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Focus EMU, October 4, 1976
Newsline Sportsline 487·2460 487·3279 Produced by the Office of Information �rvices ferEastern Michigan University Faculty and Staff Volume 22 - Number 9 v October 4, 1976 @rornowm� Olympic Champion Crawford @ffil])&,DDil@� ) The Center of Educational Resources To Be Honored Saturday (University Library) will conduct a book sale from 9 a.m. to 4:30 p.m. Thursday, Oct. 7, in the library lobby. By Kathy Tinney Duplicates of gift books will be sold. By proclamationof the-Board of Regents,Saturday, Oct. 9, will Books on education, history, political be celebratedas HaselyCrawfordDay on campus. Crawford will be science, psychology and fiction will be honored at half-time of the Homecoming football game between included in the sale. Eastern and Arkansas State and at a reception at theHoliday Inn *** East following the game. Everyone is welcome to attend the reception. He also willserve as Grand Marshal of theHomecoming The Office of Academic Records and Parade Saturday morning. Teacher Certification reports the Crawford, "theworld's fastesthuman," won a gold medal for his following summary of degrees and native Trinidad in the 100-meterdash at the MontrealOlympics last certificates awarded as of Aug. 20, summer, beating Jamaica's Don Quarrie, Russia's Valery Borzov, 1976: B.A.-13; B.S.-208; B.A.E.-2; the defendinggold medalist, and theUnited States' Harvey Glance. B.B.E.-3; B.F.A.-16; B.B.A.-71; M.A.- In 1972 at the Munich Olympics, Crawford qualified as a finalist 460; M.SAil; M.B.E.-6; M.B.A.-10; in the 100-meter dash, but failed to finish the race due to an injury. -
Family Tree Maker
Descendants of Robert Squire Generation No. 1 1. ROBERT1 SQUIRE was born Abt. 1650 in St Giles in the Wood, Devon, England, and died 26 Nov 1702 in St Giles in the Wood, Devon, England. He married MARY. She died 24 Oct 1701 in St Giles in the Wood, Devon, England. Child of ROBERT SQUIRE and MARY is: 2. i. FRANCIS2 SQUIRE, b. 1670, St Giles in the Wood, Devon, England. Generation No. 2 2. FRANCIS2 SQUIRE (ROBERT1) was born 1670 in St Giles in the Wood, Devon, England. He married (1) MARGARET TROWING 17 May 1694 in St Giles in the Wood, Devon, England. She was born Abt. 1670 in St Giles in the Wood, Devon, England, and died Jun 1700 in St Giles in the Wood, Devon, England. He married (2) ESTER GEATON 06 Jan 1703 in St Giles in the Wood, Devon, England. She was born 1676 in St Giles in the Wood, and died 1750 in St Giles in the Wood, Devon, England. More About FRANCIS SQUIRE: Baptism: 18 Oct 1670, St Giles in the Wood, Devon, England Notes for MARGARET TROWING: Name could be Margaret Crowling. More About FRANCIS SQUIRE and MARGARET TROWING: Marriage: 17 May 1694, St Giles in the Wood, Devon, England More About ESTER GEATON: Baptism: 21 May 1676, St Giles in the Wood Burial: 24 Apr 1750, St Giles in the Wood, Devon, England More About FRANCIS SQUIRE and ESTER GEATON: Marriage: 06 Jan 1703, St Giles in the Wood, Devon, England Children of FRANCIS SQUIRE and MARGARET TROWING are: i. -
SUBMISSION RE-EDIT Caitlin Thompson Dissertation 2019
Making ‘fritters with English’: Functions of Early Modern Welsh Dialect on the English Stage by Caitlin Thompson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Centre for Drama, Theatre, and Performance Studies University of Toronto © Copyright by Caitlin Thompson 2019 Making ‘fritters with English’: Functions of Early Modern Welsh Dialect on the English Stage Caitlin Thompson Doctor of Philosophy Centre for Drama, Theatre, and Performance Studies University of Toronto 2019 ABSTRACT The Welsh had a unique status as paradoxically familiar ‘foreigners’ throughout early modern London; Henry VIII actively suppressed the use of the Welsh language, even though many in the Tudor line selectively boasted of Welsh ancestry. Still, in the late-sixteenth century, there was a surge in London’s Welsh population which coincided with the establishment of the city’s commercial theatres. This timely development created a stage for English playwrights to dramatically enact the complicated relationship between the nominally unified nations. Welsh difference was often made theatrically manifest through specific dialect conventions or codified and inscrutable approximate Welsh language. This dissertation expands upon critical readings of Welsh characters written for the English stage by scholars such as Philip Schwyzer, Willy Maley, and Marissa Cull, to concentrate on the vocal and physical embodiments of performed Welshness and their functions in contemporary drama. This work begins with a historicist reading of literary and political Anglo-Welsh relations to build a clear picture of the socio-historical context from which Welsh characters of the period were constructed. The plays which form the focus of this work range from popular plays like Shakespeare’s Henry V (1599) to lesser-known works from Thomas Nashe’s Summer’s Last Will and Testament (1592) to Thomas Dekker’s The Welsh Embassador ii (1623) which illuminate the range of Welsh presentations in early modern England. -
London Metropolitan Archives Irish
LONDON METROPOLITAN ARCHIVES Page 1 IRISH SOCIETY CLA/049 Reference Description Dates ADMINISTRATION Court minute books CLA/049/AD/01/001 Court Minute Book 24 Feb 1664/5 "Waste" or rough minute book - 1666 Aug 16 Former reference: IS/CM/1A LONDON METROPOLITAN ARCHIVES Page 2 IRISH SOCIETY CLA/049 Reference Description Dates CLA/049/AD/01/002 Court Minute Book 1674 1677 Negative microfilm of this Contains repaired portions of copy deeds: not volume: MCFN/214 (formerly strictly Court minutes: Reel 1958/1). Positive copy of IS/CM/Ba: 17 consecutive folios containing same at P.R.O.N.I. This volume copy documents relating to farm letting the Irish is labelled on the microfilm under Society's rents in Londonderry and Coleraine: its former reference of "IS/CM 1 a fos. 1-4: advertisement referring to Letters -b". Patent of 10 Apr 14 Chas II [1662] and to Letters Patent of even date releasing rents and arrears at 25 Mar 1665 and to the surrender by the I.S. of customs, etc., stating conditions for farm letting the I.S. fishings for 7 years from 25 Mar 1676, and that proposals would be received on 12 Aug 1674 (advertisement dated 2 June 1674); fo. 4: George Squire's offer and acceptance 12 Aug 1674; fo. 4b: bond of George Squire and William Holgate 12 Aug 1674; fos. 5-13b: letter of I.S. attorney to George Squire with schedule of rent rolls of Londonderry and Coleraine 7 Oct 1674; fos. 14-17b: articles of agreement between I.S. -
LOCANTRO Theatre
Tony Locantro Programmes – Theatre MSS 792 T3743.L Theatre Date Performance Details Albery Theatre 1997 Pygmalion Bernard Shaw Dir: Ray Cooney Roy Marsden, Carli Norris, Michael Elphick 2004 Endgame Samuel Beckett Dir: Matthew Warchus Michael Gambon, Lee Evans, Liz Smith, Geoffrey Hutchins Suddenly Last Summer Tennessee Williams Dir: Michael Grandage Diana Rigg, Victoria Hamilton 2006 Blackbird Dir: Peter Stein Roger Allam, Jodhi May Theatre Date Performance Details Aldwych Theatre 1966 Belcher’s Luck by David Mercer Dir: David Jones Helen Fraser, Sebastian Shaw, John Hurt Royal Shakespeare Company 1964 (The) Birds by Aristophanes Dir: Karolos Koun Greek Art Theatre Company 1983 Charley’s Aunt by Brandon Thomas Dir: Peter James & Peter Wilson Griff Rhys Jones, Maxine Audley, Bernard Bresslaw 1961(?) Comedy of Errors by W. Shakespeare Christmas Season R.S.C. Diana Rigg 1966 Compagna dei Giovani World Theatre Season Rules of the Game & Six Characters in Search of an Author by Luigi Pirandello Dir: Giorgio de Lullo (in Italian) 1964-67 Royal Shakespeare Company World Theatre Season Brochures 1964-69 Royal Shakespeare Company Repertoire Brochures 1964 Royal Shakespeare Theatre Club Repertoire Brochure Theatre Date Performance Details Ambassadors 1960 (The) Mousetrap Agatha Christie Dir: Peter Saunders Anthony Oliver, David Aylmer 1983 Theatre of Comedy Company Repertoire Brochure (including the Shaftesbury Theatre) Theatre Date Performance Details Alexandra – Undated (The) Platinum Cat Birmingham Roger Longrigg Dir: Beverley Cross Kenneth -
The Letters of John Forster to Thomas Carlyle
“The supreme comfort of your presence”: The Letters of John Forster to Thomas Carlyle, PART 1 TRANSCRIBED AND ANNOTATED BY KENNETH J. FIELDING AND DAVID R. SORENSEN n 1998 the late Professor Kenneth J. Fielding began to transcribe letters of John Forster to Thomas Carlyle that Iwere held by the Armstrong Browning Library in Waco, Texas. The Forster materials formed part of the extensive Harlan collection of books and manuscripts, which had been donated to the Library by the scholars, editors, and bibliophiles Aurelia Brooks Harlan (1899–1991) and her husband, J. Lee Harlan, Jr. Aurelia Brooks Harlan was the daughter of Samuel Palmer Brooks (1863–1931), president of Baylor University from 1902–31, and his wife Mattie Sims Brooks (1868–1940). Fielding was unable to complete the transcriptions, and following his death in 2005, David R. Sorensen inherited Fielding’s complete set of photocopies of the Forster-Carlyle correspondence. The editors are grateful to Rita S. Patteson, Director of the Armstrong Browning Library, for generously granting permission to publish transcriptions of these letters in numbers 31 and 32 of the Carlyle Studies Annual. CSA 31 2015/16 8 CARLYLE STUDIES ANNUAL Envelope: Thomas Carlyle Esq / Cheyne Row /Chelsea Postmark: FE 7 1849 / 58 L. I. Fields / 7th Feby 1849 Dear Carlyle Hearing reports that “Whiteside’s Italy”1 is not sent back: but it is of no consequence at all, as Mr Toots2 says, and can stay over as long as you please. Milnes3 amazed me by introducing Squire4 in full council at the library the other day—I protesting (god forgive me!) that I knew of no such man. -
Census and Vital Registration Data Base
-38??55 A User Guide to the 1861 Census and Vital Registration Data Base By David Alan Gatley Staffordshire University (c)DavidAh GaUey1996 3895 A User Guide to the 1861 Census and Vital Registration Data Base by David Alan Gatley Published by The Knowledge, Organizations and Society Research Group The Sociology Division School of Social Sciences Staffordshire University Stoke-on-Trent (c) David Alan Gatley1996 ISBN 1897898061 1861 Data Base Created by David Alan Gatley Terms and Conditions of Use The data base, ‘POPN186 1.WK1’ on the enclosed disk, is supplied on the following conditions of use. 1) Purpose: To use the data base only for the purpose of non-commercial research or teaching. 2) Acknowledgement: To acknowledge in any publication, whether printed, electronic or broadcast, based wholly or in part on the data base, both Staffordshire University and David Alan Gatley who created the data base. 3) Publications: To forward to the Dean of Social Sciences at Staffordshire University two copies of atry publication based wholly or in part on the 1861 data base. 4) Copyright: Not to distribute copies of the data base to others nor to make copies of them except to carry out individual research projects or for teaching purposes. 5) Errors: to noti& the creator of the data base (at StatTordshire University) of any errors discovered in the data sets, 6) Liability: To accept that David Alan Gatley and StatTordshire University bear no legal responsibilhy for the accuracy or comprehensiveness of the two data bases. Purchasing the data base constitutes acceptance of the above terms and conditions of use. -
Shakespeare on Film and Television in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress
SHAKESPEARE ON FILM AND TELEVISION IN THE MOTION PICTURE, BROADCASTING AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by Zoran Sinobad January 2012 Introduction This is an annotated guide to moving image materials related to the life and works of William Shakespeare in the collections of the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. While the guide encompasses a wide variety of items spanning the history of film, TV and video, it does not attempt to list every reference to Shakespeare or every quote from his plays and sonnets which have over the years appeared in hundreds (if not thousands) of motion pictures and TV shows. For titles with only a marginal connection to the Bard or one of his works, the decision what to include and what to leave out was often difficult, even when based on their inclusion or omission from other reference works on the subject (see below). For example, listing every film about ill-fated lovers separated by feuding families or other outside forces, a narrative which can arguably always be traced back to Romeo and Juliet, would be a massive undertaking on its own and as such is outside of the present guide's scope and purpose. Consequently, if looking for a cinematic spin-off, derivative, plot borrowing or a simple citation, and not finding it in the guide, users are advised to contact the Moving Image Reference staff for additional information. How to Use this Guide Entries are grouped by titles of plays and listed chronologically within the group by release/broadcast date. -
Timon of Athens
Rolf Soellner TIMON OF ATHENS Shakespeare's Pessimistic Tragedy $15.50 TIMON OF ATHENS Shakespeare's Pessimistic Tragedy By Rolf Soellner With a Stage History by Gary Jay Williams Perhaps the most problematical of Shake speare's tragedies opens on a distinctly ominous if nonetheless casual note. A poet and a painter meet and, after exchanging greetings, the former asks, "How goes the world?" Whereupon the painter replies, "It wears, sir, as it grows" — to which the poet responds, as to a cliche, "Ay, that's well known." The notion of the world's decay, a sur vivor of the contempus mundi of medieval philosophy, with its groundings in concep tions of the Fall and Last Judgment, achieved a renewed ascendancy in the dark ening climate of the late sixteenth and early seventeenth centuries. And it is, Professor Soellner points out, only in the mood and tenor engendered by this pervasive pes simism, which many critics of Timon have found uncongenial, that we can come fully to understand Shakespeare's misanthrope, who has been much maligned as the inferior of Hamlet, Macbeth, Othello, and Lear, but who is, if not entirely their equal, an authen tic tragic hero in his own right. Professor Soellner accepts Timon as a tragedy, albeit one that does not necessarily satisfy standard definitions; and though he readily concedes that there are sporadic tex tual deficiencies, he finds in the structure of the play, its characterization, imagery, and thematic development, the imprint of Shakespeare's incomparable genius and the indisputable evidence of the drama's having been meticulously worked out in conformity with a controlling and high tragic design. -
NUNEATON Robinson's End St Nicolas Park Galley Common
C A S T L E W V I E E D W D I N G T W O A N E T C N L A I L A N S L G A T S M L N TR E A E E H E R T O IG A A A H 5 D 4 O 4 LD DLANDS 4 BU OO RY W R E O H A T D T H E W O O D L M A N I N Spring L U B D Y S N D E Wood R CHU A I RCH T VE OLDB CLO O HILLSIDE URY R SE N OAD R O MULBE A RRY D G W SPRIN HIL L B D 4 A A 11 Y O W W R 1 O A H H O TL A D IN Y RC C G MO ORWOOD CRES ES U OT S OR O R H E L T W M C Weddington A C R M OOD O VEN ILB E LANE A D U K Y ET D E O DR A ELDS O I A O GROVE FI R V 5 R Recreation B E R E O M Ground NG H E E A UES IC MO A N V H RW E C O T D V PEA I C N O A O K R HOR HA W L E E A SE N L T O N R CL D L C W VI DE V C L T R AM T E K H C BR O N Y T C I Ansley Common N O O O F O HI E L T A X T M E FE R A U S W L O E W C L AY R V W H N E I A D R N E E ER RY L O S LE T L Y S N N B U E I A I A R C F N L O O A L N E C Y N E A E A Hartshill O D LA Y A W U A R M H R Y R H C N U E H B X P E O C L A 4 O A A L C H 11 T D 4 D A R E I O S V N R E A W D U M G R E H S V A A A W M C N N V L N T E E C H U O A S O A E N S Y N E G D T E Y S L O HARD CLOSE R U I A L E ORC AD NC G N E Y D ON RO IN A H Y C GT A E E T CO O RIN N R I S R M M MON L BE D V C W M A E R B O E E L U R N N T L CLA A E L N O A T Y AV T ICH E T S EN F C S A HILL R A U UE IE SIDE O NS E C E D W L L L R E H D E A Y R O C C C K R 4 EDDI O C B411 N R L M LESHILL ROAD I W CO V D WALLI M H E CL O NGFO DO E O A E E R N VE I D B4114 A LEY A DRIV N A V E V N V I N D E EN N E AY U R C D N W E D C DRIVE E U M B RK N Y R W G A O IL R E IL 4 P B L E O L R S T L W 1 T S I S A -
Tape Library – Conditions of Hire
TAPE LIBRARY – CONDITIONS OF HIRE The audio cassettes have been copied from the original recordings in approximate chronological order, as listed in the catalogue, or grouped together under similar subject matter, with shorter items combined on one tape. Transfers can be made onto CDs (UK) on request – please allow adequate time / advance notice. Please order by title of talk or broadcast. As duplicates exist only for the more popular items, it would be appreciated if an alternative choice could be given, where possible. If specific tapes are required for definite dates of branch/group meetings, etc., please reserve well in advance. When ordering please print: Your full name, address, including postal code, in BLOCK CAPITALS. Periods of hire: U.K. and Europe: up to 14 days. Overseas: up to 4 weeks. (Loans can be extended provided items are not required by other members.) Postage: Borrower is responsible for outward and return postage (which should be by airmail outside U.K.). When you return tapes, please enclose stamps in the parcel to refund the cost of the outward postage. Please take care of cassettes/CDs supplied. Protect from dust, heat and humidity, strong magnetic fields, etc. Members will be asked to bear the cost of replacement for lost or damaged tapes. Please note: tapes are supplied for private usage only, i.e. by individual Society members, or for private meetings of branches or groups. They may not be used for any kind of public performance. GEOFFREY WHEELER, 195, GLOUCESTER PLACE, LONDON, NW1 6BU. Tel: [020 7724 5842] 1 1950’s WOMAN’S HOUR BBC Radio: Interview with Stephen Usherwood historian, and Isolde Wigram (Former Secretary &Vice President, Richard III Society). -
Government House
John Symons Splendid Corrupt Practices Committee Mr Justice Barry Lord Lismore George Bond Mr Oliver Weston Harding Captain Dawkins Ahmed Pasha William Hicks Joseph Morrison Augustus Weal Mrs Isabella Limerick Primate Dick Turpin Colonel Mano Sir William Gull Mr Walpole's Mr Henry Varley Mr Baron Bramwell ♦ » Title President Garfield Errington Captain Rice Sut Nautilus Sergeant Stokes Mr John Martin Charles Ingham York Street Emily Cowan Corsica Barefoot Captain Sachse Wicker Mr Hardman Mr Andrews Peter Bray City Point National Art Museum Juno M Goblet Prime Scots Laura Wilson Fanny Carter Thomas Wainwright Mutupi Sabrina Cole Moss's Dr John Alexander Miller's Sir L Palk Keating ’ Heart Disease Congestion Wild Mint Missionary Dr John Alexander Miller James Quarm James Quarm Chairman Walpole Dr Grace Prime Colonel Tomline General Hutchinson Haiphong Mr Elliott Lesbia Slade Solos James Wilson Golden — New Miss Tait Byrne Henry Hind Mr Taynton Charley General Mahomed Khan Major James Henry Miss Grey Place British Governments Papper Mikado Royal Humane Society Westgate Morrow Anglican Synod Vance Mr Carlyle Lord Fife London Con Aja Zaptieh Wizard Corn Solvent Mr Vaughan Lord Truro's Majesty Government Times Free Remedy John Donohoe Elizabeth's Mr La- President Message Chippendale Henry Gill M Le Royer Thomas Pyle Nature Laws Diana Madame Pineau Shotover M Tricou Mr Thomas Martin Trauu Edward Edward CowanAhmed Henry Bedingfield's Guilt Pay Ismail Day Night Omar Pasha Buying Chests William Haysed's Lordship Macartney Moss Admiral Sir