Liturgy Newsletter Vol

Total Page:16

File Type:pdf, Size:1020Kb

Liturgy Newsletter Vol LITURGY NEWSLETTER Vol. 6 No. 4 September 2006 A Quarterly Newsletter prepared by the Liturgy Office of the Catholic Bishops’ Conference of England and Wales Changes to Holydays of Obligation n Africa, as everywhere In May the Bishops’ Conference of England and Wales voted its approval to transfer in the world, the liturgy Imust deepen and nour- to Sundays those Holydays of Obligation which are Solemnities of the Lord, namely, ish people’s faith. Unless there is a passing from the Epiphany, Ascension and The Body and Blood of the Lord. The importance of these historical-technical aspect days is such that the bishops were anxious that all members of the Catholic Church of the liturgy to the experi- ence of an encounter with should be able to celebrate them. The bishops have long been concerned about the way the Lord, there is a danger that large numbers of the faithful are unable to take part in the celebration of Mass on of formalism. days of obligation which fall during the week. Their consultation within their dioceses, A liturgy which fails to take the pastoral aspect and in particular the representation made by Councils of Priests, persuaded that it was into consideration can now timely to approve the change. harm our people’s faith! The difficulty lies in The decision of the Bishops’ Conference was advised to the Holy See and its recognitio achieving formation which instills a sense of was granted on 13 July. The changes take effect from the 1st Sunday of Advent, 2006. the liturgy technically The Liturgy Office website contains full details of the changes, and confirms calendar complete but at the same time incisive from the dates for these celebrations from 2007-2010. pastoral point of view, and nourishes the faith In a statement advising of the changes, Cardinal Cormac Murphy-O’Connor wrote of the people taking part, leading them to encounter that they have been made to assist the Church in England and Wales to celebrate more the Lord. profoundly the mysteries of the life and mission of the Lord. The Liturgy Office has Archbishop Albert Malcolm Ranjith Patabendige Don, prepared two sets of materials under the title Keeping These Days Holy. The first is dis- Secretary of the Congregation for Divine Worship cussion material to help deaneries review present practice and plan for the future; the and the Sacraments second contains background information regarding the changes; pastoral notes regarding the worthy keeping of Sunday and other Holydays and extracts on the same theme from the Catechism of the Catholic Church and Pope John Paul II’s apostolic letter, Dies Domini. These resources can be downloaded from the Liturgy Office website. Bishop Roche at USCCB translated and received the recognitio of As has been widely reported in the the Holy See. It is not possible to say yet Catholic Press, Bishop Roche, Chairman when all this work will be completed. of the Department for Christian Life and The full text of Bishop Roche’s address Worship, was invited in his capacity as can be read on the Liturgy Office Chairman of ICEL to address a recent website: www.liturgyoffice.org.uk/ meeting of the United States Catholic Resources/Missal/US+AR.html Conference of Bishops. Following his address the Bishops of the United States Promoting Liturgy in Africa The first congress for the promotion of voted their approval, with amendments, the liturgy in Africa and Madagascar held of the grey book translation of the Ordo on the African continent took place from Missae submitted to them by ICEL. July 5-9 in Ghana. The congress brought That translation has now been approved together 100 members of bishops’ commis- Contents by a number of English speaking Bishops’ News 1–3 sions for liturgy, from all over the sub-Saha- ‘Special Liturgies are Conferences, including that of England ran area and Madagascar. A special message gloriously useless 2 and Wales. The English and Welsh Con- was sent to participants by Benedict XVI, Forming new disciples in Europe 3 ference has submitted its approved text to who sees signs of hope in the liturgical the Holy See for recognitio. However the Documentation awakening of the continent and the pro- Benedict XVI translation will not be introduced, until found spirituality of the African peoples. The Mystery of the the whole of the Roman Missal has been living Bread 4 Liturgy Newsletter — Page Coming Events Archbishop Albert Malcolm spiritual aspects of the liturgy: authentic sensus liturgicus, in a way Ranjith Patabendige Don, Sec- transcendence, sense of the sacred which is, so to say, infectious so Panel of Monastic Musicians The Language of Liturgy. A confer- retary of the Congregation for and of mystery, profound interior they become enthusiastic. ence at St Hilda’s Priory, Sneaton Castle, Whitby. 25-29th September Divine Worship and the Sacra- participation, etc.’ An interview with the Arch- 2006 ments, took an active part in the He advised that the Final bishop can be accessed in the Society of St Gregory Summer School Congress. He spoke afterwards Report is shortly to be pub- Zenit archive for 2006.07.24: 30th July to 3rd August 2007 at of its importance and the merit lished in English, ‘the fruit of www.zenit.org/english/ Sneaton Castle, Whitby. For further details go to www.ssg.org.uk resulting by meeting away from an encounter, of reciprocal News of coming events can also Rome. ‘It was an opportunity exchange between the bishops Scholarship be found at: www.liturgyoffice.org. The Mgr James Crichton scholar- uk/Newsletter/News.html to hear the voice of Africa there and our Congregation for Divine ship provides a partial bursary for on the spot, to dialogue with Worship and the Discipline of diocesan priests of England and them and take part in their local the Sacraments.’ Wales for study at San Anselmo, liturgies. The latter would have The Archbishop has empha- Rome. The bursary is available for been impractical for a meeting in sised that those serving the the academic year 2006-7, and for Rome.’ liturgical development of the the following years. Please apply The Archbishop noted that Church in Africa need more to: The Preside, Pontificio Istituto ‘The Congress provided an than a technical knowledge of Liturgico, Piazza Cavalieri di Malta opportunity to review the variety the liturgy and its history. It is 5, Roma I-00153, Italy. of practices introduced through important, he says, that formators processes of inculturation. The should transform that knowledge Still waiting congress proved for stimulat- with pastoral wisdom and must The secretariat of the 2005 ing a desire for more complete present it in such a way that Synod of Bishops on the Eucha- knowledge of all the profoundly those being formed ‘acquire an rist continues to assist Pope ‘Special Liturgies are gloriously useless!’ The quote comes from Fr. McCarthy, of SPRED or carers beforehand to find out an experience (SPecial REligious Development). He speaks of related to the symbol and will be able to share that those liturgies that are often prepared ‘for’ people experience with the group. It may seem simple but with learning disabilities. His point is not that special authentic symbols always help us access not just liturgies are frivolous but often they are not litur- our memories but a living present, which contains gies at all! They are too cerebral, too full of added a hope for the future and which helps to carry us ‘activity’. into the future. Next we interiorise this experi- SPRED originated in the Archdiocese of ence by listening to the Word of God and receive a Chicago in the 1960’s, and is now used across the message from the leader catechist as Jesus speaks to continents of Africa, America, Australia and Europe. our hearts. The format is always the same - “John, Local parish SPRED groups welcome and recognise Jesus says to you today…; Mary, Jesus says to you the giftedness of people with learning disabilities. today…” Each person individually receives the Their ultimate goal is to help each disabled person same message. We are then invited to express our to be integrated into his or her own parish. thanksgiving through song and gentle movement. SPRED uses a method of symbolic catechesis 3. Finally we move to a space where we cel- based within a model of friendship. Each disabled ebrated Agape. A meal shared together in friendship person within a SPRED group has a special friend and love where we catch up with all our news and (catechist) who accompanies them in their journey events of our lives. of faith — this is a two-way journey, as catechists Each time we meet we use the same pattern, gain just as much, if not more, from the friendship! although the symbol and the message changes! This They live their faith through SPRED. Because we repeated ritual enables our learning disabled friends are all on a continuous journey of faith, SPRED to come to understand or know what is going to is not a time limited programme — it is a way of happen, they become comfortable with the ritual experiencing life-long catechesis. and it helps them to grow in confidence in their Each time a SPRED group gathers, there are 3 SPRED group. main elements to the session: This process is so similar to what is expected of 1. A time of quiet activity for minds to slow the relationship between ‘ordinary’ liturgy, ‘ordinary’ down and people to become truly present to those catechesis in ‘ordinary’ life. Maybe one of the things around them, and ready to receive the Word of that makes so-called ‘special’ liturgy so challenging God.
Recommended publications
  • Sacred Music, Volume 133, Number 3
    SACRED MUSIC Fall 2006 Volume 133, Number 3 EDITORIAL New Directions for Sacred Liturgy | William Mahrt 3 ARTICLES The Cult of the Conductor | Peter Phillips 6 The Organ and the Roman Rite | Michael E. Lawrence 10 The Baroque Organs of Oaxaca | Joseph Mansfield 14 REPERTORY A Marian Motet for Advent and Christmas | Susan Treacy 20 DOCUMENTS Address of the Holy Father on Sacred Music | Benedict XVI 23 Fifty Years of Church Music | Domenico Bartolucci 24 REVIEWS The Mystery of the St. Louis Jesuits | Jeffrey Tucker 27 Britten’s Love of Life and Faith | Peter J. Basch 36 Organ, Voice, and Popular Chant | Michael E. Lawrence 38 The Crecquillon Revelation | Michael E. Lawrence 39 REPORTS Hope and Participation | CMAA 40 The Liturgical Institute: A New Retreat | Heath Morber 42 NEWS 43 LAST WORD The Times They Are A-Changin’ | Kurt Poterack 44 UPCOMING EVENT OF NOTE 46 MEMBER ANNOUNCEMENTS 48 SACRED MUSIC Formed as a continuation of Caecilia ,published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster , published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of Publication: 12421 New Point Drive, Harbour Cove, Richmond, VA 23233. E-mail: [email protected] Website: www.musicasacra.com Editor: William Mahrt Managing Editor: Jeffrey Tucker Editor-at-Large: Kurt Poterack Editorial Assistant: Jane Errera Membership and Circulation: 12421 New Point Drive, Harbour Cove, Richmond, VA 23233 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President: William Mahrt Vice-President: Horst Buchholz General Secretary: Rosemary Reninger Treasurer: William Stoops Chaplain: Rev.
    [Show full text]
  • The Holy See
    The Holy See ORDINARY PUBLIC CONSISTORY FOR THE CREATION OF NEW CARDINALS ADDRESS OF HIS HOLINESS BENEDICT XVI TO THE NEW CARDINALS, THEIR FAMILIES AND PILGRIMS WHO CAME FOR THE CONSISTORY Paul VI Hall Monday, 22 November 2010 Your Eminences, Dear Brothers in the Episcopate and in the Priesthood, Dear Friends, The feelings and emotions we experienced yesterday and the day before, on the occasion of the creation of 24 new Cardinals are still alive in our minds and hearts. They were moments of fervent prayer and profound communion, that we wish to extend today with our hearts filled with gratitude to the Lord who has granted us the joy to live a new page of the history of the Church. Therefore I am pleased to welcome you all today to this simple and family meeting and to address a cordial greeting to the new Cardinals, as well as to their relatives, friends and all those who have accompanied them on this solemn and momentous occasion In Italian: I first greet you dear Italian Cardinals! I greet you, Cardinal Angelo Amato, Prefect of the Congregation for the Causes of Saints; I greet you, Cardinal Francesco Monterisi, Archpriest of the Papal Basilica of St Paul Outside-the-Walls; I greet you, Cardinal Fortunato Baldelli, Major Penitentiary; I greet you, Cardinal Paolo Sardi, Vice-Camerlengo of Holy Roman Church; I greet you, Cardinal Mauro Piacenza, Prefect of the Congregation for the Clergy; I greet you, Cardinal Velasio De Paolis, President of the Prefecture for Economic Affairs of the Holy See; I greet you, Cardinal Gianfranco Ravasi, President of the Pontifical Council for Culture; I greet you, Cardinal Paolo Romeo, Archbishop of Palermo; I greet you, Cardinal Elio Sgreccia, formerly President of 2 the Pontifical Academy for Life; I greet you Cardinal Domenico Bartolucci, formerly Choir Master of the Sistine Chapel Choir.
    [Show full text]
  • Newsletter 128 FINAL RT
    Newslett er In the Michaelmas 2006 issue – 128 Suffulti spe quae crescit —Editorial ............................................... 3 AGM at Wimbledon—21st October ..............................................4 Why Mass in Latin?—talk by Ruth Bleakley ................................... 6 Sacred Music—reflections by Mgr Domenico Bartolucci ............16 US LLA Convention—report by Mike Withers............................18 Prosper Guéranger—Book Review by Christopher Francis..........21 New Book by Denis Crouan —La Messe en Latin et en Grégorian 23 The Holy Eucharist— Sermon by Fr Cormac Rigby ....................24 Adrian Fortescue—some new insights ...................................... 25 Regina Caeli —new CD of Music to Our Lady.............................28 New Lectionary—to be based on NRSV......................................29 Organ Recital in Islington—John McGreal plays Bach ................31 ASSOCIATION FOR LATIN LITURGY www.Latin -Liturgy.org SUFFULTI SPE QUAE CRESCIT Editorial In our last editorial we spoke of the air of confidence and optimism that seemed to surround the present papacy. If anything, that feeling is now stronger. There had been a suggestion that despite the Pope’s fine vision for the Church, he lacked ‘generals’ on the ground to support him in what needed to be done. Now however, it is evident that he has been calmly appointing carefully chosen prelates to key positions, men he knows and trusts after his many years in the Vatican. In Rome all seems positive – even though not everyone will end up with all that they might hope for! When we turn to our own country, the contrast is inescapable. In the matter of changes affecting the Holy Days of Obligation, our Bishops’ Conference has drawn upon itself an unprecedented storm of criticism, reflected even in The Tablet and confirmed in its opinion poll.
    [Show full text]
  • Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church
    THE CATHOLIC UNIVERSITY OF AMERICA Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church A TREATISE Submitted to the Faculty of the Benjamin T. Rome School of Music Of The Catholic University of America In Partial Fulfillment of the Requirements For the Degree Doctor of Musical Arts in Sacred Music © All Rights Reserved By Jennifer L. Seighman Washington, D.C. 2015 Catholic Choir School Models in the United States: Reinvigorating the Musico-Liturgical Life of the Church Jennifer L. Seighman, D.M.A. Director: Leo Nestor, D.M.A. Choir schools have been an intrinsic part of the Catholic Church since the fourth century. While the Holy See has instructed that such schools and training be diligently promoted, few programs exist, and even less is known about them. This paper provides much-needed research on Catholic choir school programs and the benefits they offer to the twenty-first-century Church, particularly in bringing the musico-liturgical goals of the Second Vatican Council to fruition. Using a multi-case-study approach, I investigate the only known Catholic institutions in the United States currently employing a traditional choir school education of rigorous daily instruction in choir and sung liturgy: St. Paul’s Choir School (Cambridge, MA), The Madeleine Choir School (Salt Lake City, UT), and The Atonement Academy (San Antonio, TX). To formulate the framework for this study, a survey of related literature was made encompassing musico-liturgical directives of the Second Vatican Council, Church documents calling for chorister formation, papal writings, scholarly sources addressing sacred music within the Catholic Church, and various sets of education standards.
    [Show full text]
  • Alleluia Ave Maria
    DOMENICO BARTOLUCCI ALLELUIA AVE MARIA Mixed Choir (SATB) S.E. Rev.ma Cardinal Domenico Bartolucci (Borgo San Lorenzo, Firenze 1917). Direttore perpetuo emerito della Cappella Musicale Pontificia Sistina, Accademico di Santa Cecilia, il Maestro toscano è uno dei più celebri musicisti italiani contemporanei, conosciuto in tutto il mondo sia come compositore, sia come direttore. Considerato il più autorevole interprete di Palestrina, oltre ai servizi liturgici papali ha guidato la Cappella Sistina in numerose tournées in Italia e nel mondo (Austria, Francia, Germania, Stati Uniti, Canada, Australia, Turchia, Giappone, etc.) eseguendo musiche polifoniche classiche e proprie. Con il Coro dell’Accademia Nazionale di Santa Cecilia ha diretto numerosi concerti palestriniani ed è stato protagonista di un’indimenticabile tournée nell’allora Unione Sovietica (1977). Oltre ad aver diretto i principali complessi sinfonico-corali italiani a Roma, Venezia, Firenze, Trieste, Palermo, e Bari, ha tenuto corsi di polifonia palestriniana in Italia e all’estero. All’attività di Maestro di Cappella, ha affiancato anche quella di didatta presso il Conservatorio di Santa Cecilia e il Pontificio Istituto di Musica Sacra. Con il Coro polifonico della Fondazione a lui intitolata, nata a Roma nel 2003, ha tenuto numerosi concerti tra i quali risalta quello offerto a Sua Santità Benedetto XVI nella Cappella Sistina (giugno 2006). L’attività di compositore di Bartolucci è assai vasta: il numero delle opere pubblicate dalle Edizioni Cappella Sistina supera i quaranta
    [Show full text]
  • Ars Artem Salvat ENGLISH TEXT 238-300 Librofondazione OK Ing 11-10-2010 11:13 Pagina 240
    238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 239 ANNO SACERDOTALE E VIII FESTIVAL INTERNAZIONALE DI MUSICA E ARTE SACRA Ars Artem Salvat ENGLISH TEXT 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 240 WITH THE SUPPORT OF THE PRESIDENT OF THE ITALIAN REPUBLIC AND UNDER THE AUSPICES OF the Senate the Chamber of Deputies the President of the Council of Ministers the Ministry of Cultural Heritage and Activities the Ministry of Interior – Central Head Office for the Administration of the Fund of Religious Buildings the Pontifical Council for Culture The medal that H.E. Mr Giorgio the Pontifical Commission for the Cultural Heritage of the Church Napolitano, President of Italy, the Latium Regional Council has presented as a prize for the the Prefect of Rome Ninth the City of Rome International Festival of the Province of Rome Sacred Music the Roman Chamber of Commerce and Art in token of his appreciation. the Italian State Tourist Board ENIT 13 ott. 2008 Basilica di S. Paolo fuori le Mura 240 238-300 LibroFondazione OK ing 11-10-2010 11:13 Pagina 241 THE NINTH INTERNATIONAL FESTIVAL OF SACRED MUSIC AND ART IS DEDICATED TO HIS HOLINESS BENEDICT XVI IN THE FIFTH YEAR OF HIS PONTIFICATE During the fifth anniversary of Benedict XVI’s call to continue Peter’s role in the Church it is beautiful to listen to the words that welled up in the heart of the Holy Bishop Thomas Becket who wrote in long ago 1165: “The Roman Church remains the head of all the Churches and the source of Catholic teaching.
    [Show full text]
  • Alleluia Euntes in Mundum
    DOMENICO BARTOLUCCI ALLELUIA EUNTES IN MUNDUM Mixed Choir (SATTBB) S.E. Rev.ma Cardinal Domenico Bartolucci (Borgo San Lorenzo, Firenze 1917). Direttore perpetuo emerito della Cappella Musicale Pontificia Sistina, Accademico di Santa Cecilia, il Maestro toscano è uno dei più celebri musicisti italiani contemporanei, conosciuto in tutto il mondo sia come compositore, sia come direttore. Considerato il più autorevole interprete di Palestrina, oltre ai servizi liturgici papali ha guidato la Cappella Sistina in numerose tournées in Italia e nel mondo (Austria, Francia, Germania, Stati Uniti, Canada, Australia, Turchia, Giappone, etc.) eseguendo musiche polifoniche classiche e proprie. Con il Coro dell’Accademia Nazionale di Santa Cecilia ha diretto numerosi concerti palestriniani ed è stato protagonista di un’indimenticabile tournée nell’allora Unione Sovietica (1977). Oltre ad aver diretto i principali complessi sinfonico-corali italiani a Roma, Venezia, Firenze, Trieste, Palermo, e Bari, ha tenuto corsi di polifonia palestriniana in Italia e all’estero. All’attività di Maestro di Cappella, ha affiancato anche quella di didatta presso il Conservatorio di Santa Cecilia e il Pontificio Istituto di Musica Sacra. Con il Coro polifonico della Fondazione a lui intitolata, nata a Roma nel 2003, ha tenuto numerosi concerti tra i quali risalta quello offerto a Sua Santità Benedetto XVI nella Cappella Sistina (giugno 2006). L’attività di compositore di Bartolucci è assai vasta: il numero delle opere pubblicate dalle Edizioni Cappella Sistina supera
    [Show full text]
  • Caecilia V90v04 1963
    ca€cl la Constitution on the Sacred Liturgy VOLUME 90, NO. 4 WINTER, 1963-64 5 Twelfth Annual Liturgical Music Workshop AUGUST 16.28, 1964 BOYS TOWN, NEBRASKA Flor Peeters, Mechelen, Belgium Organ Cornelius Bouman, University of Nijmegen, Holland Liturgy Francis Brunner, Chicago, Illinois Seminars Richard Schuler, College of St. Thomas, St. Paul, Minnesota History Francis Schmitt, Boys Town Gregorian Chant - Boy Choir Roger Wagner, University of California at Los Angeles Polyphony, Contemporary Music Kathleen Thomerson Organ Inquire Music Department Boys Town, Nebraska CAECILIA Published four times a year, Spring, Summer, Autumn and Winter. Second-Class Postage Paid at Omaha, Nebraska Subscription Price-~3.00 per year All articles for publication must be in the hands of the editor, 3558 Cass St., Omaha 31, Nebraska, 30 days before month of publication. Business Manager: Norbert Letter Change of address should be sent to the circulation manager: Paul Sing, 3558 Cass St., Omaha 31, Nebraska PosUnaster: Form 3579 to Caecilia, 3558 Cass St., Omaha 31, Nebr. TABLE OF CONTENTS The Cappella Sistina-Richard Schuler _ 143 The Use of Grtgorian Psalmody with the English Language Robert Wurm ------ 161 The Present Sta1e of Music in Catholic Colleges and Universities Lavern Wagner 166 Review Books 179 Concerts 182 Masses _____ 184 Motets 185 Organ Music 187 Constitution on de Sacred Liturgy - 188 VOLUME 90, N"O. 4 WINTER, 1963 ..64 RONCKABROS.~OMAHA.NEBR. CAECILIA A Quarterly Review devoted to the liturgical music apostolate. Published with ecclesiastical approval by the Society of Saint Caecilia in Spring, Summer, Autumn and Winter. Established in 1874 by John B.
    [Show full text]
  • Corali Di Passione
    DOMENICO BARTOLUCCI CORALI DI PASSIONE Mixed Choir (SATB) S.E. Rev.ma Cardinal Domenico Bartolucci (Borgo San Lorenzo, Firenze 1917). Direttore perpetuo emerito della Cappella Musicale Pontificia Sistina, Accademico di Santa Cecilia, il Maestro toscano è uno dei più celebri musicisti italiani contemporanei, conosciuto in tutto il mondo sia come compositore, sia come direttore. Considerato il più autorevole interprete di Palestrina, oltre ai servizi liturgici papali ha guidato la Cappella Sistina in numerose tournées in Italia e nel mondo (Austria, Francia, Germania, Stati Uniti, Canada, Australia, Turchia, Giappone, etc.) eseguendo musiche polifoniche classiche e proprie. Con il Coro dell’Accademia Nazionale di Santa Cecilia ha diretto numerosi concerti palestriniani ed è stato protagonista di un’indimenticabile tournée nell’allora Unione Sovietica (1977). Oltre ad aver diretto i principali complessi sinfonico-corali italiani a Roma, Venezia, Firenze, Trieste, Palermo, e Bari, ha tenuto corsi di polifonia palestriniana in Italia e all’estero. All’attività di Maestro di Cappella, ha affiancato anche quella di didatta presso il Conservatorio di Santa Cecilia e il Pontificio Istituto di Musica Sacra. Con il Coro polifonico della Fondazione a lui intitolata, nata a Roma nel 2003, ha tenuto numerosi concerti tra i quali risalta quello offerto a Sua Santità Benedetto XVI nella Cappella Sistina (giugno 2006). L’attività di compositore di Bartolucci è assai vasta: il numero delle opere pubblicate dalle Edizioni Cappella Sistina supera i quaranta
    [Show full text]
  • Adeste Fideles
    DOMENICO BARTOLUCCI ADESTE FIDELES Mixed Choir (STTBB) S.E. Rev.ma Cardinal Domenico Bartolucci (Borgo San Lorenzo, Firenze 1917). Direttore perpetuo emerito della Cappella Musicale Pontificia Sistina, Accademico di Santa Cecilia, il Maestro toscano è uno dei più celebri musicisti italiani contemporanei, conosciuto in tutto il mondo sia come compositore, sia come direttore. Considerato il più autorevole interprete di Palestrina, oltre ai servizi liturgici papali ha guidato la Cappella Sistina in numerose tournées in Italia e nel mondo (Austria, Francia, Germania, Stati Uniti, Canada, Australia, Turchia, Giappone, etc.) eseguendo musiche polifoniche classiche e proprie. Con il Coro dell’Accademia Nazionale di Santa Cecilia ha diretto numerosi concerti palestriniani ed è stato protagonista di un’indimenticabile tournée nell’allora Unione Sovietica (1977). Oltre ad aver diretto i principali complessi sinfonico-corali italiani a Roma, Venezia, Firenze, Trieste, Palermo, e Bari, ha tenuto corsi di polifonia palestriniana in Italia e all’estero. All’attività di Maestro di Cappella, ha affiancato anche quella di didatta presso il Conservatorio di Santa Cecilia e il Pontificio Istituto di Musica Sacra. Con il Coro polifonico della Fondazione a lui intitolata, nata a Roma nel 2003, ha tenuto numerosi concerti tra i quali risalta quello offerto a Sua Santità Benedetto XVI nella Cappella Sistina (giugno 2006). L’attività di compositore di Bartolucci è assai vasta: il numero delle opere pubblicate dalle Edizioni Cappella Sistina supera i quaranta
    [Show full text]
  • PMMS Palestrina Discography
    Palestrina Discography Compiled by Jerome F. Weber A. The Palestrina Masses have existed as a working list for many years. It has been completed using the recordings and other sources of information for recordings not available, refreshed from the original records, and newly reformatted to match the Du Fay and Josquin des Prez discographies previously posted on this website. The Masses are numbered as in Gustave Reese, Music in the Renaissance (Norton, 1954), 470-72, with the addition of Missa Tu es Petrus à18, but arranged alphabetically with the generic titles placed first. Only 75 of 106 Masses are listed below as recorded, but three are fragmentary and one lacks the Credo. Three others are on obscure CDs and another three are only on LP, so perhaps only 65 Masses may be considered as currently accessible on records. B. The discography of the Magnificat was first published in Fanfare in November 2018. The expanded edition was first published on this site in January 2019. Palestrina set the Magnificat 35 times. Sixteen settings for four voices were published by Gardano in 1591, the first eight in each mode setting the odd verses in polyphony, the other eight in each mode setting the even verses polyphonically. The next eight settings for four voices in each mode (called “Book 2”) are preserved in Cappella Giulia MS 16 (now XV 22). The next eight settings for up to six voices in each mode (called “Book 3”) are in the same source. These sixteen set the even verses polyphonically. Three more settings are identified below; these include the most popular recorded setting in the vinyl era (for four equal voices) and the most popular in the CD era (for eight voices, uniquely through-composed).
    [Show full text]
  • PMMS Palestrina Discography November 2020
    Palestrina Discography Compiled by Jerome F. Weber Unlike any other discography published on this website, this is a work in progress for the section on motets, as noted below. The identification of recordings of titles that have multiple settings awaits access to the recordings in libraries. Recordings of eleven texts that have been set multiple times have been placed in the Supplement (page 109), as noted in each case; other unidentified recordings are found in the main list. Also added to the Supplement are titles that are not found in the works list in The New Grove High Renaissance Masters. I am indebted to Christian Zwarg (Berlin) for a list of the acoustic recordings and to Alessandro Argentini and Pekka Gronow for assistance with the SEMS/Musique au Vatican and Syrena labels. Clara Marvin’s discography in Giovanni Pierluigi da Palestrina – A Guide to Research (New York and London: Routledge, 2002) has proved useful. Michael Gray has been most helpful in addition to the content of his database (classical-discography.org). A. The Palestrina Masses have existed as a working list for many years. The list has been completed using the recordings and other sources of information, refreshed from the original records and newly reformatted to match the Du Fay and Josquin des Prez discographies previously posted on this website. The Masses are numbered as in Gustave Reese, Music in the Renaissance (Norton, 1954), 470-72, with the addition of Missa Tu es Petrus à18 and the collaborative Missa Cantantibus organis, but arranged alphabetically with the generic titles placed first.
    [Show full text]