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Sacred Music, Volume 133, Number 3
SACRED MUSIC Fall 2006 Volume 133, Number 3 EDITORIAL New Directions for Sacred Liturgy | William Mahrt 3 ARTICLES The Cult of the Conductor | Peter Phillips 6 The Organ and the Roman Rite | Michael E. Lawrence 10 The Baroque Organs of Oaxaca | Joseph Mansfield 14 REPERTORY A Marian Motet for Advent and Christmas | Susan Treacy 20 DOCUMENTS Address of the Holy Father on Sacred Music | Benedict XVI 23 Fifty Years of Church Music | Domenico Bartolucci 24 REVIEWS The Mystery of the St. Louis Jesuits | Jeffrey Tucker 27 Britten’s Love of Life and Faith | Peter J. Basch 36 Organ, Voice, and Popular Chant | Michael E. Lawrence 38 The Crecquillon Revelation | Michael E. Lawrence 39 REPORTS Hope and Participation | CMAA 40 The Liturgical Institute: A New Retreat | Heath Morber 42 NEWS 43 LAST WORD The Times They Are A-Changin’ | Kurt Poterack 44 UPCOMING EVENT OF NOTE 46 MEMBER ANNOUNCEMENTS 48 SACRED MUSIC Formed as a continuation of Caecilia ,published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster , published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of Publication: 12421 New Point Drive, Harbour Cove, Richmond, VA 23233. E-mail: [email protected] Website: www.musicasacra.com Editor: William Mahrt Managing Editor: Jeffrey Tucker Editor-at-Large: Kurt Poterack Editorial Assistant: Jane Errera Membership and Circulation: 12421 New Point Drive, Harbour Cove, Richmond, VA 23233 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President: William Mahrt Vice-President: Horst Buchholz General Secretary: Rosemary Reninger Treasurer: William Stoops Chaplain: Rev. -
The Holy See
The Holy See ORDINARY PUBLIC CONSISTORY FOR THE CREATION OF NEW CARDINALS ADDRESS OF HIS HOLINESS BENEDICT XVI TO THE NEW CARDINALS, THEIR FAMILIES AND PILGRIMS WHO CAME FOR THE CONSISTORY Paul VI Hall Monday, 22 November 2010 Your Eminences, Dear Brothers in the Episcopate and in the Priesthood, Dear Friends, The feelings and emotions we experienced yesterday and the day before, on the occasion of the creation of 24 new Cardinals are still alive in our minds and hearts. They were moments of fervent prayer and profound communion, that we wish to extend today with our hearts filled with gratitude to the Lord who has granted us the joy to live a new page of the history of the Church. Therefore I am pleased to welcome you all today to this simple and family meeting and to address a cordial greeting to the new Cardinals, as well as to their relatives, friends and all those who have accompanied them on this solemn and momentous occasion In Italian: I first greet you dear Italian Cardinals! I greet you, Cardinal Angelo Amato, Prefect of the Congregation for the Causes of Saints; I greet you, Cardinal Francesco Monterisi, Archpriest of the Papal Basilica of St Paul Outside-the-Walls; I greet you, Cardinal Fortunato Baldelli, Major Penitentiary; I greet you, Cardinal Paolo Sardi, Vice-Camerlengo of Holy Roman Church; I greet you, Cardinal Mauro Piacenza, Prefect of the Congregation for the Clergy; I greet you, Cardinal Velasio De Paolis, President of the Prefecture for Economic Affairs of the Holy See; I greet you, Cardinal Gianfranco Ravasi, President of the Pontifical Council for Culture; I greet you, Cardinal Paolo Romeo, Archbishop of Palermo; I greet you, Cardinal Elio Sgreccia, formerly President of 2 the Pontifical Academy for Life; I greet you Cardinal Domenico Bartolucci, formerly Choir Master of the Sistine Chapel Choir. -
Newsletter 128 FINAL RT
Newslett er In the Michaelmas 2006 issue – 128 Suffulti spe quae crescit —Editorial ............................................... 3 AGM at Wimbledon—21st October ..............................................4 Why Mass in Latin?—talk by Ruth Bleakley ................................... 6 Sacred Music—reflections by Mgr Domenico Bartolucci ............16 US LLA Convention—report by Mike Withers............................18 Prosper Guéranger—Book Review by Christopher Francis..........21 New Book by Denis Crouan —La Messe en Latin et en Grégorian 23 The Holy Eucharist— Sermon by Fr Cormac Rigby ....................24 Adrian Fortescue—some new insights ...................................... 25 Regina Caeli —new CD of Music to Our Lady.............................28 New Lectionary—to be based on NRSV......................................29 Organ Recital in Islington—John McGreal plays Bach ................31 ASSOCIATION FOR LATIN LITURGY www.Latin -Liturgy.org SUFFULTI SPE QUAE CRESCIT Editorial In our last editorial we spoke of the air of confidence and optimism that seemed to surround the present papacy. If anything, that feeling is now stronger. There had been a suggestion that despite the Pope’s fine vision for the Church, he lacked ‘generals’ on the ground to support him in what needed to be done. Now however, it is evident that he has been calmly appointing carefully chosen prelates to key positions, men he knows and trusts after his many years in the Vatican. In Rome all seems positive – even though not everyone will end up with all that they might hope for! When we turn to our own country, the contrast is inescapable. In the matter of changes affecting the Holy Days of Obligation, our Bishops’ Conference has drawn upon itself an unprecedented storm of criticism, reflected even in The Tablet and confirmed in its opinion poll. -
Snowstorm Defeats Snow Fence
Late·night b1usiness plan gets thumbs down f\. 9 ! 0 ...1 «ten !llJ• Communityr: Newspaper Company • www.allstonbrightontab.com FRIDAY, FEBRUARY 17, 2006 Vol. 10, No. 28 40 Pages 3 Sections 75¢ PIKE BARRl~R From Brighto:n to Torino? Snowstorm defeats l snow fence Residents say: I told you so EJy Audit! Guha STAFF WRITER "This was a fence put any promises and $200,000 later, a new up as a snow barrier. M snow fence built by the Well, obviously their Turnpike Authority shielding Lincoln Street from the Massa engineers didn't know chusetts Turnpike came down in what they were doing. the last snowstorm. Area resi dents who had asked for a Too bad they didn't stronger fence in the first place are upset. listen to us to put up 'The fence is a complete fail one good fence in the ure," said Allston resident Paul Berkeley, one of many residents first place." who had asked for a stronger Allston resident Paul Berkeley fence when the Turnpike Author P·IOTO BY MARK THOMSON ity proposed the new cedar one As her 9-year-old sister Angellca looks on, 7-year-old Arlana Torres sleds down a hill behind St. Columbkllle's School In Brighton on at the plans for the new fence, Monday. The girts enjoyed a day of sleddlng as most rea schools were 1:losed due to the weekend snow storm. last year. 'This was a fence put up I as a snow barrier. Well, obviously Berkeley had called it a poor one their engineers didn't know what time solution. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Yeh, D. ORCID: 0000-0001-8324-5342 (2018). The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts. In: Yeh, D. ORCID: 0000-0001- 8324-5342 and Thorpe, A. (Eds.), Contesting British Chinese Culture. (pp. 31-59). Basingstoke, Hampshire: Palgrave Macmillan. ISBN 978-3-319-71159-1 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/21494/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] The Cultural Politics of In/Visibility: Contesting ‘British Chineseness’ in the Arts Dr Diana Yeh, City, University of London, [email protected] Discourses of British-Chineseness emerged in the late 1980s under the aegis of multiculturalism. Yet, if the 1980s is commonly cited as decade of ‘black cultural renaissance’ in Britain, the 1990s was the decade in which a new generation of artists of Chinese descent emerged on the British cultural landscape, across the visual arts, theatre and performing arts, music and film. -
Oxford DNB: January 2020
Oxford DNB: January 2020 Welcome to the fifty-ninth update of the Oxford DNB, which adds biographies of 228 individuals who died in the year 2016 (it also includes three subjects who died before 2016, and who have been included with new entries). Of these, the earliest born is the author E.R. Braithwaite (1912-2016) and the latest born is the geriatrician and campaigner for compassionate care in health services, Kate Granger (1981- 2016). Braithwaite is one of nine centenarians included in this update, and Granger one of sixteen new subjects born after the Second World War. The vast majority (165, or 72%) were born in the 1920s and 1930s. Fifty-one of the new subjects who died in 2016 (or just under 23% of the cohort) are women. From January 2020, the Oxford DNB offers biographies of 63,693 men and women who have shaped the British past, contained in 61,411 articles. 11,773 biographies include a portrait image of the subject—researched in partnership with the National Portrait Gallery, London. As ever, we have a free selection of these new entries, together with a full list of the new biographies. The complete dictionary is available, free, in most public libraries in the UK. Libraries offer 'remote access' that enables you to log in at any time at home (or anywhere you have internet access). Elsewhere the Oxford DNB is available online in schools, colleges, universities, and other institutions worldwide. Full details of participating British public libraries, and how to gain access to the complete dictionary, are available here. -
Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church
THE CATHOLIC UNIVERSITY OF AMERICA Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church A TREATISE Submitted to the Faculty of the Benjamin T. Rome School of Music Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Musical Arts in Sacred Music © All Rights Reserved By Jennifer L. Seighman Washington, D.C. 2015 Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church Jennifer L. Seighman, D.M.A. Director: Leo Nestor, D.M.A. Choir schools have been an intrinsic part of the Catholic Church since the fourth century. While the Holy See has instructed that such schools and training be diligently promoted, few programs exist, and even less is known about them. This paper provides much-needed research on Catholic choir school programs and the benefits they offer to the twenty-first-century Church, particularly in bringing the musico-liturgical goals of the Second Vatican Council to fruition. Using a multi-case-study approach, I investigate the only known Catholic institutions in the United States currently employing a traditional choir school education of rigorous daily instruction in choir and sung liturgy: St. Paul’s Choir School (Cambridge, MA), The Madeleine Choir School (Salt Lake City, UT), and The Atonement Academy (San Antonio, TX). To formulate the framework for this study, a survey of related literature was made encompassing musico-liturgical directives of the Second Vatican Council, Church documents calling for chorister formation, papal writings, scholarly sources addressing sacred music within the Catholic Church, and various sets of education standards. -
Diplomarbeit Schwert & Faust
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OTHES DIPLOMARBEIT SCHWERT & FAUST Kultureller Austausch OST-WEST / WEST-OST Am Beispiel physischer Techniken asiatischer Kampf-Kunst-Filme Verfasserin Mag. Art. Hannelore Hanja Dirnbacher angestrebter akademischer Grad Magistra der Philosophie Wien, 2009 Studienkennzahl lt. Studienblatt: A 317 295 Studienrichtung lt. Studienblatt: Theater- Film- und Medienwissenschaft Betreuerin / Betreuer: Prof. Dr. Ulf Birbaumer INHALT Zugang zur Thematik………………..……………………………….……1 1. Kontakte Ost-West Historischer Überblick...……………………….17 1.1. Japonisme………………………………………………………….....18 1.2. Kontakte Ost West in der Theaterkonzeption………………………..22 1.3. Ost-West Kontakte im Film der 1920-er Jahre………………………23 1.4. Fernöstliche Kultur, und Filmschnitt Technik……………………….24 1.5. Japanische Filmkultur und der Westen………………………………25 1.6. Der Japonisme martialer Körperkünste……………………………...26 Filmliste chronologisch…………………………………...................28 2. Beeinflussungen – der Western – die 1950-er und 60-er Jahre…... ..29 2.1. Der Deutsche Western……………………………………………….29 2.2. Der Italo Western – „Spaghetti Western“………………………........30 2.3. „Yojimbo“ ( 1961 ) „Per un pugno die Dollari“ ( 1964 )…………....32 2.3.1. Yojimbo Ken Do……………………………………………......33 2.3.2. Die Thematik…………………………………………………...34 2.4. Western in Italia……………………………………………………...36 2.5. Der neue Rollen Typ…………………………………………………37 2.6. Gesichter im Italo Western…………………………………………...39 2.7. Der zweite Film in Sereie…………………………………………….41 2.7.1. Ein Ken Do Duell……………………………………………….42 2.7.2. Der italienische Folgefilm Sergio Leones……………………....43 2.8. Der Weg des „Spaghetti Western“…………………………………...45 2.8.1. Das Schweigen im Schnee……………………………………...45 2.8.2. Italo Stile………………………………………………………..46 2.9. Il Western „Buffone“………………………………………………...49 2.9.1. Diverse Techniken……………………………………………...50 2.9.2. -
Representations of British Chinese Identities and British Television Drama: Mapping the Field
Representations of British Chinese identities and British television drama: mapping the field Article Accepted Version Knox, S. (2019) Representations of British Chinese identities and British television drama: mapping the field. Journal of British Cinema and Television, 16 (2). pp. 125-145. ISSN 1755-1714 doi: https://doi.org/10.3366/jbctv.2019.0465 Available at http://centaur.reading.ac.uk/78894/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.3366/jbctv.2019.0465 Publisher: Edinburgh University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Representations of British Chinese Identities and British Television Drama: Mapping the Field Abstract: While important scholarship exists on the television representations of Asian American identities, research in the UK has been focused on African Caribbean and South Asian identities. Very little scholarly attention has been paid to televisual representations of British Chinese identities, despite the British Chinese constituting one of the larger and fastest growing ethnic minority groups within contemporary Britain. Informed by an understanding of the complexity of the term ‘British Chinese’, this article explores the representation of British Chinese identities in British television drama. Despite the long-standing absence and invisibility of such identities in British television, as perceived within the popular imagination in Britain and British Chinese discourses, the article finds that a larger number of British Chinese actors have found notable employment in British television than is commonly acknowledged or remembered within the popular imagination. -
Alleluia Ave Maria
DOMENICO BARTOLUCCI ALLELUIA AVE MARIA Mixed Choir (SATB) S.E. Rev.ma Cardinal Domenico Bartolucci (Borgo San Lorenzo, Firenze 1917). Direttore perpetuo emerito della Cappella Musicale Pontificia Sistina, Accademico di Santa Cecilia, il Maestro toscano è uno dei più celebri musicisti italiani contemporanei, conosciuto in tutto il mondo sia come compositore, sia come direttore. Considerato il più autorevole interprete di Palestrina, oltre ai servizi liturgici papali ha guidato la Cappella Sistina in numerose tournées in Italia e nel mondo (Austria, Francia, Germania, Stati Uniti, Canada, Australia, Turchia, Giappone, etc.) eseguendo musiche polifoniche classiche e proprie. Con il Coro dell’Accademia Nazionale di Santa Cecilia ha diretto numerosi concerti palestriniani ed è stato protagonista di un’indimenticabile tournée nell’allora Unione Sovietica (1977). Oltre ad aver diretto i principali complessi sinfonico-corali italiani a Roma, Venezia, Firenze, Trieste, Palermo, e Bari, ha tenuto corsi di polifonia palestriniana in Italia e all’estero. All’attività di Maestro di Cappella, ha affiancato anche quella di didatta presso il Conservatorio di Santa Cecilia e il Pontificio Istituto di Musica Sacra. Con il Coro polifonico della Fondazione a lui intitolata, nata a Roma nel 2003, ha tenuto numerosi concerti tra i quali risalta quello offerto a Sua Santità Benedetto XVI nella Cappella Sistina (giugno 2006). L’attività di compositore di Bartolucci è assai vasta: il numero delle opere pubblicate dalle Edizioni Cappella Sistina supera i quaranta -
Ars Artem Salvat ENGLISH TEXT 238-300 Librofondazione OK Ing 11-10-2010 11:13 Pagina 240
238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 239 ANNO SACERDOTALE E VIII FESTIVAL INTERNAZIONALE DI MUSICA E ARTE SACRA Ars Artem Salvat ENGLISH TEXT 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 240 WITH THE SUPPORT OF THE PRESIDENT OF THE ITALIAN REPUBLIC AND UNDER THE AUSPICES OF the Senate the Chamber of Deputies the President of the Council of Ministers the Ministry of Cultural Heritage and Activities the Ministry of Interior – Central Head Office for the Administration of the Fund of Religious Buildings the Pontifical Council for Culture The medal that H.E. Mr Giorgio the Pontifical Commission for the Cultural Heritage of the Church Napolitano, President of Italy, the Latium Regional Council has presented as a prize for the the Prefect of Rome Ninth the City of Rome International Festival of the Province of Rome Sacred Music the Roman Chamber of Commerce and Art in token of his appreciation. the Italian State Tourist Board ENIT 13 ott. 2008 Basilica di S. Paolo fuori le Mura 240 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 241 THE NINTH INTERNATIONAL FESTIVAL OF SACRED MUSIC AND ART IS DEDICATED TO HIS HOLINESS BENEDICT XVI IN THE FIFTH YEAR OF HIS PONTIFICATE During the fifth anniversary of Benedict XVI’s call to continue Peter’s role in the Church it is beautiful to listen to the words that welled up in the heart of the Holy Bishop Thomas Becket who wrote in long ago 1165: “The Roman Church remains the head of all the Churches and the source of Catholic teaching. -
Alleluia Euntes in Mundum
DOMENICO BARTOLUCCI ALLELUIA EUNTES IN MUNDUM Mixed Choir (SATTBB) S.E. Rev.ma Cardinal Domenico Bartolucci (Borgo San Lorenzo, Firenze 1917). Direttore perpetuo emerito della Cappella Musicale Pontificia Sistina, Accademico di Santa Cecilia, il Maestro toscano è uno dei più celebri musicisti italiani contemporanei, conosciuto in tutto il mondo sia come compositore, sia come direttore. Considerato il più autorevole interprete di Palestrina, oltre ai servizi liturgici papali ha guidato la Cappella Sistina in numerose tournées in Italia e nel mondo (Austria, Francia, Germania, Stati Uniti, Canada, Australia, Turchia, Giappone, etc.) eseguendo musiche polifoniche classiche e proprie. Con il Coro dell’Accademia Nazionale di Santa Cecilia ha diretto numerosi concerti palestriniani ed è stato protagonista di un’indimenticabile tournée nell’allora Unione Sovietica (1977). Oltre ad aver diretto i principali complessi sinfonico-corali italiani a Roma, Venezia, Firenze, Trieste, Palermo, e Bari, ha tenuto corsi di polifonia palestriniana in Italia e all’estero. All’attività di Maestro di Cappella, ha affiancato anche quella di didatta presso il Conservatorio di Santa Cecilia e il Pontificio Istituto di Musica Sacra. Con il Coro polifonico della Fondazione a lui intitolata, nata a Roma nel 2003, ha tenuto numerosi concerti tra i quali risalta quello offerto a Sua Santità Benedetto XVI nella Cappella Sistina (giugno 2006). L’attività di compositore di Bartolucci è assai vasta: il numero delle opere pubblicate dalle Edizioni Cappella Sistina supera