2011 Sci Arc Architecture Program Report
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Industrial Context Work Plan
LOS ANGELES CITYWIDE HISTORIC CONTEXT STATEMENT Context: Industrial Development, 1850-1980 Prepared for: City of Los Angeles Department of City Planning Office of Historic Resources September 2011; rev. February 2018 The activity which is the subject of this historic context statement has been financed in part with Federal funds from the National Park Service, Department of the Interior, through the California Office of Historic Preservation. However, the contents and opinions do not necessarily reflect the views or policies of the Department of the Interior or the California Office of Historic Preservation, nor does mention of trade names or commercial products constitute endorsement or recommendation by the Department of the Interior or the California Office of Historic Preservation. This program receives Federal financial assistance for identification and protection of historic properties. Under Title VI of the Civil Rights Act of 1964, Section 504 of the Rehabilitation Act of 1973, and the Age Discrimination Act of 1975, as amended, the U.S. Department of the Interior prohibits discrimination on the basis of race, color, national origin, disability, or age in its federally assisted programs. If you believe you have been discriminated against in any program, activity, or facility as described above, or if you desire further information, please write to: Office of Equal Opportunity, National Park Service; 1849 C Street, N.W.; Washington, D.C. 20240 SurveyLA Citywide Historic Context Statement Industrial Development, 1850-1980 TABLE -
Peter Sarkis Resume
PETER SARKIS, S.E., MBA As a Principal of Petra Structural Engineers (PSE), Mr. Sarkis is responsible for all aspects of client contact, establishment of fees and schedules, supervision of engineering and drafting personnel, project design and production, overall project coordination, and construction administration. Mr. Sarkis is a licensed structural engineer (S.E.) that has over 23 years of experience as a project manager. Education: Below is a sampling of some projects Mr. Sarkis has managed: MBA (2005) 613 Rose Avenue • Los Angeles CA (2014) Provided construction documents for a 3 University of California, story mixed use project over subterranean podium parking. The subterranean parking Los Angeles required shoring of existing structures and building close to property lines with an eccentric MS Civil Engineering shoring system. The podium deck is design to support a steel and masonry structure that (1997) will be supporting light framed timber apartments. University of California, 1019 Market Street, San Francisco, CA ( 2013) Structural evaluation and retrofit of a Los Angeles 75,000 sf historical building constructed circa 1909 and located at 1019 Market Street in San BS Civil Engineering Francisco, CA.. Our scope of work also included the addition of a second floor, new (1996) mechanical platform on the roof, repair of the historical terra cotta façade, repair of existing damaged beams and columns, and the addition of a new entrance façade Ecole Special des Travaux Publics, Paris, France Kaleidoscope Shopping Center • Mission Viejo, CA: Structural modifications to a 44,000 square foot tenant space at the Kaleidoscope shopping center from a retail space Professional registrations: into a gymnasium ($ 4.9 Million). -
Architecture
April Press 15 Final Cranial_Layout 1 3/8/15 12:58 PM Page 16 architecture A new book by Chatham and New York City architect George Ranalli Below: Ranalli’s book complete with clamshell shows award-winning examples of buildings and industrial products case in a vibrant red – whose design vocabulary has roots in a longer craft tradition in design has the gravitas of treasured bible. and architecture. Ace Frehley, of the rock group Kiss, wanted a house in the Connecticut countryside that expressed his need for a dwelling that would provide some respite from waking up to find fans pressing their In Situ noses against his windows. By Rich Kraham In a new, lavishly illustrated book entitled In Situ , architect George K-Loft in Chelsea, Ranalli, who owns a home on Hudson Avenue in Chatham, sums New York City. up his theoretical positions on architectural projects that he has Living room, din - ing room and been involved in here, in New York City, and around the world. kitchen as seen These include large urban projects, additions, renovations to from the entry to major landmark buildings, interiors, new constructions and the master bed - houses in the landscape. Ranalli explains that the title of his book room is from the Latin meaning “in place,” and he stresses that buildings become iconic, not because some “starchitect” has created a stunning form plopped down on a site, but because the building fits and “responds lovingly to the specificities of place.” Apparently, a host of architectural critics feel the same way. Former New York Times critic Paul Goldberger, in discussing a Ranalli project in Rhode Island to convert a school into condos, wrote: “For all its modernity, this project is an architectural experience worthy of Ranalli designs tables and other Newport, and it connects us again to the architectural traditions furniture to go of this unusual city.” Ada Louise Huxtable, an architectural critic along with his with the Wall Street Journal, wrote that Ranalli’s Saratoga Avenue interior designs. -
ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl
1 ANTHONY VIDLER CURRICULUM VITAE BA Architecture and Fine Arts, Hons.; Dipl. Arch., Cantab.; PhD. TU Delft. Professor, The Irwin S. Chanin School of Architecture, The Cooper Union for the Advancement of Science and Art, New York Fellow of the American Academy of Arts and Sciences. Citizenship: British. Permanent Resident, USA ACADEMIC POSITIONS 2001-present Professor, Irwin S. Chanin School of Architecture, The Cooper Union, NY. 2014-2018 Vincent Scully Visiting Professor of Architectural History, Yale University School of Architecture (Spring Semester). 2013 (Spring) Institute for Advanced Study, Princeton: Member, School of Historical Studies, 2013 -2014 Brown University: Visiting Professor of Humanities and Art History, 1998-2001: University of California Los Angeles: Professor of Art History and Architecture. 1982-1993: Princeton University: Professor of Architecture, William R. Kenan, Jr. Chair. 1972-1982: Princeton University: Associate Professor of Architecture. 1967-1972: Princeton University: Assistant Professor of Architecture. 1965-1967: Princeton University: Instructor in Architecture and Research Associate. ADMINISTRATIVE 2002-2013: Dean, School of Architecture, The Cooper Union 1993-2002: Chair, Department of Art History, UCLA 1997-1998 Dean, College of Art, Architecture, and Planning, Cornell University 1973-1993: Chair, PhD. Program, School of Architecture, Princeton University. 1980-1987: Director, European Cultural Studies Program, Princeton University. 1982-1993 Dean's Executive Committee, School of Architecture, Princeton -
Ranalli Spread
design Architect George Ranalli found Chatham, his second home, twelve years ago. Photo by Sofia Ranalli Our countryside reminds him of lands in Torrice, south of Rome, Italy. And our village architecture here influenced his design of a community building in Brooklyn that critics are hailing as one-of-its-kind architecture – in the best tradition. George 3 Saratoga photos by Paul Warchol By Rich Kraham Architect George Ranalli lives on Hudson gems like the train station are even stronger.” fifteen teaching and critic positions at eleven an enriched and more deeply referenced RanalliAvenue in Chatham for a few understandable Even if you’re not a student of architecture, educational institutions including Columbia, style. The building [Saratoga] does what so reasons. A Bronx native who also lives in Man- you can see some of the details of these build- Cooper Union, Harvard, Rhode Island School much postmodernism of the 1980s failed to hattan, Ranalli “needed to be near the traffic ings in the Saratoga project pictures on the of Design, Yale, and his current position at do – it reinterprets and transforms history noise,” and one would assume the sirens of the next page. City College of New York. into something completely and satisfyingly rescue squad here on Moore Avenue not far It was through their daughter’s acquain- Now mind you, all these credentials could contemporary.” away, “so he could sleep at night.” tances at grammar school that they found not keep Ranalli, a real down-to-earth guy, Ranalli has taken this fresh approach to That said, he – with wife Anne, son Rocco, families that had a connection to Chatham. -
PHOTOGRAPHS WRITTEN HISTORICAL and DESCRIPTIVE DATA HABS CA-2910 PERRIS DEPOT 120 West Fourth Street Perris Riverside County
PERRIS DEPOT HABS CA-2910 120 West Fourth Street HABS CA-2910 Perris Riverside County California PHOTOGRAPHS WRITTEN HISTORICAL AND DESCRIPTIVE DATA HISTORIC AMERICAN BUILDINGS SURVEY PACIFIC WEST REGIONAL OFFICE National Park Service U.S. Department of the Interior 333 Bush Street San Francisco, CA 94104 HISTORIC AMERICAN BUILDINGS SURVEY PERRIS DEPOT HABS No. CA-2910 Location: 120 West Fourth Street Perris, CA 92570 Latitude: 33°46'57.3"N Longitude: 117°13'45.8"W Present Owner: Orange Empire Railway Museum, Inc. 2201 S A Street Perris, CA 92570 Present Use: Perris Valley Historical Museum Significance: The Perris Depot is significant for its role in the economic and social development of Perris. The Perris Depot is also significant as an excellent example of High Queen Anne-style architecture, and for its connection to James W. Nance, a prominent Perris builder and investor. Historian: Nathaniel Heilmann, Intern Margo Nayyar, Architectural Historian California Department of Transportation Division of Environmental Analysis Cultural Studies Office 1120 N Street Sacramento, CA 95814 Project Information: The Perris Depot recordation was completed as one of the mitigation measures for the State Route 74 widening project. The Perris Depot was determined eligible for inclusion in the National Register of Historic Places (NRHP) on February 3, 1989 under Criterion A and C for its role in the development of the City of Perris’s economic growth, and as a distinctive and exemplary example of Queen Anne commercial architecture. Its period of significance is 1892-1944. The Perris Depot was subsequently listed in the NRHP on August 5, 1994. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Code Manipulation: Architecture In-Between Universal and Specific Urban Space Permalink https://escholarship.org/uc/item/7660x051 Author Dahl, Per-Johan Publication Date 2012 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Code Manipulation: Architecture In-Between Universal and Specific Urban Space A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Architecture by Per-Johan Dahl 2012 © Copyright by Per-Johan Dahl 2012 ABSTRACT OF THE DISSERTATION Code Manipulation: Architecture In-Between Universal and Specific Urban Space By Per-Johan Dahl Doctor of Philosophy in Architecture University of California, Los Angeles, 2012 Professor Dana Cuff, Chair Experiences from both academia and practice demonstrate that the legal instruments that comprise the primary tool for carrying out city planning in the U.S. have grown increasingly complex and abstract. Processing the universal rather than the specific aspects of urbanism, these zoning codes have a limited capacity to adapt to local significance and site-specific characteristics, to which architecture is much more responsive, and thus often constrain design innovation. Although various attempts have been made to improve the interconnection between the universal and the specific, we need a wider array of analytic frameworks within the discipline of architecture for evaluating the broader implications of the codes that regulate the form and use of buildings within the context of contemporary city planning. Taking architecture as an intermediary instrument, this study develops the notion of code manipulation as an analytical framework to be used for stimulating and evaluating designs beyond the constraints of code. -
(Dtla 2040) Chinatown
DOWNTOWN COMMUNITY PLAN (DTLA 2040) CHINATOWN Introduction Source: Shutterstock This package of information serves as a guide on how the DTLA 2040 Plan recognizes the unique history and culture of Chinatown. The Downtown Plan aims to support equitable growth into the future by adopting new policies, establishing new zoning rules, and outlining Design Best Practices for new buildings in the neighborhood. This package includes the following: The Policy Document Readers Guide 1. The Policy Document Readers Guide • The General Plan Land Use map shows broad designations of uses and scales. The General Plan Designation doesn’t regulate height or uses on particular properties, but sets a broad range of what should be allowed. 2. Draft Zoning Summary • Zoning regulates the specific size of buildings and what activities are allowed within them. Zoning is the main tool the City uses to implement the vision of the community. The zoning code is a technical document used by city staff to review building plans. This packet includes a summary of the draft zoning and creates a link between the community vision and the draft zoning regulations. The draft zoning code can be found on the Plan website (www.planning4la.org/dtla2040) 3. Chinatown Design Best Practice Summary • The Design Best Practice document outlines ideas on how new development can contribute to the historic, cultural legacy of Chinatown. The document includes topics such as architectural details, access to open space, and precedent studies. The Downtown Plan materials can be found at: www.planning4la.org/dtla2040#draft-plan Page - 1 POLICY DOCUMENT 1. READERS GUIDE Introduction The Policy Document outlines a vision for the neighborhood and outlines specific ideas Chinatown community members shared during outreach events. -
Architecture Program Report for 2011 NAAB Visit
Architecture Program Report for 2011 NAAB Visit Master of Architecture 138 undergraduate credit hours + 30 graduate credit hours Year of Previous Visit: 2005 Current Term of Accreditation: Six-Year Term Submitted to: The National Architectural Accrediting Board 6 September 2010 Program Administrator: Karl Puljak, Director School of Architecture [email protected] 318.257.2816 Chief administrator for academic unit in which program is located: Dr. Edward Jacobs, Dean College of Liberal Arts [email protected] 318.257.4805 Chief Administrative Officer of the Institution: Dr. Kenneth V. Rea, Vice President Academic Affairs [email protected] 318.257.4262 President of the Institution: Dr. Daniel D. Reneau, President Louisiana Tech University [email protected] 318.257.3324 Individual Submitting the Architecture Program Report: Karl Puljak Name of individual to whom questions should be directed: Karl Puljak Architecture Program Report September 2010 Table of Contents Section Page Part One Institutional Support and Commitment to Continuous Improvement 1 I.1 Identity and Self Assessment 2 1. History and Mission 3 2. Learning Culture and Social Equity 19 3. Reponses to the Five Perspectives 25 4. Long Range Planning 32 5. Program Self-Assessment 41 I.2 Resources 54 1. Human Resources and Human Resource Development 55 2. Administrative Structure and Governance 73 3. Physical Resources 76 4. Financial Resources 88 5. Information Resources 93 I.3 Institutional and Program Characteristics 103 1. Statistical Reports 104 2. Annual Reports 108 3. Faculty Credentials 117 I.4 Policy Review 122 Part Two Educational Outcomes and Curriculum 123 II.1 Student Performance Criteria 124 II.2 Curricular Framework 127 1. -
La Sagrada Família: a Contribution on Constancy and Change
FALL/WINTER 2014-15 La Sagrada Família: A Contribution on Constancy and Change ntoni Gaudí labored for more than four Adecades to build the Ex- piatory Temple of the Sagrada Família in Barcelona. Yet, upon his death in 1926, his master- piece was less than a quarter of the way near completion. Gaudí knew well that it only could be finished posthumously. He cultivated a unique fellowship among the craftsmen at work on the project, akin to that found in medieval workshops, which has fostered a collective effort across generations to re- alize the Sagrada Família. Prog- ress on the building continued intermittently after Gaudí’s death, coming to an abrupt halt with the outbreak of the Span- ish Civil War in 1936. Construc- tion resumed in the 1950s and the process remains ongoing, with completion projected for the centenary of Gaudí’s death in 2026. The spirit of collabora- tion that Gaudí fostered before his death has continued to nur- ture the project. The building’s public. A stunning collection of celona. The exhibition provides workshop remains a laboratory these models is at the center of an unprecedented opportunity for architectural experimenta- the exhibit Sagrada Família— to understand the extraordinary tion today, even mobilizing Gaudí’s Unfinished Masterpiece: accomplishments of the Sagrada digital technologies and three- Geometry, Construction and Site, Família’s builders who have dimensional printing to build on view in the SSA Atrium Gal- been at work on the church for upon Gaudí’s vision. lery from 29 September 2014 to nearly a century and a half. -
Downtown Los Angeles
use Learning from Los Angeles October 2013 ThePartnership for Building Re About the Partnership NATIONAL TRUST FOR HISTORIC PARTNERSHIP FOR BUILDING REUSE PRESERVATION The National Trust for Historic Preservation The National Trust for Historic Preservation, a and ULI created the Partnership for Build- privately funded nonprofit organization, works ing Reuse in 2012 to enhance opportuni- to save America’s historic places. Launched ties for building reuse in major U.S. cities. by the National Trust in 2009, the Preserva- Recognizing the environmental, economic tion Green Lab strengthens the fabric of com- and community benefits of reusing vacant munities by capitalizing on the inherent value and blighted property, the Partnership for of their irreplaceable built assets to improve Building Reuse brings together community social, environmental and economic perfor- groups, real estate developers, and civic mance. leaders around the common goal of making it easier to reuse and retrofit these valuable URBAN LAND INSTITUTE assets. The Partnership for Building Reuse The Urban Land Institute (ULI) provides launched with a pilot project in Los Angeles leadership in the responsible use of land and in 2012 and is expanding to four additional in creating and sustaining thriving communi- cities in 2013-14. A national convening and ties worldwide. ULI is an independent global publication summarizing the lessons learned nonprofit supported by members represent- through the Partnership for Building Reuse ing the entire spectrum of real estate de- is planned for 2015. velopment and land use disciplines. ULI Los Angeles is a district council of ULI, and car- ries forth the ULI mission as the preeminent regional real estate organization providing inclusive and trusted leadership influencing public policy and practice. -
In Situ George Ranalli, Works & Projects
www.oropublishers.com newsletter 16 / April 2015 www.oscarrieraojeda.com In Situ George Ranalli, Works & Projects Introduction by In Situ Design sums up the theoretical position embodied in the work of New York architect Michael Sorkin George Ranalli. Over the past 32 years, George Ranalli has worked on projects in New York, other Interview by states in the U.S., and across the world that have involved large-scale urban design, houses in the Susan Szenasy landscape, additions, renovations of major landmark buildings and new constructions. George Main Text by Ranalli is internationally celebrated and published for his work on historic settings, National George Ranalli Essay by Register Historic Landmark buildings and settings with rich design and craft traditions. In Situ is his Joseph Giovannini, operational strategy in the design of these new buildings and additions to these complexes, Paul Goldberger, providing contemporary and creative structures that also blend in seamlessly with their historic Ada Louise Huxtable, environments. The projects have developed a rich craft and design vocabulary, which links this Herbert Muschamp and Anthony Vidler work to the origins and roots of the longer craft tradition in design and architecture. Edited by Oscar Riera Ojeda + watch video of this book + read more in our website “As I begin to formulate my next body of work, I seek a timeless architecture in the middle ground—that space, occupied by so many works both modern and premodern, where a new building can be steeped in distinctive craft and novel design while respecting its environment, thus contributing to an ever-deepening sense of place.” contributors Michael Sorkin Michael Sorkin is Distinguished Professor of Architecture and Director of the Graduate Program in Urban Design at the City College of New York.