Network and Migration in Early Renaissance Florence, 1378-1433
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The Flower of English Chivalry
David Green. Edward the Black Prince: Power in Medieval Europe. Harlow: Pearson Longman, 2007. 312 pp. $28.00, paper, ISBN 978-0-582-78481-9. Reviewed by Stephen M. Cooper Published on H-War (January, 2008) In the city square of Leeds in West Yorkshire, the 1360s. He never became king of England, but there is a magnificent statue of the Black Prince, he was the sovereign ruler of a large part of erected in 1903 when the British Empire was at its France. The prince was a brilliant soldier and height and patriotism was uncomplicated. Dis‐ commander, but he was "not a political animal," playing an intense pride in his life and achieve‐ and there is a strong argument for saying that he ments, the inscription proclaims that the prince won the war but lost the peace because of his mis‐ was "the victor of Crécy and Poitiers, the Flower government of Aquitaine (p. 153). In pursuing his of English Chivalry and the Upholder of the Rights chosen themes, Green deliberately plays down the of the People in the Good Parliament." One would fighting, at which the prince was very good, and not expect a book published in 2007 to make the concentrates on the politics, where the prince was same grandiose claims, and David Green does not either rather hopeless or simply uninterested. In even intend his newest book Edward the Black terms of religion and estate management, there is Prince to be a conventional biography--he has no real evidence that "the Flower of English written one of those already (The Black Prince Chivalry" was even personally involved. -
The Last Supper Seen Six Ways by Louis Inturrisi the New York Times, March 23, 1997
1 Andrea del Castagno’s Last Supper, in a former convent refectory that is now a museum. The Last Supper Seen Six Ways By Louis Inturrisi The New York Times, March 23, 1997 When I was 9 years old, I painted the Last Supper. I did it on the dining room table at our home in Connecticut on Saturday afternoon while my mother ironed clothes and hummed along with the Texaco. Metropolitan Operative radio broadcast. It took me three months to paint the Last Supper, but when I finished and hung it on my mother's bedroom wall, she assured me .it looked just like Leonardo da Vinci's painting. It was supposed to. You can't go very wrong with a paint-by-numbers picture, and even though I didn't always stay within the lines and sometimes got the colors wrong, the experience left me with a profound respect for Leonardo's achievement and a lingering attachment to the genre. So last year, when the Florence Tourist Bureau published a list of frescoes of the Last Supper that are open to the public, I was immediately on their track. I had seen several of them, but never in sequence. During the Middle Ages the ultima cena—the final supper Christ shared with His disciples before His arrest and crucifixion—was part of any fresco cycle that told His life story. But in the 15th century the Last Supper began to appear independently, especially in the refectories, or dining halls, of the convents and monasteries of the religious orders founded during the Middle Ages. -
The Chronicle of Dino Compagni / Translated by Else C. M. Benecke
#m hbl.stx DG 737.2.C613 le i?mnP/!f? of Dino Compagni / 3 1153 0DSMS117 t, % n WRITTEN •T$' FIRST PRINTED • IN • 1726- PLEASE NOTE It has been necessary to replace some of the original pages in this book with photocopy reproductions because of damage or mistreatment by a previous user. Replacement of damaged materials is both expensive and time-consuming. Please handle this volume with care so that information will not be lost to future readers. Thank you for helping to preserve the University's research collections. THE TEMPLE CLASSICS THE CHRONICLE OF DINO COMPAGNI Digitized'by the Internet Archive in 2010 with funding from Boston Library Consortium Member Libraries http://www.archive.org/details/chronicleofdinocOOcomp mmyi CHRPNICE 92DINO COMPAGNI TRANSITED ^ELSE CM. BENECKE S§ FERRERS HOWELL MDCCCCVI PUBL15H6D- BY-^M D6NT- •AMP-CO : ALDlNe-HOUSe-LOMDON-W-O PRELIMINARY NOTE vii PRELIMINARY NOTE Though Dino Compagni calls his work a Chronicle, it is not (like Giovanni Villani's, for example) a Chronicle in the sense in which the term is now used to express a particular kind of narration dis- " tinguished from a history ; the terms " chronicle and "history" being in Dino's time interchange- able. Dino's book is in form the history of a particular fact, namely, the division of the Guelf party in Florence into the White and the Black Guelfs, with its attendant circumstances, its causes, and its results : but under this form is unfolded at the same time the history of the steps by which the wealthy traders of Florence (jfropolani, popolani grassi, and collectively popolo grasso) organised in the greater guilds (see Appendix II.) acquired and retained the control of the machinery of govern- ment in the city and its outlying territory (contado), excluding (practically) from all participation therein on the one hand the Magnates (i.e. -
1 the Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I
The Political Philosophy of Niccolò Machiavelli Filippo Del Lucchese Table of Contents Preface Part I: The Red Dawn of Modernity 1: The Storm Part II: A Political Philosophy 2: The philosopher 3: The Discourses on Livy 4: The Prince 5: History as Politics 6: War as an art Part III: Legacy, Reception, and Influence 7: Authority, conflict, and the origin of the State (sixteenth-eighteenth centuries) 1 8: Nationalism and class conflict (nineteenth-twentieth centuries) Chronology Notes References Index 2 Preface Novel 84 of the Novellino, the most important collection of short stories before Boccaccio’s Decameron, narrates the encounter between the condottiere Ezzelino III da Romano and the Holy Roman Emperor Frederick II: It is recorded how one day being with the Emperor on horseback with all their followers, the two of them made a challenge which had the finer sword. The Emperor drew his sword from its sheath, and it was magnificently ornamented with gold and precious stones. Then said Messer Azzolino: it is very fine, but mine is finer by far. And he drew it forth. Then six hundred knights who were with him all drew forth theirs. When the Emperor saw the swords, he said that Azzolino’s was the finer.1 In the harsh conflict opposing the Guelphs and Ghibellines – a conflict of utter importance for the late medieval and early modern history of Italy and Europe – the feudal lord Ezzelino sends the Emperor a clear message: honours, reputation, nobility, beauty, ultimately rest on force. Gold is not important, good soldiers are, because good soldiers will find gold, not the contrary. -
Leonardo Bruni, the Medici, and the Florentine Histories1
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Queensland eSpace /HRQDUGR%UXQLWKH0HGLFLDQGWKH)ORUHQWLQH+LVWRULHV *DU\,DQ]LWL Journal of the History of Ideas, Volume 69, Number 1, January 2008, pp. 1-22 (Article) 3XEOLVKHGE\8QLYHUVLW\RI3HQQV\OYDQLD3UHVV DOI: 10.1353/jhi.2008.0009 For additional information about this article http://muse.jhu.edu/journals/jhi/summary/v069/69.1ianziti.html Access provided by University of Queensland (30 Oct 2015 04:56 GMT) Leonardo Bruni, the Medici, and the Florentine Histories1 Gary Ianziti Leonardo Bruni’s relationship to the Medici regime raises some intriguing questions. Born in 1370, Bruni was Chancellor of Florence in 1434, when Cosimo de’ Medici and his adherents returned from exile, banished their opponents, and seized control of government.2 Bruni never made known his personal feelings about this sudden regime change. His memoirs and private correspondence are curiously silent on the issue.3 Yet it must have been a painful time for him. Among those banished by the Medici were many of his long-time friends and supporters: men like Palla di Nofri Strozzi, or Rinaldo degli Albizzi. Others, like the prominent humanist and anti-Medicean agita- tor Francesco Filelfo, would soon join the first wave of exiles.4 1 This study was completed in late 2006/early 2007, prior to the appearance of volume three of the Hankins edition and translation of Bruni’s History of the Florentine People (see footnote 19). References to books nine to twelve of the History are consequently based on the Santini edition, cited in footnote 52. -
KIMTECH PURE* G3 Sterile Latex Gloves Data Pack
KIMTECH PURE* G3 Sterile Latex Gloves Data Pack Data ®/* Trademarks of Kimberly-Clark Worldwide, Inc. or its affiliates. Marques déposées de Kimberly-Clark Worldwide, Inc. ou de ses filiales. © KCWW 2011. K02306 K6078-11-01 4/11 Scientific Products Catalog Table Of COnTenTS Technical Data Sheet Certificate of Analysis (COA) Certificate of Irradiation (COI) Package Label Case Label Sterilization Label Pouch Label Sterilization Validation Study Test Method for Analyzing Liquid Particle Counts Test Method for Analyzing Extractables Test Method for Analyzing Bacterial Endotoxins Glossary of Terms 1 T e c h N I c A L d ata s h e e T www.kimtech.com 800-255-6401 Kimtech Pure* G3 sterile Natural rubber Latex† Gloves Formerly SaFeSkin* Sterile Critical natural Rubber Latex Gloves Product Information code Formerly Coded Description size 56843 HC1360S KIMTech Pure* G3 sterile Latex† Gloves 6 56844 HC1365S KIMTech Pure* G3 sterile Latex† Gloves 6.5 56845 HC1370S KIMTech Pure* G3 sterile Latex† Gloves 7 56846 HC1375S KIMTech Pure* G3 sterile Latex† Gloves 7.5 56847 HC1380S KIMTech Pure* G3 sterile Latex† Gloves 8 56848 HC1385S KIMTech Pure* G3 sterile Latex† Gloves 8.5 56849 HC1390S KIMTech Pure* G3 sterile Latex† Gloves 9.0 56842 HC1310S KIMTech Pure* G3 sterile Latex† Gloves 10.0 Material: Natural Rubber Latex. Silicone-free. Protein: Fifty (50) micrograms or less of total water extractable protein per gram, as measured by ASTM D 5712, “Standard Test Method for the Analysis of Aqueous Extractable Protein in Natural Rubber and Its Products Using the Modified Lowry Method.” design: 12” in length, Hand Specific, beaded cuff, with textured palm and palm side on fingertips. -
11 the Ciompi Revolt of 1378
The Ciompi Revolt of 1378: Socio-Political Constraints and Economic Demands of Workers in Renaissance Florence Alex Kitchel I. Introduction In June of 1378, political tensions between the Parte Guelpha (supporters of the Papacy) and the Ghibellines (supporters of the Holy Roman Emperor) were on the rise in Italy. These tensions stemmed from the Parte Guelpha’s use of proscriptions (either a death sentence or banishment/exile) and admonitions (denying one’s eligibility for magisterial office) to rid Ghibellines (and whomever else they wanted for whatever reasons) from participation in the government. However, the Guelphs had been unable to prevent their Ghibelline adversary, Salvestro de’ Medici, from obtaining the position of Gonfaloniere (“Standard-Bearer of Justice”), the most powerful position in the commune. By proposing an ultimately unsuccessful renewal of the anti-magnate Law of Ordinances, he was able to win the support of the popolo minuto (“little people”), who, at his bidding, ran around the city, burning and looting the houses of the Guelphs. By targeting specific families and also by allying themselves with the minor guilds, these “working poor” hoped to force negotiations for socio-economic and political reform upon the major-guildsmen. Instead, however, this forced the creation of a balìa (an oligarchic ruling committee of patricians), charged with suppressing the rioting throughout the city. With the city still high-strung, yet more rioting broke out in the following month. The few days before July 21, 1378 were shrouded in conspiracy and plotting. Fearing that the popolo minuto were holding secret meetings all throughout the city, the government arrested some of their leaders, and, under torture, these “little people” confessed to plans of creating three new guilds and eliminating forced loan policies. -
Notes on a Florence Visit
Notes on A Florence Visit For Great Views of Florence without the Steps Frescoes of the Last Supper in Florence Roof of the Rinascente Department store Roof of the Ospedele degli Innocenti Upper floor of the Orsanmichele Church Recectory at San Marco Piazzale Michelangelo – take the #12 or #13 bus Refectory at St. Maria del Carmine Roof of the Oblate Library – 2 blocks from Duomo Refectory of Ognissante Church Take the bus from San Marco up to Fisole Refectory at Santa Maria Novella -painted by a nun- Sister Trattoria Le Mossacce Nelli Refectory at Santa Croce Videos to View Refectory of San Salvi Refectory at Sant’Apollonia Cenacolo of Fuligno The Medicis – on Netflick Rick Ruggiero on Road Scholar’s Virtual Lecture Medici: Godfathers of the Renaissance -PBS YouTube – 3 hour walking tour of Florence Room With a View Secrets of Florence (on Hoopla) Books To Read Brunelleschi’s Dome – Ross King The Lives of the Artists – Vasari The Stones of Florence – McCarthy Birth of Venus – Dunant Looking at Painting in Florence – Paterson The Light in the Piazza - Spencer Places Not to Miss Mercato Centrale –Market, Food Court, Cooking School Grom Gelato Badia Fiorentina - for Night Vespers Duomo – inside without line – side entrance for English Mass on Sat. PM or Sun. Amici Card at the Uffizi for immediate entry Officina Profumo-Farmaceutica di Santa Maria Novella Ognissante Church – tomb of Botticello Giotto Crucifix Pazzi Chapel next to Santa Croce Leather School and Factory behind Santa Croce Vasari Corridor – expected to be opened this year Galileo Museum San Miniato Church Santissima Annunziata Church – painting of Mary completed by an angel Museum of Precious Stones Riccardo- Medici Palace – Chapel of the Magi San Maria dell Carmine Church -Brabcacci Chapel Santo Spirito Church – Michelangelo’s Crucifix . -
Allestimenti Di Ritratti E Narrative Storico Genealogiche Nei Palazzi Fiorentini, Ca
COLLANA ALTI STUDI SULL’ETÀ E LA CULTURA DEL BAROCCO PASQUALE FOCARILE Allestimenti di ritratti e narrative storico genealogiche nei palazzi fiorentini, ca. 1650-1750 COLLANA ALTI STUDI SULL’ETÀ E LA CULTURA DEL BAROCCO V - IL RITRATTO Fondazione 1563 per l’Arte e la Cultura della Compagnia di San Paolo Sede legale: Corso Vittorio Emanuele II, 75 – 10128 Torino Sede operativa: Piazza Bernini, 5 – 10138 Torino Tel. 011 4401401 – Fax 011 4401450 – [email protected] Codice fiscale: 97520600012 Consiglio di Amministrazione 2018-2020: Piero Gastaldo (Presidente), Walter Barberis (Vicepresidente) Consiglieri: Allegra Alacevich, Laura Barile, Blythe Alice Raviola Direttore scientifico del Programma Barocco: Michela di Macco Direttore: Anna Cantaluppi Vicedirettore: Elisabetta Ballaira Consiglio di Amministrazione 2015-2017: Rosaria Cigliano (Presidente), Michela di Macco (Vicepresidente) Consiglieri: Allegra Alacevich, Walter Barberis, Stefano Pannier Suffait Direttore: Anna Cantaluppi Responsabile culturale: Elisabetta Ballaira Programma di Studi sull’Età e la Cultura del Barocco Borse di Alti Studi 2017 Tema del Bando 2017: Il Ritratto (1680-1750) Assegnatari: Chiara Carpentieri, Pasquale Focarile, Ludovic Jouvet, Fleur Marcais, Pietro Riga, Augusto Russo Tutor dei progetti di ricerca: Cristiano Giometti, Cinzia M. Sicca, Lucia Simonato, Alain Schnapp, Beatrice Alfonzetti, Francesco Caglioti Cura editoriale: Alice Agrillo È vietata la riproduzione, anche parziale e con qualsiasi mezzo effettuata, non autorizzata. L’Editore si scusa per -
Servite Order 1 Servite Order
Servite Order 1 Servite Order Order of the Servants of Mary Abbreviation OSM Formation 1233 Type Mendicant order Marian devotional society Headquarters Santissima Annunziata Basilica, Florence, Italy Website [1] The Servite Order is one of the five original Catholic mendicant orders. Its objects are the sanctification of its members, preaching the Gospel, and the propagation of devotion to the Mother of God, with special reference to her sorrows. The members of the Order use O.S.M. (for Ordo Servorum Beatae Mariae Virginis) as their post-nominal letters. The male members are known as Servite Friars or Servants of Mary. The Order of Servants of Mary (The Servites) is a religious family that embraces a membership of friars (priests and brothers), contemplative nuns, a congregation of active sisters and lay groups. History Foundation The Servites lead a community life in the tradition of the mendicant orders (such as the Dominicans and Franciscans). The Servite Order was founded in 1233 AD, when a group of cloth merchants of Florence, Italy, left their city, families and professions to retire outside the city on a mountain known as Monte Senario for a life of poverty and penance. These men are known as the Seven Holy Founders; they were canonized by Pope Leo XIII in 1888.[2] These seven were: Buonfiglio dei Monaldi (Bonfilius), Giovanni di Buonagiunta (Bonajuncta), Amadeus of the Amidei (Bartolomeus), Ricovero dei Lippi-Ugguccioni (Hugh), Benedetto dell' Antella (Manettus), Gherardino di Sostegno (Sostene), and Alessio de' Falconieri (Alexius). They belonged to seven patrician families of that city. As a reflection of the penitential spirit of the times, it had been the custom of these men to meet regularly as members of a religious society established in honor of Mary, the Amadeus of the Amidei (d. -
Narrative Representation and Ludic Rhetoric of Imperialism in Civilization 5
Narrative Representation and Ludic Rhetoric of Imperialism in Civilization 5 Masterarbeit im Fach English and American Literatures, Cultures, and Media der Philosophischen Fakultät der Christian-Albrechts-Universität zu Kiel vorgelegt von Malte Wendt Erstgutachter: Prof. Dr. Christian Huck Zweitgutachter: Tristan Emmanuel Kugland Kiel im März 2018 Table of contents 1 Introduction 1 2 Hypothesis 4 3 Methodology 5 3.1 Inclusions and exclusions 5 3.2 Structure 7 4 Relevant postcolonial concepts 10 5 Overview and categorization of Civilization 5 18 5.1 Premise and paths to victory 19 5.2 Basics on rules, mechanics, and interface 20 5.3 Categorization 23 6 Narratology: surface design 24 6.1 Paratexts and priming 25 6.1.1 Announcement trailer 25 6.1.2 Developer interview 26 6.1.3 Review and marketing 29 6.2 Civilizations and leaders 30 6.3 Universal terminology and visualizations 33 6.4 Natural, National, and World Wonders 36 6.5 Universal history and progress 39 6.6 User interface 40 7 Ludology: procedural rhetoric 43 7.1 Defining ludological terminology 43 7.2 Progress and the player element: the emperor's new toys 44 7.3 Unity and territory: the worth of a nation 48 7.4 Religion, Policies, and Ideology: one nation under God 51 7.5 Exploration and barbarians: into the heart of darkness 56 7.6 Resources, expansion, and exploitation: for gold, God, and glory 58 7.7 Collective memory and culture: look on my works 62 7.8 Cultural Victory and non-violent relations: the ballot 66 7.9 Domination Victory and war: the bullet 71 7.10 The Ex Nihilo Paradox: build like an Egyptian 73 7.11 The Designed Evolution Dilemma: me, the people 77 8 Conclusion and evaluation 79 Deutsche Zusammenfassung 83 Bibliography 87 1 Introduction “[V]ideo games – an important part of popular culture – mediate ideology, whether by default or design.” (Hayse, 2016:442) This thesis aims to uncover the imperialist and colonialist ideologies relayed in the video game Sid Meier's Civilization V (2K Games, 2010) (abbrev. -
Anno 2020', to Frescobaldi
Award ‘Cantina dell’anno 2020’, to Frescobaldi ”for its success in combining tradition with strategic vision and innovation, for its constant striving for excellence and uncompromising attention to detail. The family’s commitment to developing the unique qualities of each terroir and the professionalism of the Frescobaldi staff represent the best of Italy and its values to the world.” Gambero Rosso More info on www.frescobaldi.com 1000 years of history, 700 years of winemaking, The Frescobaldi family has been narrating the history of Tuscany for over one thousand years. Their wines were welcomed into the prestigious Renaissance and Papal Courts and the English court of Henry VIII. The Frescobaldi estates are situated in some of the best DOC and DOCG appellations. From Castello Pomino situated North-East of Florence along the slopes of the Tuscan-Emilian Apennines, to Castello Nipozzano in the heart of Chianti Rufina and Tenuta Castiglioni in Montespertoli. From the uniqueness of Tenuta Perano in the heart of Chianti Classico, Tenuta CastelGiocondo and Tenuta Luce in Montalcino to Tenuta Ammiraglia in the Maremma region and the icons Ornellaia and Masseto in Bolgheri. In addition, Attems in the Collio region of Friuli. Passion, commitment, and perseverance are just some of the qualities treasured and handed down along the thirty generations of the Frescobaldi Family. F l ig h ts Flight A new way to taste three different wines. Flights represent a new and original way to experience the magical world of our wines. They are an easy and fun way to taste three wines, each and aged in a different way, and all from different estates or regions.