Dev.D 1 Dev.D Is an Indian Romantic Drama Film Released on 6 February
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
Part 05.Indd
PART MISCELLANEOUS 5 TOPICS Awards and Honours Y NATIONAL AWARDS NATIONAL COMMUNAL Mohd. Hanif Khan Shastri and the HARMONY AWARDS 2009 Center for Human Rights and Social (announced in January 2010) Welfare, Rajasthan MOORTI DEVI AWARD Union law Minister Verrappa Moily KOYA NATIONAL JOURNALISM A G Noorani and NDTV Group AWARD 2009 Editor Barkha Dutt. LAL BAHADUR SHASTRI Sunil Mittal AWARD 2009 KALINGA PRIZE (UNESCO’S) Renowned scientist Yash Pal jointly with Prof Trinh Xuan Thuan of Vietnam RAJIV GANDHI NATIONAL GAIL (India) for the large scale QUALITY AWARD manufacturing industries category OLOF PLAME PRIZE 2009 Carsten Jensen NAYUDAMMA AWARD 2009 V. K. Saraswat MALCOLM ADISESHIAH Dr C.P. Chandrasekhar of Centre AWARD 2009 for Economic Studies and Planning, School of Social Sciences, Jawaharlal Nehru University, New Delhi. INDU SHARMA KATHA SAMMAN Mr Mohan Rana and Mr Bhagwan AWARD 2009 Dass Morwal PHALKE RATAN AWARD 2009 Actor Manoj Kumar SHANTI SWARUP BHATNAGAR Charusita Chakravarti – IIT Delhi, AWARDS 2008-2009 Santosh G. Honavar – L.V. Prasad Eye Institute; S.K. Satheesh –Indian Institute of Science; Amitabh Joshi and Bhaskar Shah – Biological Science; Giridhar Madras and Jayant Ramaswamy Harsita – Eengineering Science; R. Gopakumar and A. Dhar- Physical Science; Narayanswamy Jayraman – Chemical Science, and Verapally Suresh – Mathematical Science. NATIONAL MINORITY RIGHTS MM Tirmizi, advocate – Gujarat AWARD 2009 High Court 55th Filmfare Awards Best Actor (Male) Amitabh Bachchan–Paa; (Female) Vidya Balan–Paa Best Film 3 Idiots; Best Director Rajkumar Hirani–3 Idiots; Best Story Abhijat Joshi, Rajkumar Hirani–3 Idiots Best Actor in a Supporting Role (Male) Boman Irani–3 Idiots; (Female) Kalki Koechlin–Dev D Best Screenplay Rajkumar Hirani, Vidhu Vinod Chopra, Abhijat Joshi–3 Idiots; Best Choreography Bosco-Caesar–Chor Bazaari Love Aaj Kal Best Dialogue Rajkumar Hirani, Vidhu Vinod Chopra–3 idiots Best Cinematography Rajeev Rai–Dev D Life- time Achievement Award Shashi Kapoor–Khayyam R D Burman Music Award Amit Tivedi. -
Bollywood in Australia: Transnationalism and Cultural Production
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 Bollywood in Australia: Transnationalism and Cultural Production Andrew Hassam University of Wollongong, [email protected] Makand Maranjape Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Hassam, Andrew and Maranjape, Makand, Bollywood in Australia: Transnationalism and Cultural Production 2010. https://ro.uow.edu.au/artspapers/258 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Introduction Bollywood in Australia Andrew Hassam and Makand Paranjape The global context of Bollywood in Australia Makarand Paranjape The transcultural character and reach of Bollywood cinema has been gradually more visible and obvious over the last two decades. What is less understood and explored is its escalating integration with audiences, markets and entertainment industries beyond the Indian subcontinent. This book explores the relationship of Bollywood to Australia. We believe that this increasingly important relationship is an outcome of the convergence between two remarkably dynamic entities—globalising Bollywood, on the one hand and Asianising Australia, on the other. If there is a third element in this relationship, which is equally important, it is the mediating power of the vibrant diasporic community of South Asians in Australia. Hence, at its most basic, this book explores the conjunctures and ruptures between these three forces: Bollywood, Australia and their interface, the diaspora. 1 Bollywood in Australia It would be useful to see, at the outset, how Bollywood here refers not only to the Bombay film industry, but is symbolic of the Indian and even the South Asian film industry. -
ASMBS Abstracts )/.." ' ,#()# .3 ), .)(,#.,#/,! ,3
ASMBS Abstracts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
Ripped, Retro and Ravishing
23 SCREEN CHANGE SATURDAY, DEC 31, 2011 2011 2012 Telly bellies and old flames Saas-bahus and their kitchen politics made way for old-fashioned, and mature, romance on television this year KKAHANI MEIN TWIST: Unlike the typical AVIJIT GHOSH 20-nothing telly TIMES NEWS NETWORK couples, Ram and Priya (left) are “Have you ever been in love? Horrible isn’t it? middle-aged and It makes you so vulnerable. It opens your Dr Ashutosh and Dr Nidhi (right) chest and it opens up your heart and it means have an 18-year that someone can get inside you and mess you age gap up. You build up all these defenses, you build up a whole suit of armour, so that nothing can a 20-plus intern with flowing hair and forest-fire and complicating one’s life. By a twist of of a girl half his age. In times when most heroes tured enormous mindspace. And in the Dec 17 hurt you, then one stupid person, no different eyes. Nidhi brims with life. Her smile carries the circumstance, they get married. And slowly, are 20-nothings and almost as pretty as the TAM rating, Bade Achche... was at 9th place. from any other stupid person, wanders into smell of the finest winter flowers and she can like shit, love too happens. And that ‘crazy little heroine, these serials put forward an alternative The love stories have become a late evening your stupid life...and then your life isn’t your light up a room by just stepping into it. -
Spectacle Spaces: Production of Caste in Recent Tamil Films
South Asian Popular Culture ISSN: 1474-6689 (Print) 1474-6697 (Online) Journal homepage: http://www.tandfonline.com/loi/rsap20 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard To cite this article: Dickens Leonard (2015) Spectacle spaces: Production of caste in recent Tamil films, South Asian Popular Culture, 13:2, 155-173, DOI: 10.1080/14746689.2015.1088499 To link to this article: http://dx.doi.org/10.1080/14746689.2015.1088499 Published online: 23 Oct 2015. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsap20 Download by: [University of Hyderabad] Date: 25 October 2015, At: 01:16 South Asian Popular Culture, 2015 Vol. 13, No. 2, 155–173, http://dx.doi.org/10.1080/14746689.2015.1088499 Spectacle spaces: Production of caste in recent Tamil films Dickens Leonard* Centre for Comparative Literature, University of Hyderabad, Hyderabad, India This paper analyses contemporary, popular Tamil films set in Madurai with respect to space and caste. These films actualize region as a cinematic imaginary through its authenticity markers – caste/ist practices explicitly, which earlier films constructed as a ‘trope’. The paper uses the concept of Heterotopias to analyse the recurrence of spectacle spaces in the construction of Madurai, and the production of caste in contemporary films. In this pursuit, it interrogates the implications of such spatial discourses. Spectacle spaces: Production of caste in recent Tamil films To foreground the study of caste in Tamil films and to link it with the rise of ‘caste- gestapo’ networks that execute honour killings and murders as a reaction to ‘inter-caste love dramas’ in Tamil Nadu,1 let me narrate a political incident that occurred in Tamil Nadu – that of the formation of a socio-political movement against Dalit assertion in December 2012. -
Aisha Full Hindi Movie Free Download
Aisha Full Hindi Movie Free Download Aisha Full Hindi Movie Free Download 1 / 3 2 / 3 I Am (2010) Hindi Movie Online in HD - Einthusan Juhi Chawla, Rahul Bose, Radhika Apte Directed by Onir Music by Amit Trivedi,Vivek Phillip,Rajiv Bhalla .... Aisha sees Dev is happily married to Anu (Digangana Suryavanshi) ... The movie keeps moving to and fro from flashback to the present. ... I mean, how else can you show a free-spirited girl who wants to live in ... mother and doesn't want to leave his purkho ki haveli in Old Delhi. ... But, this is Hindi cinema.. Despite her neighbour Arjun's warning, she continues to interfere in others' lives at the cost of her own relationships. Watch Aisha a/an Hindi Romance full movie .... Download Aisha Humaira 2 on Hungama Music app & get access to Iconic Sounds Of Africa - Vol. 108 unlimited free songs, free movies, latest music videos, .... Watch Aisha Online | Aisha Movie Online | Aisha Download | Aisha ... to tags: aisha online movie watch 2010 free hindi download full ... 0%. Aisha is a 2010 Hindi romantic comedy film directed by Rajshree Ojha, starring Sonam Kapoor and Abhay .... Play Aisha (Original Motion Picture Soundtrack) movie songs MP3 by Amit ... Aisha (Original Motion Picture Soundtrack) is a Hindi album released on Jul ... Listen to all songs in high quality & download Aisha (Original Motion Picture ... Old Songs ... Gaana offers you free, unlimited access to over 30 million Hindi Songs, .... Aisha is a 2010 Indian romantic comedy-drama film directed by Rajshree Ojha, starring Sonam ... From Wikipedia, the free encyclopedia .... The movie ends one year later, at Dhruv and Aarthi's wedding, where Aisha states that love is spontaneous and never goes .... -
Devdas by Sanjay Leela Bhansali
© 2018 JETIR July 2018, Volume 5, Issue 7 www.jetir.org (ISSN-2349-5162) Adaptation of the novel ‘Devdas’ in the Film ‘Devdas by Sanjay Leela Bhansali In Bollywood, numerous adaptations have been produced using the great books. Devdas is a standout amongst the most well known and best example of those movies. The novel Devdas was written in Bengali in 1917 by Sarat Chandra Chatterjee, who is usually acclaimed as an 'Incredible Storyteller'. The account of Devdas has been adapted by P. C. Barua who directed three variants of Devdas between 1935 to 1937, in Bengali, Hindi, and Assamese; different adaptations have been made in Tamil and Malayalam. In 1955, Bimal Roy also adapted the narrative of Devdas featuring Dilip Kumar as a male protagonist and became a huge success in the history of Bollywood film. Again in 2002, a standout amongst the most popular director of India of the present day, 'Sanjay Leela Bhanshali', who is well known for his established flicks; Monsoon, Guzaarish, Hum Dil De Chuke Sanam, Goliyon Ki Raaslila Ram – Leela, Bajirao Mastaani and the most controversial film of 2018 Padmawat, has also adapted the story of this classical novel ‘Devdas’. Devdas by Sarat Chandra Chaterjee is one of the classics of Indian Literature, subject to many film adaptations in Indian Cinema. Sarat Chandra Chatterjee was one of the leading literary deities of Bengal, he published several books earlier Nishkriti, Charitraheen, Parineeta, and Srikanta, but his most famous novel is Devdas. Devdas is a tragic story of a man called Devdas who adored however never got his beloved. -
America Celebrates Independence Day with a Bang Biggest July 4 Display of Military Pageantry Since 1850
# 1 Indian American Weekly: Since 2006 VOL 7 ISSUE 27 ● DALLAS ● JULY 05 - 11, 2019 ● ENQUIRIES: 646-247-9458 www.theindianpanorama.news America Celebrates Independence Day with a Bang Biggest July 4 Display of Military Pageantry since 1850 COMMENT BIDISHA ROY Prof I.S.Saluja WASHINGTON (TIP): Each year Washington, DC celebrates the Fourth of July with a bang. The 2019 extravaganza Time to Recommit to became very special, as President American Values Donald Trump wanted to add a military hile 4th of July reminds me of flavor to this year's Independence Day the glorious history of celebrations with Troops, tanks and a W American nation, of the flypast. The Presidenthas re-branded the heroic struggle for Independence, of day as a "Salute to America" and the the great sacrifices made by many for nation watched the biggest July 4 display upholding the values for which of military pageantry since 1850. America stands, which allmake every contd on Page 20 American proud of the great American heritage, it also tells me in President Donald Trump speaks during an 2019 that the great American nation is Independence Day celebration in front of the faced today, 243 years after Lincoln Memorial in Washington, Thursday, Independence in 1776, with a host of July 4, 2019. The Washington Monument and issues which seem to be tearing apart the reflecting pool are in the background. the fine fabric of the great nation. Photo credit : Pool photo by Susan Walsh Greatness comes to a nation when its leaders are loving and caring and treat all as equals, respecting their Trump Pursues with Census Structural reforms needed for dignity. -
The Winning Woman of Hindi Cinema
ADVANCE RESEARCH JOURNAL OF SOCIAL SCIENCE A CASE STUDY Volume 5 | Issue 2 | December, 2014 | 211-218 e ISSN–2231–6418 DOI: 10.15740/HAS/ARJSS/5.2/211-218 Visit us : www.researchjournal.co.in The winning woman of hindi cinema Kiran Chauhan* and Anjali Capila Department of Communication and Extension, Lady Irwin College, Delhi University, DELHI (INDIA) (Email: [email protected]) ARTICLE INFO : ABSTRACT Received : 27.05.2014 The depiction of women as winners has been analyzed in four sets of a total of eleven films. The Accepted : 17.11.2014 first two sets Arth (1982) and Andhi (1975) and Sahib Bibi aur Ghulam (1962), Sahib Bibi aur Gangster (2011), Sahib Bibi aur Gangster returns (2013), explore the woman in search for power within marriage. Arth shows Pooja finding herself empowered outside marriage and KEY WORDS : without any need for a husband or a lover. Whereas in Aandhi, Aarti wins political power and Winning Woman, Hindi Cinema returns to a loving marital home. In Sahib Bibi aur Ghulam choti bahu after a temporary victory of getting her husband back meets her death. In both films Sahib Bibi aur Gangster and returns, the Bibi eliminates the other woman and gangster, deactivates the husband and wins the election to gain power. she remains married and a Rani Sahiba. In the set of four Devdas makes and remakes (1927–2009) Paro is bold, shy, glamorous and ultimately liberated (Dev, 2009). Chanda moves from the looked down upon, prostitute, dancing girl to a multilingual sex worker who is empowering herself through education and treating her occupation as a stepping stone to HOW TO CITE THIS ARTICLE : empowerment. -
Responses to 100 Best Acts Post-2009-10-11 (For Reference)
Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions. -
A Grown up Bromance
12 Friday 26th August, 2011 Now at Savoy (2) -(Dts) Zindagi Na Milegi Dobara A grown up bromance okes about teachers. Fights over make a bromance as beautifully as a little contrived—three girlfriends. Silly word games. Bare woman. adventure sports to test Jchests. Rippling muscles. Streaked The film is gentle, taking time out to your courage—but the story hair. Sigh. Glossy looking and beautiful- look at horses running in the meadows, keeps you engaged. ly written. I must confess by the time I feel the wind the air, swim with the fish A meditative take on finished watching Zindagi Na Milegi underwater. All that male beauty may growing up, becoming a Dobara I was convinced that no one can be a little manipulative and the plot is a man, taking responsibility Congratulations for one’s actions, it has the courage to ly posed performance as a spolit little Coupon No. 141 (Daily Island) go for long periods with no dialogue. A madam. The correct answer is ’25th August’ scene where Hrithik Roshan does a My favourite moment of the film? Finding Nemo and another where the Not the showy moment when Hrithik 1. Ms. Kavindya Colombo 3 boys discover the joys of sky diving is discovers the meaning of life with one 2. H. S. Caldera Kadawatha all about just being. Seizing the deep sea dive with Katrina Kaif. Or 3. Kumara Colombo 15 moment. Living for the day. Yes, yes, when Farhan confronts his pot smoking 4. Lakmali Wathsala Boralesgamuwa cliches all, but shot with such sisterly ageing painter dad-can’t tell you who he 5.