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Government of Karnataka Ward Wise/Habitation Wise Eligible
Government of Karnataka O/o Commissioner for Public Instruction, Nrupatunga Road, Bangalore - 560001 Ward wise/Habitation wise Eligible Applicant details of RTE 2016 Lottery Process - FINAL PROVISIONAL LIST Sl.No. Application No Child Name Gender DOB Father Name Application Status District : Shimoga Block : BHADRAVATI Ward / Habitation Name : NIMBEGONDI 1 091444 RANGANATHA R Boy 26/05/2010 RAVI E R Your Application is Eligible for RTE 2016 Lottery Process 2 103895 THARUNA K N Boy 22/09/2009 NANDIBASAPPA K S Your Application is Eligible for RTE 2016 Lottery Process 3 123398 SHASHIDHARA K M Boy 09/12/2009 MAHESHWARAPPA N R Your Application is Eligible for RTE 2016 Lottery Process 4 232371 RAMESH PATEL Boy 01/03/2010 S K PATIL Your Application is Eligible for RTE 2016 Lottery Process 5 233363 PRAJWAL R Boy 01/12/2009 RAJAPPA Your Application is Eligible for RTE 2016 Lottery Process 6 265411 AMRUTESHAIAH M V Boy 17/07/2010 VAGEESHAYYA Your Application is Eligible for RTE 2016 Lottery Process 7 285637 BHARATHA KUMAR A H Boy 24/06/2010 ANNAPPA K N Your Application is Eligible for RTE 2016 Lottery Process Ward / Habitation Name : ANAVERI 8 031064 VINUTHA K N Girl 25/04/2012 NAGARAJA K S Your Application is Eligible for RTE 2016 Lottery Process 9 052026 A N MALLIKARJUN Boy 09/03/2012 NATARAJA Your Application is Eligible for RTE 2016 Lottery Process 10 063131 CHANDHANA G M Girl 29/01/2012 MANJUNATHA A G Your Application is Eligible for RTE 2016 Lottery Process 11 064595 SYED SUHAAN Boy 19/01/2012 SHAFIULLA K Your Application is Eligible for RTE -
Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
Psyphil Celebrity Blog Covering All Uncovered Things..!! Vijay Tamil Movies List New Films List Latest Tamil Movie List Filmography
Psyphil Celebrity Blog covering all uncovered things..!! Vijay Tamil Movies list new films list latest Tamil movie list filmography Name: Vijay Date of Birth: June 22, 1974 Height: 5’7″ First movie: Naalaya Theerpu, 1992 Vijay all Tamil Movies list Movie Y Movie Name Movie Director Movies Cast e ar Naalaya 1992 S.A.Chandrasekar Vijay, Sridevi, Keerthana Theerpu Vijay, Vijaykanth, 1993 Sendhoorapandi S.A.Chandrasekar Manorama, Yuvarani Vijay, Swathi, Sivakumar, 1994 Deva S. A. Chandrasekhar Manivannan, Manorama Vijay, Vijayakumar, - Rasigan S.A.Chandrasekhar Sanghavi Rajavin 1995 Janaki Soundar Vijay, Ajith, Indraja Parvaiyile - Vishnu S.A.Chandrasekar Vijay, Sanghavi - Chandralekha Nambirajan Vijay, Vanitha Vijaykumar Coimbatore 1996 C.Ranganathan Vijay, Sanghavi Maaple Poove - Vikraman Vijay, Sangeetha Unakkaga - Vasantha Vaasal M.R Vijay, Swathi Maanbumigu - S.A.Chandrasekar Vijay, Keerthana Maanavan - Selva A. Venkatesan Vijay, Swathi Kaalamellam Vijay, Dimple, R. 1997 R. Sundarrajan Kaathiruppen Sundarrajan Vijay, Raghuvaran, - Love Today Balasekaran Suvalakshmi, Manthra Joseph Vijay, Sivaji - Once More S. A. Chandrasekhar Ganesan,Simran Bagga, Manivannan Vijay, Simran, Surya, Kausalya, - Nerrukku Ner Vasanth Raghuvaran, Vivek, Prakash Raj Kadhalukku Vijay, Shalini, Sivakumar, - Fazil Mariyadhai Manivannan, Dhamu Ninaithen Vijay, Devayani, Rambha, 1998 K.Selva Bharathy Vandhai Manivannan, Charlie - Priyamudan - Vijay, Kausalya - Nilaave Vaa A.Venkatesan Vijay, Suvalakshmi Thulladha Vijay 1999 Manamum Ezhil Simran Thullum Endrendrum - Manoj Bhatnagar Vijay, Rambha Kadhal - Nenjinile S.A.Chandrasekaran Vijay, Ishaa Koppikar Vijay, Rambha, Monicka, - Minsara Kanna K.S. Ravikumar Khushboo Vijay, Dhamu, Charlie, Kannukkul 2000 Fazil Raghuvaran, Shalini, Nilavu Srividhya Vijay, Jyothika, Nizhalgal - Khushi SJ Suryah Ravi, Vivek - Priyamaanavale K.Selvabharathy Vijay, Simran Vijay, Devayani, Surya, 2001 Friends Siddique Abhinyashree, Ramesh Khanna Vijay, Bhumika Chawla, - Badri P.A. -
Daddy (2001 Film)
Daddy (2001 film) Daddy (Telugu: ) is a 2001 Telugu film. The movie • Kota Srinivasa Rao as Shanti’s Paternal Uncle É stars Chiranjeevi and Simran. It was produced by Allu • Allu Arjun as Gopi (guest role) Aravind on the Geetha Arts banner under the direction of Suresh Krishna. The film was successful at the box • Achyuth as Ramesh office. It was released on 4 October 2001. • M. S. Narayana as Priya’s Father • Uttej as Priya’s Friend 1 Plot • Director: Suresh Krishna Raj Kumar or Raj (Chiranjeevi) is a rich audio com- • Writers: Bhupathi Raja (story), Satyanand (dia- pany owner who owns a modern dance school. Dance logue) and Suresh Krishna (screenplay) is his passion and his life till he meets and marries Shanti • Producer: Allu Aravind (Simran). They have a daughter Akshaya (Anushka Mal- hotra). Raj believes in his friends and does anything for • Music: S. A. Rajkumar them. However, they take advantage of him and usurp • his wealth. Though Raj and his family are happy in their Cinematography: Chota K. Naidu not-so-lavish lifestyle, their happiness is shattered when • Fights: Vikram Dharma and Pawan Kalyan Akshaya becomes ill with a heart condition. Raj instead of bringing the money Shanti had stored in the bank to • Choreography: Saroj Khan and Raju Sundaram the hospital to save Akshaya, uses it to save his former • Executive producer: Nagaraju Chittajallu dance student Gopi (Allu Arjun), who was hit by a car. Shanti, who is pregnant, leaves him because she feels that • Editor: Marthand K. Venkatesh he killed their daughter. • Art: Ashok Six years later, Raj, who is once again wealthy, sees his second child, Aishwarya (Anushka Malhotra), who looks exactly like his Akshaya, in whose honor he builds a foun- 3 Commercial dation which takes care of poor, unhealthy children and their families. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -