57Th National Film Awards
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ANNIVERSARY SPECIAL Millenniumpost.In
ANNIVERSARY SPECIAL millenniumpost.in pages millenniumpost NO HALF TRUTHS th28 NEW DELHI & KOLKATA | MAY 2018 Contents “Dharma and Dhamma have come home to the sacred soil of 63 Simplifying Doing Trade this ancient land of faith, wisdom and enlightenment” Narendra Modi's Compelling Narrative 5 Honourable President Ram Nath Kovind gave this inaugural address at the International Conference on Delineating Development: 6 The Bengal Model State and Social Order in Dharma-Dhamma Traditions, on January 11, 2018, at Nalanda University, highlighting India’s historical commitment to ethical development, intellectual enrichment & self-reformation 8 Media: Varying Contours How Central Banks Fail am happy to be here for 10 the inauguration of the International Conference Unmistakable Areas of on State and Social Order 12 Hope & Despair in IDharma-Dhamma Traditions being organised by the Nalanda University in partnership with the Vietnam The Universal Religion Buddhist University, India Foundation, 14 of Swami Vivekananda and the Ministry of External Affairs, Government of India. In particular, Ethical Healthcare: A I must welcome the international scholars and delegates, from 11 16 Collective Responsibility countries, who have arrived here for this conference. Idea of India I understand this is the fourth 17 International Dharma-Dhamma Conference but the first to be hosted An Indian Summer by Nalanda University and in the state 18 for Indian Art of Bihar. In a sense, the twin traditions of Dharma and Dhamma have come home. They have come home to the PMUY: Enlightening sacred soil of this ancient land of faith, 21 Rural Lives wisdom and enlightenment – this land of Lord Buddha. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Indian Panorama 2019 Press Release
1 DIRECTORATE OF FILM FESTIVALS (Ministry of I&B) Indian Panorama 2019 Press Release The 50th International Film Festival of India, 2019 announces the selection of Indian Panorama. Indian Panorama is a flagship section of IFFI, which showcases the best of contemporary Indian Feature and Non-Feature Films of the years. This year, the Feature Film Jury, comprising of thirteen members was headed by acclaimed filmmaker and screenwriter Shri Priyadarshan. The Feature Jury constituted of the following Members: 1. Smt Sreelekha Mukherji, Actress & Director 2. Shri Ahathian, Filmmaker, Writer, Director & Actor 3. Shri Sabyasachi Mohapatra, Filmmaker 4. Shri Vinod Ganatra, Filmmaker 5. Shri Rajendra Prasad Choudhary, Cinematographer, Filmmaker and Film Producer 6. Shri Kuukuu Kohli, Filmmaker and Film Producer 7. Shri Jadu Moni Dutta, Film actor and Director 8. Shri Harish Bhimani, Narrator, Screenwriter and Filmmaker 9. Shri Akashaditya Lama, Filmmaker 10. Shri K Puttaswamy, Film critic, Film historian and writer 11. Shri Phunsukh Laddakhi, Film actor and educationist 12. Shri Girish Mohite, Filmmaker The Feature Film Jury has selected 21 Feature films from the received entries . The package includes Best Feature Film of 66th National Film Awards 2018 titled “Hellaro” (Gujarati) by virtue of direct entry as per Indian Panorama 2019 clause no. 8.6. Five (5) Mainstream films are also selected under Indian Panorama Section of 50th International Film Festival of India, 2019 by an Internal Committee of DFF based on the recommendations of FFI and PRODUCER’S GUILD. List of 26 Feature Films selected in the Indian Panorama 2019 is as follows: S. No. Name of the film Language Director 1. -
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ASMBS Abstracts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
Schedule for Submission of Appeal at Regional Office
SCRO: Schedule for submission of Appeal at Regional Office Sr. No Application Permanent Institute Name State Date ID ID VIF COLLEGE OF ENGINEERING & Andhra 1 1-395751273 1-5022601 TECHNOLOGY Pradesh 15th June 2011 MADANAPALLE INSTITUTE OF Andhra 2 1-395777221 1-7603741 TECHNOLOGY & SCIENCE Pradesh 15th June 2011 HI-TECH COLLEGE OF ENGINEERING & Andhra 3 1-395898205 1-4843271 TECHNOLOGY Pradesh 15th June 2011 NOBLE COLLEGE OF ENGG. & TECH. FOR Andhra 4 1-395900212 1-2504821 WOMEN(NETW) Pradesh 15th June 2011 SRINIVASA INSTITUTE OF Andhra 5 1-395917231 1-25181337 PHARMACETICAL SCIENCES Pradesh 15th June 2011 MOTHER TERESA INSTITUTE OF SCIENCE Andhra 6 1-395923222 1-6209801 AND TECHNOLOGY Pradesh 15th June 2011 MRR INSTITUTE OF TECHNOLOGY & Andhra 7 1-395923242 1-5329571 SCIENCE, UDAYAGIRI Pradesh 15th June 2011 SRI INDU COLLEGE OF ENGINEERING & Andhra 8 1-395928224 1-4205664 TECHNOLOGY Pradesh 15th June 2011 Andhra 9 1-395934253 1-12534421 RAMAPPA ENGINEERING COLLEGE Pradesh 15th June 2011 Andhra 10 1-395945331 1-6571441 SSJ COLLEGE OF PHARMACY Pradesh 15th June 2011 VAAGESWARI COLLEGE OF Andhra 11 1-395961233 1-9513591 ENGINEERING Pradesh 15th June 2011 MVR COLLEGE OF ENGINEERING AND Andhra 12 1-396058211 1-2507491 TECHNOLOGY Pradesh 15th June 2011 Andhra 13 1-396060461 1-2609821 GMR INSTITUTE OF TECHNOLOGY Pradesh 15th June 2011 Andhra 14 1-396061351 1-3142834 VISVODAYA ENGINEERING COLLEGE Pradesh 15th June 2011 DNR COLLEGE OF ENGINEERING & Andhra 15 1-396066591 1-4702766 TECHNOLOGY Pradesh 15th June 2011 AURORA'S SCIENTIFIC, Andhra 16 -
Hindi Song Book
1 Hindi Text Listing 33 Movie/singer order NO. TITLE MOVIE/SINGER COMPOSED BY 206 EK LADKI KO DEKHA TO AISA LAGA 1942 A LOVE STORY KUMAR SANU 521 PYAR HUA CHUPKE SE 1942 A LOVE STORY KAVITA KRISHNAMURTHY 539 RIMJHIM RIMJHIM 1942 A LOVE STORY KUMAR SANU , KAVITA K. 544 ROOTH NA JANA 1942 A LOVE STORY KUMAR SANU 677 YE SAFAR BAHUT HAI KATHIN MAGAR 1942 A LOVE STORY SHIVAJI CHATOPADHYAYA 421 MERA DIL TERA DIWAANA AA AB LAUT CHALEN ALKA UDIT 6038 KILIYE KILIYE AA RATHRI S. JANAKI 399 MAI GAREEBON KA DIL HOON AABE HYAAT HEMANT KUMAR 9 AAJ MERE YAAR KI SHAADI HAI AADMI SADAK KA MOHD.RAFI 11 AAJ PURANI RAAHON SE AADMI MOHD. RAFI 452 NA AADMI KA KOI BHAROSA AADMI MO. RAFI 13 AAJA RE AAH LATA MANGESHKAR & MUKESH 284 JAANE NA NAZAR AAH LATA MANGESHKAR, MUKESH 533 RAJA KI AAYEGI BARAT AAH LATA MANGESHKAR 222 GORIYA RE GORIYA RE AAINA LATA, JOLLY MUKHARJEE 43 ACHHA TO HUM CHALTE HAI AAN MILO SAJANA LATA, KISHORE KUMAR 19 AAN MILO SAJNA AAN MILO SAJNA LATA MANGESHKAR, MOHD.RAFI 661 YAHAAN WAHAAN SAARE AAN MILO SAJNA KISHORE KUMAR 8 AAJ MERE MANN MEIN SAKHI AAN LATA MANGESHKAR 105 BUS MERI JAAN BUS AANCHAL LATA, KISHORE KUMAR 275 IS MOD SE JAATE HAI AANDHI LATA MANGESHKAR 215 GAYA BACHPAN AANKHON ANKHON MEIN LATA MANGESHKAR 434 MERI AANKHON MEIN TUM HO AANKHON MEIN TUM HO ALKA, UDIT NARAYAN 227 GUNI JANO BHAKT JANO AANSOON AUR MUSKAAN KISHORE KUMAR 22 AAP AAYE BAHAAR AAYI AAP AAYE BAHAAR AAYI MOHD. -
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday. -
Bhoga-Bhaagya-Yogyata Lakshmi
BHOGA-BHAAGYA-YOGYATA LAKSHMI ( FULFILLMENT AS ONE DESERVES) Edited, compiled, and translated by VDN Rao, Retd. General Manager, India Trade Promotion Organization, Ministry of Commerce, Govt. of India, Pragati Maidan, New Delhi, currently at Chennai 1 Other Scripts by the same Author: Essence of Puranas:-Maha Bhagavata, Vishnu Purana, Matsya Purana, Varaha Purana, Kurma Purana, Vamana Purana, Narada Purana, Padma Purana; Shiva Purana, Linga Purana, Skanda Purana, Markandeya Purana, Devi Bhagavata;Brahma Purana, Brahma Vaivarta Purana, Agni Purana, Bhavishya Purana, Nilamata Purana; Shri Kamakshi Vilasa Dwadasha Divya Sahasranaama: a) Devi Chaturvidha Sahasra naama: Lakshmi, Lalitha, Saraswati, Gayatri; b) Chaturvidha Shiva Sahasra naama-Linga-Shiva-Brahma Puranas and Maha Bhagavata; c) Trividha Vishnu and Yugala Radha-Krishna Sahasra naama-Padma-Skanda-Maha Bharata and Narada Purana. Stotra Kavacha- A Shield of Prayers Purana Saaraamsha; Select Stories from Puranas Essence of Dharma Sindhu Essence of Shiva Sahasra Lingarchana Essence of Paraashara Smtiti Essence of Pradhana Tirtha Mahima Dharma Bindu Essence of Upanishads : Brihadaranyaka , Katha, Tittiriya, Isha, Svetashwara of Yajur Veda- Chhandogya and Kena of Saama Veda-Atreya and Kausheetaki of Rig Veda-Mundaka, Mandukya and Prashna of Atharva Veda ; Also ‘Upanishad Saaraamsa’ (Quintessence of Upanishads) Essence of Virat Parva of Maha Bharata Essence of Bharat Yatra Smriti Essence of Brahma Sutras Essence of Sankhya Parijnaana- Also Essence of Knowledge of Numbers Essence of Narada Charitra; Essence Neeti Chandrika-Essence of Hindu Festivals and Austerities- Essence of Manu Smriti*- Quintessence of Manu Smriti* - *Essence of Pratyaksha Bhaskara- Essence of Maha Narayanopanishad*-Essence of Vidya-Vigjnaana-Vaak Devi* Note: All the above Scriptures already released on www. -
100Treescrashinjustaweek
Thursday, May30, 2019 DECCAN HERALD 3 Take alook at some gifting Metrolife cityscape options for this Eid P4 100trees crash in just aweek Bengaluru hasamonsoon problem. Treesand branches are falling in unprecedented numbers, andthe dangers to life and limb are huge tleast 500-oddtrees have crashedinBen- CBD affected, Agaluru over thepast saystop cop four months,100 in thelast week alone. Gustywinds On Monday,whenit accompaniedbythunder- rained heavily, police storms andheavy rain are clearedfallentree Atwo-wheelerwas damagedafter atreefellonitnear Vyalikaval Police Station limits An uprootedtreecamecrashing down on aNano parked in Sadashivanagarlast uprootingtrees. branches at 300places, on May 27. DH PHOTOSBYJANARDHAN BK weekend. The heavydownpour damagedbothpublicand privatepropertyinseveral Accordingtoenviron- accordingtoAdditional parts across the city. mentalists,mostaffected Commissioner of Police treesare exotic–soft-wood- (Traffic)PHarisheka- Bigtime damageto ed treesnicetolookbut un- ran. “Thiswas a RJ Shruti’snarrow escape able to standuptoastorm. joint operation by electric poles Concretisation of foot- theBBMPand the Hundreds of electric poles Shruti,aka PatPat Pataki branch fell on thecar paths is anotherreason: Bengalurutraffic were damagedastrees and Shruti,and herfamily in frontofus. We were thetrees getnowater to police.Trees were branches crashedonthem. had anarrow escape frightened andour worst nourishtheir roots. uprooted in 40 places Bescom says 982falls have when abig tree branch fearscametruewhen Thefallingtrees and andfallentreebranches caused damage to 564 fell on theircar last abranchfelltothe left branches have damaged obstructed thesmooth poles. “Wehave replaced weekend. Shruti,whose of ourcar,damagingit. cars,bikes andprivate prop- movementoftraffic in 545ofthem,”asenior show is airedonBig FM We moved aheadand erty,but thankfullynolives otherplaces,”hetold official says.Additional 92.7,narratesher ordeal just when we thought have been lost. -
Masculinity and the Structuring of the Public Domain in Kerala: a History of the Contemporary
MASCULINITY AND THE STRUCTURING OF THE PUBLIC DOMAIN IN KERALA: A HISTORY OF THE CONTEMPORARY Ph. D. Thesis submitted to MANIPAL ACADEMY OF HIGHER EDUCATION (MAHE – Deemed University) RATHEESH RADHAKRISHNAN CENTRE FOR THE STUDY OF CULTURE AND SOCIETY (Affiliated to MAHE- Deemed University) BANGALORE- 560011 JULY 2006 To my parents KM Rajalakshmy and M Radhakrishnan For the spirit of reason and freedom I was introduced to… This work is dedicated…. The object was to learn to what extent the effort to think one’s own history can free thought from what it silently thinks, so enable it to think differently. Michel Foucault. 1985/1990. The Use of Pleasure: The History of Sexuality Vol. II, trans. Robert Hurley. New York: Vintage: 9. … in order to problematise our inherited categories and perspectives on gender meanings, might not men’s experiences of gender – in relation to themselves, their bodies, to socially constructed representations, and to others (men and women) – be a potentially subversive way to begin? […]. Of course the risks are very high, namely, of being misunderstood both by the common sense of the dominant order and by a politically correct feminism. But, then, welcome to the margins! Mary E. John. 2002. “Responses”. From the Margins (February 2002): 247. The peacock has his plumes The cock his comb The lion his mane And the man his moustache. Tell me O Evolution! Is masculinity Only clothes and ornaments That in time becomes the body? PN Gopikrishnan. 2003. “Parayu Parinaamame!” (Tell me O Evolution!). Reprinted in Madiyanmarude Manifesto (Manifesto of the Lazy, 2006). Thrissur: Current Books: 78. -
Documentation Kerala
DDOOCCUUMMEENNTTAATTIIOONN KKEERRAALLAA An index to articles in journals/periodicals available in the Legislature Library Vol. 11 (3) July – September 2016 SECRETARIAT OF THE KERALA LEGISLATURE THIRUVANANTHAPURAM DOCUMENTATION KERALA An index to articles in journals/periodicals available in the Legislature Library Vol.11 (3) July to September 2016 Compiled by G. Maryleela, Chief Librarian V. Lekha, Librarian Preetha Rani K.R., Deputy Librarian Denny.M.X, Catalogue Assistant Type setting Sindhu.B BapJw \nbak`m sse{_dnbn e`yamb {][m\s¸« B\pImenI {]kn²oIcW§fn h¶n-«pÅ teJ-\-§-fn \n¶pw kmamPnIÀ¡v {]tbmP\{]Zhpw ImenI {]m[m\yapÅXpambh sXc-sª-Sp¯v X¿m-dm-¡nb Hcp kqNnIbmWv ""tUm¡psatâj³ tIcf'' F¶ ss{Xamk {]kn²oIcWw. aebmf `mjbnepw Cw¥ojnepapÅ teJ\§fpsS kqNnI hnjbmSnØm\¯n c−v `mK§fmbn DÄs¸Sp¯nbn«p−v. Cw¥ojv A£camem {Ia¯n {]tXyI "hnjbkqNnI' aq¶mw `mK¯pw tNÀ¯n«p−v. \nbak`m kmamPnIÀ¡v hnhn[ hnjb§fn IqSp-X At\z-jWw \S-¯m³ Cu teJ\kqNnI klmbIcamIpsa¶v IcpXp¶p. Cu {]kn²oIcWs¯¡pdn¨pÅ kmamPnIcpsS A`n{]mb§fpw \nÀt±i§fpw kzm-KXw sN¿p¶p. hn.-sI. _m_p-{]-Imiv sk{I«dn tIcf \nbak`. CONT ENTS Pages Malayalam Section 01-34 English Section 35-52 Index 53-79 PART I MALAYALAM Agriculture 6. If ]dn¨v tIcfw ]mS-¯n-d-§p- t¼mÄ 1. lnµp-Xz-hm-Zn-I-fpsS hnI-k-\- ]n.-sI. kp[m-I-c³ ¯nsâ s]mÅ-¯cw ka-Im-enI ae-bmfw, 1 BKÌv 2016, AÀ¨\m {]kmZv t]Pv 48þ50 Nn´, 23 sk]vXw-_À 2016, Iq«m-bva-bp-sSbpw ]mc-kv]-cy-¯n-sâbpw t]Pv 38-þ40 kmaq-lnI PohnXw hos−-Sp-¡m\pw ImÀjnI {]Xn-k-Ôn-tbbpw hÀ²n-¨p- A´-tÊmsS Irjn-¡m-c\p Pohn-¡m\pw h-cp¶ Bß-l-Xy-tbbpw Ipdn-¨pÅ Ign-bp¶ tIc-f-amWv s\ÂIrjn teJ-\w. -
Films Released in 2008
THE KALAA AWARDS 2009 NOMINEES LIST Film Name Release Cast Director Producer Audio Music Singers Lyrics Director Yuga Nov-07 Vijay,Kavya Chandra A Anand Arjun Arjun Kailash Kher, Srinivas, V. Nagendra Shreya Ghoshal, Prasad, Ranjith,Tippu,Badri Chandra, Prasad, Shankar Arjun Shanbog, Shamita Malnad Snehanjali Nov-07 Dhruva, Anju Girish H Ramesh, RG Akash Rajesh Hemanth Kumar, Girish Kamplapura Siddaraju Ramnath Lakshmi,Sharan, Kamplapura, Chaitra,Rajesh Ram Krishnan,Rajesh Narayan, V. Ramanath,Shastry Nagendra Prasad,Kavir aj Ganesh Nov-07 Jaggesh, Anant Dinesh Babu S V Srinivasalu Skanda Manikanth V Pradeep Raghu Nag Kadri Kumar,Anuradha Urdigar, Bhat,Rajesh Ram Krishnan,Ujjayni Roy Narayan, Kaviraj, Jayanth Kaykini Chanda Nov-07 Vijay, Shubha S Narayan Smt. Bhagyavati Anand S Narayan Kumarsanu, Shreya S Narayan Poonja Goshal,Chitra KS,Kunal Ganjawala, Madhubalakrishna,Shaan, LN Shastry Hettare Hennane Nov-07 SPB, Rekha, Sai Prakash Sukku Anand Mano Murthy Hrudaya Shiva,Jayanth Jayanth Herabeku Lakshmi Kaikani,K.Kalyan, Kaviraj Kaikani, Hrudaya Shiva, K. Kalyan, Kaviraj Orata I love you Nov-07 Prashanth, Shri CR Manohar Jhankar GR Shankar Rajesh Krishnan, K. Kalyan, Sowmya Nanditha,SPB, MD Hemanth Pallavi,Karthik,Chitra Kumar, GR KS,Hemanth Kumar Shankar, Shri Right Adre Nov-07 Sunil Sharavana B N Srinivas Arjun Neel Gururaj Hoskote, Raju Shyam Ananthnaswamy, LN Shimogga, Shastry, Chennaveer Shiva Bidar,Bombay Samay, Jayashree,Naresh Iyer, Shwetha,Neel, Mayura Anupama,Hariharan,Srini vas Gunavanta Nov-07 Prem, Rekha Raghuvardhan M Muniraju