Invited Candidate List for JDST 2019

Total Page:16

File Type:pdf, Size:1020Kb

Invited Candidate List for JDST 2019 This information includes all the JNV students (from all States and Union Territories) invited to take the Joint Dakshana Selection Test 2019 (JDST) on Sunday, December 09, 2018. (Last update: November 27, 2018) Page 1 of 140 Attn. Principals and Students: Only students listed in this document can appear for the Joint Dakshana Selection Test – JDST 2019. Principals are requested not to send anyone else as the test centers have capacity constraints and they will not be permitted to take the test. IMPORTANT: All students whose name appears in the JDST Selection List MUST fill the Dakshana Scholar Application Form online latest by November 30, 2018. Eligible students who do not register will not be eligible to sit for the JDST. 1. The Online Application form is available at http://dakshana.org/become-a-scholar/ 2. Please fill the form online and submit. 3. Admit Card will be sent to schools email ID by November 30,2018. 4. Affix photograph and have the Admit Card signed by the JNV Principal. How to register online and fill Application Form: To apply visit http://dakshana.org/become-a-scholar/ Step 1: Registration: Click on the “Register” button in the top-right corner on screen and fill details. You will create your own user ID and password. Only one student can be registered with one email ID. Step 2: Log In: After Registration, you will be asked to log in with the user ID and password you created earlier. Step 3: Application: After login, candidate can see “Application” button on the left side of the screen. Click on the Application button and choose “NDST for JNV” (This is for Class 10) or “JDST for JNV” (This is for Class 12). Read the instructions carefully and then click on “Confirm Exam”. Step 4: Application Verification: A window will ask you to verify the application by providing Dakshana Roll Number (available in the list below) and date of birth. Step 5: Filling of Scholar Application: After you verify your application, the scholar form will open on screen. You will need to complete and submit the scholar form online latest by November 30, 2018. Incomplete forms shall be rejected, and the candidate will NOT be eligible to appear for the Dakshana Selection Test. Page 2 of 140 Documents required: Following documents need to be uploaded while filling up the application form: • Passport Size colour photograph (Maximum size 50kb) * • School Identity Card • Scan image of Applicant’s Signature (Maximum size 20kb)* • Caste certificate (in case of OBC, SC and ST) * • Disability certificate (in case of Physically disabled) * • Income certificate or salary slip (for parents/guardian) • Class 10th Mark sheet * (This is only for JDST [Class 12] Applicants) * Mandatory document * Maximum size of documents being uploaded can be 100kb each Step 7: Download of Admit card: Admit card can be collected from school. (Dakshana will be sending admit card via email latest by November 30, 2018. Kindly note: The Admit Card is essential to enter the classroom for the test. Candidates without the Admit Card will not be able to write the test. The answers to all questions in the scholar form must be filled COMPLETELY with no blank answers. Any willful attempt to provide wrong information or incorrect answers will lead to disqualification. Dakshana reserves the right to validate the information provided through various sources including NVS records, Principal and JNV staff interviews, peers, neighbors, school alumni and direct verifications. Should any information be found to be willfully falsified, Dakshana reserves the right to deny acceptance as a Dakshana Scholar and/or terminate coaching at any time after it has started. Kindly note that all queries about the test, online application and Admit Cards should only be made through email to [email protected]. Telephone calls for these queries will not be entertained. Page 3 of 140 Joint Dakshana Selection Test – JDST 2018 Dakshana will select scholars for 1 years of free IIT-JEE/NEET coaching to be conducted at Dakshana, Pune Campus. The intake for IIT-JEE will be 300 and NEET will be 300 (These numbers may be updated later) The following JNV scholars have been selected by the Dakshana Foundation to appear in the Joint Dakshana Selection Test, for IIT-JEE/NEET 2020 coaching, from all JNVs across India. The test will be held on Sunday, December 09, 2018 at the following JNV locations. Please consult your school principal to arrange transport and logistics. If in doubt, please contact the Principal of your JNV or write to [email protected]. Centre Region Exam Centre Name Centre Code Region Exam Centre Name Code JNV Bilaspur 101 JNV Chandigarh 201 JNV Raipur 102 JNV Jalandhar 202 JNV Bhopal 103 JNV Mandi 203 Chandigarh JNV Indore 105 JNV Ganderbal 204 JNV Jabalpur 106 JNV Leh 205 Bhopal JNV Balasore 107 JNV Samba 206 JNV Cuttack 108 JNV Koraput 109 JNV Sambalpur 110 Page 4 of 140 JNV Guntur 301 JNV Faridabad 401 JNV Viziyanagaram 302 JNV Karnal 402 JNV Bengaluru Rural 303 JNV Bundi 403 JNV Bengaluru Urban 304 JNV Jaipur 404 Jaipur JNV Chikmagalur 305 JNV Jodhpur 405 JNV Dharwad 306 JNV Tonk 406 Hyderabad JNV Koppal 307 JNV Udaipur 407 JNV Calicut 308 JNV Dholpur 408 JNV Kottayam 309 JNV Buxar 601 JNV Rangareddy 310 JNV Darbhanga 602 JNV Warangal 311 JNV Katihar 603 JNV East Champaran 604 JNV Allahabad 501 JNV Patna 605 JNV Bareilly 502 JNV Nalanda 606 JNV Gorakhpur 503 Patna JNV Saharsa 607 JNV Kanpur Dehat 504 JNV Deoghar 608 Lucknow JNV Raebareli 505 JNV Koderma 609 JNV Sitapur - I 506 JNV Ranchi 610 JNV Meerut 507 JNV Burdwan 611 JNV Haridwar 508 JNV Howrah 612 JNV Jhansi 509 JNV Purnea 613 JNV Gandhinagar 701 JNV Papumpare 801 JNV Rajkot 702 JNV Bongaigaon 802 JNV Chandrapur 703 JNV Cachar 803 JNV Hingoli 704 JNV Goalpara 804 JNV Jalgaon 705 JNV Jorhat 805 Pune JNV Kolhapur 706 JNV Kamrup 806 Shillong JNV Osmanabad 707 JNV Naugaon 807 JNV Pune 708 JNV Tinsukia 808 JNV Wardha 709 JNV Bishnupur 809 JNV Vadodara 710 JNV Ri-Bhoi 810 JNV Dimapur 811 JNV South Sikkim 812 Page 5 of 140 Test Format: The test is in Multiple Choice Question format with total 100 questions covering Physics, Chemistry, Maths/Biology, Logical Reasoning. Candidates can appear for either Maths/Biology only and not for both. Answers are to be marked with HB pencil on OMR sheets. Each right answer is awarded 3 marks and 1 mark is deducted for each wrong answer. The test is significantly more difficult than the CBSE 12th Board Maths and Science. No calculators are allowed in the test. Schedule for the test on Sunday, December 09 2018: Reporting at: 8:30 AM Filling of Scholar form: 09.15-09.45 AM Selection Test: 10.00 AM – 01.00 PM Students should bring the following: 1. Dakshana Admit Card 2. Two Nataraj HB Pencils, blue/black ball point pen, an eraser and a sharpener 3. One recent Color Passport size photograph 4. School ID card • You will not be allowed to carry any electronic item (cell phone, mp3 player, calculators etc.) inside the examination hall. • Any candidates found indulging in cheating will be immediately disqualified and their conduct reported to the Principal. • Please make a note of your Dakshana Roll Number listed below. You will need to put this number on your OMR answer sheet. Page 6 of 140 Sl No School Name Dakshana Roll No Student Name M/F JNV Roll No. Test Center 1 10704‐ JNV Bastar 10107044590 Abhishek Markam M 1217 109 ‐ JNV Koraput 2 10704‐ JNV Bastar 10107045376 Bhupendra Kumar Pradhan M 1205 109 ‐ JNV Koraput 3 10704‐ JNV Bastar 10107045324 Deepika Markam F 1219 109 ‐ JNV Koraput 4 10704‐ JNV Bastar 10107042148 Himani Sahu F 1207 109 ‐ JNV Koraput 5 10704‐ JNV Bastar 10107044461 Hitesh Kashyap M 1222 109 ‐ JNV Koraput 6 10704‐ JNV Bastar 10107045066 Lupteshwar Kashyap M 1226 109 ‐ JNV Koraput 7 10704‐ JNV Bastar 10107041660 Manish Bisoi M 1209 109 ‐ JNV Koraput 8 10704‐ JNV Bastar 10107045472 Poonam Kashyap F 1213 109 ‐ JNV Koraput 9 10704‐ JNV Bastar 10107045352 Priyanka Poyam F 1231 109 ‐ JNV Koraput 10 10704‐ JNV Bastar 10107045099 Rinki Netam F 1232 109 ‐ JNV Koraput 11 10704‐ JNV Bastar 10107044256 Vijay Markam M 1238 109 ‐ JNV Koraput 12 10707‐ JNV Bilaspur 10107074324 Diksha Tiwari F 1211 101 ‐ JNV Bilaspur 13 10707‐ JNV Bilaspur 10107073243 Divya Khandey F 1212 101 ‐ JNV Bilaspur 14 10707‐ JNV Bilaspur 10107074119 Mayank Jaiswal M 1221 101 ‐ JNV Bilaspur 15 10707‐ JNV Bilaspur 10107073746 Navendra Kumar Banjare M 1223 101 ‐ JNV Bilaspur 16 10707‐ JNV Bilaspur 10107074262 Praveen Kumar Jangde M 1226 101 ‐ JNV Bilaspur 17 10707‐ JNV Bilaspur 10107074133 Prince Kumar Koshle M 1227 101 ‐ JNV Bilaspur 18 10707‐ JNV Bilaspur 10107073930 Rishabh Awasthi M 1231 101 ‐ JNV Bilaspur 19 10707‐ JNV Bilaspur 10107074190 Vivek Kumar Sumer M 1238 101 ‐ JNV Bilaspur 20 10708‐ JNV Dantewada ‐ I 10107084559 Aakanksha Rana F 1 109 ‐ JNV Koraput 21 10708‐ JNV Dantewada ‐ I 10107084010 Abhishank Pal M 3 109 ‐ JNV Koraput 22 10708‐ JNV Dantewada ‐ I 10107084152 Ashish Kumar Nag M 8 109 ‐ JNV Koraput 23 10708‐ JNV Dantewada ‐ I 10107083731 Geetika Raj F 13 109 ‐ JNV Koraput 24 10708‐ JNV Dantewada ‐ I 10107084452 Hamika Dhruw F 14 109 ‐ JNV Koraput 25 10708‐ JNV Dantewada ‐ I 10107083680 Hemant Tekam M 16 109 ‐ JNV Koraput 26 10708‐ JNV Dantewada ‐ I 10107085007 Kushal Punem M 20 109 ‐ JNV Koraput 27 10708‐ JNV Dantewada ‐ I 10107082474 Parul Kushwaha F 26 109 ‐ JNV Koraput 28 10708‐ JNV Dantewada ‐ I 10107084808 Pooja Jatav F 27 109 ‐ JNV Koraput 29 10708‐ JNV Dantewada ‐ I 10107083938 Prashant Jhadi M 29 109 ‐ JNV Koraput 30 10708‐ JNV Dantewada ‐ I 10107085756 Rajesh Sodee M 33 109 ‐ JNV Koraput 31 10708‐ JNV
Recommended publications
  • List of Newly Approved Institutions
    UNIVERSITY GRANTS COMMISSION Bahadur Shah Zafar Marg New Delhi-110002 Approval of new skill based courses to institutions under NSQF for the academic year 2020-21 S.No State Name Name of the Address Details Institution 1 Andhra A M A L College Anakapalli, District Trade/Course Pradesh Visakhapatnam - 531 001 Certificate DAIRYING & ANIMAL HUSBANDRY B.VOC. Degree DAIRYING & ANIMAL HUSBANDRY Certificate Agriculture B.VOC. Degree Agriculture 2 Tamil Nadu A Veeriya Vendayar Poondi, District Thanjavur Programme Trade/Course Memorial Sri Diploma Edible mushroom cultivation Technology Pushpam College Diploma Ornamental fish culture Diploma Bio fertilizer Diploma Handicrafts/Thanjavur Arts and Paintings 3 Tamil Nadu A.D.M. College for Nagapattinam, District Programme Trade/Course Women Quaide-E-Milleth B.VOC. Degree Management and Entrepreneurship/Modern Office Practices B.VOC. Degree Apparel/Fashion Technology B.VOC. Degree Healthcare/Nutrition and Dietetics B.VOC. Degree Banking & Financial Service/ Banking Finance and Insurance 4 Andhra A.N.R. College Gudivada, District Programme Trade/Course Pradesh Krishna - 521 301 Certificate IT/Ites/WEB TECHNOLOGIES Certificate Management and Entrepreneurship/ GOODS & SERVICES TAX (GST) Certificate Chemical and Petrochemicals/ ANALYTICAL CHEMISTRY 5 Tamil Nadu A.P.C. Mahalaxmi Tuticorin, District Programme Trade/Course College for women Tuticorin - 628 016 Diploma IT/Ites/Data Science Diploma Media and Entertainment/Advertising and Public Relations Diploma Beauty & Wellness/Herbal Beauty Care 6 Maharashtra A.R. Burla Mahila City Survey No. Programme Trade/Course Varishtha 9705/9/A/2A, Raviwar B.VOC. Degree Theatre and Stage Craft 7 Maharashtra A.T.S.P.M. Arts & Ashti, District Beed Programme Trade/Course Commerce College Diploma Agriculture/Organic Farming Diploma IT/Ites/Computer Application and Information Technology Diploma IT/Ites/Web Page Designing & Web development 8 Telangana A.V.V.
    [Show full text]
  • THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
    THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full
    [Show full text]
  • Kanan Devi Remembering a Lost Archive
    Kanan Devi Remembering a Lost Archive One would hear the soft melodies of sapnon me koyi aata hai from a distance as a neighbour played his old records of, with my grandmother humming to it. An incredible performer, singer, actress extraordinaire – Kanan Bala has vanished from public visuality in a city that once hailed her as a superstar. The occasional mentions of New Theatres, of the peripheral inclusion in discussing male heroes – the public at large has forgotten Kanan Bala’s phenomenal journey from the child-artist to the stardom. Kanan Devi is the voice of a time which unscathed by the playback; Kanan Devi is the unrivalled face from Calcutta who ruled the box-offices nationwide. In a time when the stigmatized world of entertainment offered little space for women, Kanan Devi pioneered in the industry, shone bright as a star, and inspired a future for women artists. With indeterminate lineage, Kanan Devi paved her way into the world of cinema with a humble audition, eventually resulting in her first film, Jaidev in 1926. Playing both Radha and Krishna in this silent film, Kanan delivered a graceful radiance that had no inhibition for the camera. This series of old photographs from a rare private collection curates a narrative that is infused with the personal and the public live(s) of Kanan Bala. Extending over a range of photographers captured by press, crew and studio-photographers like Panna Sen, Sri Subinoy, P Sarkar, Dhiren Dev and other anonymous ones, this collection reactivates memories of the journey of a timeless woman artist.
    [Show full text]
  • List of Candidates Roll Nos from 5615 to 6316 of Staff Nurse
    List of candidates Roll Nos from 5615 to 6316 of Staff Nurse Sl. No Name & Address Roll No. 1 Takhellambam Santoshi Devi, 5615 Khurai Kongpal Laishram Leikai Imphal East 2 Thangjam Linthoi Chanu, Yairipok 5616 Kekru Mathak Leikai, Thoubal 3 Wangkheirakpam Sophia Devi, 5617 Kwakeithel Heinoukhongnembi Leikai 4 Khongbantabam Sunita Devi, 5618 Khurai Sajor Leikai. 5 Ibemcha Chanambam, 5619 Thangmeiband Lairenhanjaba Leikai 6 Rekha kakchingtabam, Singjamei 5620 Chingamakhong Chongtham leikai. 7 Leishangthem Radhika Devi, 5621 Leiphrakpam Mayai Leikai 8 Yogeshwar Kumar Bajroliya, 5622 Behind Krishi Upaj Mandi, Bhanwar Colony, Sikar Dist, 9 LaishramRajasthan Deepika Devi, 5623 Nagamapal Singjubung Leirak. 10 Rajkumari Radharani Devi, 5624 Khundrakpam Makha Leikai. 11 Heikham Aarti Devi, Lamding 5625 Khumanthem Leikai. 12 Thounaojam Bijaya Devi, Wangoi 5626 Longjam leikai 13 Ngangom Mitra Devi, Kakyai 5627 Mamang Leikai, Nambol 14 Jarina Begum, Moijing khongkok 5628 Leikai, Thoubal 15 Sadaf Parveen, 152 B/3 Nand Puri, 5629 Malviya Nagar, Rajasthan 16 Purshottam, Vill - PO Boreli, TEH 5630 Baseri - Rajasthan 17 Rameshwar Meena, Vill, 5631 Ashoknagar, Helak, Rajasthan 18 Bhargav Kuchipudi, Kondapalli, 5632 Andhra Pradesh 19 Bahunlang Warjri, Mawlai 5633 Nongkwar, Shillong 20 Khamnam Lengdabi Devi, 5634 Sagolband Khamnam Leirak 21 Rituparna Mondal, Vill Digra, 5635 Dishirpar Bazar, West Bengal 22 Pradeep Kumar Vaishnav, 298, 5636 Shiv Mandir Wali Gali, Rajasthan 23 Sithara Thomas, Palackunnel 5637 House, Edapuzha, Kerala 24 Shamurailatpam Binarani Devi, 5638 Keinou Thongthak Mamang Leikai 25 PS Totha, River Line Village 5639 26 Pashel Tabitha Anal, Chandel 5640 Khullen Village 27 Karam Rekha Devi, Chingmeirong 5641 Maning Leikai Imphal East 28 Aguiliu Gangmei, Pongringlong 5642 Senapati 29 S.
    [Show full text]
  • Remembering the 'Unknown' Soumitra, a 'Cricketing Rival' to His Mentor
    Remembering the ‘unknown’ Soumitra, a ‘cricketing rival’ to his mentor Satyajit Ray By - TIMESOFINDIA.COMSankha GhoshNov 16, 2020, 11:40 IST Soumitra Chattopadhyay and Satyajit Ray in shot discussion. Pic Courtesy: Twitter They had worked in as many as 14 films together in three decades. Some of Soumitra Chattopadhyay’s memorable works were crafted by none other than Satyajit Ray, whose films received critical acclaim and brought home several prestigious awards worldwide, and put India on the world cinema map. But not many people know Soumitra who passed away on November 15 after his long battle against COVID-19 once appeared as a rival to Ray, his mentor, on the 22 yards! “Soumitra Chattopadhyay was a big admirer of cricket. He, my father Dileep Mukherjee, and Soumendu Roy (Satyajit Ray’s most trusted cinematographer) used to live nearby and were addicted to sports. They would often meet each other to have a game of cricket. Not just the gentleman’s game but also badminton, football. They were sports fanatic and to see them trying their hands in sports was a treat to watch,” recalls former Bengal cricket team all-rounder Joydeep Mukherjee in an exclusive chat with ETimes. Have a close look at this particular photo from the 70s. You can see ahead of a charity match, it’s march past – among others Master Babloo (holding aloft the flag), Satyajit Ray leading the Hemanta Kumar XI, and Jahar Ganguly the captain of Kanan Devi’s XI. While Uttam Kumar walks just behind Satyajit Ray, it was Soumitra Chatterjee who can be seen as Jahar Ganguly’s deputy.
    [Show full text]
  • Dadasaheb Phalke Awards
    Dadasaheb Phalke Awards The Dadasaheb Phalke Awards is the highest award in cinema. It is annually presented at the National Film Awards ceremony by the Directorate of Film Festivals. The award is named after Dhundiraj Govind Phalke, popularly known as Dadasaheb Phalke. Dadasaheb Phalke is regarded as the ‘father of Indian cinema’. In the 2021 edition of the Dadasaheb Phalke Awards Deepika Padukone received the best actress award for her film Chhapaak while Akshay Kumar got the awards for fis performance in the film Laxmi. This article will give details about Dadasaheb Phalke Awards within the context of the IAS Exam Brief facts about Dadasaheb Phalke Ddasheb Phalke was a producer-director-screenwriter who made India’s first feature-length film, Raja Harishchandra in 1913. He made 95 feature-length films and 27 short films in his career, spanning 19 years, until 1937, including his most noted works: Mohini Bhasmasur (1913), Satyavan Savitri (1914), Lanka Dahan (1917), Shri Krishna Janma (1918) and Kaliya Mardan (1919). His contributions to India cinema was legendary and thus was the reason why the Indian government instituted an award in his honour. Recipients of the Dadasaheb Phalke Awards The following table gives the list of winners of the Dadasaheb Phalke Awards through the years Dadasaheb Phalke Awards Recipients (1969-1979) Year Recipient Film Industry 1969 Devika Rani Hindi 1970 Birendranath Sircar Bengali 1971 Prithviraj Kapoor Hindi 1972 Pankaj Mullick ● Hindi ● Bengali 1973 Ruby Myers (Sulochana) Hindi 1974 Bommireddy Narasimha Reddy Telugu 1975 Dhirendra Nath Ganguly Bengali 1976 Kanan Devi Bengali 1977 Nitin Bose Bengali Hindi 1978 Raichand Boral ● Hindi ● Bengali 1979 Sohrab Modi Hindi The following table gives the list of winners from 1980-1989 Dadasaheb Phalke Awards Recipients (1980-1989) Year Recipient Film Industry 1980 Paidi Jairaj ● Hindi ● Telugu 1981 Naushad Hindi 1982 L.
    [Show full text]
  • List of “Dadasaheb Phalke Award” Winners from the Year 1969 to 2016
    List of “Dadasaheb Phalke Award” Winners from the year 1969 to 2016 “Dadasaheb Phalke Award” is a ‘Lifetime Achievement Award’ given annually from the year 1969, by the ‘Directorate of Film Festivals’, set up by the ‘Ministry of Information and Broadcasting’ of the Government of India, in the ‘Annual National Films Awards Ceremony’, to Indian Cinema Artists for their outstanding contributions to the growth and development of Indian Cinema. The award was instituted to commemorate Mr. Dadasaheb Phalke (1870-1944), the pioneer and ‘The Father of Indian Cinema’ , who produced and directed the first full length Indian Feature Film, ‘Raja Harischandra’ in the year 1913. The award consists of a shawl, cash award of Rs 10 Lakhs(US $ 16000/-) and a Swarna Kamal/Golden Lotus Medal. The following is a list of “Dadasaheb Phalke Award”-winners from the year 1969 till date: S.No./Year-S.No.of National Film Awards/NFA/Name /Language/Remarks 1./1969-17th National Films Awards(NFA) /Ms.Devika Rani (1908-1994)/Hindi/ Ms. Devika Rani is known as the first lady of Indian Cinema, who founded the first ‘Indian Public Limited Films Company’, by the name, “The Bombay Talkies” in the year 1934. Deviak Rani acted in her first movie ‘Karma’ produced and acted by Mr.Himanshu, in the year 1933, and in the film, she acted along with Himanshu in a kissing scene, running on the screen for 4 minutes, which is still a record in Indian Cinema History. 2./1970-18th NFA/Birendranth Sircar (1901-1980)/Bengali/ Mr.Sircar is the founder of International Filmcraft and New Theatres, Films companies, who built Cinema theatres in Kolkata.
    [Show full text]
  • Kanan Devi with a Hollywood Actress Shirley Maclaine
    Kanan Devi with a Hollywood actress Shirley Maclaine Kanan Devi with family members Kanan Devi with make-up artist Manju Dey Kanan Devi with Ashok Kumar and family members Kanan Devi with family members Kanan Devi with Ashoktaru Bandyopadhyay Kanan Devi with Satyajit Ray Kanandevi with Suchitra Mitra and Sumitra Sen Studio portrait of Kanan Devi Studio portrait of Kanan Devi Kanan Devi in a film-still Kanan Devi in a film-still Kanan Devi with Manoranjan Bhattacharya in Sapure/ Sapera Kanan Devi with Pahari Sanyal in Sapure/ Sapera Kanan Devi with Pahari Sanyal in Sapure/ Sapera Kanan Devi in Sapure/ Sapera Kanan Devi with Pahari Sanyal in Sapure/ Sapera Kanan Devi in Sapure/ Sapera Kanan Devi with Pahari Sanyal in Sapure/ Sapera Kanan Devi with Pahari Sanyal in Sapure/ Sapera Kanan Devi with Pahari Sanyal in Vidyapati Kanan Devi with Pahari Sanyal in Vidyapati Kanan Devi with Pahari Sanyal and Prithviraj Kapoor in Vidyapati Kanan Devi with K.L Saigal in Parichay/ Lagan Kanan Devi with K.L Saigal in Street Singer/ Saathi Kanan Devi with K.L Saigal in Parichay/ Lagan Kanan Devi with Pahari Sanyal in Vidyapati Kanan Devi with Prithviraj Kapoor in Vidyapati Kanan Devi in Vidyapati Kanan Devi with Pahari Sanyal in Haar Jeet Kanan Devi with Arvind Nemo and Pannalal Srivastava in Haar Jeet Kanan Devi with K.L Saigal in Parichay/ Lagan Kanan Devi in a film-still Kanan Devi in Haar Jeet Kanan Devi with K.L Saigal in Parichay/ Lagan Kanan Devi with Pahari Sanyal in Haar Jeet Kanan Devi in a film-still Kanan Devi in Haar Jeet Kanan Devi in Abhinetri
    [Show full text]
  • Indian Cinema and Music: a Historical Journey
    Indian Cinema and Music: A Historical Journey Amandeep Kaur Assistant Professor, Department of English, Post Graduate Government College for Girls, Sector-42, Chandigarh. Research Scholar, Department of English and Cultural Studies, Panjab University, Chandigarh. Abstract Indian cinema has a very special relationship with music. Our traditional legacy of music motivates our filmmakers to explore this oldest form of art through the young medium of cinema. Indian cinema has a very unique musical character. Songs and dance constitutes a very significant aspect of films made in our country. This research paper is an attempt to look back and trace the historical journey of music in Indian cinema. It focuses on the development of various phases when music flourishes at different levels. The paper studies the introduction and growth of various genres of music as well as the contribution various singers, music composers and lyricists made to flourish these genres. The paper also focuses on the contribution of those filmmakers who explored cinematic medium through music. They thought above the song and dance numbers and tried to learn from music to experiment with the medium of cinema. The focus will also be on the contemporary cinema and the pop music used in it. Keywords: Main stream Indian Cinema, Indian New Wave Cinema, Musical Genres Introduction The use of music in Indian cinema, however, is a recent phenomenon traced back to the beginning of 20th Music is one among the oldest forms of art. It is a century. It is interesting to note that the musical fanfare was part of every sphere of Indian life such as social, cultural, already there in our country even before the introduction of political, religious, domestic and public.
    [Show full text]
  • General Knowledge
    A M K RESOURCE WORLD GENERAL KNOWLEDGE www.amkresourceinfo.com General Knowledge – Part 20 INTERNATIONAL AGENCIES Asian Development Bank Abbreviation: ADB About:The Asian Development Bank (ADB) is a regional development bank to facilitate economic development in Asia. Headquarter: Mandaluyong, Metro Manila,Philippines Establishment: 19th December 1966. Head: Takehiko Nakao Motto: Fighting Poverty in Asia and Pacific. Membership:67 Countries. International Monetary Fund Abbreviation: IMF About: is an international organization which is working to foster global monetary cooperation, secure financial stability, facilitate international trade, promote high employment and sustainable economic growth, and reduce poverty around the world. Objective: to foster global monetary cooperation, secure financial stability, facilitate international trade, promote high employment and sustainable economic growth, and reduce poverty around the world. Headquarter: Washington D.C., U.S. Establishment: 27th December 1945 MD and CEO: Christine Lagarde. Membership: 188 Countries. Official Language: English 1 www.amkresourceinfo.com A M K RESOURCE WORLD GENERAL KNOWLEDGE Association of Southeast Asian Nations Abbreviation: ASEAN About: It is a political and economic organisation of ten Southeast Asian countries. Objective: Its aims include accelerating economic growth, social progress, and sociocultural evolution among its members, protection of regional peace and stability, and opportunities for member countries to resolve differences peacefully. Headquarter: Jakarta, Indonesia Establishment: 8th August 1967. Secretary General: Lê L ng Minh Membership: 10 States, 2 Observers ươ Official Language: English. MOTTO: “One Vision, One Identity, One Community The Organisation for Economic Co-operation and Development Abbreviation: OECD About: It is an international economic organisation. Objective:to stimulate economic progress and world trade. Headquarter: Paris, France.
    [Show full text]
  • PROCEEDINGS of 261St MEETING of the ERC-NCTE HELD on 24Th – 25Th September, 2018
    st th th Proceedings of 261 Meeting of ERC-NCTE held on 24 – 25 September, 2018 PROCEEDINGS OF 261st MEETING OF THE ERC-NCTE HELD ON 24th – 25th September, 2018 The 261st Meeting of the Eastern Regional Committee (ERC), National Council for Teacher Education (NCTE) was convened on 24th – 25th September, 2018 at Conference Hall, ERC, NCTE, 15, Neelakantha Nagar, Nayapalli, Bhubaneswar. The Chairperson, Members and Convener as listed below were present at the time of the 261st ERC Meeting. Prof. Brajanath Kundu - Chairperson Shri Kaushik Halder - State Representative of West Bengal Dr. Pratap Indra Dash - State Representative of Odisha Ms. Surki Bhutia - State Representative of Sikkim Shri Awadhesh Kumar Singh - State Representative of Bihar Ms. Naorem Santa Devi - State Representative of Manipur Shri Pradeep Kumar Yadav - Regional Director (I/C), ERC & Convener As per the notice for meeting issued by this office, the 261st meeting of ERC scheduled from 24th – 25th September, 2018. The Chairperson, ERC is unable to attend the meeting on 24th – 25th September, 2018 and given consent to continue the meeting in her absence. The members present in the meeting hereby unanimously decided that in absence of Chairperson ERC, Prof. Brajanath Kundu, Member, ERC shall function as Chairperson. At the outset, the Regional Director welcomed all the members of Committee and apprised them about the provisions of the NCTE Act, Rules, Regulations and Guidelines issued from time to time. With the permission of Chairperson, Shri Pradeep Kumar Yadav (Convener) presented the Agenda before the Committee for its due consideration and appropriate decision. Sl. No. Item No.
    [Show full text]
  • Early Indian Talkies: Voice, Performance and Aura
    Early Indian Talkies: Voice, Performance and Aura Madhuja Mukherjee This paper studies the ‘coming of sound’ in Indian cinema, in relation to the debates such technical change generated in the Indian context, and the ways in which sound and music were negotiated within popular cinematic forms. In connection with this, I would also like to address the question of a ‘gendered’ voice and performance in early talkies to illustrate how various representations of sound and music were produced through a cultural politics. In my attempt to study the deployment of music in popular cinemas, I examine the subject of classical music (and songs), and its varied articulations in the pre-play back era. I wish to read how the ‘aura’ of performances, which is apparently lost through mechanical reproductions, may be reinstituted through certain kinds of performances within specific contexts. I use a New Theatres Ltd. [1] film, Street Singer (1938), and K.L. Saigal’s enunciations of the ragas in the film, to elucidate my point. I 100% talkies: A historical overview The first Indian talkie Alam Ara , based on a popular stage play, produced by the Imperial Film Company [2] and directed by A. Irani was released on 14th March, 1931 [3]. Irani had seen Hollywood’s 40% Sound film Showboat and decided to bring 100% sound to India. The Madan Theatres [4] narrowly missed the opportunity to make this ‘history’ and followed up Irani’s first film with six more talkies in the same year. Madan’s second film Shirin Farad , based on a Persian love story and featuring Jehan Ara Kajjan, Nissar and 42 songs, was a booming success.
    [Show full text]