1997) Dance in the city. Basingstoke: Macmillan. Available at: https://roe.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/roehampton-eboo ks/detail.action?docID=1040400.

Thornton, Sarah (1995) Club cultures: music, media and subcultural capital. Cambridge: Polity.

Usner, Eric Martin (2001) ‘Dancing in the Past, Living in the Present: Nostalgia and Race in Southern California Neo-Swing Dance Culture’, Dance Research Journal, 33(2), pp. 87–101. Available at: http://www.jstor.org/stable/1477806.

Vernallis, Carol (2013) The Oxford handbook of new audiovisual aesthetics. Edited by Richardson, John and Gorbman, Claudia. New York, NY: Oxford University Press.

5/6 09/30/21 Popular and Urban Dance: From Bollywood to Breakdance - (DAN020X356A) or (DAN020X356S) | University of Roehampton

Watkins, S. Craig and ebrary, Inc (2005) Hip hop matters: politics, pop culture, and the struggle for the soul of a movement. Boston: Beacon Press.

Waxer, Lise (2002) The city of musical memory: salsa, record grooves, and popular culture in Cali, Colombia. Middletown, Conn: Wesleyan University Press.

‘White men can’t rap’ (2005). [U.K.]: Channel 4.

Williams, Raymond (1988) Keywords: a vocabulary of culture and society. Rev. and exp. ed. London: Fontana Press.

6/6